Category Archives: Fiction

The Official Supernatural: “The Rupture” (15.03) Live Recap Thread


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It’s been a tough summer, so I’m way behind on my recaps and reviews. As of this review, I now have 50 episodes left to finish for previous seasons, plus the 17 after this one for the final (15th) season that started on October 10. That’s 69 total by next April. I currently have 151 coffees at $3 each on Ko-Fi (many thanks to those who have contributed so far!). If I get 300 coffees total, I will commit to doing one recap/review per week (retro or Season 15). If I get 400 coffees, I will commit to two. If I get 500 coffees, three reviews. If I get 600 coffees, four reviews. If I get 700 coffees, five reviews per week.

Other that that, any and all contributions are welcome! You can still find my reviews here of North Carolina ghost story books, and notes about my folklore research on Patreon.

My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are up (with a few extras) on Kindle. The Kindle version is available through Amazon. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.

Scroll down to find links to all of my recaps and reviews of all seasons up to this point.

Recap: Boring recap with boring soundtrack music of the boring ghost apocalypse so far.

Cut to Now and two Hunters watching anxiously from a suburban street as the angry ghosts try Belphegor’s failing barrier. Meanwhile, TFW (consisting of Dean, Sam, Castiel, Belphegor and – most importantly – Rowena) is heading back out to the crypt where everyone got trapped at the beginning of the season. Which would be a nice bit of continuity, if Berens doesn’t promptly demonstrate he didn’t read the previous two episode scripts closely (if at all) when he has Sam say he sent some Hunters here and there and such to man the fort while they help Rowena strengthen the barrier.

Yeah. See, here’s the thing. You know what-all Dean’s been doing so far this season? Organizing the Hunters. Getting them to the town, setting up patrols, going out on patrols, checking up on missing Hunters who didn’t check in, getting attacked by errant ghosts. Know what Sam’s been doing? Well, pretty much everything but interact with the Hunters. That’s what Dean has been doing and since the Hunters have been mostly offscreen, that’s what Dean has been, too.

But nope. Not only does Berens just casually yank even that subplot away from Dean and hand it to Sam, giftwrapped, but we will see it used as a club against Dean in this very episode. It’s just … well, it’s substandard writing.

So, anyhoo, Rowena is all brimming with confidence about the spell, until she sets it up and it starts to work … until that moment when it totally doesn’t. Rowena falls down as the barrier continues to weaken and declares that they’re all screwed.

Cue title cards.

So, Sam is all solicitous to Rowena (and since when, Show? Even as late as last season, she was trying to kill him. Then there was that time a few seasons ago when he kidnapped her and held her prisoner as his pet witch). When Rowena insists she needs “a real drink,” Sam glares at Dean until Dean gives up his flask of booze. Because of course Berens wants to remind us that Dean is a drunk. I mean, yes, he is, but what’s the point in this exchange except to make him look bad?

Rowena says that the ghosts are too angry and too strong to be controlled. She might have been able to do something if she’d arrived earlier, but now it’s too late and they’re all gonna die when the barrier falls, in a matter of hours. When Dean suggests more crystals like the one she used last episode, Rowena says it would be “like tossing mousetraps at the Great Plague.”

Belphegor leaves, against Dean’s objections, and Castiel follows him out. Dean is angry, insisting there is still something they can do. Sam ostentatiously puts a hand out to forestall Dean’s anger. I roll my eyes.

Outside, Belphegor turns out to have a plan. He goes out to the rift where the CGI souls are exiting Hell (remember how all the doors of Hell opened? All of them? Not just this rift? Well, now it’s just this rift). He and Castiel look at it.

Dean is weaponing up and Sam tries to calm him down. Or something. Dean is angry with Chuck, but he’s determined not to let God win this time.

Back inside, Belphegor lays out his plan. It turns out that one way Lilith the demon (remember her? Seasons three and four?) had to control her demons was something called “Lilith’s Crook” (it will also be interchangeably called a “horn” because that’s what it really is, but hey, consistency’s for losers, amirite?). It was a weapon she could use to recall any and all of her demons (or any denizens of Hell). She never actually used it, and Crowley had other means to control his subjects (whom he hardly ever saw because he didn’t hang out in Hell much), but it’s still down there. They can use it to suck all the souls back inside.

Rowena, meanwhile, has invented a spell on the fly to heal the rift. The ingredients are simple, including lavender and an owl’s skull, among other things (“RIP Hedwig,” says Dean). She also needs an assistant and asks Sam to fill in. She claims he is basically a witch anyway (which is an extremely long callback to Ruby’s teachings to Sam, which he promptly forgot for seasons and seasons, but which Berens makes sound as though he’s awesome and special. Gag).

And, of course, there’s the job of being the “fulcrum” outside, unprotected, getting ready to toss the physical part of the spell into the rift to close it. Guess who gets volunteered? Yup. Dean.

Belphegor asks who is going to come with him as “protection.” Dean volunteers Castiel and points out that Castiel has been down there before (when he pulled Dean out of Hell beginning of season four, but we also know he was down there with Crowley in season six and then there was that time when the whole gang visited the Cage-Adjacent). Castiel isn’t thrilled by Dean’s offhand manner, and there’s a distinct chill between the two of them, but he can’t argue with Dean’s logic and goes along with it.

In a hospital fairly far away, Ketch wakes up in a bed. A nurse is talking to him as he tries to check himself out. Unfortunately for the nurse, when the doctor walks in, she’s possessed by a demon – Ardat. She TK-snaps the nurse’s neck.

She is not happy with Ketch, having hired him to find and kill Belphegor. Knowing this, he attacks her first. But she’s a demon and he’s weakened by his wounds. Also, he doesn’t have his usual toolkit ready at hand (it’s in the closet). Even though he does manage to kick her out into the hallway long enough to grab an angel blade, she overpowers him. She demands that he give up TFW and Belphegor, but he refuses. So, she rips out his heart and smiles. Death by Underwhelming Guest Demon. Bye, Ketch.

Back in the graveyard, as they head toward the rift, Belphegor points out to Castiel that if the rift closes, the angel will likely be stuck in Hell. Castiel says he’ll figure it out. But he looks doubtful as Belphegor points out further that no one in the rest of TFW looked very upset about his job.

A lot of fans zeroed in on Dean in this respect, but Sam and Rowena didn’t exactly step up and object, either. It’s all hands on deck and the odds of any of them making it out are pretty low at this point. I mean, Dean’s basically got the job of hanging out at the top of the rift, lobbing in a live grenade that could go off at any time.

But Castiel listens to this moldy old divisive demon dreck because the writing demands he hold the Idiot Ball this week, all episode, and Belphegor is basically telling him what he wants to hear.

When Castiel asks how to get down to Hell through the rift, Bephegor says he doesn’t know. So, Castiel shoves him in and jumps in after him.

The female Hunter from the teaser comes into the crypt with Rowena’s ingredients. I get that sneaking in past the ghosts would make one edgy and crabby, but it’s not a particularly good introduction for her to snipe at Rowena for being “rude” and downmouth TFW’s world-saving plan.

Especially stupid is the way she takes orders from Sam as her boss, when that hasn’t been Sam’s role this season. It’s been Dean’s.

At that moment, Dean gets a text from Ketch’s phone. It is, of course, Ardat, fishing for info and smiling evilly over a dead Ketch as she does so.

Castiel and Belphegor have found some stairs in Hell and descend them to a hallway full of monkish decor on their way to a large set of doors. Belphegor says he thinks Sam and Dean are starting to like him. Castiel begs to differ, but when Belphegor goads him a bit, he confesses that his big beef is that Belphegor is wearing Jack and that to Castiel, Belphegor is “an abomination” because “Jack was like a son to me.” Um … Castiel, honey, Jack was the abomination. Bephegor’s just a demon, doing what demons do.

So, they enter the room, which is being ransacked by another demon, who knows and is friendly with Belphegor. Castiel shoves him up against a wall and confirms with Belphegor that the new guy doesn’t have the Horn/Crook/whatever. So, he stabs the new demon.

Yeah. That’s a major problem with the past three episodes. Lots of one-shot characters with maybe two lines who suck up all the air time and get no development.

Anyhoo, Castiel and Belphegor locate the box, but it’s locked. The spell to open it is on the box, but it’s in Enochian. However, when Castiel reads it out loud, nothing happens. Belphegor tells him he has to sing it. Turns out Belphegor had a reason for bringing Castiel, after all.

Topside, Dean is getting into position behind a tombstone next to the rift. While wondering where Ketch is, and why everyone else is delaying, he pulls out a gigantic hex bag.

Things are going a bit pear-shaped elsewhere. Down in Hell, Ardat shows up just as Castiel gets the box open and knocks him out. Despite her monologuing about how she knew Belphegor would make a play for the crook/horn, or whatever the script is calling it at any given moment, and that he wants to rule Hell, she is strong enough to kick Belphegor and Castiel’s asses. At least, until Belphegor stabs her from behind. As Belphegor puts it, “Blah, blah, blah, she always was a talker.”

So, in an entirely predictable face-heel turn, Belphegor admits that he pulled a double-cross. The horn (it’s a ram’s horn) is a “siphon” (yet another freakin’ word for this thing). Belphegor intends to eat all the souls and become a sort of god. Well, we know how that all went with Godstiel in season seven, but if there’s one thing consistent about this show, it’s that Demons Are Definitely Stupid.

Belphegor starts blowing the horn and Castiel finds himself blasted back by a great wind. Upstairs, Sam is fretting about not being out where the action is, but gets his butt in gear when he hears the horn. He and Rowena start saying a spell in Latin to close the rift. Outside, by the rift, Dean sees ghosts being sucked back in. When the hex bag glows pink in his hand, he edges out from behind the tombstone and carefully tosses it into the rift.

