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It’s been a tough summer, so I’m way behind on my recaps and reviews. As of this review, I now have 48 episodes left to finish for previous seasons, plus the 15 after this one for the final (15th) season that started on October 10. That’s 64 total by next April. I currently have 151 coffees at $3 each on Ko-Fi (many thanks to those who have contributed so far!). If I get 300 coffees total, I will commit to doing one recap/review per week (retro or Season 15). If I get 400 coffees, I will commit to two. If I get 500 coffees, three reviews. If I get 600 coffees, four reviews. If I get 700 coffees, five reviews per week.
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My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are up (with a few extras) on Kindle. The Kindle version is available through Amazon. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.
Scroll down to find links to all of my recaps and reviews of all seasons up to this point.
Recap: Recap of the season so far, beginning with a quickie two-shot of Sam’s dream about killing Dean that was probably as long as the showrunners originally wanted it to be, ending with Castiel flouncing offstage for a few episodes.
Cut to Now. Three young women, all blonde and all affluent, are sitting inside a large tent. For some bizarre reason, they are dressed like a bunch of aged-out Girl Scouts on safari (one wears a floppy hat that’s shaped like a pith helmet), even though the caption reads that they are in Black Forest, Colorado. They are celebrating 11 years of annual camping trips and that this is their last one, since they are graduating from college and about to go their separate ways. Two of them (the two who keep sniping at each other) have jobs. The third, named Ashley, was only able to manage driving Uber, as some direct result of her getting a Philosophy degree. I shall check my snark on some white dudebro in Hollywood writing condescendingly about educational and financial decisions young women make. Suffice it to say that it’s not a good look for TV writers.
Anyhoo, after sampling some of her friends’ spiced rum, Ashley hears a rustling of bushes in the forest, but she’s the only one alarmed by it. The friend who mocked her degree before goes outside to get more rum. But a moment later, she screams and there’s a rushing noise on the soundtrack. Pith Helmet Girl calls her name (Julie), but there’s no answer. Against Ashley’s wordless protest, PHG goes to the tent flap to zip it closed. But she’s yanked out, with a scream, before she can. Ashley belts out her own scream.
Cue title cards.
Cut to the Bunker, where Sam is walking around with a saltgun and looking in bemusement at the number of unanswered texts he’s sent to Castiel (calling him ‘Cass’). Dean come in from a supply run having made a wonderful discovery – ghost pepper jerky. It only takes a few chews (and some barely suppressed amusement from Sam, who did try to warn him) before Dean realizes his horrible mistake. In the meantime (while Dean’s eyes are watering, and he’s gagging and sucking down water), Sam confirms that the three victims for their new hunt (with the Doomed Teaser Gals) has gone up to five. So, there are new victims out in them thar Colorado woods.
After Dean dashes off to the bathroom to throw up, we cut to a view of the Bunker corridors and then to Sam in a white suit (i.e., Samifer) sitting at the table in the Library. Dean, wearing his season five blue jacket, comes up behind him with the Colt. Saying “Please forgive me” (to which Samifer smiles coldly), Dean cocks the gun and shoots his brother in the back of the head. But Samifer quickly heals ( Dean should have known from season five, already) and lifts his head. Saying “Did you really think that would work? Poor, faithful Dean, we both knew it had to end this way,” he makes Dean spontaneously combust, while basking in the flames.
This turns out to be another nightmare, from which Sam wakes up in the Impala. Dean is driving (they’re on their way to Colorado). Dean asks him to tell him about it, but Sam demurs. Yes, Sam is still lying to Dean about his dreams.
They arrive in daylight and it turns out Dean has a different idea than their usual FBI suits – Fish and Wildlife, with some very old IDs for Ford and Hamill. The sheriff thinks Dean looks old for his ID (which is eye-rolling, since Jared Padalecki has changed much more significantly as he’s aged than Jensen Ackles, albeit Ackles’ voice has “aged” much more). She’s played by the same actress who played Tara the Hunter in season nine’s “First Born,” so I guess that’s final confirmation of Tara’s death. That sucks. I liked Tara. Always kinda hoped she’d somehow managed to survive. And I just retro-reviewed that episode, so it’s still fresh.
