We need your help!
Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee. You can still find my reviews here of North Carolina ghost story books, and notes about my folklore research on Patreon.
My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through Amazon and is on sale through this Friday. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.
Scroll down to find links to all of my recaps and reviews of all seasons up to this point.
[spoilers ahoy for several seasons]
Tagline: Castiel is trying to fit into “normal” society as a newly minted human, with Dean’s help (yeah … I know), but this is complicated by the arrival of another fallen angel with a unique and deadly power. Meanwhile, Sam and Kevin try to get info about the Angel Tablet out of Crowley.
Recap: Recap of the season so far, with angels recruiting sleazy evangelicals to get hosts, Castiel becoming human, the resurrection and ascendance of Abaddon, Crowley being captured and turned partially human during the Trials in season eight, and Dean being forced by “Ezekiel” to make Castiel leave the Bunker, lest Castiel recognize him as an angel.
Cut to Rexford, Idaho at night. A man inside a shack is hanging up on a woman at a suicide hotline center. He goes to the drawer and gets out a gun. But when he sees a photo of a woman with a child on the mantel, he can’t do it. He puts down the gun.
He hears a noise and turns around. A shadowy man in a long coat, with a cross earring, enters the room. The first man thinks the hotline people sent him, but the second man only says, “You did.” He raises his hand over the other man’s head and a pink glow lights the first man’s face. As he screams, there’s an explosion and blood spatter covers the windows.
Cue burning angel wings season nine title cards.
Cut to daytime at a quickie mart (the Gas n’ Sip) where Castiel is working. He’s closely observing two dudebros making coffee, discussing sports, and high-fiving each other over tossing their coffee stirrers into the trash. He tries to imitate them. Predictably, this doesn’t go very well.
The newspaper delivery guy comes in and leaves, and then an attractive blonde woman who appears to be Castiel’s co-worker or supervisor comes in late (yes. the red lights frequently conspire against me, too). She appears to flirt with Castiel a bit (or at least, compliment him on his work ethic a whole lot) and Castiel is charmed.
After she goes into the back of the store, Castiel takes out the newspapers. The main headline shows a photo of Doomed Teaser Guy, who is “presumed dead” and is the fourth such disappearance that week. Hmm, could be a job for the Winchesters.
Cut to the Bunker, where Kevin the Prophet has had a breakthrough … of sorts. He’s trying to translate the Angel Tablet, but so far, he’s only been able to do so into an extinct language called “Elamite” (a pre-Alexandrian language “isolate” from southwestern Iran). And he’s only been able to determine one phrase, “falling angels.”
Dean is all “ugh” about having to read 24 volumes of an encyclopedia about dead languages, so guess how thrilled he is when Castiel calls him. Castiel is trying to fix a slushie machine, which is overflowing on him, when he calls, so he only gets out the basics before he hangs up. This is quite enough for Dean to pack up and head his way, acting shady with Sam about why Castiel left the Bunker in the first place and snarky with Kevin, who whines that Dean is “bailing on doing research.” Kevin, honey, that’s kinda your job, anyway.
At the quickie mart, Castiel is trying to hide from his boss that he’s basically homeless and not doing a very good job of it. Poor Castiel. He’s pretty awkward as a human, isn’t he? He’s going by the name of “Steve,” by the way.
She then appears to ask him over to her house for a date for the next night. Castiel says yes, but is rather confused by the request and goes back to trying to fix the HVAC in the ceiling.
Dean is on the scene, playing a cop and talking to the sheriff. The sheriff fills him in, first of all, that the “missing” people are all now confirmed dead. He tells him about DTG, who was chronically suicidal, a woman before him who had agoraphobia, and a married couple before that who were a slow-burning, acrimonious murder-suicide waiting to happen. All people who were very unhappy and had been for a long time.
After putting on some booties and gloves, Dean enters the house with the sheriff to find CSI people scraping a pink mist off of … well, everything. The sheriff says that if the tests come back like the previous crime scenes, it will turn out to be disintegrated human. Not just blood, but organs, skin, bone, even the clothes they were wearing. Neighbors were only able to report that they saw “a pink flash.” So, probably not suicide, unless these victims found the most novel way to check out, ever.
Dean calls the Bunker, where Sam tells him he and Kevin have nearly finished reading through the encyclopedia. Unfortunately, it didn’t tell them anything useful. Dean suggests they talk to Crowley (who is currently chained up in the dungeon), but not let him Hannibal Lecter them into any stupid deals.
