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It’s been a tough summer, so I’m way behind on my recaps and reviews. As of this review, I now have 50 episodes left to finish for previous seasons, plus the 17 after this one for the final (15th) season that started on October 10. That’s 69 total by next April. I currently have 151 coffees at $3 each on Ko-Fi (many thanks to those who have contributed so far!). If I get 300 coffees total, I will commit to doing one recap/review per week (retro or Season 15). If I get 400 coffees, I will commit to two. If I get 500 coffees, three reviews. If I get 600 coffees, four reviews. If I get 700 coffees, five reviews per week.
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My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are up (with a few extras) on Kindle. The Kindle version is available through Amazon. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.
Scroll down to find links to all of my recaps and reviews of all seasons up to this point.
Recap: Boring recap with boring soundtrack music of the boring ghost apocalypse so far.
Cut to Now and two Hunters watching anxiously from a suburban street as the angry ghosts try Belphegor’s failing barrier. Meanwhile, TFW (consisting of Dean, Sam, Castiel, Belphegor and – most importantly – Rowena) is heading back out to the crypt where everyone got trapped at the beginning of the season. Which would be a nice bit of continuity, if Berens doesn’t promptly demonstrate he didn’t read the previous two episode scripts closely (if at all) when he has Sam say he sent some Hunters here and there and such to man the fort while they help Rowena strengthen the barrier.
Yeah. See, here’s the thing. You know what-all Dean’s been doing so far this season? Organizing the Hunters. Getting them to the town, setting up patrols, going out on patrols, checking up on missing Hunters who didn’t check in, getting attacked by errant ghosts. Know what Sam’s been doing? Well, pretty much everything but interact with the Hunters. That’s what Dean has been doing and since the Hunters have been mostly offscreen, that’s what Dean has been, too.
But nope. Not only does Berens just casually yank even that subplot away from Dean and hand it to Sam, giftwrapped, but we will see it used as a club against Dean in this very episode. It’s just … well, it’s substandard writing.
So, anyhoo, Rowena is all brimming with confidence about the spell, until she sets it up and it starts to work … until that moment when it totally doesn’t. Rowena falls down as the barrier continues to weaken and declares that they’re all screwed.
Cue title cards.
So, Sam is all solicitous to Rowena (and since when, Show? Even as late as last season, she was trying to kill him. Then there was that time a few seasons ago when he kidnapped her and held her prisoner as his pet witch). When Rowena insists she needs “a real drink,” Sam glares at Dean until Dean gives up his flask of booze. Because of course Berens wants to remind us that Dean is a drunk. I mean, yes, he is, but what’s the point in this exchange except to make him look bad?
Rowena says that the ghosts are too angry and too strong to be controlled. She might have been able to do something if she’d arrived earlier, but now it’s too late and they’re all gonna die when the barrier falls, in a matter of hours. When Dean suggests more crystals like the one she used last episode, Rowena says it would be “like tossing mousetraps at the Great Plague.”
Belphegor leaves, against Dean’s objections, and Castiel follows him out. Dean is angry, insisting there is still something they can do. Sam ostentatiously puts a hand out to forestall Dean’s anger. I roll my eyes.
Outside, Belphegor turns out to have a plan. He goes out to the rift where the CGI souls are exiting Hell (remember how all the doors of Hell opened? All of them? Not just this rift? Well, now it’s just this rift). He and Castiel look at it.
Dean is weaponing up and Sam tries to calm him down. Or something. Dean is angry with Chuck, but he’s determined not to let God win this time.
Back inside, Belphegor lays out his plan. It turns out that one way Lilith the demon (remember her? Seasons three and four?) had to control her demons was something called “Lilith’s Crook” (it will also be interchangeably called a “horn” because that’s what it really is, but hey, consistency’s for losers, amirite?). It was a weapon she could use to recall any and all of her demons (or any denizens of Hell). She never actually used it, and Crowley had other means to control his subjects (whom he hardly ever saw because he didn’t hang out in Hell much), but it’s still down there. They can use it to suck all the souls back inside.
Rowena, meanwhile, has invented a spell on the fly to heal the rift. The ingredients are simple, including lavender and an owl’s skull, among other things (“RIP Hedwig,” says Dean). She also needs an assistant and asks Sam to fill in. She claims he is basically a witch anyway (which is an extremely long callback to Ruby’s teachings to Sam, which he promptly forgot for seasons and seasons, but which Berens makes sound as though he’s awesome and special. Gag).
