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According to recent reports from Vancouver, the cast returned to work the first week of August (about two weeks late). Jensen Ackles also explained in a recent virtual “fan experience” through Creation Con that the writing for the last two episodes has been tweaked to reflect recent events (i.e., the Coronavirus pandemic). With these writers, I’m not sure if that’s a good thing or a bad thing. He also said that 15.19 will be a season finale, while 15.20 is more like a series finale (and expressed sadness on Instagram when he got the final script, which said “The End” instead of the usual “To Be Continued”). In an already truncated final season, that likely means we’ll get stuck with some filler clips episode as the last one. Yay.
This week, the final episode of the show, “Carry On,” airs after a one-hour retrospective. Feel free to comment about the episode below as you watch it.
You can find a promo, photos and a synopsis here for 15.20. Maybe someone can make heads or tails of it.
If you’re enjoying these articles and reviews, any contributions are welcome. Even in a pandemic, the kitties still gotta eat and I’ve got a house full of snarfly foster kittens with seasonal eye gunk right now. My kitty Goose is doing much better, thank you (she’s acting as if nothing happened now), but I’ve still got that bill, so every little bit helps.
Scroll down to find links to all of my recaps and reviews of all seasons up to this point.
Recap: Standard recap of the season up to this point. Cut to Now in Reykavik, Iceland. Amara is enjoying a nice hot spring bath, while reading a Japanese novel by Murakami, at night (it always seems to be night around her), when a sudden meteor shower and aurora catch her attention. Looking tense, she gets out and pulls on a robe. “Welcome home, Brother,” she mutters.
Cue title cards.
Cut to Sam in the Bunker talking to Castiel (outside in a sunny spot near some kind of industrial park). Castiel has been to the Basilica of Guadalupe to look for a spell that could, according to rumor, “wound God Himself.” Alas, it was only a rumor.
As Sam gets off the phone, Dean enters the Library and asks if he was just talking to Castiel. Sam is all pissy that Dean didn’t rush to tell him what Castiel told Dean. This entire plot irritates me immensely. If Castiel is now working with Sam to come up with an alternative to Billie and Jack’s plan, why didn’t he just tell Sam about it in the first place instead of telling Dean and then bailing? If I were Dean, I’d be mighty salty at these two using me as a go-between for a half-baked, last-minute search that probably won’t go anywhere. And indeed, Dean’s not too thrilled, especially by Sam acting like a twit for the billionth time in 15 seasons.
Dean points out that they don’t have any other alternatives if, you know, they want to save the world. Sam snottily whines that surely, Dean gets tired of “saying that” they don’t have any choice. I’m sure Dean does, but at the moment, they really don’t.
The argument is interrupted by a whoosh and a clatter in the Kitchen. They go down there to find Amara helping herself to a beer from the fridge. She tells them, “We should talk.”
Cut to the Brothers and Jack (you know, the fifth wheel this show seems determined to keep around) listening as Amara tells them Chuck is back on Earth Prime. Jack then says, “It’s time.”
Amara asks them what their plan is to “cage” her brother. Do they have four archangels? Dean says they have Jack and that he’s been getting stronger. Amara tells Jack that she regrets she didn’t get around to getting to know him better and suggests they do so afterward. Dean manages to keep a straight face through this. Jack looks dumb, but then mentions that he has one final ritual he needs to go through.
Later, Dean thanks Amara for helping. She says, “As I told you before, Dean, we will always find a way to help each other.” After she disappears, Dean looks guilty and upset.
Out in the Library, Jack guesses that Sam is “angry” or at least “disappointed” with him. Sam lies his ass off and says that of course he’s not. He does admit that he thinks what Jack is doing is wrong. Yay for respecting Jack’s choices, Sam.
It gets worse when Dean comes out into the Library and asks Jack if he’s ready. After Jack leaves to get his stuff, Sam starts tail-spinning. He refuses to come along, even though he and Castiel have no alternative plan, because suddenly, he thinks Billie’s plan is a wild goose chase. Really, Sam? You were fine with Jack eating human hearts and looking for Eden in some weird, abandoned church, but now you have a problem with this plan? Sam seems to think what is best for Jack is totally ignoring what Jack wants, refusing to support him in his final hours, and rendering his sacrifice meaningless.