Things then go exceedingly sideways and unfortunately, Castiel is the direct reason for it. In the worst possible bit of timing, he manages to tackle Belphegor, break the horn, and then smite the demon. There’s a moment when Belphegor tries to pretend that he’s Jack to get Castiel to stop, but remember, folks – Jack is in the Empty. He was never in Hell.

Castiel then proceeds to smite Belphegor into a charred corpse. The last time we saw this kind of overkill was when Jack killed Nick – you know, right before he also killed Mary. Not a good sign. Castiel looks devastated afterward, but it’s not clear whether he’s still just wallowing in grief over Jack or realizes how badly he’s screwed up now.

But Rowena, up top, knows. As Dean and Sam talk on the phone about the rift closing, but something being wrong, Rowena carves out her last “resurrection sachet.” When Sam notices what she’s doing, she explains that “magic can do anything” (but girl, you just said half an episode ago that it couldn’t – oh, never mind). She spouts some daft nonsense about how, if she dies, she can use her body to absorb the souls and take them back down to Hell. Or something. But she has to die for the spell to work and it seems, she has to do it permanently. And Sam has to kill her. She says it’s her prophecy.

As Rowena talks him into stabbing her (and she twists the knife), Castiel crawls out of the rift behind Dean and fills him in on why the plan down south went FUBAR. Dean isn’t thrilled, to say the least.

So, after she’s stabbed, Rowena starts walking slowly out of the crypt to the rift, sucking in souls through her wound as she goes. Once she’s done, she says, “Goodbye, boys!” and does an elegant swan song into the rift to a cheesy Irish flute. The rift closes behind her.

Afterward at the Bunker, Sam feels bad and Dean tries to cheer him up. Dean has been busy, making sure that the town stuff was wrapped up and confirms Ketch’s death. So, I guess that means Sam has been spending the commercial break wallowing. Super. Dean says it’s over and they’ve averted this last apocalypse. He tells Sam he “didn’t have a choice” about killing Rowena.

Out in the Library, Dean is drinking when Castiel shows up. Castiel says he’s sorry about Rowena. Dean gets mad at him and points out that Castiel’s response to Belphegor’s sudden and inevitable betrayal nearly got everyone killed. Rather than admit that he might have made the wrong decision, Castiel doubles down.

Castiel: The plan changed. Something went wrong. Something always goes wrong.

Dean: Yeah, why does that something always seem to be you?

I know I’m supposed to be all shocked and outraged at what Dean says (the scene’s writing and direction are certainly manipulative in that direction), but … well … he’s not wrong. When Castiel whines that his angelic powers are failing, that Dean no longer trusts him, won’t listen to him, and “no longer cares” about him, how is Dean supposed to respond?

It’s not as though Dean is anything but straightforward about why he’s angry – Castiel didn’t “stick to the plan” and now Rowena’s dead. What is incorrect in that statement? Dean’s not angry at Castiel for lacking sparkly powers. He’s angry with him for making lots of stupid decisions in a short amount of time that are getting people killed. Dean may have had, at best, an uneasy respect for Rowena, but Mary just died under similar circumstances. Of course he made that connection.

So, this being episode three of the season, rather than employing any self-examination, Castiel pisses off to wherever to do his own navel-gazing thing, whether or not Dean wants/needs him around or not. Only, this time, he tries to guilt-trip Dean into it being Dean driving him away, even though what Dean is actually doing is calling Castiel out on his poor decisions (Dean even asks Castiel where he’s going when Castiel leaves). Oh, Cas, bless your entitled, angelic little heart.

Credits

The show got a 0.3/2 and 1.24 million in audience, which was up from last week.

The preview and sneak peek for the next episode (an MOTW that is Jensen Ackles’ last directorial turn at bat for the show) are up.

Review: I have three major beefs with this episode. First, did Berens even read the first two scripts? I mean, it’s the conclusion of a three-parter, not an MOTW. So, why do we suddenly have Hunters kissing Sam’s ass and why have basically all the redshirts we would have missed if we blinked in the past two episodes been replaced by a woman we’ve never even seen before? Why is she all hero worshipping Sam when the only people who did that were the ones from the alt-SPNverse who got killed by alt-Michael last season?

Even more importantly, why was she ignoring Dean in favor of Sam when Dean was the one organizing all the Hunters earlier this season (you know, in the past two episodes of which this is the conclusion in the arc)? Does she not recognize her own boss? Why end this three-episode arc with the implication that Sam will lead Hunters? He mostly hangs out with Rowena for the episode inside a crypt and spent the previous two episodes moping over his new mytharc and trying to herd civilians away from the ghost danger zone (to which they were attracted like iron fillings-loaded lemmings).

This leads me to my second beef. Where the hell is Dean’s storyline this season? Show, it is the final season. Don’t think you can just ghost Dean and expect fans not to notice. They already have and boy, are some of them pissed.

The really sad thing is that Dean was actually doing quite a bit this episode, while Sam did hardly anything (even when he stabbed Rowena, she practically yanked the knife into herself with his hand on the blade). Yet, who got the play-by-play and inane in-show fan-cheering? Sam.

Who got a few perfunctory scenes that failed to acknowledge the bald truth of the situation that if Dean had died or otherwise been unable to throw the Big Honking Hex Bag into the Big Honking CGI Rocky Vulva, it wouldn’t have mattered what Sam or Rowena or Castiel or Belphegor did (well … aside from Belphegor wanting to be a ghost god). He was the link the ghosts should have been attacking. But there was no recognition in the story of that at all.

I need to see some actual Dean content this season or I’m just gonna start mentally checking out, right along with the asshole writers.

Then there is Sam. And there is Rowena. And since when are these two besties? Literally the last time we saw these two together last season, she was trying to murder him. Now, suddenly, he’s her apprentice? Say, what the hell?

And how gross is it, not only to fridge a female character to motivate a male character, but to have her get him to fridge her, with her friggin’ permission? Ew. Poor woman got fridged to service the manpain of both Sam and Castiel, neither of whom deserved that sacrifice.

Don’t get me started on the long, random stumble out to the rift, as she’s bleeding to death, to some really cheesy soundtrack music. Writers, this is a horror show on the CW, not an opera.

I’m pretty sure Bobo Berens has forgotten all about this, but when she got Sam to stab her by asking if he would let Dean die to save her (and he then got all stabbity), I immediately thought of Sam (in season 10) kidnapping Rowena, chaining her in a cellar, and forcing her to help him in his plan to take the Mark of Cain off Dean’s arm. Not only did we get Sam forcing Rowena’s cooperation and trying to kill Crowley (a plan that backfired disastrously on him when he only succeeded in burning off Crowley’s partial human cure instead), but he did it all behind Dean’s back and without Dean’s consent. And he ignored major red flags that it would cause a huge apocalypse (which it did), not because he wanted to save Dean, but because he wanted to keep Dean stuck to his side.

But now this season seems determined to skip over those pesky Jeremy Carver seasons where Sam was a dickhead (but at least made sense as a character and had actual growth) to return a fantasy version of season four (a version where Sam wasn’t turning into a major dickhead – sorry, going darkside). Except that now, all that effusive Tell from other characters about how awesome and important Sam is, is not just undercut by his ugly actions. It’s now backed up only by empty hot air as Sam sits around on his ass most of the time, fretting about joining Dean, who is largely offscreen and actually taking care of business. It doesn’t do either character any favors to have Sam’s storyline be all rapturous Tell and Dean’s all understated, perfunctory Show.

There were also ginormous plotholes. Most notably, if the ghosts were being sucked back inside, wasn’t Kevin sucked in, too? Why didn’t anybody worry about that? All those ghost and townspeople characters introduced and dropped the past two episodes? Yeah, don’t expect any closure on any redshirts. We’re too busy fridging Rowena and Ketch here. And don’t get me started on how cheap and unscary everything looks in bright sunlight rather than at night, as it should have been. We already did that rant last week.

Speaking of Ketch, I felt a bit bad about his death – until I remembered that he was the one who murdered Eileen using a dog whistle and an invisible Hell Hound. The Show wanted us to feel sorry for Ketch, but it also spent so much time keeping his motivations under wraps (to keep us guessing) that his 11th hour heroic heel-face turn came literally out of nowhere in terms of writing and foreshadowing.

It was therefore difficult not to notice the clumsy plotting where it was necessary to remove allies from the Brothers so that they wouldn’t proceed immediately in going after Chuck. So, the writers killed off Ketch, Rowena and Belphegor, had Castiel (once again, it’s like clockwork, I swear) go off in a multi-episode solo snit, and had the apocalypse apparently averted (however clumsily) so that the Brothers could go off on a few more last MOTW episodes.

Castiel really got on my last nerve this week. Look, the events leading up to (let alone immediately following) Mary’s death last season happened maybe a week ago in in-show time. Dean and Sam just barely burned their mother’s body, just barely watched Chuck kill her murderer, and have been fighting for their lives ever since.

Castiel wants to wallow incessantly in his grief over Jack, even to the point of buggering up TFW’s strategy to the point that Rowena had to sacrifice herself. Castiel. Got. Rowena. Killed. That’s what’s really fueling Dean’s anger this week. Yet, at the same time, he wants Dean to just “get over” Mary’s death in record time so that he can still hang out in the Bunker with the Winchesters and pretend he’s not a complete fuck-up.

I mean, yeah, all of TFW are powerful outcasts of some sort, but only one of them has been getting the others killed through sheer stupidity of late. It’s amazing how many female characters “misogynistic” Dean interacts with and who go on to have long, extended arcs on the show. And it’s funny how quickly similar female characters get killed off when they interact with “woke” Castiel and Sam.