The sheriff tells them she thinks it’s a person, not an animal, who’s actually done the attacks because it ate the hearts of the two dead girls (we never find out anything about the other two dead people who were supposedly part of the body count). There’s only one survivor so far – Ashley from the teaser.
Her full name is Ashley Munroe and she’s still in the hospital, with a huge scratch down one side of her face, when the Brothers interview her. Sam asks her if she remembers anything. She has a flashback to running through the woods, being chased by a guy in red flannel, but is too afraid to speak in front of the male nurse. Sam has the nurse talk to him outside, while Dean interviews her alone.
Dean reassures her that “whatever you saw, we’ll believe you.” After a rather short amount of time, she admits that she was attacked by a man, but that this man was a “monster” with big teeth and claws (another flashback) that gave her the scratch and warned her to keep quiet. She begs him for protection. Dean confirms this monster as a werewolf and tells her that monsters are real. Holding her hand, he gives her The Talk and reassures her that everything will be all right. I am more confused by why he’s not checking her for bites with silver.
Dean and Sam consult in the hallway, where Dean fills Sam in. He also has a name – Andy May. Sam points out that it wasn’t a full moon (oh, Show, you decided to remember that bit of lore after ignoring it for so long?). Dean says Andy could be a Pureblood (and ergo, could turn at any time). Sam goes to get the address. Dean turns and looks through the window into Ashley’s room, where she looks terrified and cries to herself.
The Brothers roll up to a rustic cabin in the woods, in broad daylight, still dressed like Duck Dynasty rejects. Sam says Andy lives there with his brother Josh. Oh, look, everybody – blatant MOTW parallels to our lead characters.
So, the guy in the button-down shirt who answers claims he’s not Andy, but that the guy in the pullover white sweater is. Not-Andy is taller and hostile, and keeps throwing the Winchesters shade (including making a snarky age joke about Dean’s ID). This must be Josh. Andy is overly solicitous and helpful, in stark contrast to his brother. Both of them react to Ashley’s photo on Sam’s phone (nice way of outing her to the monsters, Sam), which Dean watches closely. Sam tries to get them to write down their phone number on his notepad, using a silver pen, and Josh recoils. Not very subtle, these two.
After Josh abruptly ends the conversation and practically shuts the door in their faces, Dean suggests to Sam that they shoot both werewolves right then and there. It’s a thought, at that. Would be a shorter episode, anyway.
As the Winchesters go to the Impala and drive away, Josh nervously watches them go. He berates Andy for babbling (and letting Ashley go), but Andy points out they wouldn’t be in this predicament if Josh hadn’t killed the other two girls. Apparently, Josh has been spiraling since their dad (also a werewolf, it seems) died. Josh manages to turn this around on Andy by saying they have to kill Ashley, now.
Just a note – Josh is significantly taller than his brother. Also the older one. Apparently.
That night at the Sleepy Bear Inn, the Winchesters are letting Ashley (who has checked out of the hospital) into their room. Dean offers to let her sleep there for the night, while they take another room next door. Dean’s plan is to go back to the cabin and off the two werewolf brothers before they can get up to any more heart-eating shenanigans. Sam frets that the hunt has been too “easy” so far, which Dean shrugs off.
Ashley throws a spanner in the works, though, when she asks Dean to watch over her until she falls asleep. Dean looks surprised, even chagrined, by the request, but agrees.
Speaking of “easy,” the werewolf brothers are staking out the motel in their rusty pickup. Despite Andy’s pointing out that the Winchesters are there, too, Josh figures it’ll be a breeze to go in and kidnap Ashley.
In the motel room, Dean is having trouble staying awake. He comes out of the bathroom after splashing water on his face. Ashley is in bed, still fully dressed, sitting up. She just took some of the pills the hospital gave her, which Dean adjudges “the good stuff” (he would know).