The really sad thing is that it’s pretty obvious even this early in the episode that we are supposed to believe Sam is in the right – that we are supposed to forget that when Sam has gotten mulish like this in the past, he has released terrible evil (like Lucifer and the Darkness) on the world and caused untold death and destruction. In short, we are supposed to not notice that Sam not only is holding the Idiot Ball this episode, it’s practically glued to his hand for 42 solid minutes. Nope, the writers want us to believe that Dean is the problematical brother, instead. Sometimes, there just aren’t enough facepalms.
So, the Brothers have a spat where Sam talks about “fighting for Jack” (while being unwilling even to be with him in his worst moment) and how Jack is “family.” Dean has to speak the brutal truth: “Jack’s not family.” Sam bridles at this, but, well, Jack isn’t family. He’s just not. And he never has been, either. Every time he’s come close to being family, he’s found a way to screw them over and choose someone, or something (usually power) over them.
Jack pretty obviously overhears this as he comes back into the Library with his stuff. There’s an awkward moment and then Dean leaves with Jack. Note that the brother who’s saying Jack isn’t family is the one who’s willing to help him see this through. Let’s just let that little irony sink in. Sam talks a good game, but at the end of the day, I don’t see any emotional resonance in his claim to love Jack as a son. It always sounds hollow and that’s because we never see him putting in the work. The brother who does that is always Dean.
Cut to a pensive car ride at night, but Dean and Jack don’t speak to each other at all during it. Dean’s overheard statement just sits there between them.
Back at the Bunker, Castiel arrives (conveniently after causing a huge fight and rift between the Brothers at about the worst time possible) to find Sam hitting the lore books. He’s all happy that Sam is on board with trying to find another way to save the world that will also save Jack. Ugh. I can’t even with these two.
Meanwhile, Amara is sitting on a bench in a park in sunlight (oh, so, she can be out in daylight), holding a pink flower, when her brother shows up. We get a random title card that says “Amara” in white letters on a black background, for some unclear reason.
Chuck asks if she saw his meteor shower. Instead of saying yes, she calls him out on “ending worlds.” Now he’s after this one. Thing is, in order to “do a hard reset” and start a new universe after he ends Earth Prime, he needs Amara’s help. She flat-out refuses. He accuses the Winchesters of having gotten to her: “You and Dean have that whole weird thing.” Amara is surprised. She had thought it was part of his writing, but he vociferously denies it, calling it “gross.” Note that this relationship is the only thing in the entire show that we can be sure is not part of Chuck’s manipulations, so of course he’s going to have to try to break it down to nothing.
Amara claims that she’s on neither Dean nor Chuck’s side. She’s about preserving the world as it is. Setting the flower down on her bench, she has Chuck take a walk with her. Chuck does, but is restless. She notes that he “never slow[s] down.” He never takes a moment to enjoy his own creation (this is, by the way, a retcon on Season 11, when we did see that Chuck enjoyed nature).
They talk about his first tree (a fern, “I was obsessed with fractals”) and Amara calls Chuck out on wanting to “annihilate” the entire universe just because Sam and Dean won’t do what he wants. Chuck claims this isn’t so (when she’s obvious right). He says that everywhere he looks, he sees his failures and wants to start fresh. He’s especially upset at humans, whom he now claims to find “boring.”
Amara then asks about his “first children” (the Leviathan? Oops, no, she means the angels, since it seems we’ve forgotten the bit of canon that said Leviathan were created before angels). She snaps her fingers and Chuck is annoyed to find they’re in Heaven. A small group of angels we’ve never seen before shows up (where have they been?). One, Crystal, calls him, “The Truth, the Way and the Light.” Chuck likes it at first. But their fangirling over him quickly annoys him. He snaps his fingers and sends them “away.”
When he asks what the point was of bringing them in, Amara says that she wanted him “to feel their love, their perfect, angelic love.” Chuck blows a childish raspberry, then claims that in the end, “I always get what I want.”
“What about what I want?” Amara says. What she wants is “balance” between Light and Dark. She wants a stake in this one world, where creation and destruction balance each other out. But Chuck doesn’t want to share and, when she calls him a villain for it, brags, “Villains always get the best lines.” So, she snaps her fingers again and takes them to the Bunker. Where she traps him.
Furious, Chuck tells her she can’t trap him there forever. She says she doesn’t have to.
We now get a random title card for Dean. Dean and Jack are still on the road and it’s still night. Dean tries to talk to Jack about saying he wasn’t family, back in the Bunker. Jack just says that he understands and it’s okay. Dean still looks guilty.