The thing is that yes, Dean was cold when he “volunteered” Castiel to go down to Hell with Belphegor. But Dean was right (albeit succinct in the explanation) – as an angel who had been to the Pit before, Castiel was the best candidate to go, succeed and survive. And it’s not as though Dean was sitting pretty while Castiel did that. He had arguably the most important and dangerous job of them all.

Further, as Dean made painfully clear in the episode’s coda, everyone on TFW knew perfectly well that Belphegor was going to turn on them at some point (if anything, Dean telegraphed that a little too clearly to Belphegor). That’s why he sent Castiel as Belphegor’s minder. Not because he didn’t care or trust Castiel, but because he did trust Castiel.

And instead, Castiel let Belphegor into his head. Instead, he overkilled Belphegor in a way disturbingly reminiscent of how Jack killed Nick last season – right before he murdered Mary. Why? Because he wanted to believe what Belphegor said about Sam and Dean – especially Dean.

If Castiel can project his own anger and self-loathing onto Dean, then he won’t have to carry it, anymore. If he can blame Dean for not trusting him, he doesn’t have to blame himself for being untrustworthy. He doesn’t have to face that fact that he let a second-rate demon get into his head and get the drop on him, and that because of that, someone else died.

Now if the writing in the show were willing to acknowledge that this one is on Castiel and that he has to own up to it before he can move past it (“The Man Who Would Be King” in season six fairly leaps to mind as an excellent example), I’d be okay with this storyline. I mean, I wish the show weren’t wasting so much time in its final shortened season with stereotypically bitchy high school melodrama, but I’d appreciate the honesty of Castiel’s mistakes and see how they could lead to growth for the character.

But instead, Berens writes it like a teen girl BFF breakup and blames it on Dean. This blatant tongue bath for Destiel fans made that small part of the audience happy-sad, but it ruined Castiel as a character for large sections of the rest of the audience. You can’t prop up a character like that and not do some permanent damage to how the audience views them. “Ruined” is what Berens did to Castiel.


The Kripke Years

Season 1

Season 2

Season 3

Season 4

Season 5

The Gamble Years

Season 6 (with Kripke)

Season 7

The Carver Years

Season 8

Season 9

Season 10

Season 11

The Dabb Years

Season 12

Season 13

Season 14

Season 15


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The Official Supernatural: “Raising Hell” (15.02) Live Recap Thread


We need your help!

Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee.

It’s been a tough summer, so I’m way behind on my recaps and reviews. As of this review, I now have 51 episodes left to finish for previous seasons, plus the 18 after this one for the final (15th) season that started on October 10. That’s 70 total by next April. I currently have 151 coffees at $3 each on Ko-Fi (many thanks to those who have contributed so far!). If I get 300 coffees total, I will commit to doing one recap/review per week (retro or Season 15). If I get 400 coffees, I will commit to two. If I get 500 coffees, three reviews. If I get 600 coffees, four reviews. If I get 700 coffees, five reviews per week.

Other that that, any and all contributions are welcome! You can still find my reviews here of North Carolina ghost story books, and notes about my folklore research on Patreon.

My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are up (with a few extras) on Kindle. The Kindle version is available through Amazon. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.

Scroll down to find links to all of my recaps and reviews of all seasons up to this point.

Recap: Recap of events up to this point. No rock music this time to distract from the stupidity.

Cut to Now in Harlan, KS, where a soccer mom is sneaking back into town to get her daughter’s asthma meds (why didn’t she grab them when she evacuated?) after dark. This woman is so dumb that when her very tall neighbor pops up in his bathrobe, she starts babbling small talk about her daughter’s spelling bee instead of being alarmed. It’s only when he walks toward her, never speaking, that she gets confused. By then, it’s too late. He stabs her to death.

Then he collapses as a ghost dusts out of him. The one looks like an Old West sheriff. In a Southern accent, he spells out the word “disembowel,” which is what he just did to the woman.

Cue title cards.

Back at the makeshift shelter in the local high school, Castiel is telling Sam that Doomed Teaser Soccer Mom (named “Nan”) is missing. Sam asks a nearby Hunter who has come in to help them with this latest apocalypse to go find out what’s happening with that. Then Sam gets up to make the least inspired speech ever to the restless townspeople, who all have questions he can’t answer. And why is Sam suddenly so socially awkward?

Meanwhile, Dean is being far more effective, patrolling the border of the town with Belphegor. Dean questions again why Belphegor is helping TFW and Belphegor says he just wants to put Hell back the way it was.

Their conversation is interrupted by a ghost trying the barrier. Dean comments that means it’s holding and Belphegor points out that won’t last. Dean shoots the ghost and it’s the one from the teaser. Belphegor identifies him as Frances Tumblety, AKA Jack the Ripper. Aside from the fact that Tumblety is one of the less credible candidates for Jack, he also was the son of Irish immigrants and grew up in Upstate New York. Bottom line? He would not sound Southern. But sure, Show, let’s just handwave that and make the quintessential British serial killer an American gentleman from the South. Why not?

Cut to daytime at the school auditorium, with three more moronic civilians deciding to sneak in and find DTSM. And sneak in they do, this time in broad daylight. [facepalm]

Meanwhile, Jack (the Ripper) is having a meeting with some seriously solid-looking and unscary ghosts. There’s a brief opportunity (when a ghost looks out an upstairs window when viewed from the street) to show her fading out from it. But aside from a brief shot of someone flickering down the staircase (in about the least scary way possible), these ghosts look like the living, but in stage makeup. Yay.

JacktR’s master plan? To break out of the barrier and engage in more murderous shenanigans. Just … you know … worldwide. In other words, he doesn’t really have a plan aside from breaking out. Strike Two and a whiff at making a situation, that should have been terrifying, even remotely chill-inducing.

As they sneak in, the village idiots hear the Hunters they evaded shooting at some ghosts. Then they encounter some more ghosts. They are shocked and scared, but it’s a little late. Especially since they don’t then do anything intelligent. Like run.

Back at the school, Sam and Castiel are arguing about what to tell the townspeople. Sam insists they can’t tell them anything about what’s really happening because the civilians are “barely holding it together.” Hmm, not so much, Sam. I see no evidence of that. If anything, they’re in a quite-cheerful-and-ridiculously-dangerous denial bubble that needed popping last week.

Rowena arrives in the middle of this: “Am I interrupting something juicy?”

So, the plan they want help from her about is to get her to create another crystal like the soul bomb they were going to use on Amara back in season 11. Rowena isn’t so sure she can pull that off a second time (also, was it really necessary to give Rowena a Dumb on Cue moment where Sam tells her that ghosts are souls, when she knew that in season 11?).

The conversation is interrupted by my favorite remaining Redshirt Hunter left alive popping up and saying they’ve got a problem. She then, alas, promptly disappears from the episode, but hey, at least the actress gets paid more for having a line than not. And we now have confirmation the character survived Rowena!Michael’s rampage last season.

Sam comes rushing out to the barrier, where Dean and Belphegor are looking at DTSM’s husband and their neighbor, who got ambushed by ghosts in the previous scene. Despite their obviously being possessed, Sam tries to reason with them and Dean gets smacked with a plot anvil to say, “They’re possessed!” when they start bleeding black goo tears.

JacktR appears out of nowhere. He demands that TFW let him and the other ghosts out, or he’ll kill the civilians. The possessing ghosts start ripping into the guts of the possessed people. Rather than having Sam and Dean solve this one the way they usually one (a saltgun charge to the chest), this is a moment for Ketch to make a grand entrance with a fancy new gun that shoots iron flakes that de-possess people. ‘Cause why use something that’s worked for 14 seasons when you can just make up something complicated and new?

Anyhoo, the gun works and all three ghosts flee while the civilians collapse. We never find out if they survived or not. In fact, they are not mentioned again.

FYI, if you’re not a fan of Ketch popping in like this, don’t worry. This is almost the last time he’ll get to be smart in the episode.

While explaining all this backstory (and that he “liberated” the gun from the LoL), Ketch flirts with Rowena (who, if you’ll recall, he once tortured and got a life-preserving spell from in exchange for her freedom). Despite their ugly history, she’s into it. Oh, boy. I think I just threw up a little in my mouth.

Hurrying on, Belphegor comes in and introduces himself, and the Brothers explain that Chuck killed Jack (not the Ripper). Everyone besides Belphegor looks far more downcast than pretty much anyone in the room besides Sam likely would truly feel. Then Ketch admits with some chagrin that he’s there to assassinate Belphegor on behalf of a demon named Ardat (in real-world mythology, an Ancient Sumerian demon who may be another name for Lilith, so she probably knew Belphegor when they were human). Because the show just barely remembered that demons got kicked out of Hell, too, but not that most of these ghosts would also be demons by now.

Somewhere in Nevada, Amara is having a massage when she’s startled by her brother Chuck (who smites her masseuse and replaces her). She’s not thrilled to see Chuck. After Chuck starts babbling about how great the Game of Thrones ending was (please tell that was sarcasm, Show), she cuts him short and demands to know why he’s bothering her when they agreed “to give each other space.”

At the school, yet another idiot civilian is whinging to Castiel about the missing people and saying that TFW promised to keep them safe. Well, yeah, but not from your own stupidity, dude. The angelic eyeroll Castiel makes as he walks away is pretty epic, old school Castiel.

Meanwhile, Dean is grumbling in surprise to Rowena over the list of ingredients for the soul catcher (that’s what he ends up calling it). This confuses me. Wouldn’t Dean already have a good idea what the ingredients were from the last time Rowena made one?

Rowena asks him about Ketch (yep, they’re going down that rabbit hole). Dean tells her to keep her eyes on the apocalypse and find someone less creepy than Ketch to bed. He doesn’t mention the whole “Ketch banged my mom” thing, but you could say that’s in character.