Dean fills Sam in on the case, saying he has yet to find any EMF or sulfur, or anything else “normally” supernatural. Sam suggests spontaneous combustion, perhaps even the Nazi Thule, but Dean says the bodies were “vaporized” not burned.
Concerned, Sam suggests he should go out and back Dean up, but Dean quickly shuts that down, saying everything is fine. After he hangs up, he watches Castiel from the parking lot. He looks pensive.
Cut to a young girl walking out of a high school behind a bus. In tears, she tells a friend on the phone about how her dirtbag of a boyfriend just dumped her, publicly, in the cafeteria. At one point, she says, “I could just die!”
The shadowy man (no longer shadowy) from the teaser touches her shoulder, startling her, and says, “I can help with that.” As she screams, he raises his hand over her head and disintegrates her in a pink light.
Back at the quickie mart, Castiel is wishing a middle-aged woman luck on her lottery ticket with a little too much solicitude. He’s surprised and discomfited to see Dean next in line. Dean points out that Castiel called him.
Castiel insists that he is doing just fine as a “sales associate” at the quickie mart. He gets a little salty about Dean having asked him to leave the Bunker when Dean snarks a bit about his new job. Understandable, but Dean is also right that Castiel called him. There’s a Hunt afoot.
In the Bunker dungeon, Crowley is trying to deal. He claims he can read Elamite, but what’s in it for him? Sam tries to appeal to Crowley’s new-found humanity from his blessed blood cure at the end of season eight. Crowley’s not too impressed and snarks back at him.
Sam drops the compassionate act and cuts to the chase. He says that the only reason they’ve kept Crowley is alive is because Dean thought he might be “useful.” If that’s not going to be true, they might as well give him to Abaddon.
Pricked, Crowley asks for the paper with Kevin’s notes, but then he crumples it up and tosses in Sam’s face. So, Sam locks him up again and leaves.
At the quickie mart, Castiel is trying to explain to Dean how much more fulfilled he feels as a human sales associate than he was as a “failed” angel. Dean’s not buying it. When Castiel’s boss, Nora, tells him there’s a clean-up in the men’s room, she also mentions their “date” and Dean realizes Castiel is sweet on her. Dean snarks about his own propensity for strippers (since we’ve seen multiple times that he doesn’t actually pay to go with prostitutes), but seems to think it’s sweet.
Dean then gets a call and it’s about the Tragic High Schooler. He suggests Castiel come along. Castiel refuses at first, pointing out that he has no powers. Dean points out that he’s never had powers (oh, my, is this actual foreshadowing?) and calls Castiel a “Hunter-in-Training” when Castiel points out Dean is better qualified due to being a Hunter. Castiel then says that Dean said he “sucked” at Hunting the last time they went. Dean demurs, saying he said “there was room for improvement.”
The upshot is that Castiel agrees to go because his shift ends in five minutes and his date isn’t until seven, but first, he must clean the men’s room.
At the scene, Dean does a double-take at the pink mist on the bus and goes to interview the dead girl’s friend. Seems the friend was in the cafeteria when the incident occurred and found out when everyone rushed to look out the window.
It takes a little coaxing (and some odd attitude from her, considering it’s not actually a strange question from a cop) from Dean to get out of her that the girl had been upset over getting dumped and therefore, “bummed.”
Dean leaves her to go find Castiel, who has had a horrified revelation looking at the pink spatter and is bending over the Impala nearby, looking sick.
Castiel tells Dean he knows what happened. The killer was a type of angel called a Rit Zien (“hands of mercy” in Enochian). This is a type of battle medic angel that can heal other angels. But if the Rit Zien can’t heal, he/she will mercy kill.
Castiel notes that Rit Zien “hone in on pain” and speculates that this one is killing humans who are suffering now that he is stuck on Earth. When Dean points out that the teenage girl was only momentarily upset, Castiel replies that the Rit Zien can’t (or just doesn’t) differentiate between temporary and long-term suffering.
Dean says they have to take out the Rit Zien, to stop his killing spree. Castiel says he can’t go along. Dean realizes Castiel is “scared” and also realizes that now Castiel is human, he feels helpless against the other angels. Dean gently tells Castiel to go on his date and live happily as a human. Castiel asks him to drive him back to the quickie mart because he doesn’t have a car.
At the Bunker, Crowley is starting to cave. He agrees to help, but he wants to make a call. To Abaddon in Hell. Sam and Kevin debate whether to allow it. Kevin’s against it, thinking Crowley will team up with Abaddon, but Sam thinks (probably correctly) that those two hate each other too much.