Come daylight, they pull up in front of a tacky, Mexican-themed store called “Jim’s Gems.” As they get out, Dean asks Jack if he’s sure this is the place. Jack says, “Billie said, ‘This is where it ends.’”
As they walk up to the store, a man and a woman open it from inside and come out to greet him. The man smiles and calls Jack by name. He and the woman are dressed like hippies and are very excited to see Jack.
Inside the shop, Dean greets the man and calls him “Jim,” thinking he’s the proprietor. The man corrects him. He’s just a friend who Jim lets use the shop. He’s Adam. The Adam. And he’s been waiting 300,000 years to get back at Chuck. He and Eve figured they deserved to get kicked out of the Garden (God’s “first story”), but were less happy to watch Chuck get bored and move on to their children.
The woman, however, is not Eve (also, isn’t Eve in charge of Purgatory, seeing as how this season claimed she didn’t really die in Season 6, then promptly forgot about her?). She is an angel named Serafina. She and Adam are very lovey-dovey and she’s been keeping him alive all this time so they can kill God. Billie has been helping them.
Adam wants to take Jack into the back room for “a pop quiz. Can’t hand out the Spark of the Divine to just anyone.” Dean is hesitant, but Jack insists it’s okay. As they go back, Adam blowing smoke up Jack’s ass, Serafina tells Dean about having seen Jack in a mushroom dream in the Hanging Gardens of Babylon.
Dean: So, you were tripping balls and you saw Jack?
Serafina talks about all the many coincidences that led to this moment, as if “it was meant to be.” In a story where Chuck is writing everyone’s decisions, that sounds a tad ominous.
In the back room, the “test” turns out to be determining, from a collection of rocks, which one holds the Spark of the Divine. Jack picks up a rock and says it’s this one. But then he says it’s all of the rocks. All of them hold something from their creator: “God is in everything.” Adam smiles and says, “Right on. Or at least, he should be.” Jack has passed the test.
Bringing Jack back out, Adam has Serafina stab him and rip out one of his ribs (then she heals him). Dean is a bit shocked by this, while Jack just stands there like a turnip. Adam says that everything may have the Spark of the Divine, but his rib has enough power to create – or to kill God.
Serafina, covered in Adam’s blood, blathers on about how this is Jack’s destiny and how preparing his mind and body, and restoring his soul, led him to this. I think I’m gonna hurl.
Adam tells Jack that consuming the rib “will start a chain reaction” that turns him into a “supernova” that will then “collapse into a living black hole” that will consume all divine energy in its vicinity, even Amara and Chuck. Yay.
Adam puts the rib into a baggie and hands it over. He warns that once the chain reaction starts, it can’t be stopped, so don’t use it until the time comes.
In the car that night, Dean is driving and Adam is holding the baggie, staring at it. Dean pulls over and apologizes to Jack for what he said before. He says that Jack deserves more support than that. Dean explains that when he found out about Chuck’s being an author, he no longer felt “free.” But now, he and Sam have a chance to be truly free. He thanks Jack for that.
Dean gets a text that “it’s time.” Jack takes out the rib and holds it in his hand. Then he dusts it (the way he did the snake last season, ’cause that’s totally reassuring) and his eyes glow briefly. Game Time.
Back in the Bunker, Sam seems oblivious to what is going on, so I guess he’s not the one who sent that text to Dean (Amara, maybe?). He’s still working on the books. And then we get a title card for him, as well (again, no idea why), as he tosses a book to the ground in frustration.
Castiel picks it up and puts it back on the table. Sam apologizes for the whatever-that-was and they commiserate on the sinking sensation that Dean may be right. Sam just can’t shake the feeling that something is off and wishes he could talk to Billie directly about (Really? Now? Not before whenever she was standing right in front of you, Sam?).
Castiel firmly nixes any summoning of Death or Sam killing himself to hang out with her. But Sam has another idea. Remember that key the Russian shaman Sergei wanted when he helped cure Jack last season? I know it was a while ago, but don’t worry, because Sam and Castiel happily infodump us up to speed. The key was to Death’s library and Sam wonders if they can 1. find it and 2. use it to sneak inside and read her books.
Cue a montage of the two of them hitting the books again. They find a lot of relics, but it’s not until Sam is messing about with the Holy Grail (yes, really) that Castiel finds a box with a death’s head on it and opens it to find the key in question.