As Dean goes off to do something alone in a room, Castiel comes in and they have A Talk. Castiel apologizes about not warning Dean and Sam about Jack Sue going off the rails before he murdered Mary. Dean tells him to stop.

Dean, as it turns out, is having a much worse existential crisis than “just” losing his mother or being mad at Castiel about it. He argues that it’s now clear that Chuck engineered everything about their lives, that Free Will is an illusion, and that they never had any choice. They were always just “rats in a maze.”

Castiel disagrees. Even though he’s angry at Chuck for killing Jack Sue. He insists that there is something still real: “We are.”

A lot of Destielers think this means the show finally made Destiel “real.” Except, not really. At no point in the conversation are Castiel and Dean talking about their friendship, relationship, bond, whatever you call it. You need some kind of anchor for the subtext and it’s just not there.

It’s clear that Castiel means that the “rats” are real, even if Chuck manipulated them six ways to Sunday, not that he and Dean have a true gay love that can pierce the bonds of death or the Fourth Wall. I’m not saying the show has never “gone there” (boy, did it ever go there in “Lily Sunder Has Some Regrets”), just that this is not one of those times.

Cut to night outside. Dean is patrolling with Ketch (why is Sam not doing any patrolling? Or, for that matter, Castiel?). Dean gives Ketch an ugly iron necklace to prevent possession. They talk some more about Chuck (whom Ketch always thought was “theoretical, more rumor than fact”) and then Ketch asks about Rowena. Oh, God, really, Show?

Fortunately, Dean gets a text alert that two Hunters have disappeared on patrol. So, they investigate a creepy warehouse (and don’t find the Hunters). Dean’s breath mists up. First Ketch and then Dean get knocked about by Lizzie Borden. But she’s called off by another ghost. Who turns out to be Ghost!Kevin.

Kevin is friendly and reasonably sane. He tells Dean he was going to contact them sooner, but he “just got here.” He breaks the bad news to Dean that Chuck sent him to Hell after promising to take him to Heaven – for reasons that remain entirely murky for the rest of the episode. The general theory in-show seems to be that Chuck did it for kicks. Kevin also warns them that he can feel the ghost warding fading. We never do find out what happened to those Hunters.

It turns out that because Chuck himself cast Kevin down, he has some scary rep with the ghosts that allows him some control. Dean suggests Kevin go undercover for them and Kevin smiles.

Back at Amara’s … hotel room? … Chuck has ordered a burger and is watching TV, but gets restless when it doesn’t arrive right away. Surely, he could just make his own waitstaff and his own burger.

Amara is trying to ignore him by doing yoga as he babbles on about being “on an extended break from my omniscient benevolence.” He wants the two of them to leave the world behind, even go to another dimension. Amara says no, that she has no interest in spending any time with him.

After some confusion, she realizes that he needs her for the first time ever (and he calls her his “big sis”). She touches his shoulder and sees the wound Sam shot him with. She realizes he’s “not at full strength” and is “afraid.” Chuck doesn’t look thrilled at her epiphany.

So, the next day, Sam and Dean are out patrolling again. Oh, hey, Sam does do that. As Sam dithers about the drawbacks of having Kevin go undercover, Dean points out their options are limited.

Sam snaps at Belphegor when the demon appears behind them, and complains that the warding is fading. When Dean tells the demon to charge it back up, Belphegor says that’s not possible with this kind of spell. Also, when Dean tells him they’re going to send Kevin up to Heaven afterward, Belphegor says that’s not possible. Once you go to Hell, you go to Hell. John and Bobby (Dean doesn’t mention himself) were exceptions that Chuck made himself. No one but Chuck can make exceptions.

Meanwhile, Chuck is exposing his wound, which is a twin to Sam’s, and touches it. He winces and in Harlan, so does Sam. Dean notices and doesn’t believe Sam’s protests that it’s “getting better.”

Back at the suburban house, JacktR is getting the other ghosts to try to break through the barrier as it weakens. Kevin ghosts in at that point. Kevin challenges JacktR, but it doesn’t go well. It turns out JacktR isn’t very impressed by Kevin and he knows Kevin was a Prophet who worked with the Winchesters. Kevin ends up their prisoner.

Back at the school, Rowena is cooking things up for her spell, and talking about right-brain vs. left-brain with Ketch. They flirt heavily (with some pretty bad double entendre dialogue nobody needed to hear and some terrible Bow Chicka Wow Wow soundtrack music). Ketch even finds a shortcut in her research that really turns Rowena on (and will be the last time in the episode that he’s smart).

Fortunately for the audience, Dean calls at that moment, pretty literally cock-blocking this interaction.

Cut to Rowena trotting down the street with a bag. For some reason (plot stupidity, it seems), she crosses through the barrier as a shortcut. JacktR shows up, and tells her to go tell Sam and Dean that he has Kevin and is willing to trade. Or something. It turns out he has a history with Rowena and that she barely survived their “relationship” a century and a half ago. Ketch shows up and tells Rowena to run, then shoots JacktR. But JacktR appears behind him and knocks him out as Rowena runs away.

So, Rowena gets to the Brothers and tells them the news. They show up at the house where the ghosts are holed up. JacktR starts “eating” Kevin in front of Sam and Dean to force them to comply with his demands, but it’s a trap. Rowena comes in with Castiel, and the soul catcher and gets most of the ghosts (but not Jack and three others). Rowena admits afterward that this crystal is less powerful than the last one and can only catch some ghosts at a time (why not use the original one?).

Back behind the barrier, Dean and Belphegor are talking about how its fading. Ketch shows up from inside the barrier, apparently okay. Dean shoots through the barrier at the ghosts, hitting some of them. Rowena and Castiel show up, and Rowena enters the barrier to suck up more ghosts. Ketch is standing beside her. It works … until Ketch backhands Rowena and grabs the crystal. He’s possessed by JacktR. The three other ghosts who escaped the house with him also show up, but they just stand there, grinning.

Unfortunately for Ketch!JacktR, he indulges in a bit of monologuing about how the crystal gives him the power to blow out the barrier. And gloating when Dean’s saltgun runs out. But Dean then just pulls out his pistol and shoots Ketch in the shoulder, twice. The crystal flies out of Ketch’s hand and Dean catches it. As JacktR morphs out of a collapsing Ketch, Dean hands the crystal to Rowena, who uses the crystal on the angry ghosts, with special venom reserved for JacktR.

We get little chance for suspense about whether Ketch is really dead. After the commercial break, he’s on a stretcher, going away in an ambulance as Dean sort-of (but not really) apologizes for shooting him with iron bullets. Ketch says, well, Dean killed him once, already, and he must have been “itching to do it again.” Except that Dean didn’t kill Ketch last time. That was Mary.

Castiel tries to heal Ketch’s wound, but worriedly admits to Sam afterward that he can’t. Sam shrugs it off as everyone being tired.

Ketch and Rowena share a lingering look as he’s put in the ambulance. Then she and Dean share a look. Yeah, we really didn’t need that subplot.

In the coda, Sam tells Dean that Kevin wants to leave the barrier. Kevin says he’d rather take his chances going crazy in the world than go back to Hell. It turns out that Belphegor can make a small hole in the barrier (but he can’t power it back up? Okay). Kevin says goodbye to the Brothers and says, “Love you guys.” Then he goes out through the hole and disappears. Belphegor, by the way, is inside the barrier with the Brothers when Kevin leaves. Wouldn’t he, too, be stuck inside it?

Cut to Amara, who has power-suited up and is heading out. She says she’s willing to co-exist with Chuck, just not in the same part of the multiverse. She’s guessed that he is way powered down (only able to “do a few parlor tricks”) and can’t leave the Earth without her help. She says she’s changed, but he hasn’t. She’s ditching him and gloats a bit that she’s now sealing him away as he once did her. She tells him he’s “got what you always wanted – you’re on your own.” And she leaves.

Back at the barrier, ghost fireballs are bombarding it. It’s weakening. Everyone, including Sam, looks at Dean and says they have to stop the ghosts from getting out. Dean’s like, “How?!”

Credits

The show got a 0.3/2 and 1.16 million in audience. Yes, that is another series low in audience, but the show still tied with Arrow for second place in demo and came in third in audience behind The Flash and Batwoman. I think it was one of only three CW shows last week to top a million. ‘Cause that’s how the CW rolls these days.

The preview for next week is up.

Review: Lord, was that one sure daft. I mean, it passed the time well enough, I guess, but it was frequently stupid. And busy. This writing duo has surely written worse, but then, we are talking about the same duo that thought a story involving a black woman in a dog collar, who was literally a dog and whose master was white, would somehow not be problematical at all. And then we had last week’s episode. So, that bar was already Limbo-low.

The episode had plotholes and changed-up canon galore, and an awful lot of characters on both sides of the story acting stupid just to move things along. Others were simply dropped with no resolution to their subplot, such as DTSM’s husband (who may or may not now be dead) and daughter (who may or may not now be an orphan, but is certainly now motherless since TFW found her mother’s body offscreen), or the two Hunters who disappeared through a plothole in a warehouse, never to be heard from again.

Then there was that moment when Ketch accused Dean of killing him once, already. While Dean has certainly tried, multiple times, to kill Ketch, it was Dean’s mother Mary who actually succeeded. And while I don’t mind Rowena getting her freak on however she wants, having her hook up with the male GOTW every time, just because, is kinda gross and demeaning for her character. What, it’s okay to trash Dean for hooking up with random women (which he hardly does anymore, anyway), but when Rowena does it, she gets a fandom High Five? Really?

Not to mention that Rowena’s being into Ketch after his torturing her in their last encounter isn’t kinky. It’s just nasty. We already know what Ketch torturing a woman he’s attracted to looks like and we saw Mary trying to shoot herself to get out of the situation. Oh, hell, no. Rowena deserves better. And, as Dean pointed out, higher standards.