But first, they want to make sure Crowley can do what he claims he can do. They give him one paper of signs, which Crowley identifies as ingredients for a spell. He correctly identifies them as the ingredients for the spell Metatron used to cast the angels from Heaven. So, he’s legit. But he won’t go any further until he gets his phone call.
That night, Dean drives Castiel to his date with Nora. Dean insists Castiel prepare at least a little for it, getting him to lose his quickie mart vest and undo a few buttons on his white shirt. Dean then tells him to always open the car door for her, ask her a lot of questions (“because they like that”) and if the woman insists on going Dutch (i.e., paying her own way), “they’re lying.”
Dean then watches Castiel go up to the door (calling Castiel cutting a rose from her own bush a “nice touch”) and then drives away. But not before Baby is cut off by an old pickup truck pulling up and nearly backing into her.
This is an early Robert Berens script, his first. Unfortunately, it’s pretty obviously written by a guy and Berens writes Dean as more of a horndog than he normally is. It’s about to get worse.
Because once Castiel gets inside, he finds out Nora didn’t ask him out on a date. She asked him to babysit.
Now, single moms are usually pretty damned clear about whether they are asking a man to babysit or go on a date. Really. And Nora was not clear before. She made it sound like a date. A supposedly caring mother like Nora would not create such a misunderstanding and then leave her baby daughter with a guy she barely knows so she can go out with some other guy. It really undercuts Nora’s characterization so far and is a tiny bit misogynistic. Not cool, Berens. Not cool at all.
It doesn’t help that before she leaves, she tells him that the baby will sleep just fine, but then the baby starts crying. It’s not Baby’s fault – turns out she’s sick. Nora didn’t see that? Hmm.
Anyhoo, Castiel is able to calm the baby by rocking her and singing the theme to 80s show The Greatest American Hero (“Believe It Or Not”). Pretty cool, though also random. It’s never explained how pop culture- naive Castiel knew the song.
On the road, Dean gets a phone call and a very important bit of information from the sheriff – when they analyzed the DNA on the dead couple (the first victims), it turns out that they only found the wife’s DNA.
“The husband’s still out there,” Dean says, hanging up. He’s the vessel for the Rit Zien.
Back at the Bunker, Crowley demands that they use Kevin’s blood instead of Sam’s for the call, claiming that he’s already had Sam’s and wants to try something different. Kevin balks at first (because he still believes at this point that Crowley murdered his mother, on top of all the other horrid things Crowley did to him last season), but then abruptly agrees. Of course, this removes the concern about anyone realizing Sam has an angel inside him, which only Dean knows at this point.
However, when Crowley makes the call, he’s put on hold.
At the Sheriff’s Office, the sheriff explains that the husband was a religious nut who was obsessed with Buddy Boyle (the preacher in cahoots with a cadre of fallen angels this season), while his wife was “a hardcore atheist.” This pushed the marriage over the edge as her husband kept incessantly proselytizing her.
Dean gets a shock when he finds a photo of the couple in front of the husband’s truck, which is the same one that was blocking him when he was leaving Castiel off at Nora’s. He hurries back to the house.
Castiel commiserates with the baby on being a new human, but then realizes she’s feverish. He leaves a call on Nora’s cell phone before deciding he needs to take the baby to the hospital. But as he starts to leave, the Rit Zien shows up and blocks him from doing so.
Castiel calls the Rit Zien “Ephraim.” Ephraim is younger than Castiel and looked up to him in Heaven. But here on earth, Ephraim is obsessed with “cleansing” it of suffering – which means killing his way though the human population, basically. Castiel won’t let him pass to hurt the baby, but Ephraim says he’s actually there for Castiel.
In the Bunker, Sam is growing impatient, while Crowley is angry and humiliated at this obvious show of how much power he’s lost to Abaddon. He refuses to give up on his quest and, at the last minute, Abaddon calls back. We get a quick cut to her in an alleyway with a large knife and a very dead guy with a cut throat nearby (for the “call,” which requires blood in a chalice).
While talking to Ephraim, Castiel strips the thorns off the rose he picked before, cutting his hand and making a banishing sigil when Ephraim backs him up against a door. Ephraim goes on a big old rant about how earth is full of suffering and he has to stop it. When Castiel tries to tell him that earth is more complicated than Heaven, Ephraim says that Castiel is more in need of his services than he’d thought, that Castiel is hiding from giving aid to the other angels and that he’s had more failures than successes. It’s … well, it’s a rather tedious and disjointed rant, full of pride and madness.