There’s a helpful inscription on the box. When Sam reads it (his Latin pronunciation has not improved), the key glows and a glowing doorway appears in the wall, complete with a key hole. How convenient.
This is about where the episode turns seriously daft. Yes, that’s even taking into account the previous meeting with Stoner!Adam.
Castiel wants to come along, but Sam insists on going alone. He figures if Dean gets back before he does, Castiel will need to stall him. Castiel reassures Sam that he must be doing the Right Thing because reasons. Barf.
Sam steps inside Death’s Library. This is a recurring motif on the show of something that worked great with Dean, that the show insists on just handing to Sam with clumsy writing that cheapens it the second time round. Remember Sam’s romp through Purgatory in Season 8’s “Taxi Driver”? Like that.
Anyhoo, Sam arrives in the W section (convenient) and finds a lot of dead Reapers on the floor. He hears screaming and pleading down the shelves and then a death shriek. Instead of grabbing a book (as he originally intended) and bailing, he decides to check out what’s going on. I’m sure this will end well.
It turns out that the Empty Entity (in the persona of Meg) is sitting at a desk, interrogating Reapers about the location of Billie. When they don’t have the answer (and none of them does), she kills them.
Sam tries to sneak off, but the Empty senses him and snaps him into position in front of her. After calling him by name, she introduces herself when he incorrectly thinks she’s Meg and then monologues about wanting to find Billie. They had a deal. She was supposed to own the Empty, with no more Chuck interference, and Billie promised her she’d go back to sleep. But then Castiel showed up and sowed doubts in her mind about Billie’s reliability.
It turns out (according to the Empty, anyway) that Billie wants to become the new God and put everything back in its place, which includes worlds back in position, angels in Heaven, demons in Hell, and anyone who should be dead, dead. And, oh, yeah, the Empty Entity gets to go back to sleep.
Sam sees a book in front of her. When the Empty says he’s in God’s book, he realizes it’s the one he wants. He asks if she can read it. She says that only Death can do that. After some consideration, she figures that since Billie considered Sam important enough to keep him alive, maybe she’ll show up if the Empty tortures and kills him.
Though in agony, Sam can still lie. He claims that Billie sent him to get the book. When the Empty proves skeptical, he insists that Billie gave him the message to tell the Empty that she “honors her promises.” He persuades her to let him take the book after he tells her that Billie is on Earth (She can’t go there, she notes bitterly, unless she’s “summoned”), claiming that if she kills him, she’ll never go back to sleep. Reluctantly, the Empty lets him go, but I’m wondering if this conversation will come back to bite him in the ass. As Castiel found out the hard way, you don’t just lie to the Empty.
Sam returns from Death’s Library to find Castiel waiting anxiously. Castiel tells him “it’s time,” that Amara has Chuck trapped (so, I guess he sent the text to Dean). Sam then does a complete 180 from what he told the Empty and says they have to stop The Plan.
In another part of the Bunker, Chuck is growing impatient, so he starts manipulating his sister. She tries to tell him that they can still reconcile, but he tells her to shut up. He talks about Dean being “brought to the brink of doubt.” He also talks about “poor Sam, always gotta know everything.”
Outside, two storylines are colliding. Dean arrives, half-carrying Jack. Sam is trying to talk Dean out of it, saying that Death intends to become God. Castiel is shocked. Dean doesn’t care. As long as they take out Chuck (and save the world), it’s all good.
Sam then physically gets in Dean’s way and Dean gets furious. Well, think about it – Castiel just sent Dean a text saying it was time, Jack started the countdown, and now that they’ve come back, Sam is suddenly screwing everything up and endangering all existence. Dean ends up pulling a gun on Sam.
Chuck tells Amara, “This is my ending, my real ending.”
Chuck talks about “goading Death” and making outcomes go this way and that. When Amara protests that they’re only going to “cage” him, Chuck then drops the truth on her (but twisted, of course). He tells her that Dean lied to her. The plan is to kill both him and her, using Jack as a bomb. Yes, that’s right – Chuck always knew about the plan because even without his death book, he’s “omniscient.”
And he has an ace in the hole – Sam. Sam tries to disarm Dean, but Dean punches him into a wall. When Dean tries to get Jack down the hallway, Sam tries to tackle him and then tries to tell him that Billie will kill people they know and love (like Eileen). Dean says fine, as long as Chuck dies. He’d trade them all for that.
