Tag Archives: Wayward Sisters

Whispers, Spoilers & Speculation Corner: 01/08/18: The New Year’s Edition


Happy New Year Everyone!


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My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The print version is also up, though the cover’s needing a little tweaking right now. I’ll be putting up corrections for the cover in the next day or so. Everything else looks good.

You can also check out my latest anthology story, “Light a Candle, Curse the Darkness,” in Arkham Detective Agency: A Lovecraftian-Noir Tribute to C.J. Henderson.

Heather will be on hiatus for a bit. We’ll let you know when she comes back.

You can access previous spoilers columns at Innsmouth Free Press here.


Supernatural (Thursday nights, 8pm, CW)
By Paula R. Stiles

Apologies for the delay, but there was basically nothing on the spoilers chart to report until late this past week. Now, with the new year, we’re cranking things back up.

Check out my Patreon page. Help me keep this column going, pay Heather, and help me do my Supernatural reviews.

My reviews of “The Rising Son” (13.02) and “Patience” (13.03) are now up, with more to come. My live recap for episode 13.09 is also up.

The show will return from Christmas hiatus on January 18.

Season 13 titles so far: “Lost and Found” (13.01), synopsis and photos, promo, preview, sneak peeks, and Shaving People, Punting Things, as well as live recap and review; “The Rising Son” (13.02) synopsis and photos and promo; “Patience” (the first spinoff set-up episode) (13.03) synopsis; “The Big Empty” (13.04) synopsis, promo and official photos; “Advanced Thanatology” (13.05) synopsis, photos and promo; “Tombstone” (13.06) synopsis, promo and photos; “War of the Worlds” (13.07) synopsis photos, sneak peek and promo; “The Scorpion and the Frog” (13.08) synopsis, photos, promo and sneak peek; “The Bad Place” (13.09) (airing December 7) synopsis, photos, sneak peeks and promo; Christmas Break; “Wayward Sisters” (13.10, backdoor pilot for the spinoff, airs January 18), synopsis, photos, interviews and first promo, second promo and related tweets; “Breakdown” (13.11) synopsis, this is supposed to be Donna-heavy; “Various & Sundry Villains” (13.12) (previously called “The Midnight Train” and originally, the title was “Stakes on a Train”) Rowena returns; “Devil’s Bargain” (13.13), written by Brad Buckner and Eugenie Ross-Leming, introducing Danneel Ackles as a faith healer named Sister Jo who is blackmailed by Lucifer, set photos here; “Only the Best Intentions” (13.14) Jack, alt-Michael, alt-Bobby and Mary all return; “A Most Holy Man” (13.15); “ScoobyNatural” (13.16, cartoon episode, appears in March), “The Thing” (13.17); “Bring ’em Back Alive” (13.18).

The debate about what Donna-centric episode 13.11 will be called and what it’s about has been resolved. The synopsis is up:

SUPERNATURAL
“Breakdown” – (8:00-9:00 p.m. ET) (Content Rating TBD) (HDTV)

TIME TO RETURN THE FAVOR – Donna (guest star Briana Buckmaster) calls Sam (Jared Padalecki) and Dean (Jensen Ackles) for help after her niece, Wendy (guest star Sarah Dugdale), goes missing. The three hunters discover Wendy was kidnapped by a man who sells human parts to monsters in a grotesque online auction and race to save her before it is too late. Amyn Kaderali directed the episode written by Davy Perez (#1311). Original airdate 1/25/2018.

Alexander Calvert gave an interview to Elle in which he talked about the fandom’s reaction to him, convention life, and the Instagram account he and his girlfriend have up for his very fluffy and adorable cat, The Lord Tyrion.