I’m not entirely sure where the show is going with all these guest stars. There’s a distinct possibility that Rowena will check out of Hotel Winchester permanently next episode. But whether we’ve seen the last of Ketch (who is still alive, though with a wound Castiel can’t heal) and Kevin (who is a ghost, but still “alive” as a character in the story) is unclear. And I don’t think it’s unclear for the sake of suspense. I think it’s unclear for the same reason we never found out what happened to most of the redshirt characters this week – lazy and sloppy writing. The calling card of the Nepotism Duo who wrote this episode, but also business as usual for the writers room under their questionable leadership.

There are two fan misconceptions that have come out of this episode. I mentioned the first one, already – that when Castiel said that “we” were “real” to Dean’s “rats in a maze” speech, there’s no actual indication that he was talking about his relationship with Dean. He just meant that Free Will was a real thing for Chuck’s creatures, even if Chuck has manipulated them a lot and frequently acted as a puppet master.

I can’t say that I’ve been impressed by what we’ve got of either Dean or Castiel so far this season, let alone of them together. Mostly, they grump at each other about Jack. Dean saves the day (after all the guest star grandstanding this week and obsession with Sam’s new Speshul Storyline, ruthlessly save the day is precisely what Dean did). Castiel tries to heal people and can’t (or hovers over Rowena’s shoulder for some reason). I sure hope things pick up for both of them or this is gonna be a very long season.

The other misconception is about Sam’s wound. I see a lot of spec that Sam will get special, even godlike, superpowers from his connection to Chuck. While I wouldn’t put anything past these writers, that’s not how the connection has been set up so far. Chuck said last season about his weapon that whatever was visited on the person shot by the gun would also be visited on the shooter. Dean suggested the example that if the person shot died, so would the shooter, and Chuck confirmed this.

The thing is that in order for Sam to gain powers from Chuck, there would need to be a transfer of power. But in Chuck’s explanation, that’s not the case. Instead, it’s a transfer and sharing of damage from the gun. It’s more like sympathetic magic (sticking a pin in an object to cause harm to a person the object represents) than the vampiric power transfer of power this fan theory assumes.

While Chuck is definitely getting weaker, that doesn’t mean Sam is getting stronger. There’s no evidence that Sam is becoming, let alone replacing, Chuck, just that he is sharing Chuck’s growing pain and weakness.

This brings up a rather disturbing idea – is Chuck dying? If so, will the balance between Light and Dark be disrupted, destroying the SPNverse? Did Sam’s impulsive stupidity just doom the world (wouldn’t be the first time).

Is this what may bring Amara back to help TFW? She still doesn’t appear to care much about humans if her verbal shrug after Chuck smote her masseuse for kicks is any indication. So, I guess worrying about humanity still isn’t her thing. Then again, this version of Amara doesn’t seem to care about anything except hedonism and has totally forgotten about her bond with Dean Winchester. So, it’s hard to tell whether we’ve seen the last of her or she’s just going through an ennui phase.

Speaking of Chuck and Amara, their pettiness makes them too human and not godlike enough in this episode. I’m not talking about a conscious choice to make them petty (Greek gods were petty, too), but that they are portrayed thinking and caring about things that they shouldn’t and wouldn’t care about.

For example, why is Chuck complaining about not getting food when he doesn’t need to eat and could conjure up anything he wants, including the waitstaff? I can sort of see Amara liking massages, but what is the attraction for her in meditation? And why is she so slow to notice her brother’s condition when they are permanently and psychically linked (“Yin and Yang,” as Amara puts it)? Why is she unaware that Chuck opened Hell?

And what does Chuck know? When he touches his wound, there is no indication in the story that he is aware that Sam can feel it, too, or where Sam is, or how the whole ghost army situation is going. Is he just not following his own story, anymore, even as he’s in the middle of it?

This seems like the usual thing the show does at this time of the season. At the end of the previous season, they introduce a Big Bad that turns out to be a little bit too Big and Bad. So, they have to rein in said BB for that character to last (and the Brothers to survive) until the end of the season. So, the show has elected to limit God. That doesn’t mean the way they’re writing this storyline makes much sense.

This is also a reason why the ghosts are such a dud as a mytharc storyline. As I noted last week, they are pretty much the opposite of ethereal and that makes them not-scary. SPN ghosts are noted for being crazy violent (literally), but that also means they are effectively mindless.

Having ghosts plotting and coming up with nefarious plans is a bit like writing zombie as actual characters who can think and pick locks. The whole point of Romeroesque zombies as something different from other revenants like vampires is that they can’t think. Similarly, the Supernatural version of ghosts can’t, either. And yet, here we are, with ghosts plotting to take over the world, and it’s as boring as salt-less oatmeal.

And that doesn’t mean the show can escape those limitations for this type of MOTW so easily, or without unfortunate implications for the story. The writing for Jack the Ripper, for example, is bog-standard awful. Not only did they pick an historical suspect who was American, but they then cast an actor who didn’t look or sound anything like how that candidate did in real life.

Nor does he act like Jack the Ripper in his kill pattern (except that he’s about as thunderously stupid in his Evil Overlord planning as you would expect for the ghost of a maniac killer who escaped capture largely due to police incompetence). In the teaser, he disembowels a woman. But that is the very least of what the real Jack the Ripper did.

He was a sexual sadist who butchered his female victims in highly sexual ways. His last known victim, Mary Jane Kelly, was the youngest and reputedly the prettiest of the women. The killer left her sprawled in a sexualized position, carved to pieces, with no face. None of that vicious vibe appears in the teaser for this episode, let alone later on.

Apparently, portraying a young black woman in a master-slave position with a white man, complete with dog collar, is A-okay for these writers. But portraying an attack by Jack the Ripper with anything approaching historical accuracy is a CW bridge too far. Well, don’t pick Jack the Ripper as your EVOL spokesghost, then.


The Kripke Years

Season 1

Season 2

Season 3

Season 4

Season 5

The Gamble Years

Season 6 (with Kripke)

Season 7

The Carver Years

Season 8

Season 9

Season 10

Season 11

The Dabb Years

Season 12

Season 13

Season 14

Season 15


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Whispers, Spoilers & Speculation Corner: 01/09/17: The New Year’s Edition


This will be the last week the Whispers, Spoilers & Speculation Corner appears on Innsmouth Free Press. It is moving to The Historical Meow (this week’s column will appear at both sites).

You can access previous spoilers columns here.


Last Week in Innsmouth

You can still buy our all-woman Lovecraft Mythos anthology (the first one ever), She Walks in Shadows, which has won the 2016 World Fantasy Award. As well as our other books, such as Orrin Grey’s past columns in his new book Monsters from the Vault.

You can also still catch our latest Whispers, Spoilers and Speculation Corner here.


Sci-fi Spoilerpalooza
By Heather S. Vina

Happy Holidays, everyone! Wishing you joy, peace and prosperity! And Happy 2017, everyone! Fingers crossed the beginning of this year improves VASTLY on the troublesome end of last year.

The official episode synopses are out (click on the show title) for the Arrow, Supergirl, The Flash, and Legends of Tomorrow crossover. TV Line also has the most recent promotional photos of the characters interacting with each other.

The CW is changing up their 2017 schedule: New show Riverdale will debut Thursday, January 26 at 9 pm., which sees Supernatural moving to Thursdays at 8 p.m. Legends of Tomorrow will move to Tuesdays at 9 pm. starting January 24. iZombie will premiere with a two-hour episode on Tuesday, April 4 at 8 p.m. before then moving to its regular time period at 9 pm. The 100 will return on Wednesday, February 1 at 9 pm. The Vampire Diaries series finale will air on Friday, March 10, with The Originals returning the following week on Friday, March 17 at 8 pm.

The CW also announced that there will be no more additional episodes ordered for Frequency and No Tomorrow this season. The shows’ fates remain unclear.

However, good news for fans of Westworld: The show has been renewed for a second season. Ed Harris also confirmed he will be back for season two.

After the big DC/CW crossover event, a few sites have some interview roundups. TV Line spoke with executive producers Andrew Kreisberg and Marc Guggenheim. EW spoke with executive producer Andrew Kreisberg on what didn’t make the cut. Variety has an interview with producer Marc Guggenheim on what the fallout will be. And the Dominators will be returning to one show soon.

TV Line has up some more scoop about the Arrow, Supergirl, The Flash and Legends of Tomorrow crossover. There’s also another promo out for it.

TV Line has up a preview for the best upcoming winter shows in 2017.

Great news for fans of Netflix’s Luke Cage: Marvel has announced a second season.

TV Line has up spoilers for the returns of thirty plus shows!

12 Monkeys: The show has cast actor James Callis (Battlestar Galactica) in a mysterious role. According to executive producer Terry Matalas, his character is a “rebellious and enigmatic time-traveler raised throughout history by the Army of the 12 Monkeys, one whose conflicted personal and emotional path will change everything for James Cole and Dr. Cassandra Railly.” Also from Matalas, the mystery character is “a highly anticipated and pivotal new character to our series’ mythology.”

The 100: There’s a new trailer out and a new promo for season four. EW has up some spoilers and promotional photos for the new season as well. Executive producer Jason Rothenberg has some scoop on Octavia’s journey post-Lincoln’s murder.

Agents of S.H.I.E.L.D.: Looks like Adrian Pasdar is returning to the show. Episode is unknown right now. Spoiler TV has up the promotional photos and official synopsis for episode seven.

TV Line has up an interview with Clark Gregg about the events of the midseason finale. EW has up an interview with Gabriel Luna about what has happened to Ghost Rider. EW has up an interview with executive producers Jed Whedon and Maurissa Tancharoen about what’s next after the events of the midseason finale. TV Line also has up a solo interview with Whedon on what’s coming up in the second half of the season.