Ashley asks him if he likes his job. Dean admits that he still does. Yes, there’s “a lot of bad,” but he still does some good. She asks him if ever wanted to be anything else. “Jimi Hendrix,” he jokes.
Ashley talks a bit about her life – graduating from college, the bit about how she and her friends went camping together since they were kids, how she doesn’t have a job or anything. Dean tries to reassure her – “You got time.”
Ashley then says something really strange (and yes, Dean does notice this). She says, “Wouldn’t it be great if everything was just planned out for you? If it was all just already decided?”
“No,” Dean replies as Ashley goes to sleep. “Not really.”
The camera swings portentously down to the alarm clock on the bedstand between their beds (which reads a quarter to twelve). Then, after changing to 1:20 am, it swings back to Dean on his bed, deeply asleep. Sam wakes him up (Dean comes awake, ready to fight) and it turns out Ashley is missing. When Sam came back from getting some food, he found her gone and the door wide open. Without trying to explain, Dean grabs his jacket and runs out the door. Sam follows.
At their house, the werewolf brothers have her in their cellar or shed or kitchen, or something, tied up and gagged, facing a large collection of badly maintained carpentry tools and some blood-streaked metal walls. Why they didn’t kill her at the motel (or, for that matter, Dean) is not explained in the fight they’re having over whether to kill her now. Josh is all hot to kill her – not just to eliminate a witness, but because being a werewolf is awesome. Josh is so high on the smell of his own werewolf farts that he completely spaces the part where his brother is the one talking sense.
Outside, the Winchesters are arriving unnoticed as Dean is insisting the werewolves couldn’t have possibly taken Ashley while he was asleep. Which, considering he is still breathing and in possession of his heart, is a decent point. The werewolf brothers don’t hear them arrive, which I’m willing to attribute to soundproofing going both ways in their abbatoir – until Ashley screams and the Winchesters kick down the door in response.
Andy and Josh hear that and flee the abbatoir, right before the Winchesters enter. Dean puts his gun away long enough to cut Ashley loose. He gets her up and heading out the door as Sam covers them. Alas, Sam’s coverage doesn’t help much. As they are exiting through the living room, the werewolf brothers come down from the ceiling and ambush them. Sam immediately loses his gun.
As Ashley cowers in a corner, Josh goes after Dean and Andy goes after Sam. Both Sam and Dean do pretty badly (unrealistically so) in the fight and even Dean using a dried-up set of deer antlers off the wall against Josh doesn’t go as planned. I recall showrunner Andrew Dabb saying in a recent interview that the Winchesters would have a harder time on hunts thanks to Chuck. Well, that idea sounds nice on paper, but sucks in the execution. All it adds up to here is a boring fight where the Brothers Winchester are losing to two low-rent werewolves for no damned good reason. It’s not even LOL!canon. It’s just lame.
Anyhoo, Andy ends up with Dean’s gun, starts to aim it at Sam, looks agonized, then shoots his brother just as Josh is about to bite Dean. While Sam tries to talk him down, he rants a bit about how Josh was his brother, but was “never going to stop,” that Josh “was a monster and I’m a monster, too.” Then he shoots himself. Bye, Captain Obvious.
The Brothers are seriously confused. Dean even comments, “Well, that was weird.”
As Ashley comes out of the corner, looking freaked out, Dean tries to take her elbow to guide her gently out of the room. Instead, out of nowhere, Ashley shrieks, “DON’T TOUCH ME!” swings around, trips, and lands on the dried-out old antlers, which are suddenly like tensile steel and razor sharp, and pierce her torso in several places. They also appear to kill her instantly.
Sam and Dean are even more confused (not horrified by her sudden death, just confused). After a few seconds, she suddenly revives and says, “Well, this is a bitch.” She sits up, still ‘wearing’ the antlers, and whines, “And I was doing so well, too!” Then she stands up and TK’s the rack out of her back.