Set info is coming out about episode 13.14 (“Only the Best Intentions”), which began filming on January 2. Christian Keys (alt-Michael) tweeted a photo of himself with Calvert as they went back to filming in the new year (Calvert also tweeted about filming in a forest). This indicates alt-Michael and Jack will be in 13.14 and interacting in the same scene. It appears that alt-Bobby will also be in this episode, since Jim Beaver tweeted a first-look selfie the next day and mentioned filming with Samantha Smith (Mary) in mud (reportedly in Belcarra Park in Port Moody). She responded in the same thread by showing her alt-verse costume on the floor. Hmmm, could it be our alt-world cast are now in the SPNverse as of 13.14? Or in the Bad Place? Or do they get back in this episode, since there’s filming in the quarry that’s the alt-verse set this week?

Danneel and her husband will be opening up their new brewery, The Family Business, for … uh … business in Dripping Springs, TX on my birthday. And I’ll be stuck up here. Oh, well.

CW head Mark Pedowitz has re-upped his contract with the network. He also issued his annual “This show isn’t going anywhere until the leads hang it up” announcement. While he was cagey in a recent interview about making it official (because they’re not ready to announce show renewals), it’s highly doubtful the show won’t get a 14th season – and a full one, at that – unless Jared Padalecki and Jensen Ackles don’t want to return.

Supernatural alumnus Sterling K. Brown (Gordon Walker) won a Golden Globe award this week for best actor in his latest role in series This Is Us. He’d previously won an Emmy last fall for the same role.

Richard Speight Jr. has a new interview out about directing the show.

Warner Bros has announced details about the upcoming Wayward Sisters spin-off. As we already know, it will star Kim Rhodes (Jody Mills) and the rumor that Briana Buckmaster (Donna Hanscum) is in it was confirmed. Also starring will be Kathryn Newton (Claire Novak) and Alex Jones (Katherine Ramdeen), as well as new lead character Patience Turner (played by Clark Backo). Another new character, Kaia (Yadira Guevar-Prip), has been added to the main cast list. Kaia’s “gift” will be the ability to spirit travel.

The spin-off premise and new characters will be introduced via several episodes in season 13. Patience will be introduced in “Patience” (13.03), which also brings back season one character Missouri Moseley (who is Patience’s estranged grandmother and from whom Patience has inherited her psychic gift). The actual backdoor pilot will be “Wayward Sisters” (13.10).

Star Kim Rhodes told EW that there’s a good in-SPNverse reason why the show will be set in a single location (Sioux Falls) instead of moving around. Rhymes with “Hellmouth,” I’ll bet. In fact, I have a sneaking suspicion it’s to do with the rip between universes in that crappy old boat from 12.09.

There’s a new promo out for the spin-off that’s Claire-centric.

Season 12 is out on Amazon.

The count for Supernatural calendars for 2018 is now five: a charity calendar called If I Could Tell You: The Women of Supernatural that is sadly no longer available, two large calendars out on July 1, one mini calendar on September 1, and a Creation Entertainment calendar that came out on December 1 (also no longer available).

The show is currently averaging a 0.6 in the demo, putting it second on the network and even with last season. Between this and the resurgence of Riverdale, the CW is the only broadcast network that has not dropped in average demo since last season.

The show had a repeat last week that came in at 0.2/1 in the demo (0.246 in the unrounded overnights) and 1.03 million in audience in the overnights. It was preempted by holiday programming during Christmas week.


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Review: Supernatural: “Patience” (13.03)


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[lots o’ spoilers ahead]


While this episode was by no means perfect, I’m happy to report my relief when I first watched it that it was not half as boring as the previous one, albeit it ran a trifle long in some spots (it was only about two minutes over the usual time, but some of that dragged a bit). I was also pleased to find, despite some serious flaws in the character’s central conflict, that I rather liked Patience and the actress who played her. This was a very good thing. After “Rising Son,” I was beginning to wonder if it was time to hang it up with this show.

I was also happy to discover that even though this was the first of the lead-up episodes to the backdoor pilot for the new spin-off, Wayward Sisters, it had a fair bit of conflict and action involving Sam and Dean, who each had a storyline this week. Last season suffered greatly from Sam and Dean: Guest Stars in Their Own Show Syndrome. So far this season, that’s been greatly alleviated, at least for Jensen Ackles, who’s not fielding any newborns at home this year.