EW has up an interview with Ming Na on the latest Agent May twist. Collider has up an interview with Clark Gregg and Jason O’Mara on the second half of the season. Spoiler TV has up the promotional photos and synopsis for episode nine.

American Gods: EW has up the first promotional photo of Corbin Bernsen as Vulcan.

Arrow: TV Line has the dish on Oliver and Susan’s romance. There’s also a new, very spoilery promo out for the second half of the season. TV Line has up the promotional photos for episode 10.

Bates Motel: The show will be returning on Monday, February 20.

Class: Spoiler TV has up the official synopsis for the season finale.

Colony: There’s a new promo for season two. The show is adding three new faces to its cast in the forms of William Russ (Girl Meets World), Keiko Agena (Gilmore Girls: A Year in the Life), and Paolo Andino (The Last Ship). They will all have recurring roles in season two. The show has also cast actress Laura Innes (ER) in a recurring role as Karen. The show will return on Thursday, January 12, 2017.

The Defenders: Superherohype has up some set photos of the actors filming.

Dirk Gently: The BBC America show has been renewed for a second season.

Doctor Who: There are a a new sneak peek out, new video featurette, and official trailer for the Christmas special. The official Twitter account also put up a new photo for the Christmas special. BBC released a new wallpaper for it.

Take it with a grain of salt, but the Daily Mirror (a British tabloid) is reporting that when new showrunner Chris Chibnall takes over in 2017, it will be with a clean slate. Meaning both Peter Capaldi (Twelve) and Pearl Mackie (Bill) will be gone, and the show will cast a new, younger Doctor. The magazine’s “sources” report that the BBC wants to revitalize flagging merchandise sales with a younger Doctor and get back to having a season a year instead of another year-long break as we are experiencing this year. Peter Capaldi is also teasing the idea that he might not be on the show much longer.

With the Christmas Special having aired, there’s now a trailer out for season ten, with a lot of new companion Billie. The official ratings for the Christmas special are out, and the show had 7.83 million, placing it at 9th for the week. The AI or Appreciation Index came in at a score of 82, tying it with last year’s special “The Husbands of River Song.” The BBC site has up a list of “10 Things We Know” about new Companion Bill.

The Exorcist: Deadline has up an interview with creator/executive producer Jeremy Slater on the season finale and the chances for a second season.

The Expanse: Spoiler TV has up the promotional photos and trailer for season two.

The Flash: Actor Greg Gumberg (Alias) has been cast in the recurring role of Detective Tom Patterson. SpoilerTV has up the official synopsis for episode nine, “The Present.” TV Insider has up an interview with Candice Patton on Iris’ relationships and the epic crossover. There’s a HUGE spoiler for the show over at Canadagraphs Twitter. Be warned, though; it’s pretty big.

TV Line has up some scoop from executive producer Andrew Kreisberg on the fallout from the crossover episode. The show has found its “Gypsy” in actress Jessica Camacho (Sleepy Hollow). TV Line has up the promotional photos for episode ten.

Frequency: Spoiler TV has up the official synopsis for episode nine, “Gray Line” and for episode eight, “Interference.”

Game of Thrones: EW has an interview with Sophie Turner on what’s coming up for Sansa in season seven. The show has cast mixed martial arts Fighter Conor McGregor in a mysterious role.

Gotham: The show has cast actor James Remar as Frank Gordon, Jim Gordon’s uncle.

Grimm: TV Line has up some scoop from the producers on the final season of the show. TV Line has up an interview with Sasha Roiz on the final season. TV Line has up some behind-the-scenes photos of the cast filming the final season.

Legends of Tomorrow: Spoiler TV has up the official synopsis for episode eight, “The Chicago Way.” EW asks after the December crossover whether Sara given up on trying to save Laurel. TV Line has up some photos from the fall finale. The show has cast actress Elyse Levesque (The Originals, Orphan Black) as Guinevere. Caity Lotz posted a photo of her and the guest star in costume.

EW is reporting that actor Matt Angel (Grimm) has been cast as a young George Lucas in an episode that will find Ray and Nate deeply affected by the time changes.

Legion: There’s a new promo for the show.

The Librarians: Executive producer Dean Devlin spoke with EW about this season’s arc and the influence Doctor Who has had on it. Spoiler TV has up the official synopsis for the Christmas episode, directed by Star Trek’s Jonathon Frakes and written by star Noah Wyle.

Lucifer: Actor Tim Dekay has been cast as Dr. Jacob Carlisle, a brilliant neuroscience professor whose appearance in episodes 12 and 13 will have “deadly ramifications” for someone Lucifer cares for. TV Line has up some spoilers on Charlotte’s plans now that she knows Chloe’s secret.

The Magicians: There’s a new trailer out for season two.

Once Upon A Time: EW has up the first promotional photo of the alternate universe episode. TV Line has up an interview with Emilie de Ravin on Belle’s painful decision.

Canadagraphs has up some set photos and descriptions of scenes being filmed with actors Josh Dallas and Colin O’Donoghue, with new guest star David Cubitt (Medium). Faran Tahir announced on his Twitter that he will be returning to the show as Captain Nemo. EW has up an interview with executive producers Adam Horowitz and Edward Kitsis. Canadagraphs also has up some set photos with Lana Parrilla, Sean Maguire and Will Traval.

Executive producer Adam Horowitz debunked to EW a fan theory on Emma’s prophesized death. TV Line has up the first promotional photos of August’s return. EW is reporting that Ariel (actress Joanna Going Swisher) will be making a return appearance. Actor Gil McKinney’s Prince will also be returning.

The Originals: TV Line is reporting that Matt Davis, AKA Alaric, will be making an appearance on the show in the eighth episode. TV Line has some scoop on Hayley and Elijah’s romance.

Outlander: EW has up an interview with Caitriona Balfe on what is coming up in season three.

Powerless: The show finally has a premiere date: Thursday, February 2nd at 8:30pm ET. There’s a new promo for the completely revamped DC series. They no longer work in an insurance office but a super hero gadgets research and development department of Wayne Industries. Too bad. The insurance bit sounded funnier to me.

Salem: The show is officially ending with season three.

Sense 8: Netflix has announced it will air a Christmas version of the show on December 23. Season two is set to premiere Friday, May 5, at 12:01am PT. There’s a trailer out for the two-hour special for Christmas.

Shadowhunters: Spoiler TV has up the latest promotional photos and clips for season two. Spoiler TV has up the promotional photos and synopsis for episode two and episode one. Comicbook.com has up an interview with Harry Shum Jr. on what’s coming up for Magnus in season two.

TV Line has up an interview with executive producer Matt Hastings.

Sleepy Hollow: TV Insider has up the first promotional photos of Ichabod’s new team and the season synopsis. Actor Robbie Kay has been cast in a recurring role as a “handsome Internet star.” TV Line has up “10 Things You Need to Know” about the season premiere and an interview with newcomer Janina Gavankar. They also have up the promotional photos for episodes three and four. TV Line has up a video interview with Tom Mison on the new, Abbie-less season. They also have up an interview with Lyndie Greenwood on Jenny in the new season.

Star Trek Discovery: The show has found its Captain in actress Michelle Yeoh. She will be playing Han Bo. Her ship won’t be the Discovery but the Shenzhou, another ship. Bryan Fuller is now reporting that he will no longer be involved with the show at all. The show has also added two new cast members: Doug Jones (The Strain) will be playing Lt. Saru, a “Starfleet Science Officer and a new alien species,” and Anthony Rapp (Rent) will be playing Lt. Stamets, an “astromycologist, fungus expert and Starfleet Science Officer.” The show has officially found its female lead in The Walking Dead actress Sonequa Martin-Green. Reports have her staying with The Walking Dead as well. IGN has up an interview with actor Doug Jones on his new character, Lt. Saru.

Supergirl: Chyler Leigh spoke with TV Line about Alex’s coming-out story and the importance of this story right now. EW has up an interview with executive producer Andrew Kreisberg on what is coming up after last week’s crossover storyline. TV Line is reporting that villains Livewire and Metallo will both be making a return appearance. EW has up some spoilers from executive producer Andrew Kreisberg on where the show goes after that winter finale.

Teen Wolf: TV Line has up a preview for season six. TV Line has up an interview with executive producer Jeff Davis on what is coming up for Malia. Actor Matthew Del Negro (Scott’s dad) announced on his Instagram that he will be making a return appearance.

Timeless: Spoiler TV has up the official synopsis for episode eight, “The Space Race.” They also have up the official synopsis for episode nine, “The Last Ride of Bonnie and Clyde.” The show has cast their H.H. Holmes with actor Joel Johnstone. Spoiler TV has up the synopsis for episode ten, “The Capture of Benedict Arnold.” The show has cast actress Annie Wesching (24) in a recurring role as Emma Whitmore, a woman important to Flynn. TV Line has up an interview with executive producers Eric Kripke and Shawn Ryan on what is coming up in the second half of the season. The show has cast actor Jim Beaver in a recurring role as NSA Agent Neville.

The Vampire Diaries: Spoiler TV has up the official synopsis for episode seven, “The Next Time I Hurt Somebody, It Could Be You.” TV Line has up an interview with Zach Roerig about Matt’s father issues. They also have up an interview with actress Kristen Gutoskie about Seline’s intentions. TV Line has up the first promotional photo of the latest Big Bad, Cade. EW has up an interview with actress Malese Jow on her favorite scenes as Anna.

Get ready, fans. There’s another “painful” death coming, warns Julie Plec. Actress Alexandra Chando (The Lying Games) has been cast in a guest role as a character named Tara.
Van Helsing: Spoiler TV has up the official synopsis for episode 11. BIG spoiler in the synopsis though.