And, of course, there’s the job of being the “fulcrum” outside, unprotected, getting ready to toss the physical part of the spell into the rift to close it. Guess who gets volunteered? Yup. Dean.
Belphegor asks who is going to come with him as “protection.” Dean volunteers Castiel and points out that Castiel has been down there before (when he pulled Dean out of Hell beginning of season four, but we also know he was down there with Crowley in season six and then there was that time when the whole gang visited the Cage-Adjacent). Castiel isn’t thrilled by Dean’s offhand manner, and there’s a distinct chill between the two of them, but he can’t argue with Dean’s logic and goes along with it.
In a hospital fairly far away, Ketch wakes up in a bed. A nurse is talking to him as he tries to check himself out. Unfortunately for the nurse, when the doctor walks in, she’s possessed by a demon – Ardat. She TK-snaps the nurse’s neck.
She is not happy with Ketch, having hired him to find and kill Belphegor. Knowing this, he attacks her first. But she’s a demon and he’s weakened by his wounds. Also, he doesn’t have his usual toolkit ready at hand (it’s in the closet). Even though he does manage to kick her out into the hallway long enough to grab an angel blade, she overpowers him. She demands that he give up TFW and Belphegor, but he refuses. So, she rips out his heart and smiles. Death by Underwhelming Guest Demon. Bye, Ketch.
Back in the graveyard, as they head toward the rift, Belphegor points out to Castiel that if the rift closes, the angel will likely be stuck in Hell. Castiel says he’ll figure it out. But he looks doubtful as Belphegor points out further that no one in the rest of TFW looked very upset about his job.
A lot of fans zeroed in on Dean in this respect, but Sam and Rowena didn’t exactly step up and object, either. It’s all hands on deck and the odds of any of them making it out are pretty low at this point. I mean, Dean’s basically got the job of hanging out at the top of the rift, lobbing in a live grenade that could go off at any time.
But Castiel listens to this moldy old divisive demon dreck because the writing demands he hold the Idiot Ball this week, all episode, and Belphegor is basically telling him what he wants to hear.
When Castiel asks how to get down to Hell through the rift, Bephegor says he doesn’t know. So, Castiel shoves him in and jumps in after him.
The female Hunter from the teaser comes into the crypt with Rowena’s ingredients. I get that sneaking in past the ghosts would make one edgy and crabby, but it’s not a particularly good introduction for her to snipe at Rowena for being “rude” and downmouth TFW’s world-saving plan.
Especially stupid is the way she takes orders from Sam as her boss, when that hasn’t been Sam’s role this season. It’s been Dean’s.
At that moment, Dean gets a text from Ketch’s phone. It is, of course, Ardat, fishing for info and smiling evilly over a dead Ketch as she does so.
Castiel and Belphegor have found some stairs in Hell and descend them to a hallway full of monkish decor on their way to a large set of doors. Belphegor says he thinks Sam and Dean are starting to like him. Castiel begs to differ, but when Belphegor goads him a bit, he confesses that his big beef is that Belphegor is wearing Jack and that to Castiel, Belphegor is “an abomination” because “Jack was like a son to me.” Um … Castiel, honey, Jack was the abomination. Bephegor’s just a demon, doing what demons do.
So, they enter the room, which is being ransacked by another demon, who knows and is friendly with Belphegor. Castiel shoves him up against a wall and confirms with Belphegor that the new guy doesn’t have the Horn/Crook/whatever. So, he stabs the new demon.
Yeah. That’s a major problem with the past three episodes. Lots of one-shot characters with maybe two lines who suck up all the air time and get no development.
Anyhoo, Castiel and Belphegor locate the box, but it’s locked. The spell to open it is on the box, but it’s in Enochian. However, when Castiel reads it out loud, nothing happens. Belphegor tells him he has to sing it. Turns out Belphegor had a reason for bringing Castiel, after all.
Topside, Dean is getting into position behind a tombstone next to the rift. While wondering where Ketch is, and why everyone else is delaying, he pulls out a gigantic hex bag.