The funniest (and most reassuring in terms of how the new show will go over with fans) thing is that everyone has a different favorite. They like Claire, but they hate Patience. They like Kaia, but they hate Alex. They think Jody and Donna should be Hunting, but just together and not with any younger charges. Nobody can agree except that a lot of fans have already picked a favorite, if only in relation to at least one other character they feel shouldn’t be on the show. This indicates that fans in general have already got past the initial phase of accepting the overall concept of a group of women Hunting together and mentoring each other. They just can’t agree on which characters they think should be in that group. Considering most fans can’t really agree on liking Sam, Dean, Castiel, Crowley, and so on, even after 13 seasons, that’s a good sign for Wayward Sisters, not bad.

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Which is not to say the episode (or even the new show’s franchise concept so far) lacks flaws. Missouri Moseley returns in this one. Remember her? Season one? Kripke-penned “Home”? Let me refresh your memory – she was an African American psychic who fawned over Sam a lot and smacked Dean upside the head for … uh … reasons. Or something. That Missouri.

Now, obviously, there was some unfinished business between her and the Brothers, so you could say she had a reason to come back. Was this addressed? Nope. Sam doesn’t even see Missouri this time round. He’s too busy babysitting Jack for more than a quick phone call, and he and Dean have a fight over just sending Jody to deal with it before Dean goes off to help her. Dean gets no apology or even acknowledgement of any kind from her about her previous treatment of him (though she does commiserate with him on his “recent losses,” which she senses in his mind, so there’s that). In fact, when he makes the logical protest to her staying behind (while there’s a psychic-eating monster on the loose), Missouri’s Inner Bitch comes roaring out. Consider those loose ends still dangling.

Anyway, she’s only there to introduce a younger, prettier psychic, her granddaughter Patience. God forbid the CW have an older, gifted female (let alone an older female PoC) character as a main lead. I didn’t love the way Missouri was fridged to jumpstart the title character’s story.

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It bothered me that not only were the two PoC female leads for Wayward Sisters introduced very late in the day, but they were introduced in a fundamentally different way from that of Claire and Alex, who were introduced as victims of the supernatural (like Sam, Dean, Jody and Donna), rather than as essentially supernatural beings (like Patience and Kaia). Also, the CW has an extremely poor track record with PoC female characters with powers, wherein they end up powerful handmaidens to white girls. Bonnie from The Vampire Diaries fairly leaps to mind here.

Not helping is the way Patience’s father, James, is portrayed. It’s one thing to be introduced to the supernatural world in a traumatic way. A lot of people will go straight to denial, initially, as the show has demonstrated many times. But James was raised in the Life. He knows the supernatural exists. Hell, he can even work divination magic. He just wants to stick his head in the sand, even if it gets his mother and daughter killed.

The thing is that if you read between the lines (and remember how Missouri was introduced almost 12 seasons ago), there’s plenty of reason for James to resent his mother. Missouri dragged him along with her on down the road to Hunting supernatural things and it seems pretty clear that it traumatized him. The catalyst for their final estrangement may have been Missouri’s cocky miscalculation about the fate of his wife (Patience’s mother), but it’s clear a lot of bad things happened before that.

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But the writing wants us to believe that James is the bad guy here. Since the episode never addresses the stark contrast in how Missouri treated Sam (with powers) and Dean (no powers as far she could see) in season one, it neatly avoids addressing the pretty stark contrast between Missouri’s treatment of James her son (no apparent powers) and Patience her granddaughter (practically a Mary Sue). Missouri is a bigot when it comes to plain, old, ordinary humans. It’s therefore a tad difficult to believe the episode’s portrayal of James – a man old enough to have a teenage daughter and successful enough to be raising her in a safe, nurturing, upper-middle-class environment – as too immature to forgive his saintly mother.