Sam then woefully asks Dean if he’d trade him, too, and when Dean says that he can’t be Chuck’s puppet forever, Sam plays on Dean’s brotherly love by going on about how Dean was always there for him. Kinda funny how Sam only remembers that when he wants something from his brother that his brother doesn’t want to give. At any rate, he gets Dean to put down his gun. Sam insists they’ll “find another way.”
Unfortunately, all of this whining and delaying gives Chuck time to get inside Amara’s head. After she starts crying at Dean’s betrayal, she agrees to merge with Chuck (“balance”), though it’s more as if he ends up eating her. One of his eyes briefly goes black as the other one glows.
It occurs to me that Sam and Chuck are a lot alike, especially in this scene. They both shamelessly use their sibling’s love for them to manipulate them into doing what they want instead of what’s necessarily a good idea. Too bad for Sam that he’s not a cosmic being because Chuck gets out and proceeds to mock the Brothers for not being quick enough to trap him. Thanks to Sam. Again.
Chuck gets mad and claims that he wanted them to … I dunno. The script gets really vague, here, since he clearly didn’t intend for them to succeed in killing him or stopping him from eating his sister (which means he can now just dust this world and create another). He complains that this version of Castiel is the only one that didn’t follow orders after dragging Dean out of Hell, and berates them all for being “stupid, stubborn, broken.” They’re the one story that never quite worked. Then he says, “I’m over it! I’m over you!”
Sam says, “Good” (Honestly, I don’t know why, since they just lost) and Dean says, “Screw you.” Chuck retorts that back at him. He doesn’t care, anymore, if the Brothers kill each other or not. He talks about throwing away broken toys and then welcomes them to watch Jack die (since Jack is about to go supernova). Then he vanishes as Jack collapses and TFW anxiously dotes on Jack.
Ratings for this new episode dropped to a 0.2/1 in the A18-49 demo and 0.1/2 in the A18-34 demo, while remaining steady at 0.3/1 in the A25-54 demo. They dropped to 908 thousand in audience.
Review: This was a terrible episode. Rushed pacing, wonky logic, manipulative and unearned emotional moments, and enough plotholes to drive about ten Impalas through. Also, I’m not sure if the irony of the title is truly unintentional.
Jack continues to underwhelm. It’s hilarious that the mytharc talks about his becoming a black hole for the divine, when he’s been a black hole for dramatic tension since his introduction as a zygote.
It’s not Alex Calvert’s fault (Okay, it was funny that someone commented on Twitter that it didn’t help that the show has him looking like a poster boy for the Aryan Youth League, but still). He was fun as Belphegor. But the thing is that Belphegor was an active character, with an agenda that he pursued. Sure, he was manipulative, but he had goals. He had a personality. Watching him wasn’t like watching paint dry.
Jack, on the other hand, is a blank slate, a passive vessel for whatever plan someone wants to execute using his Speshul Sparkly Gary Stu Ex Machina powers. He continues to be the worst possible thing a main character can be in this show – boring. And his arc is like plot kudzu, engulfing and cutting off far more interesting storylines, especially those of powerful female characters.
Speaking of which, poor Amara. She spent most of Season 11 colossally pissed off at her brother and in a very weird (and still largely unexplained) relationship with Dean Winchester. She reconciled with Chuck and then, somewhere between the end of Season 11 and when we see her again near the beginning of this season, she has become disenchanted with him. At the same time, she has grown to love his creation in inverse proportion to how much he has grown to hate it. This seems to be, at least in part, due to her strange (and still unexplained) connection to Dean Winchester.
On the one hand, it’s great to see that Amara has grown as a character (even as Chuck has degenerated into a big baby). On the other hand, there are multiple problems with how Amara’s growth has been handled and these problems also shine a light on issues involving Chuck’s characterization, too.
The biggest thing is that all that growth was infodumped in, rather than shown organically. And then, a hot minute after we were told about it, it (and Amara) got thrown under the Jacknatural bus.
We heard here and there (starting at the end of last season) that Amara had developed an interest in Keno. We saw that she was enjoying new experiences. We saw that she had calmed down a lot. We saw that she had grown disenchanted with her brother. But we weren’t shown any of that until it was all a fait accompli.