Things are going a bit pear-shaped elsewhere. Down in Hell, Ardat shows up just as Castiel gets the box open and knocks him out. Despite her monologuing about how she knew Belphegor would make a play for the crook/horn, or whatever the script is calling it at any given moment, and that he wants to rule Hell, she is strong enough to kick Belphegor and Castiel’s asses. At least, until Belphegor stabs her from behind. As Belphegor puts it, “Blah, blah, blah, she always was a talker.”
So, in an entirely predictable face-heel turn, Belphegor admits that he pulled a double-cross. The horn (it’s a ram’s horn) is a “siphon” (yet another freakin’ word for this thing). Belphegor intends to eat all the souls and become a sort of god. Well, we know how that all went with Godstiel in season seven, but if there’s one thing consistent about this show, it’s that Demons Are Definitely Stupid.
Belphegor starts blowing the horn and Castiel finds himself blasted back by a great wind. Upstairs, Sam is fretting about not being out where the action is, but gets his butt in gear when he hears the horn. He and Rowena start saying a spell in Latin to close the rift. Outside, by the rift, Dean sees ghosts being sucked back in. When the hex bag glows pink in his hand, he edges out from behind the tombstone and carefully tosses it into the rift.
Things then go exceedingly sideways and unfortunately, Castiel is the direct reason for it. In the worst possible bit of timing, he manages to tackle Belphegor, break the horn, and then smite the demon. There’s a moment when Belphegor tries to pretend that he’s Jack to get Castiel to stop, but remember, folks – Jack is in the Empty. He was never in Hell.
Castiel then proceeds to smite Belphegor into a charred corpse. The last time we saw this kind of overkill was when Jack killed Nick – you know, right before he also killed Mary. Not a good sign. Castiel looks devastated afterward, but it’s not clear whether he’s still just wallowing in grief over Jack or realizes how badly he’s screwed up now.
But Rowena, up top, knows. As Dean and Sam talk on the phone about the rift closing, but something being wrong, Rowena carves out her last “resurrection sachet.” When Sam notices what she’s doing, she explains that “magic can do anything” (but girl, you just said half an episode ago that it couldn’t – oh, never mind). She spouts some daft nonsense about how, if she dies, she can use her body to absorb the souls and take them back down to Hell. Or something. But she has to die for the spell to work and it seems, she has to do it permanently. And Sam has to kill her. She says it’s her prophecy.
As Rowena talks him into stabbing her (and she twists the knife), Castiel crawls out of the rift behind Dean and fills him in on why the plan down south went FUBAR. Dean isn’t thrilled, to say the least.
So, after she’s stabbed, Rowena starts walking slowly out of the crypt to the rift, sucking in souls through her wound as she goes. Once she’s done, she says, “Goodbye, boys!” and does an elegant swan song into the rift to a cheesy Irish flute. The rift closes behind her.
Afterward at the Bunker, Sam feels bad and Dean tries to cheer him up. Dean has been busy, making sure that the town stuff was wrapped up and confirms Ketch’s death. So, I guess that means Sam has been spending the commercial break wallowing. Super. Dean says it’s over and they’ve averted this last apocalypse. He tells Sam he “didn’t have a choice” about killing Rowena.
Out in the Library, Dean is drinking when Castiel shows up. Castiel says he’s sorry about Rowena. Dean gets mad at him and points out that Castiel’s response to Belphegor’s sudden and inevitable betrayal nearly got everyone killed. Rather than admit that he might have made the wrong decision, Castiel doubles down.
Castiel: The plan changed. Something went wrong. Something always goes wrong.
Dean: Yeah, why does that something always seem to be you?
I know I’m supposed to be all shocked and outraged at what Dean says (the scene’s writing and direction are certainly manipulative in that direction), but … well … he’s not wrong. When Castiel whines that his angelic powers are failing, that Dean no longer trusts him, won’t listen to him, and “no longer cares” about him, how is Dean supposed to respond?
It’s not as though Dean is anything but straightforward about why he’s angry – Castiel didn’t “stick to the plan” and now Rowena’s dead. What is incorrect in that statement? Dean’s not angry at Castiel for lacking sparkly powers. He’s angry with him for making lots of stupid decisions in a short amount of time that are getting people killed. Dean may have had, at best, an uneasy respect for Rowena, but Mary just died under similar circumstances. Of course he made that connection.