It doesn’t help that the episode is wildly inconsistent in portraying Missouri and Patience’s talents. Dean tells Jody that Missouri can read objects, but what we actually see her do, for the most part, is read minds to a limited extent and foretell the future in blurry images. That’s not reading the past from objects, Show. Reading objects is a different ESP talent.

Also, we’re apparently supposed to get the idea from that that she is able to foretell her and the MOTW’s futures enough to determine that she can’t escape the MOTW, at least not without endangering her family (she specifically sees James, but then talks about Patience to him). How is this even possible when you have two new variables – Dean and Jody – in the equation? That smacks of overly convenient writing. You’d think Missouri would have learned from the mistake she made in predicting the fate of James’ wife/Patience’s mom that her powers are not infallible, but nope.

In addition, the family member who ends up in immediate danger is Patience, not James. Patience is threatened by the MOTW immediately after he kills her grandmother. It seems he was able to kill Missouri, and then zip past Dean and Jody to attack Patience before they could even contact James. I call shenanigans on that timing.

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In fact, I call shenanigans on that whole MOTW, but let’s finish talking about Patience’s powers, first. Patience initially has a dream that warns her of both her grandmother’s death and the MOTW’s attack on her later at the school. This dream seems to be a mix of literal precognition (the attack) and metaphor (her grandmother’s ghost warning her). Okay, this is a dream we’re talking about, so a little funky logic is acceptable.

But then, after she’s captured, Patience has a prolonged waking vision of her father, Jody and then Dean being killed, which allows her to warn each of them about the MOTW’s attack. But this is a different kind of precog from what she previously showed and all three types are different from what Missouri had.

This may seem like nitpicking, but if you look at how Sam’s precog was shown in the first two seasons, it’s very consistent and that’s pretty important to the story. He has quick flashes, usually of something fatal happening, accompanied by nasty headaches. If he acts on them, he is usually able to stop the event from happening, though something else bad may happen, instead. Sometimes, he has dreams. Less often, he has waking visions. But they are always the same kind of thing.

Precog and even telepathy are shown similarly for other characters such as Psykids like Ava (in “Hunted”) and Andy (sending Dean a vision in “All Hell Breaks Loose, Part 1”), and even Chuck in “The Monster at the End of This Book.” We also have a clear origin for these visions. The Psykids apparently get theirs from Azazel, while Chuck gets them from the angels. Yes, I know we later find out Chuck is God, but his conversation with Zachariah at the end of that episode makes it clear the angels are sending him visions. Maybe they’re even sending them to the Psykids. Who knows? But the point is that these visions of the future don’t just pop up out of nowhere.

Missouri and Patience’s visions do, which means they’re much more malleable and “magical” in the sense of being overly convenient writing divorced from the logic of the worldbuilding. The characters don’t have these visions because the visions make sense in the context of the story. They have them just to move the story along.

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Now let’s check out the MOTW. Unfortunately, whoever made up the recap spoiled the crap out of the MOTW “surprise” (admittedly, that cat came right out of the bag in the teaser, anyway), which is that the MOTW was a Wraith. I don’t think a Wraith was the right MOTW for what the episode wanted to do and the actor they got was definitely not right to convey what they wanted. Or maybe he was, which kinda makes it worse.

Now, the Wraith’s targeting psychics was fine, as far as it went. We know Wraiths like to feed on a specific kind of human, often a “soft” target that can’t fight back very well. And therein lies the problem. The Wraith we first met in “Sam, Interrupted” in season five was working at a psych hospital, targeting patients. If they weren’t psychotic when they came in, they sure were by the time the Wraith was ready to feed on them. The Wraith possessed a toxin, spread via touch, that made people psychotic. This particular Wraith actually enjoyed the taste of brains under extreme psychological distress and played an Angel of Mercy to get them. Subsequent mentions of them followed a similar pattern.