Sam says, “What are you?” ‘Ashley’ responds by rolling her eyes up white and we’re treated to a flashback of Sam killing Lilith at the end of season four in “Lucifer Rising.” Dean then says her name.
It turns out that Lilith was dead and in the Empty when Chuck came and revived her. Her mission? To set up the parallel of the two brother werewolves killing each other, seduce Dean, and get the all-killing gun from them that Chuck gave Dean to kill Jack and with which Sam shot Chuck. Oh, and she’s not allowed to kill them.
Dean tells her that if Chuck wants the “Equalizer” back (Lilith insists she won’t call it that; I’m totally calling it that now, just for spite), he can come get it himself.
Sam pulls out the Sparkly Spork and Dean an angel blade, but they give her too much time to prepare. She TKs them back, knocking Sam out. Dean appears to panic over Lilith threatening Sam, so to distract her, he says he’ll take her to the Equalizer if she spares Sam.
We get a reiteration that she can’t kill either of them (Chuck has her on a tight leash), but she can make Dean wish he were dead, if he crosses her. Even so, she keeps batting her eyes at him and making come-ons that aren’t particularly reciprocated. In fact, her boast about seducing Dean is rather sad, considering Dean’s facial expressions in her direction while he thought she was alive and still Ashley ranged from pity to annoyance and back again. We know what Dean’s like when he’s attracted to a woman and that ain’t it. And despite his little shrug when she asks him about the possibility after her reveal, there’s no way he’s going to sleep with a demon when he, himself, is not a demon.
Left behind, Sam has a dream in which he is beaten in the Bunker by Demon!Dean (how I missed you, sir!) and then stabbed to death with the First Blade. Sadly, it doesn’t last long – the dream, I mean.
Sam wakes up abruptly, alone in the cabin. He finds the werewolves’ rusty old pickup, and chases after Dean and Lilith.
In the Impala on the way to the motel, Dean actively pumps Lilith for info. She spills even more than he wants to hear. It turns out that she picked poor Ashley because (said in a robotic voice as if quoting Chuck) “of the three potential vessels, she had the nicest hair” (they’re hosts, not vessels, you numpty writers). She died to let Lucifer out of the Cage, which was apparently her greatest wish, for reasons she never makes clear (I never really got what was in all that for her). Now she’s stuck working for Chuck (the “everything planned out for you” line was Chuck’s). She can’t hurt him, but she can hurt Dean.
She also mentions that Chuck has “a pervy, pervy obsession” with Dean. And that Chuck’s favorite story ending is Sam and Dean killing each other. She even lampshades that the two werewolf brothers were “foreshadowing” because it seems the writers think the audience is too stupid to have figured it out for ourselves.
Back at the motel room, Dean balks and says he forgot that the Equalizer isn’t there. I don’t quite understand why Lilith jumped through so many hoops to get back to the place she was just a few hours ago, foreshadowing or no foreshadowing with werewolves, when her main mission was to get the Equalizer. Why not just put Dean to sleep and then ransack the room?
Anyhoo, she starts TK-slashing him in various places to torture him into complying. It doesn’t work, but it gives Sam enough time to come in with a gun and shoot her in the head with a devil’s trap bullet. She is temporarily stuck and the Winchesters flee as soon as she demonstrates that she’s not completely powerless. Sam says he can just kill her again. Lilith begs to differ, saying she “let” Sam kill her before. Oh, honey. You are so dumb, Lilith.
Anyhoo, Dean quickly realizes that they need to get out because she is powerful enough to rid herself of the bullet. Unfortunately, they only get halfway across the parking lot before she does. She freezes them in place and teleports in front of them.
So, after some painfully obvious deduction that the Equalizer isn’t in the motel room, and making a rather large leap of logic that they wouldn’t leave it in the Bunker, she decides it’s in the Impala. And it is. It’s in the glove compartment box.