Unfortunately, he catches Castiel in the middle of trying to slap the banishing sigil and tosses him across the room. Then continues to monologue. Ugh. Dean busts in with an angel blade, but gets slammed into a wall.
Abaddon’s conversation with Crowley is more fun. She horrifies him by telling him she managed to double his “projections” on souls reaped into Hell. How? She called in his CRD deals early. As far as she’s concerned, Crowley is just a “kennel dog” now, the “Winchester’s bitch.” She doesn’t care when Crowley tells her it will all “backfire” on her. She wants to watch it all burn.
Crowley abruptly ends the call by pushing the bowl away. Then he asks for the symbols, saying he keeps his bargains (implying that Abaddon doesn’t). When he reads out the spell and comes to the end, he brings up one big wrinkle – the spell is irreversible. They can’t put the angel genies back in the Heaven bottle.
At Nora’s house, Dean slowly comes to as Ephraim is getting ready to kill Castiel. Ephraim’s big beef with Castiel is that Castiel is choosing to be human, which means he must have already “given up.”
“You chose death,” Ephraim says, raising his glowing hand, just as a groggy Dean tosses the angel blade to Castiel, who stabs Ephraim, killing him. O the irony.
Afterward, Castiel apologizes to Nora for “overreacting” about her baby’s fever, that “a friend” (i.e., Dean) gave him a tip about using low-dose Acetominophen (um … you’d still need to go to the doctor or at least contact the parent about giving a baby drugs). Nora tells him the date didn’t work out, anyway, and that “the part that ‘overreacted’ is the part that makes you special.” Damn, Nora, you sure have a low opinion of men.
Castiel comes out to the Impala, looking sad. When Dean asks him where he wants to go, Castiel just looks even more morose and gets in the car. Dean looks taken aback.
Dean is upset when Sam calls him and tells him Metatron’s spell is irreversible. Surely, Crowley is lying. But Sam doesn’t think so. Yeah, that’s not depressing, or anything.
As he’s washing out the summoning bowl they used to call Abaddon, Sam realizes that one of the vials of Kevin’s blood is missing. Going down to the dungeon, he sees Crowley injecting himself with it. Crowley’s now hooked on human blood.
Dean takes Castiel back to the quickie mart. He apologizes for telling Castiel he had to leave the Bunker. Dean compliments him for “adapting” to human life.
Castiel thanks him, but worries about what Ephraim said about helping the angels. Rather than tell him the spell is irreversible (which is partly on Castiel for being fooled by Metatron last season), Dean spares him by saying that the angels aren’t his job to save, anymore. He’s human now. Dean and Sam will take care of it (the irony that Dean and Sam are human – okay, mostly – is glossed over a bit here).
Castiel goes into the quickie mart to open it up for the day. On the TV, an announcer is talking about the “meteor shower” that’s still puzzling everyone. Castiel looks sad and pensive as he stares out the window.
Review: I didn’t much care for this one when it first came out. I found it forgettable and mildly annoying. It’s a bit better on rewatch, especially knowing what came later in the season, but a lot of the same writing problems remain.
This was an early script by Robert Berens when he first came to the show (his first of three for the season) and that’s pretty obvious. While some of the plot points about the Rit Zien are intriguing (particularly the battlefield medic aspect), they are shallowly introduced in a perfunctory, paint-by-numbers manner and never mentioned on the show again.
That MOTW never quite comes alive, despite a relatively high body count (and some very creepy, if understated, kill scenes). It quickly becomes impossible to empathize, either with the angel or his inhabiting human, after it turns out he said yes to an angel who then used his body to murder his wife, an atheist whom he had been emotionally abusing with religious fundamentalist beliefs. Yikes, that’s bleak.
The main performance is a bit underwhelming, too, but Ashton Holmes doesn’t get anything to do but rant disjointedly on the same two or three themes, anyway. And he barely gets any scenes. Tough for an actor to stand out under such conditions.
The main focus of the A story, of course, is on Castiel and how he is adjusting to being a human. I found it dull on first watch and depressing on recap rebound. Castiel is clearly unhappy with being human (and let’s face it, what we see of his human life sucks spectacularly in a stereotypical Rust Belt way).
His central conflict is also weakened by his being fully human. A large part of Castiel’s character conflict stems from his attempts to balance his perceived (and enforced) responsibilities to his heavenly kin with his newly found obligations to humankind, as evinced by his devotion to one specific human – Dean. Making him fully human takes away a lot of that tension and having other angels want to kill him doesn’t bring the stakes back up.