Aside from targeting those who generally can’t fight back very well (psychics, who are otherwise ordinary humans), the Wraith in “Patience” follows none of these rules. He doesn’t bother to poison or weaken his targets. He simply attacks them and overpowers them.

He doesn’t treat them as food, either. The actor who plays the Wraith plays feeding as a straight-up sexual serial-killing thing, which is not how the Wraith in “Sam, Interrupted” acted. The Wraith in “Patience” attacks women, specifically, and creeps all over them. The Wraith in “Sam, Interrupted” attacked different types of people, which actually made it scarier because it was hard to see a pattern at first, let alone who could be the Wraith. You couldn’t see it coming.

In “Patience,” we know right away. There’s no mystery about it whatsoever, especially since there is no attempt to give any backstory to the MOTW aside from where he got his predilection for psychic brains. It’s all very CW. In a bad way.

And it also means that the Wraith is way overpowered for this type of MOTW. I can see him taking out James, maybe even Jody, if he got lucky. But Dean? On top of the other two? Nope. Not the organized and well-armed way they came in.

Now, if the writers had used an MOTW that was known for being fast and strong, I might buy that. A Vampire or a Shapeshifter or a Djinn I could see. Or if they’d argued that this was the Alpha Wraith, maybe. But as it was, I didn’t buy this particular MOTW, or his ability to fight and evade and take down healthy human prey.

Hell, even Patience was able to break off the Wraith’s stinger (the way Dean did in “Sam, Interrupted,” albeit while barely able to stay upright due to being poisoned). Not exactly an intimidating monster. I just didn’t buy that he could take Dean at full strength, let alone Dean on top of Jody and James. And if the MOTW wasn’t that dangerous, that makes Patience’s precog flashes rather silly and unnecessary to the plot.

I got the impression that we were supposed to have the usual balance of opinions between Sam and Dean this week, where Sam was on one side and Dean on the other, and we were supposed to see both sides as having merit. Which was sort of true if you squinted, but only because the writing kept Telling us Dean’s judgement was off, while actually Showing something a bit different.

For a start, not only is Dean in character for telling Patience at the end to grab as much Normal as she can, but he’s right. Hunting never ends well for the Hunter. As Dean has put it many different ways in the past, “it ends bloody or sad … you’re covered in blood until you’re covered in your own blood.”

So, when Jody tells Patience that Dean’s wrong and that if Patience wants to get into the Life and use her “gift,” she can call her, I just want to suggest that Jody first tell Patience why she lived alone in a big, old, empty house before she took in Claire and Alex. Gee, whatever happened to her husband and son? Patience deserves to hear that story before she makes her decision.

Yes, the supernatural world is the real world on this show. Yes, once you become aware of it, you see it everywhere. Even worse, it becomes aware of you. But step into the shadows, engage too closely, and your projected lifespan drops like a stone.

Dean’s not wrong (neither is James, really). It’s just very hard to get away from the supernatural world once you get plunged into it.

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Then there’s Sam’s “training” of Jack. Points, at least, for the show having Sam remember that he used to be psychic, too … sort of. Sam talks about being different when he was younger and worrying about having a “darkness” inside him, that Dean and Castiel helped him fight it, so there’s that. But then Sam proceeds (as he always has) to make it All About Sam and try to push Jack into learning more about his powers, even though it’s really obvious that Jack is afraid to use them.

Now, Jack does mention Dean saying he’s evil, but he also brings up the reasons why Dean feels that way and agrees with them. He did kill his mother by being born. He has hurt people. He has lost control of his powers. He even mentions feeling Asmodeus in his mind, pushing him and coopting his powers, during his attempt to raise the Shedim the previous episode. But what Sam mostly latches onto (as he very belatedly decides to stop pushing Jack) is that Jack is afraid of Dean (despite being physically invulnerable), not that Sam is doing pretty much the same thing to Jack that Asmodeus did and for equally selfish reasons – and that this bothers Jack a whole lot.