She melts it right in front of them, to their despair, and then leaves after some gloating that she will “see you soon.” But she doesn’t take the metal, which is, you know, probably still magical.
Back at the Bunker, Sam calls Castiel and tries to warn him about Chuck being back, but it goes to voicemail. Dean comes in with beers and they discuss this latest startling development.
Dean has been holding up well so far this season, but he’s now having a hard time processing that Chuck is back. He tells Sam what Lilith said about one of them killing the other (but not that Chuck is obsessed with Dean). Sam then admits that he’s having dreams about Chuck’s endings and Dean is a tad irritated Sam never mentioned that before. Sam claims he thought it was just PTSD. He thinks the effect has to do with the bullet wound. Maybe Sam is “in [Chuck’s] head.” Sam is all about the plans to use this to their advantage.
Dean, however, is in despair: “How the hell are we supposed to fight God?”
The show got another 0.3/2 and went back up to 1.30 million in audience.
The preview and synopsis for the next episode (“Golden Time”) is up, as is the one for this week, which is Deancentric and guest-stars Christian Kane. It appears the show will go on Christmas hiatus until January 16 after the December 12 episode (15.08 – “Our Father Who Aren’t in Heaven”), though there’s a rumor one might air on December 19. Even with only 20 episodes in the season, this means over half the season will air in the spring. I sure hope the pace picks up before Christmas hiatus, but with the Nepotism Duo writing the December 12th ep, we’ll be lucky if that one wants us to keep watching at all.
Review: Oh, hi, Dean. Nice to see you in the mytharc again.
It’s frustrating that the newest and (quite frankly) most intriguing part of the storyline by far this week is the part that isn’t lampshaded repeatedly with flashbacks, and on-the-nose dialogue and situations. For example, the episode’s writer, Steve Yockey, flat-out quoted the passage cited in the episode’s title, as if fans were incapable of looking it up for ourselves: “The crucible [is] for silver and the furnace [is] for gold, but the Lord tests the heart.” He’s also stated that this is his last episode for the show. Though I enjoyed some of his previous entries, most of this one was a half-cooked slog, so I’m not overly sorry to see him go.
So, we’ll see what actually happens with that one (very significant) bit, which is Lilith’s throwaway line about Chuck’s “pervy, pervy obsession with” Dean. She decidedly does not mean Sam. She has basically no time for Sam these days. In fact, it’s fairly dizzying whether she’s trying to seduce Dean because she’s actually really into Dean now or because Chuck told her to.
This opens an intriguing possibility (which Dean doesn’t see, at least not this week) that Dean might be able to manipulate Chuck. It sure seems more likely to succeed than Sam’s hair-brained idea that Chuck has no idea Sam is in his head, or that Sam could influence Chuck, or even get intel on him. Sam was dead wrong, for example, that Chuck had left the SPNverse building and I see no reason why he’d be right now. Sam’s track record with manipulating powerful beings is downright pitiful, even if the show did decide to leave out the bits of his killing Lilith in season four that included Ruby manipulating him into it.
I also thought it was interesting that while Lilith told Dean Chuck’s favorite ending was one brother killing the other, the emphasis in Sam’s dreams from Chuck was heavily on Sam killing Dean. Even the Demon!Dean sequence had a flavor of warning, of “You’d better kill Dean before he kills you.” It was also the only dream in which the killer brother had a legitimate beef with the other. What Sam did to Dean to “cure” him was nasty and remained largely unaddressed afterward.
But Dean has some high-level notches on his seduction belt and the way he messed with Lilith (in ways she didn’t always notice) this week indicates he hasn’t lost his touch. Chuck’s own sister Amara found Dean immensely more intriguing than her own brother in season 11 (I guess that’s why the show had to write her out in the second episode of this season, huh?). And, of course, there’s the forgotten actual, onscreen toxic romance between Dean and Crowley, in which Dean, like a classic film noir femme fatale, had Crowley twisted right around his finger for years. And everyone noticed, including Crowley, but Crowley couldn’t (or wouldn’t) do a thing about it. So, the idea that Dean could use Chuck’s obsession with him, against Chuck, is not at all far-fetched.