So, this being episode three of the season, rather than employing any self-examination, Castiel pisses off to wherever to do his own navel-gazing thing, whether or not Dean wants/needs him around or not. Only, this time, he tries to guilt-trip Dean into it being Dean driving him away, even though what Dean is actually doing is calling Castiel out on his poor decisions (Dean even asks Castiel where he’s going when Castiel leaves). Oh, Cas, bless your entitled, angelic little heart.
The show got a 0.3/2 and 1.24 million in audience, which was up from last week.
The preview and sneak peek for the next episode (an MOTW that is Jensen Ackles’ last directorial turn at bat for the show) are up.
Review: I have three major beefs with this episode. First, did Berens even read the first two scripts? I mean, it’s the conclusion of a three-parter, not an MOTW. So, why do we suddenly have Hunters kissing Sam’s ass and why have basically all the redshirts we would have missed if we blinked in the past two episodes been replaced by a woman we’ve never even seen before? Why is she all hero worshipping Sam when the only people who did that were the ones from the alt-SPNverse who got killed by alt-Michael last season?
Even more importantly, why was she ignoring Dean in favor of Sam when Dean was the one organizing all the Hunters earlier this season (you know, in the past two episodes of which this is the conclusion in the arc)? Does she not recognize her own boss? Why end this three-episode arc with the implication that Sam will lead Hunters? He mostly hangs out with Rowena for the episode inside a crypt and spent the previous two episodes moping over his new mytharc and trying to herd civilians away from the ghost danger zone (to which they were attracted like iron fillings-loaded lemmings).
This leads me to my second beef. Where the hell is Dean’s storyline this season? Show, it is the final season. Don’t think you can just ghost Dean and expect fans not to notice. They already have and boy, are some of them pissed.
The really sad thing is that Dean was actually doing quite a bit this episode, while Sam did hardly anything (even when he stabbed Rowena, she practically yanked the knife into herself with his hand on the blade). Yet, who got the play-by-play and inane in-show fan-cheering? Sam.
Who got a few perfunctory scenes that failed to acknowledge the bald truth of the situation that if Dean had died or otherwise been unable to throw the Big Honking Hex Bag into the Big Honking CGI Rocky Vulva, it wouldn’t have mattered what Sam or Rowena or Castiel or Belphegor did (well … aside from Belphegor wanting to be a ghost god). He was the link the ghosts should have been attacking. But there was no recognition in the story of that at all.
I need to see some actual Dean content this season or I’m just gonna start mentally checking out, right along with the asshole writers.
Then there is Sam. And there is Rowena. And since when are these two besties? Literally the last time we saw these two together last season, she was trying to murder him. Now, suddenly, he’s her apprentice? Say, what the hell?
And how gross is it, not only to fridge a female character to motivate a male character, but to have her get him to fridge her, with her friggin’ permission? Ew. Poor woman got fridged to service the manpain of both Sam and Castiel, neither of whom deserved that sacrifice.
Don’t get me started on the long, random stumble out to the rift, as she’s bleeding to death, to some really cheesy soundtrack music. Writers, this is a horror show on the CW, not an opera.
I’m pretty sure Bobo Berens has forgotten all about this, but when she got Sam to stab her by asking if he would let Dean die to save her (and he then got all stabbity), I immediately thought of Sam (in season 10) kidnapping Rowena, chaining her in a cellar, and forcing her to help him in his plan to take the Mark of Cain off Dean’s arm. Not only did we get Sam forcing Rowena’s cooperation and trying to kill Crowley (a plan that backfired disastrously on him when he only succeeded in burning off Crowley’s partial human cure instead), but he did it all behind Dean’s back and without Dean’s consent. And he ignored major red flags that it would cause a huge apocalypse (which it did), not because he wanted to save Dean, but because he wanted to keep Dean stuck to his side.
But now this season seems determined to skip over those pesky Jeremy Carver seasons where Sam was a dickhead (but at least made sense as a character and had actual growth) to return a fantasy version of season four (a version where Sam wasn’t turning into a major dickhead – sorry, going darkside). Except that now, all that effusive Tell from other characters about how awesome and important Sam is, is not just undercut by his ugly actions. It’s now backed up only by empty hot air as Sam sits around on his ass most of the time, fretting about joining Dean, who is largely offscreen and actually taking care of business. It doesn’t do either character any favors to have Sam’s storyline be all rapturous Tell and Dean’s all understated, perfunctory Show.