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When Dean gets back, the hints throughout the episode that all is not well with him (such as Jody holding him back when he starts to ream James out for lying to Patience) come to a head. Sam calls Dean on being so harsh to Jack and threatening him (even though Dean’s been very upfront about that, so it should hardly be a surprise to Sam).

To the writers’ credit, they do have Dean finally calling Sam out right back on Sam’s less-than-altruistic motives for getting Jack to learn how to control his powers, saying that Sam doesn’t really care about Jack. He just wants to use Jack’s powers to get Mary back, using Jack as “an interdimensional can opener.” And there isn’t a whole in this episode that contradicts Dean on that point.

Dean would never come out and say this, but Sam’s example of himself as a person Dean saved in spite of Sam’s being a “freak” is also a poor one – Sam hurt a lot of people because Dean didn’t kill him. Not that the angels and demons would have allowed Sam to stay dead, but still.

In the end, Dean can’t hold back. His barely leashed pain and rage pour out as he yells that he “can’t even look at the kid” because he blames Jack directly for losing Mary and Castiel.

Unfortunately, he does that as Jack is listening nearby (which seems uncharacteristically dumb). This accidentally sparks Jack’s powers as Jack spontaneously tries to do something “good” and also reaches out to his foster daddy, Castiel. In the process, Castiel wakes up someplace dark and weird.

But that’s for next time.

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Next: The Big Empty: While trying to figure out who is killing a grief counselor’s patients, the Brothers and Jack end up in family therapy. Meanwhile, Castiel wakes up somewhere dark and strange.


You can find my live recap of “Patience” here.


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The Official “Patience” (13.03) Live Recap Thread


Little late again. Anyhoo, let’s get started.

This is, by the way, the first of the backdoor pilot episodes for the projected spin-off, intended to introduce the title character.

Standard recap of the season so far, as well of Wraiths. Pretty Jack-heavy and includes a brief bit about Sam’s demon-blood drinking. Nothing particularly exciting and no rock songs used.

Cut to Now in Omaha, NE. A young blonde woman is dusting a photo of her with Missouri and closing up shop for the night. She’s a professional psychic. The door opens and a man comes in. She starts to tell him she’s closed, but agrees to do one last job for the evening. I’m sure this will end well.

She does some Tarot cards and answers his questions about her being a “psychic counselor.” She says she reads “energies, auras.” He asks her to read his and realizes he’s a Wraith. He stabs her in the hand and then eats her brain while looking sexual aroused. Yup.

Cue title cards.

At the Bunker, cue the sneak peek as Dean is listening to the Rolling Stones’ “Rip This Joint” through headphones while drinking a lot of beer. In his room, Jack gets a knock on the door from Sam, who has a boring, insipid video message of emotional support from beyond the grave (since Jack killed her being born) from Saint Kelly on a thumb drive (product placement, much?). As this plays, Sam gets a call from Missouri Moseley from season one’s “Home.” She’s at the scene of Doomed Teaser Psychic’s shop and is asking for help while apologizing for “being a stranger.”

Sam gets off the phone and tells Dean who it was. He says Missouri told him she’d got out of the Life for a while, but had been pulled back in by a case and that he put Jody on it because they need to stay at the Bunker and help Jack hone his powers, so he can open the rift again to rescue Mary–sorry, be all that he can be. Dean calls Sam right out on his false compassion for Jack and says he “didn’t sign up for” babysitting the baby “Antichrist,” nor is he thrilled that Sam is putting Jody in potential danger like that. So, off he goes to help her with the Hunt.

Gotta say, I’m with Dean on this one.

So, in broad daylight the next day (it was night when Missouri called Sam), Jody is talking a policeman for Missouri when Dean drives up. Missouri explains to Jody that the DTP, named Dede, was her “protegee” and about the closest thing she currently has to family. When Dean arrives, he hugs Missouri first and Missouri gives condolences on his losses. There is zero reference to the fact that she was a complete bitch to him the last time they met.