The flipping of tables from Castiel being the supernatural creature to human Dean, to Castiel being the human in the relationship and Dean being the supernaturally influenced, not-so-human-now Hunter who has to save Castiel from supernatural threats has potential. But aside from a few sad-sack exchanges between Castiel and a guilt-ridden Dean, the episode doesn’t explore this at all. And experience with the rest of the season tells me this is about as much as we’ll get. They will pull the trigger on not-so-human Hunter Dean down the road, but Castiel won’t be the same human character he is in this episode by then. That renders a lot of this episode’s conflict moot.
I also didn’t like the way the episode used his new-found human status to woobie Castiel. It’s not just that the show has always pulled this emotional and metaphorical switcheroo when it comes to humans and the supernatural. The Tell is that being human is a great thing and humans are special snowflakes of the SPNverse. But it doesn’t match the Show that humans are basically cannon fodder and food sources for the larger supernatural side of things. Humans don’t rate highly on the SPNverse ladder at all.
So, any episode that praises a supernatural creature becoming human as an upgrade in SPNverse status is a bit of an eye-roller. It only works with a demon like Crowley, since demons and most monsters are ex-humans and therefore actually lower in status than living humans. For the rest, not so much.
About the only thing humans get to do is go to Heaven at the end of their lives – assuming their souls don’t get demonized, monsterized, angry-ghostized, or eaten, first – where they are warehoused for eternity in their nicest memories. It’s not nearly as bleak as The Good Place ‘verse at this point, but the show’s hardly the rousing hurrah for humanity it claims to be.
But the real problem is that the episode has Dean feeling guilty about pushing Castiel out of the Bunker (at “Ezekiel”‘s insistence) and kicks Dean in the head for it, when Castiel’s being human has nothing to do with Dean’s choices, good or bad. The episode even touches (pretty hard) on the fact that Castiel feels responsible for the angels falling because he is responsible. Or at least partially responsible. Metatron tricked him into helping to create the spell that threw all the angels (except for Metraton) out of Heaven. That’s why Castiel is human in the first place.
Castiel’s becoming human has nothing to do with Dean expelling him from the Bunker (a bit like God expelling Adam and Eve from Paradise, innit?). It has everything to do with Castiel’s poor choices (which Dean even warned Castiel not to make last season).
In addition, Castiel has spent the entire episode moping about how he can’t be around angels because he’s afraid of them now and he’s poison to them. And he has a point (which Dean knows full well is true). So far, every encounter he’s had with angels this season has gone horribly awry. Not only have (what, four, now?) angels tried to kill him since he turned human, but in the process, they have all ended up dead. And it’s not as though there are tons and tons of angels out there in the first place.
It doesn’t help that out of the four angels who’ve attacked Castiel to this point, he’s ended up killing three of them personally (Dean killed the two Reapers). Yes, it was self-defense, but still. Castiel helped create a situation that nearly destroyed his people and also led to his becoming human, but also resulted in it being dangerous, for him, to be around angels.
So, even if Dean thought he could persuade “Ezekiel” to relent and let Castiel back into the Bunker, he couldn’t guarantee Castiel’s safety around “Ezekiel.” And if he warned Castiel about “Ezekiel” on the lowdown, Castiel would feel too uncomfortable about being around another angel to stay. So, there was no way for Dean to get Castiel back to the Bunker and have everyone be/feel safe.
Also, while it definitely looked harsh to Castiel that Dean had cast him out (and it appeared in the story, at least on the surface, that Dean had chosen Sam over Castiel), the more complicated reality is that Castiel put himself into this position of great danger (and harmed his own people) by working with/being duped by Metatron. There is a further angelic irony coming down the road that partially exonerates Castiel, but we’ll leave that one for a near-future review.
This makes more understandable why some fans of Dean would argue that Berens at least started out bashing Dean a tad gratuitously to make Castiel look better. This becomes even clearer when we look at the character of Nora, who also gets thrown under the bus to make Castiel look … well, not so creepy, I guess.
Nora is a classic case of dudebro writing. In simplest terms, it’s how guys frequently write women because they’ve never been women and how women often write women when they’ve internalized misogyny so much in a male-dominated field that they pitch mainly to an audience of men.
Think of the second part of the film, Death Proof. Now, Death Proof has a whole lot of issues with the way the female characters are written (and Tarantino doesn’t write dialogue for women nearly as well as he and his fanboys think he does). The one that stuck out for me, though, was in the second part when the second group of women leave one of their buds (who is passed out drunk) alone with a creepy mechanic who clearly has unpleasant designs on her person.