There were also ginormous plotholes. Most notably, if the ghosts were being sucked back inside, wasn’t Kevin sucked in, too? Why didn’t anybody worry about that? All those ghost and townspeople characters introduced and dropped the past two episodes? Yeah, don’t expect any closure on any redshirts. We’re too busy fridging Rowena and Ketch here. And don’t get me started on how cheap and unscary everything looks in bright sunlight rather than at night, as it should have been. We already did that rant last week.
Speaking of Ketch, I felt a bit bad about his death – until I remembered that he was the one who murdered Eileen using a dog whistle and an invisible Hell Hound. The Show wanted us to feel sorry for Ketch, but it also spent so much time keeping his motivations under wraps (to keep us guessing) that his 11th hour heroic heel-face turn came literally out of nowhere in terms of writing and foreshadowing.
It was therefore difficult not to notice the clumsy plotting where it was necessary to remove allies from the Brothers so that they wouldn’t proceed immediately in going after Chuck. So, the writers killed off Ketch, Rowena and Belphegor, had Castiel (once again, it’s like clockwork, I swear) go off in a multi-episode solo snit, and had the apocalypse apparently averted (however clumsily) so that the Brothers could go off on a few more last MOTW episodes.
Castiel really got on my last nerve this week. Look, the events leading up to (let alone immediately following) Mary’s death last season happened maybe a week ago in in-show time. Dean and Sam just barely burned their mother’s body, just barely watched Chuck kill her murderer, and have been fighting for their lives ever since.
Castiel wants to wallow incessantly in his grief over Jack, even to the point of buggering up TFW’s strategy to the point that Rowena had to sacrifice herself. Castiel. Got. Rowena. Killed. That’s what’s really fueling Dean’s anger this week. Yet, at the same time, he wants Dean to just “get over” Mary’s death in record time so that he can still hang out in the Bunker with the Winchesters and pretend he’s not a complete fuck-up.
I mean, yeah, all of TFW are powerful outcasts of some sort, but only one of them has been getting the others killed through sheer stupidity of late. It’s amazing how many female characters “misogynistic” Dean interacts with and who go on to have long, extended arcs on the show. And it’s funny how quickly similar female characters get killed off when they interact with “woke” Castiel and Sam.
The thing is that yes, Dean was cold when he “volunteered” Castiel to go down to Hell with Belphegor. But Dean was right (albeit succinct in the explanation) – as an angel who had been to the Pit before, Castiel was the best candidate to go, succeed and survive. And it’s not as though Dean was sitting pretty while Castiel did that. He had arguably the most important and dangerous job of them all.
Further, as Dean made painfully clear in the episode’s coda, everyone on TFW knew perfectly well that Belphegor was going to turn on them at some point (if anything, Dean telegraphed that a little too clearly to Belphegor). That’s why he sent Castiel as Belphegor’s minder. Not because he didn’t care or trust Castiel, but because he did trust Castiel.
And instead, Castiel let Belphegor into his head. Instead, he overkilled Belphegor in a way disturbingly reminiscent of how Jack killed Nick last season – right before he murdered Mary. Why? Because he wanted to believe what Belphegor said about Sam and Dean – especially Dean.
If Castiel can project his own anger and self-loathing onto Dean, then he won’t have to carry it, anymore. If he can blame Dean for not trusting him, he doesn’t have to blame himself for being untrustworthy. He doesn’t have to face that fact that he let a second-rate demon get into his head and get the drop on him, and that because of that, someone else died.
Now if the writing in the show were willing to acknowledge that this one is on Castiel and that he has to own up to it before he can move past it (“The Man Who Would Be King” in season six fairly leaps to mind as an excellent example), I’d be okay with this storyline. I mean, I wish the show weren’t wasting so much time in its final shortened season with stereotypically bitchy high school melodrama, but I’d appreciate the honesty of Castiel’s mistakes and see how they could lead to growth for the character.
But instead, Berens writes it like a teen girl BFF breakup and blames it on Dean. This blatant tongue bath for Destiel fans made that small part of the audience happy-sad, but it ruined Castiel as a character for large sections of the rest of the audience. You can’t prop up a character like that and not do some permanent damage to how the audience views them. “Ruined” is what Berens did to Castiel.
The Kripke Years
The Gamble Years
The Carver Years
The Dabb Years