Inside the house, Dean and Missouri both suspect the killer was a Wraith and Missouri gets from a series of images by feeling objects that it is indeed a Wraith, who feeds on psychics for some reason, and then an image of an African American man named James. Dean tells Jody that Missouri’s thing was sensing from objects, except that her thing was actually telepathy. Psychic blanket BS Powers Syndrome strike again.

Cut to Jack and Sam talking about…uh…stuff. Sam wants to train him to do stuff (Sam doesn’t mention his totally mercenary motive to rescue Mary). First, he has Jack move a pencil. Except Jack can’t seem to do stuff on cue.

Cut to Missouri having an awkward phone conversation with James, who doesn’t believe in her visions. He hangs up on her. She comes out and tells Dean and Jody to go save James (who is her son) and her granddaughter Patience. She’s going to stay behind because she’d just “complicated things.” When Dean protests that this is a bad idea, Missouri reverts to full-on bitch mode and he just says, “Yes, ma’am.” [grrrr] She thanks him, but the damage is done. I am so over this character, who is obviously about to get a cameo kill-off along the lines of Sarah from “Provenance.”

Jody, to her credit, notices the awkwardness.

Back to Jack, who is mentally wrestling with that pencil. Sam tries to coach him through it by asking him how it felt. Jack that stuff just happens, except with Asmodeus, who was “in my head.” Jack gets upset and says he can’t do it with Sam staring at him. Sam says they’ll take a break and he’s off to get some food.

At DTP’s place, Missouri is waiting for the Wraith, who has come back to the scene of the crime for no logical reason given in the story. She tells him she’s seen the future (again, Show, Missouri didn’t previously have precog powers. If she had, she’d have been of much more use in “Home”) and that she dies, no matter what. She’s not going to give him the satisfaction of screaming, but she is certain her “people” will kill him. Well, he’s been pretty stupid so far, so that shouldn’t be too hard.

At a school, Patience is getting lured into playing volleyball by a friend because she has amazing reflexes. Or something. Her friend leaves and the lights fritz. She finds bloody footprints and then her dead grandmother saying her name. She’s attacked from behind and then wakes up from a dream. As she comes out into the office, she talks to her father about her dream. He insists it was just that, but as she leaves, he looks thoughtful.

So, James is actually even more obnoxious than Missouri. Yay.

As he’s buying a freakin’ bar’s worth of beer at a convenience store, Dean sees a TV news story about Missouri’s death. Out at the pumps, he tells Jody and regrets not staying to protect Missouri. Jody asks if they should go back, but Dean says Missouri asked them to go protect her family and that’s what they’ll do.

At James’ home, they get a predictably cold reception from him until they get across to him that yep, his mother is really dead and yep, the cause was supernatural. Jody then rather forcibly insists James pull his head out his ass about the realization that he is indeed the putz who hung up on his mother right before he died. They don’t have time for that.

They really don’t have time for that since here’s Patience at school, experiencing deja vu from her dream. Confused, Patience goes back to her locker, but when she shuts the door, there’s the Wraith. I actually don’t mind Patience, and the actress seems pleasant so far, but boy, does she not look at all young enough to be in high school. That’s a bit distracting.

Anyhoo, the Wraith gets all MRA creepy with Patience, but she has a bit of spunk. She kicks him in the nuts (do Wraiths have nuts?) and the breaks off his stinger/sucker/needle. He tackles her and says it grows back, but gets shot from behind by Dean. He runs as Dean runs after him, blocks the door, and then tries to run Dean down in a Pedo Van after Dean chases him out into the parking lot.

Back inside, Dean and Jody have a talk with Patience. As with her father, they bruskly break through her denial about being a psychic and tell her her estranged grandmother, who allegedly abandoned her and her father after her mother died, is dead.