The Walking Dead: Spoiler TV has up the brief official synopsis’ for episodes seven and eight, and for episode six as well. EW has up an interview with Andrew Lincoln on Rick’s Baby Judith admission from last week. EW has up an interview with Lauren Cohan on Maggie’s big move. Comic Book.comis speculating that a recent post by actor Chandler Riggs’ dad is hinting at the young actor leaving the show.

EW has up an interview with Tom Payne on what Jesus is up to. Variety has up an interview with Alanna Masterson on Tara’s secret. The Hollywood Reporter is theorizing that Tara’s run-in will have future implications for Negan’s survival. However, Jeffrey Dean Morgan is reporting he will be around for season 8.

Variety has up an interview with actor Chandler Riggs on Carl’s relationship with Negan. The Hollywood Reporter has one with him as well. TV Line has up a first look photo of the main crew confronting new character Gregory. EW has up an interview with Andrew Lincoln on the second half of the season.

Westworld: TV Line has up an interview with Jeffrey Wright on the Bernard reveals and what’s to come. EW has up some promotional photos for the finale.

The Hollywood Reporter has up an interview with Evan Rachel Wood on what she would like to see in season two. EW has up an interview with Ed Woods on the events of the finale. TV Line has up an interview with executive producers Jonathan “Jonah” Nolan and Lisa Joy. EW has one as well. TV Line has up some spoilers for season two.

Great news for fans of Syfy’s Z Nation: The show has been renewed for a fourth season.

Zoo: The show has promoted actress Gracie Dzienny to regular in season three. She played Mitch’s daughter Clementine in the season finale.

Over at E!Online, the spoiler rooms have spoilers on shows Once Upon a Time, The Vampire Diaries, The Flash, The Walking Dead, Timeless and Supergirl; also on shows Once Upon a Time, Arrow, Teen Wolf, The Flash, Legends of Tomorrow, and Supergirl; on shows The Vampire Diaries, Once Upon a Time, Legends of Tomorrow, Agents of S.H.I.E.L.D., 12 Monkeys, Supergirl, and Supernatural; on shows Once Upon a Time, Supergirl, Shadowhunters, and Timeless; on shows Once Upon a Time, Supergirl, 12 Monkeys, Agents of S.H.I.E.L.D., and Arrow; and on shows Once Upon a Time, Supergirl, The Originals, Agents of S.H.I.E.L.D., and Colony.

At TV Line, Matt’s Inside Line has spoilers on shows Arrow, Lucifer, Once Upon a Time, Supergirl, The Flash, and Timeless; on shows Lucifer, Supernatural, Once Upon A Time, Agents of S.H.I.E.L.D., and The Flash; on shows Once Upon A Time, Westworld, The Vampire Diaries, Gotham, Lucifer, and Arrow; on shows The Vampire Diaries, The Originals, Emerald City, Once Upon a Time, Zoo, Grimm, Agents of S.H.I.E.L.D., Lucifer, and Arrow; and on shows The Flash, Once Upon a Time, Supernatural, Grimm, Lucifer, Sleepy Hollow, The 100, Supergirl, and Timeless.


Supernatural (Thursday nights, 9pm, CW)
By Paula R. Stiles

Check out my Patreon page. Help me keep this column going and start doing Supernatural reviews again.

It’s official! The show has been renewed for a 13th season. This may well be (by a couple of weeks) the earliest renewal Supernatural has ever received.

The show is moving to 8pm when it comes back on January 26. Repeats are currently in progress. This week’s is “Rock Never Dies” (12.07).

The Season 12 line-up (23 episodes) so far: “Keep Calm and Carry On” (12.01) official photos and press release; “Mamma Mia” (12.02) synopsis and photos; “The Foundry” (12.03) synopsis, official photos, sneak peek, and promo; “American Nightmare” (12.04) synopsis, official photos and promo; “The One You’ve Been Waiting For” (12.05) synopsis, promo and set photos; “Celebrating the Life of Asa Fox” (12.06) synopsis, photos and promo; “Rock Never Dies” (12.07) synopsis, photos and promo; “LOTUS” (12.08) synopsis, photos and promo; and “First Blood” (12.09) synopsis, photos and promo, as well as an extended promo.

The synopsis for “First Blood” (12.09) is up. This will be the first episode for 2017:

“First Blood” – (8:00-9:00 p.m. ET) (Content Rating TBD) (HDTV)

THE HUNTERS BECOME THE HUNTED – After being arrested for the attempted assassination of the President of The United States, Sam (Jared Padalecki) and Dean (Jensen Ackles) must find a way out of an underground, government-run, detention facility in the middle of nowhere. Determined to find her sons, Mary (guest star Samantha Smith) and Castiel (Misha Collins) seek assistance from an unlikely source. Robert Singer directed the episode written by Andrew Dabb (#1209). Original airdate 1/26/2017.

TV Line has some spoilers out about the returns of Eileen, Claire and Donna later in the season. We’ve already seen Rowena and Jody come back.

The article also discusses 12.11, which involves a “de-aged” Dean. More accurately, he will be suffering from a magical condition similar to Alzheimer’s where he loses his memory over a period of time. There’s also a cute photo from the episode involving a bunny.

The showrunners apparently didn’t get the hint that the LoL have gone down like a lead balloon with the audience, as they promise a whole lot more of them in the second half of the season. God help us.

TV Line talked about the departure of Rick Springfield in 12.07, as well as the return of the LoL. Ugh.

There’s a new interview out with show AD John MacCarthy about the crew side of the show’s production.

There’s another Shaving People, Punting Things video out.

Jensen Ackles and the show have been nominated for the People’s Choice Awards. The ceremony will be on Wednesday, January 18.

Ratings for “Celebrating the Life of Asa Fox” (12.06) went up a little in demo to 0.7/3 and 1.80 million, dropped a bit in demo to 0.6/2 and remained steady at 1.80 million for “Rock Never Dies” (12.07), and remained steady in demo at 0.6/2 and dropped a bit to 1.73 million for “LOTUS” (12.08).

For repeat ratings, “Keep Calm and Carry On” (12.01) got a 0.2/1 in demo and 0.66 million in audience; “Mamma Mia” (12.02) got a 0.2/1 in demo and 0.72 million in audience; and “The Foundry” (12.03) got a 0.2/1 in demo and 0.80 million in audience.



Horror: The Cult of Exotic Death


By Paula R. Stiles


One day when I was 14, my maternal grandfather bit into a burger and nearly choked to death in front of me and my cousin. It was fall and our extended family was passing through Lebanon, NH, so we had stopped at the A&W Root Beer restaurant there (sadly, now long gone) for supper.

Beloved and much-missed Grandpa Van was not eating too fast. He hadn’t taken too big a bite to eat. No. His throat muscles had atrophied thanks to his recent diagnosis of Lou Gehrig’s Disease, now known as ALS. He died a few months later. Ever since, I dread whenever water or a bit of cracker goes down the wrong pipe. You see, ALS can have a genetic component. And it can skip a generation.

We all fear what Stephen King once called “the bad death.” What’s funny, though, is what kind of bad death we want to see in our horror stories. The more exotic, the less likely it is to take us, the better.

Zombies? Check. Vampires? Sure. Werewolves? Absolutely. Flesh-eating bacteria? Uh-huh. World-killing flu? Why not? Balloon-carrying, clown serial killers? Alrighty-then.

Heart attack? Cancer? MS? Alzheimer’s? Not so much. At least, not straight up with no chaser.

Sure, good horror does often evoke real-life horrors in a metaphorical way. We see a lot of domestic abuse in horror (and yes, domestic abuse is very common in real life), especially in the vampire sub-genre. And there’s body horror, which often mimics what a parasite from some hot and far-away part of the world can do to an unsuspecting First World body. In fact, some things (like rape) are not only very common, they are portrayed in many works as universally happening to female characters in a tone-deaf way. It’s a free-for-all of gender violence aimed at women in a lot of horror.

But let’s face it – your odds of being whacked by a killer clown while at summer camp are much less than getting lost and dying of exposure, or being killed in a car crash on the way home (or sexually assaulted). But what do we see in theaters and on our bookshelves? Endless movies about hot, young teens whittled down by some chainsaw-wielding maniac. Or zombie horror. Or vampires, sparkly and otherwise.

Admittedly, some of this has to do with the target audience – complacent, social-anxiety-ridden teenagers who think they’re physically invulnerable, for the movies; young, white men for books and graphic novels. When the genre does bother to target other groups, it splits off to paranormal romance for women (young women, of course, because why would older women read books, am I right?) or magical realism/literary for People of Color, both writers and readers. Horror writers and fans look down on these two categories, even though paranormal romance, like most things romance-genre-connected, sells like hotcakes while horror is considered a genre ghetto. Older people who actually buy a whole lot of books might as well not exist in the eyes of those selling them, at least when it comes to horror.

Still, I think a lot of it boils down to simple escapism. King talked at length in his two non-fiction books, Danse Macabre and On Writing, about how he put a lot of his early struggles with poverty and alcoholism into his books. And those elements definitely ground his books in a way that lesser books by lesser authors are not.

But even there, these themes are distanced by the supernatural element. Jack Torrance struggles with his alcoholism and isolation (and being so broke that taking a caretaker job with his wife and son at an off-season hotel in the middle of winter and nowhere is a great opportunity), but those are just the elements of his personality that make him vulnerable to the ghosts. The ghosts are what push him over the edge.

If he went over the edge due to the drinking and isolation, that would be drama. In horror, the ghosts aren’t just metaphors. They are real. So, there’s always an external element of threat in horror that doesn’t exist in straight drama that perhaps makes the threat easier to connect with emotionally.