One could certainly argue that groups of women abandon each other to worse fates all the time and that’s true. But when they do, it’s intentional. They know perfectly well what they’re doing. We women are taught from a young age to be acutely aware of sexual threat in our surroundings. This is because society (and I’m talking globally, here) has a gnarly way of always managing to blame us if we get attacked (amirite, girls?). Men aren’t aware in the same way because they aren’t raised with the idea that someday, they may just “tempt” some member of the opposite gender to rape them – and that it will be all their fault.
So, the reason that scene made me go “Nahhh” wasn’t because the other girls left her to go test the car. It was because they didn’t even give it much thought. A real group of women, written by a woman aiming at a female audience, would have given that decision some serious thought, with dialogue to match.
Nora is a similar “Nahh” character. Not only is she a single mother, but she’s an attractive woman, still relatively young. Further, she spends a lot of time complaining to Castiel about how men are constantly hitting on her and seeing her only for her looks, by way of talking about how he’s “different.” So, it’s not as though she’s unaware of sexual threat in her surroundings. Seems to me she’s very aware.
Such a character would therefore be very, very clear about her intentions and boundaries around men, especially regarding inviting them to her house at night. That goes double for asking them to babysit a baby and triple for the baby being a daughter (sadly, some pedophiles prefer little girls that little). If Nora were a loving and conscientious mother, which most signs in the episode point to her being, she would never ask a guy, employee or otherwise, to babysit for her and make it sound like a date. Yet, in the episode’s dialogue, she is very unclear. And that made me go “Nahhh.”
I mean, I get why Nora doesn’t want to ask Castiel out, regardless of how nice she really thinks he is. He works for her. Dating him is totally inappropriate, probably against company rules, and would be a pretty big power imbalance on her part, considering she could fire him if it ended badly.
Then again, that’s also a good reason why she shouldn’t have him babysit for her, either. He may well risk his job by refusing, especially with Castiel not understanding the gray areas of consent in human interactions. He’s used to situations where you follow orders or you end up a pile of cinders on the floor.
But instead, Berens plays this as Nora friendzoning Castiel (which is a pretty misogynistic view of poor Nora) and then segues into Dean allegedly giving Castiel condescendingly chauvinistic advice. Except that Dean’s advice is really just “Treat her like a lady” and giving Castiel basic guidelines to follow (Dean knows from the whorehouse visit in season five how clueless Castiel is about dating rules). Even allowing for the outtakes in which Jensen Ackles got quite dirty in a (successful) attempt to make Misha Collins laugh, Dean’s not demeaning Nora. The writing is, through the entire set-up and humiliating downbeat payoff for Castiel. But Dean, as a character, gets made the scapegoat for it.
So, yeah, Berens didn’t start out well in this department and fans did notice.
Finally, let’s wrap up with the B story about Sam and Kevin dealing with Crowley and Abaddon. Now, I get that they needed something to do. Sam certainly couldn’t be left without a story all episode. Even so, it felt stuffed into an A story that both lagged and felt underwritten.
It’s too bad because Crowley got some nice lines and there was quite the tense confrontation between him and Abaddon. They could have done an entire episode on this cat-and-mouse game.
It’s probable at this point in the show that only Crowley was in denial about how little power he had left and how Abaddon saw him as no competition at all. But he still needed the wake-up call. So to speak. Also, Abaddon crackled with menace in her every scene, including this one. No redemption storyline for that Evil Queen.
I’d forgotten how irritating Kevin’s Nervous Little Dog shtick could be. It’s kind of a shame they never let him grow out of it, since Osric Chau could have done a lot more layers with the character. Ah, well.
Sam was a little confusing, albeit it was nice to see Smart!Sam, no chaser all episode. The resolution of this B plot was that Metatron’s spell was irreversible and then everybody just sort of moved on with that. But in light of the fact that Ezekiel was inside Sam, watching the whole time, can we be sure that was true? Unfortunately, we never found out because Berens completely ignored that bit of possible subtext. Sam was all Sam this week.
All in all, not the best freshman script ever on the show.
Dean [to Sam about talking to Crowley]: Just be careful. Don’t fall for any of his “Quid pro quo” crap.
Dean: So, you went from heavenly battles to nuking taquitos.
Castiel: Nachos, too.
Sam [to Crowley]: Our last encounter with Abaddon, she was pretty terrifying. Scarier than you’ve been in years.
The Kripke Years
The Gamble Years
The Carver Years
The Dabb Years