At the Bunker, Sam is watching Jack through a spy camera and reading up on baby books. Because that’s totally not creepy, or anything. Jack appears to disappear, but he’s just hiding in a corner. He says maybe his powers don’t work because they’re evil and he’s evil, because Dean said so. Jack says his mother said he could be good, but realizes she’s dead because of him and he’s already done evil. And he can’t do a simple “good” thing like push a pencil.

Sam gives him a pep talk that sounds pretty damned insincere, considering all he really wants is for Jack to help him break Mary out of the alt-verse. Though Sam does at least admit that he’s pushing Jack too hard and they should stop for a while. Jack thinks that’s a great plan. Jack asks Sam why Sam is being so “nice” to him and not only does Sam not mention his very mercenary motive, he also does the same damned thing he’s been doing for 13 years and makes it all about himself, his own conflicts, his own issues. He says he’s empathizing with Jack, but that’s never been true before, so….

Back on the Wraith Hunt, Patience is confronting her father. It turns out he lied–a bit–about Missouri cutting them out of her life. Turns out it was the other way round. He talks about always being on the road, Hunting, as a child, except that 13 years ago, Missouri lived in a house, Show. Can’t these writers do a little damned research on show canon before writing these episodes?

Anyhoo, Jody and Dean once again cut to the chase and inform him that Patience is also psychic, which she confirms. The Wraith is now after her. James tells her to go upstairs and pack (because her being alone right now is SUCH A GOOD IDEA). Upstairs, Patience holds a broach and has a memory/vision of Missouri giving it to her at her mother’s gravesite after Daddy gave his mom the boot. Then she starts to pack, opens the closet door, and gets kidnapped by the Wraith. Of course. [facepalm]

Jody makes calls while Dean checks traffic cams for the Pedo Van. Meanwhile, James is going through his mother’s photos and things. He has a bag of something he calls “lithomantic gems.” It turns out James was able to do magic, too, which makes him look like even more of a dick.

Patience wakes up tied to a chair in a room. The Wraith comes in and creeps all over her. He started off on mental patients and accidentally happened across a real psychic. They give him a rush, make him “clear” or whatever. He’s going to take his time eating Patience because her grandmother tasted so darned good. Ugh.

Suddenly, Dean, her father, and Jody come in and the Wraith flees. But then James gets killed, then Jody, and finally Dean. Unsurprisingly, it’s a vision. Also, it’s total bullshit in light of the skills and abilities of the other three. Things start to pan out as before, but Patience is able to warn them so the first two just get knocked out. Her warning to Dean, though, works. After a longish fight, Dean kills the Wraith.

Afterward, Patience finally admits she’s psychic.

Afterward, Jody compliments Dean on the Wraith kill, while Dean compliments Patience (for the second time) on her help. Patience also thanks Dean and Jody. Patience talks about going back to school. Her father wants her to deny her gift (because that’s worked out well so far). Dean backs up James, pointing out that becoming a Hunter is a “horrible” and lonely life, full of pain, with no “joy.” Well, he should know. Jody, on the other hand, suggests that Patience might want to pursue her gift. Jody tried to get Claire to avoid Hunting, too, and it didn’t work out so well. She gives Patience her card. Dean doesn’t look thrilled, but he doesn’t object, either.

Back at the Bunker, Sam says he heard about Missouri and they have it out about Jack. Sam does yet another blame-Dean speech, saying that Dean didn’t think Sam was not worth saving when he was drinking demon blood. Dean soft-pedals around the part where Sam, while high on said blood, beat him half to death–twice–but gets right in Sam’s face about Sam’s hypocrisy in encouraging Jack so Jack can “save” Mary and brings up Jack’s brainwashing Castiel while still in the womb.

Jack is listening to the whole thing. Dean’s words precipitate a vision of Castiel lying on the ground someplace dark and cold. When Jack whispers Castiel’s name, Castiel hears him and wakes up.

Credits.

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I’ll also be simul-recapping on Wayward Children.

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