And in “Unity,” we saw her (after spending all of Season 11 trying to kill her brother) just give up and become just another jewel in his junk drawer. It. Made. No. Sense. I get that the show wanted to give each of its most powerful female characters (okay, I’m just speculating about The Empty, since 15.20 hasn’t aired, yet, but I’m assuming it’s about her. She’s the only remaining unresolved big mytharc) an episode each for her sendoff, but this still felt perfunctory, disrespectful, illogical, and more than a tiny bit sexist.
I got the sense the showrunners thought they were being respectful, but boy, did they miss the mark. This was a fierce character who took no shit in Season 11. Now she’s a passive, pacifist wimp who just gives in and lets herself be defeated. What the hell happened? Oh, that’s right – they never bothered to show us.
Similarly, with Chuck, we didn’t really find out why he was so angry and dissatisfied with his creations that he decided to destroy all his drafts. I get that he was feeling petulant, but there was never much cause given why he would do this after nearly 14 billion years. One reason I rolled my eyes so hard at Amara slapping at Dean for perceiving her as “just a woman” and Chuck as “a squirrely weirdo” two weeks ago is that the show itself failed to show either of them as anything else this season.
A signal example of this is her hurt at Dean’s “betrayal.” For one thing, how could she not know Dean was thinking that in the diner if she’s powerful enough to know what’s going on in another part of the Bunker? For another, why would she just believe her brother (who she knows is a practiced liar and manipulator)? Why not, I dunno, ask Dean about it?
Even more importantly, why does she care? The main thing I got from this shipwreck of a plot was that the whatever-it-was Dean had with her was about the only thing real in all of this because it was the only thing Chuck himself never wrote or planned (in fact, it disgusted him and he may even have been jealous of it). It existed independently of his entire creation and belonged to Amara and Dean alone.
So, you’d think that would be something we’d surely hear a lot about down the road, right? Alas, as of 15.19, it appears to have been completely spiked in favor of Jack’s storyline, kind of like what happened with alt-Michael last season. I just do not understand the incompetence of these writers, sometimes. How could they set all that up so carefully and then stick a wrench in the wheel like that? They teased it and teased it all year long and then, at the last minute, they did a bait-and-switch. Then they acted as though the audience was being unreasonable in getting salty about the lack of resolution.
This show, I swear, has always struggled with good endings. Always. Going all the way back to the Kripke Era. But all the things previous showrunners did wrong, the Dabb Era just seems to have doubled down on as if they actually thought they were good things to do. So frustrating.
Then there was Sam. Gonna be honest – I wanted to slap Sam really hard this week, even harder than last week. This is the second time this season Sam has scotched a plan at the absolute last minute, despite having nothing to replace it, simply because he didn’t like the projected results. As far as we can tell, the plan would have worked, mind you, but he didn’t want to sacrifice Jack, even though Sam has been plenty fine with sacrificing other people with whom he was probably a lot closer earlier in the show. It was selfish. It was foolish. And yeah, I get that it was kind of in-character for Sam to be like that, but I’d hoped he’d grown beyond it. But nope, Sam seems to have been handed the Idiot Ball for the rest of this show.
Also irritating was that in order to make Sam look right (in a way, of course, that was pro-Jack, because Heaven forbid we give up any opportunity to stroke Jack as a character and prop him up), the show had Sam babbling nonsense to Dean about Billie’s intentions. Now, first of all, as Dean himself pointed out, there was nothing particularly shocking about the consequences Sam was talking about. They did know they were making a deal with Death, after all.
Second, Sam’s entire thesis that Billie was EVOL was based on the idea that it was a bad thing he and Dean and their loved ones would now have the same status as everyone else, would no longer be special, and would have to deal with the consequences – in other words, they’d all be dead. It got downright bizarre when Sam was complaining that Billie would send people like alt-Bobby and alt-Charlie back to worlds that no longer existed (meaning they, too, would cease to exist), without seeing this as showing favoritism to such characters over the entire worlds that had been erased. Sam seemed to want to retire to a normal life with all his friends, rather than having Normal catch up to all of them all at once, even if the latter saved the world. Sam would rather see the entire world destroyed than make any sacrifice at this point. Ugh.
The especially bizarre part was that the show wanted us to believe that Dean was the one who was being unreasonable, just because The Plan was on a very short time frame and he was trying to get it done before Chuck and Amara found out or Jack blew up. Sam and Castiel sprang their Brand New Information on him at the last possible second, while having no plan to replace it.