It’s much easier to deal with things like genocide in The Martian Chronicles when it involves Martians and hypothetical spacemen than when it involves your direct and not-so-distant ancestors (or cousins). Dementia and mental illness are more tolerable in the context of The Twilight Zone than a hospital room. And nuclear holocaust, despite attempts by Hollywood to make it “respectable” drama, was monopolized by the horror genre early on. Nobody ever wanted to think about nuclear bombs in a “realistic” context.

This may be why people seek out horror despite its dark themes. And it may be why some themes (which can be given a horror spin more easily) are more common that others. The fantasy element is like a shield that allows you to see Medusa without being turned to stone.


Happy Halloween, everyone!


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Mommy’s Burning on the Ceiling: Mary Winchester in “Supernatural”


By Paula R. Stiles


I’ve made no secret over the years that Mary Winchester (Samantha Smith), the fridged matriarch of the Winchester family on CW show Supernatural is one of my favorite characters. I’m also quite partial to Meg, both versions. I liked Jessica, Ellen and Pamela. I like Amara, as well as Jody and her adopted brood. And I’ve warmed to Rowena. Clearly, my tastes run toward older, experienced and spiky, played by talented actresses. Jessica wasn’t the first three, but Adrianne Palicki is definitely talented (still sad her Wonder Woman series never took off), so she gets a pass.

Mary’s popularity increases with me in that she is now the longest-running character on the show, even appearing before her sons Sam and Dean. Plus, the show has teased us over the years with versions of Not-Mary played by Smith (most successfully with Eve in season six episode “Mommy Dearest), and the younger Hunter version of her played by Amy Gumenick in season four’s “In the Beginning” and season five’s “The Song Remains the Same.”

Mary_vs._Anna

However, the older I get, the less patient I am with the dire writing of women on television, to the point that even an irritating side character can turn me off to an entire show (The Flash and Arrow, for example). I doubt I’ll stop watching Supernatural any time soon, but it’s been on so long that its early seasons encompass a very different television landscape from the one (admittedly with its own imperfections) today. And one of the things that still seemed acceptable without comment in 2005 was bookending your pilot episode with a double-fridging of female characters.

It’s therefore still disappointing to see a character with so much potential as Mary initially introduced as Fridged Mommy, though in her case, she’s burned on a ceiling, instead. Even more disappointing is seeing Sam’s girlfriend Jessica endure the same fate at the end of the Pilot, simply because the show’s creator Eric Kripke was too lazy to think of anything else to do with her. There’s no doubt about it. That’s bad writing.

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So, it’s understandable that when the omnipotent goddess Amara rewarded Mary’s son Dean for helping her reconcile with her brother by resurrecting his mother, not all fans of the show were enthused. Bringing back a fridged character usually results in that character’s immediate refridging (often after she turns EVOL). But I’ve always wanted to see Mary back and hope springs eternal.

Let’s talk a bit about what makes a fridged character. I think we can all identify her fairly easily from back in the day. You’re watching Bonanza or Miami Vice or Magnum P.I., or reading a Batman comic or whatever, and let’s just say there aren’t a whole lot of regular female characters on the show or in the comic.

Then, one day, a female character who actually seems pretty cool shows up. She falls in mutual love with the Hero (eh, okay, whatever) and then, by the end of the episode, she’s dead, insane, evil and then dead, or moved to Timbuktu with a new boyfriend and ten cats. Either way, she’s gone for good. It’s like, “Hello, Female Character with Potential; goodbye, Female Character with Potential!”

And all the time, the male writers of the show are complaining that they’ve gotta put in female characters with “romance” plots because “chicks dig it” and that’s why they also write them out as quickly as possible, because they were forced into sullying their magnum opus with girl cooties. Why, if they had their druthers, the show would be a sausagefest 24/7 (except, like, not with any canonical slash overtones, c’mon, dude), just as it should be.

The nerve of the network making them do changes like that. The show would be perfect without them, don’t you agree?

It takes you quite a long time to unpack just how thoroughly misogynistic it is to resent having to include 51% of the population in a story. It takes you even longer to figure out that the real reason they put these love interests and doomed mothers/sisters/cousins into stories aimed at male audiences is because these female characters are not really characters — they’re plot coupons and rewards for the Heroes. Those female characters are actually necessary to the story the writers want to tell and insisted on by the writers themselves. They just aren’t meant for the female fans.

Everyone knows that the Heroes can’t be Heroes unless they are restless and miserable, so these rewards are constantly taken away from them, in a way that creates as much angst as possible. And the fact that women are not job promotions or cartons of Ben&Jerry’s ice cream — they are people — is never, ever acknowledged. In fact, it’s strenuously ignored.

Which brings us to the Women in Refrigerators website. It was originally based on an incident in the Green Lantern comic in which the Hero’s new girlfriend gets murdered by a villain and stuffed in a refrigerator for her boyfriend to find.

Green_Lantern_1994-54-15.0-r50

Now, aside from the fact that this plot alone sounds incredibly stupid (and the art in the comic panels does it no favors), the author of the site’s point that this happens a lot to women in genre fiction is well-taken. I may not agree with every single entry on her list, but she’s dead-right that a disturbingly high number of female characters in genre media are introduced as Love Interests, Mothers, Hot Sisters/Cousins, etc., only to be brutally killed off or otherwise written out almost as soon as we meet them. The Green Lantern’s girlfriend, for example, is introduced a mere six issues before she’s killed off. So, these characters, on top of being horribly dead, have little audience investment because they are one-dimensional.

Surprisingly, some of them turn out to be really popular because the writers, to save time, make them perfect and awesome (or get lucky with casting, as Supernatural did with Samantha Smith and Adrianne Palicki) so that the pain of losing them can be felt by the reader/viewer as it is by the Hero — you know, instead of actually developing them over time as real characters and then killing them off for reasons that are about them and not their boyfriends.

Many writers go another route. They have them “meet cute” in a way where the female Love Interest treats the Hero like dirt right off the bat (so we don’t actually like her that much after all) and usually interferes with his (or sometimes, her) main purpose in the story. This is why I call Love Interests “soft antagonists.” They are usually good people, but they create conflict for the Hero’s mission in the story and interfere with its continuation in some way. Therefore, at some point, they’ve gotta go.

Green Lantern’s girlfriend, Alexandra DeWitt, doesn’t like him initially and then doesn’t like it when he gets his Green Lantern ring, so she’s gotta go. It’s her or the superpowered Call to Action. In a comic, the superpowered macguffin always wins that war.

An equally high number of women with actual agency in these stories (i.e., protagonists) are depowered/turned evil/killed off through similar means. A Xena: Warrior Princess is quite rare. Sexual violence is especially favored, used in a tone-deaf way as a tool to create more angst or, worse, as an origin story for toughening up a female victim into a hero. Game of Thrones pre-season six fairly leaps to mind here and from the rape rumors surrounding the upcoming Westworld series, HBO hasn’t learned a thing. Joss Whedon even did a fridging with a lesbian couple in Buffy: The Vampire Slayer. I can’t say I was thrilled about it.

I don’t believe in over-applying such tropes to the point of pointlessness, as it were, but I trust it’s not hard to see why the Mary of the Pilot, like Jessica, is a fridged character. Where it gets interesting is that not long after, Mary starts being something else.

For one thing, show creator Eric Kripke always claimed that he intended for Mary to recognize her demonic murderer (keeping in mind that none of the rest of her family had any clue about his identity for over two decades after her death), but decided to hold that reveal until near the end of season two. This would explain why, halfway through season one, we get the episode “Home” where it’s hinted that Mary wasn’t your usual sunny, innocent fridged woman, that she wasn’t killed to get her husband John out on the road, either. She was killed for reasons that had to do with her — and as a ghost, she has power.

marysavior-r50

That storyline wasn’t about John. It wasn’t even about her sons. It was about her. In Supernatural, knowledge is power. Paradoxically, Mary had to die, not just to push forward John’s story, but because she knew too much. It was the same reason the show killed off John early in season two.

Jessica never stops being a fridged girlfriend (to the point where the prelude to the reveal of her gruesome fate is nearly identical to that of Alexandra DeWitt’s). That’s even emphasized in later seasons. But Mary goes from June Cleaver to Queen Gertrude to someone even darker, someone more like Sarah Connor, very quickly. So, there’s this mystery to her, a subtext that belies the innocent mother of the Pilot, that is intriguing.

Then we get to season four, where she turns out to be a badass Hunter (“Aha!” cries the subtext) and even fights one-on-one against an angel in season five. While pregnant with her badass son Dean, no less. And we find out that the Winchester tragedy of demon deals began with Mama — not Papa — Winchester, that he was the innocent civilian in that marriage while she was the one who knew about the supernatural world and was trying to retire from hunting all along. Like Shane, she brought the job home, despite her best efforts, and it caught up with her in the end. The traditional roles of the trope have been reversed and they never quite flip back.

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Unfortunately, the writers recast her (still leaving poor Samantha Smith in that damned nightgown). And once they were done with that past storyline, they promptly got rid of Young!Mary via a mindwipe, of all things, so they could ensure she walked into that nursery unaware. The worst part was that the writer of that episode, Sera Gamble, not only was a woman, but she became showrunner and then wrote another episode where she fridged a Love Interest with a similar trope. Ugh. We women sure can be our own worst enemies, sometimes.

Now, I’ve been dying to see Mary come back in her older form, especially since Smith’s turn as Eve the Mother of Monsters in season six’s “Mommy Dearest.” So, I’m thrilled to see her back. Granted, there are ways they could do horrible things with this, but the trailer (despite its unnecessary commentary by the most irritating fangirls the show could find) indicates we won’t be getting a return to Fridged Mommy in a Nightgown. It indicates we will be getting Sarah Connor. I am all for Sarah Connor, preferably with that stupid mindwipe lifted. That’s meaty. That’s fun. Let’s go there, show.

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