Though I was rolling my eyes pretty hard at the way the episode wanted us to believe that Dean was toxic for poor Ashley. There were some serious plotholes for that character (not least the timeline of when Lilith actually possessed her and how Lilith manipulated the werewolf brothers). But the big one was – since when is Dean the brother who is deadly for his female partners? Seems to me Sam’s the one with the track record in girlfriends who end up roadkill. Dean’s partners have an excellent survival rate and leave pretty satisfied. Not that Dean seemed very interested in sleeping with Ashley.
Woof. Speaking of, I’d forgotten what a prattling, overenunciating moron Lilith was. Sure, she’s an overpowered moron, but the show has gotten to the point where that kind of character no longer impresses. We (and the Brothers) have already encountered far too many other characters who make Lilith look like an insect.
And that’s a lot of the problem. She worked well in context – as the powerful herald to the Devil Himself. But she’s way outta context now. Lucifer himself has been diminished and killed off (though sure, he could still come back from the Empty, though I hope not). And now that she’s working for Chuck, she’s actually less threatening than before because she can’t actually kill Sam and Dean.
It doesn’t help that even now, we still don’t know whatever truly motivated her. Freeing Lucifer was a goal, not a motivation. What did she see in it for her, getting herself killed for the cause? Well, we never found out in “Lucifer Rising” and we didn’t find out this week, either.
She started out on the show as the Devil’s Bitch. Now she’s become his daddy’s bitch. But throughout, she has remained Some More-Powerful Male Character’s Bitch. Unlike Abaddon, who cheerfully caught up to speed after being in a timewarp for half a century and immediately decided to go for being Queen of Hell (because Abaddon began and ended awesomely evil), Lilith is now permanently out of touch and permanently stuck being some dudebro’s disposable right-hand henchwoman. That’s not scary. That’s just sad.
Also, would it kill the writers to remember their own damned canon that people possessed by demons are “hosts” not “vessels,” as Lilith calls the poor kid she’s possessing this week? The actress was actually decent, keeping a clear demarcation between Lilith and poor Ashley, but there wasn’t a whole lot of “there” there for her to work with. The show even seems to want us to forget about that whole “babies on the menu” thing from season four.
So, we see Lilith berating the Brothers for being dumb (because they didn’t – and couldn’t have – anticipate a dead enemy returning from a place dead enemies don’t return from), while doing Very Dumb Things. Yeah, she melts the Equalizer (I’m gonna use that just out of spite because the writers had her hating it), but then she leaves the puddle of metal behind. I mean, it’s not as though the Equalizer was much use to them, anyway, but they might also be able to do something with that puddle of metal (because hello, what is one of Dean’s skills? Metallurgy).
And I was rolling my eyes pretty hard when she was monologuing about all the terrible things she was going to do to them to get the Equalizer, all of two seconds after she admitted that Chuck wouldn’t let her do anything permanent to them, anyway. Plus, by admitting that Chuck brought her back and needed the gun, she ended up giving the Brothers all kinds of intel (including that Chuck was weaker than they previous thought), while getting from them a semi-useless powerful gun that she melted down and then still left in their possession.
Like I said, not very bright. I mean, obviously, she doesn’t really care about the mission in the first place, but she “cared” (i.e., was intimidated by Chuck) enough to agree to do it in the first place to stay out of the Empty. So, maybe do better at it?
One good thing to come out of this was confirmation that it wasn’t just coincidence last season, Chuck honing in on Dean like that. Lilith refers to Chuck’s “pervy, pervy obsession” with Dean. But it sure was a long, boring MOTW slog to get to that one critical scene, the only one that advanced the plot in any significant way. You need to up the pace a bit, Show, both within episodes and with your mytharc.
The Kripke Years
The Gamble Years
The Carver Years
The Dabb Years