People have claimed Dean acted out of character, but I don’t think so. Why would he believe Sam and Castiel, especially since he knew they opposed Billie’s plan and that Sam had already sabotaged a perfectly good plan less than half a season before? While some fans were talking about how this episode had a Rashomon-like structure (due to the random title cards), if it did, it was a failure. The Japanese film Rashomon (1950) was about different characters telling the same story from their own perspectives so that an investigator who could get to the truth of a crime. “Unity” was just your typical story structure where different scenes had different characters in them.
Sam’s delay was what screwed up the plan. What Chuck was expecting in that hallway, admittedly, was pretty fuzzy. It didn’t help that the writing degenerated into Chuck spouting the same old Evil Overlord slogans as before.
But two things were pretty clear. One was that he did not want to be trapped by his sister or black-holed by Jack, and that he was aware of what was going on out in the hallway and wanted to sabotage it. The other was that he expected to do so by getting one of the Brothers (most likely Dean) to kill the other. He was mighty disappointed when that didn’t happen.
So, the irony (perhaps unintentional on the writers’ part here) was that Sam was being manipulated by Chuck every bit as much as Dean was, if not more so because Dean would have gotten Chuck if Sam hadn’t interfered. And Sam never knew it.
Sam reminded me here of a character from Isaac Asimov’s book Second Foundation (1953). Arkady Darell appears in the second part. She seems like a bright and persuasive, strong-minded and highly independent young woman. It later becomes clear that she has been mind-controlled from birth to persuade everyone else in her society that the telepathic Second Foundation (which they had considered a major threat) doesn’t actually exist. Remember that Sam himself has also been manipulated from the age of six months old.
If I were Dean this week, I’ve have shot his bitchy ass.
Arguably the most irritating thing about the episode was how it reduced Castiel to a wallflower and made Dean the scapegoat for everyone else being stupid. Sam was a lot angrier with Dean, who was the one who actually told him about Billie’s plan (talk about shooting the messenger) than he was with Jack, who lied to everyone. At the same time, Sam wasn’t angry with Castiel for telling Dean, not him, but was actually happy to work with him behind Dean’s back to sabotage Billie’s plan.
Further, not only did Sam think it was a fine idea to sneak into Billie’s library to steal from her, but he also thought there’d be no consequences to lying to the Empty Entity, a character already mighty salty about everyone lying to her. This seemed like a continuation of Sam’s lifelong obliviousness to consequences (perhaps because Dean and John shielded him too much from supernatural realities when he was a kid).
Sam gives no consideration to the fact that in this episode, Amara and Billie will be salty with Dean, Adam and Serafina with Jack, and the Empty Entity with Castiel, for something he, Sam Winchester, did. He is getting other people in trouble, but since it’s not him experiencing the consequences, he continues skipping blithely along the banks of the River Denial. See what I mean about Sam having the Idiot Ball glued to his palms?
Let’s talk a bit about Adam (Oh, hi, there, Alessandro Juliani. Been a while since Battlestar Galactica) – and no, I don’t mean Sam and Dean’s younger half-brother. What was that little interlude all about? The show got seriously weird with that and not in a good way.
Okay, Adam’s a hippie and that’s cool, I guess. But his late introduction made unnecessary plotholes and possible retcons pop up like magic mushrooms. How does his angel girlfriend figure into the storyline of the angelic fall at the end of Season 8? Was getting kicked out of the Garden a metaphor for the exodus from Africa? Why does he look anatomically modern and so light-skinned if he’s 300,000 years old? For that matter, why did his first-born son look European? He mentions Eve. Is this the same Eve who is the Mother of Monsters in Purgatory? How did she become that Eve?
I also wasn’t quite sure how to perceive the tonal shifts in the scene. One minute, Adam and Serafina were totally fangirling Jack as a Savior figure. The next, in exactly the same “Farrr out, dude!” voice, Serafina was bloodily stabbing Adam to wrench out his rib and the two of them were making it very clear they had happily participated in a plan that was setting Jack up as a patsy to kill Chuck. And they were willing to tell him that to his face.
Also, that bit where Jack says the Spark of the Divine is in everything and Adam says that’s as it should be? That’s going to be relevant a couple of episodes down the road. Unfortunately.
Next week: Despair: Billie returns and she’s not happy with how The Plan turned out. Tragedy ensues.
The Kripke Years
The Gamble Years
The Carver Years
The Dabb Years