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Supernatural: Season 14


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My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through Amazon and is on sale through this Friday. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.

Here are all my live recaps and reviews in one, handy-dandy spot, for Season 14.


The Official Supernatural: “Stranger in a Strange Land” (14.01-Season Premiere) Live Recap Thread



Season 12

Season 13


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The Official Supernatural: “Stranger in a Strange Land” (14.01-Season Premiere) Live Recap Thread


We need your help!

Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee. I’m posting reviews here of North Carolina ghost story books, and notes about my research all month long on Patreon.

My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through Amazon and is on sale through this Friday. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.

Whoo, we’re in season 14. A whole new season for the writers to screw up. So much fun.

Anyhoo, there’s a longish recap of the previous season to AC/DC’s “Shot Down in Flames.” This segues to Sam driving down the road in the Impala, listening to the song on the radio. He turns it off. It’s dark and he has a hiatus beard, but he’s not wearing sunglasses.

Cut to a guy waking up in the Middle East to the early call of the muezzin to dawn prayer (this is the scene from SDCC). It turns out to be the alarm on his cell phone. He gets up in his tiny efficiency apartment, lays out his rug, and starts the prayer (there are subtitles, for verses related to the strict monotheism of Islam). He kneels before an empty chair, but when he rises up, a man is sitting in it. A man dressed like a 1920s gangster and looking like Dean Winchester – alt-Michael. We’ll just go with “Michael” for now, ’cause I’m tired of using the dash all the time.

“Hello, Jamil,” Michael says, apparently in English.

The man – Jamil – is quite shocked and asks who he is. Michael recites a verse from the Quran (in Arabic, of course) about the angels Gabriel and Michael, and his eyes glow blue. Jamil guesses he’s God. “Close, but not quite,” Michael says in clipped tones, sounding vaguely irritated. Jamil then guesses Gabriel. A little more annoyed, Michael says, “The other one. The better one.” Finally, Jamil guesses Michael. “There you go,” Michael says.

Then they have a conversation in which Michael asks Jamil what he wants. Michael says he already knows what he wants, but he’s been going all over the world, asking all sorts of humans, what they want. Now he’s asking Jamil.

Jamil gives the usual response (“peace and love”). Michael smiles at this, but it’s not a nice smile. He points out that if Jamil believed in peace, he wouldn’t have abandoned his friends to death in Syria and if he believed in love, he wouldn’t have cheated on his wife, she wouldn’t have left him, and he wouldn’t be “living in this…rathole.” Furious and humiliated, Jamil attacks him from behind and Michael (eyes glowing again briefly) tosses him across the room without even looking. He calls Jamil “lost.”

Jamil, bloodied, asks, “What do you want?!”

Michael replies, “What I’ve always wanted – a better world.”

Cue pretty new title cards with glowing blue wings.

I have to say that Michael is a lot more interesting so far this season than he was last season and Jensen Ackles seems to be having a blast playing him. Michael’s body language is quite still compared to Dean’s. Alas, I have a feeling we won’t be seeing too much of this, partly to keep from ruining a good, scary villain and equally because the writers just aren’t up to it. But we’ll see.

Back at the Bunker, where Mary is talking with some dude who knows how to make magic bullets of all kinds and Maggie is still acting squeamish about treating bloody wounds (seriously, how did this girl survive the alt-SPNverse?), it seems that the people from the other universe are engaged in Hunting trips against monsters all over the U.S.

Sam comes in and infodumps with Mary about the current situation. It’s three weeks later, and Dean is still in the wind and possessed (obviously). Sam was following an angel sighting in Atlanta (which didn’t pan out). Castiel is in Detroit. Ketch is in London. Sam is getting discouraged (after only three weeks? Suck it up, Sam).

It’s funny that some fans have blamed Dean for saying yes to alt-Michael and making things “worse,” but he really didn’t. Lucifer was going to unmake the SPNverse within a week, starting with Sam and Jack. Three weeks later, Michael is still traveling around, doing research, and hasn’t done much damage so far. Dean sacrificed himself, fell on the possession grenade, to buy everyone else time and so far, it’s worked. The situation won’t last, of course, but he did buy them time.

Sam yawns and Mary is all solicitous (how much has she really been like this with Dean since she came back?). Somebody comes up and says there are some vamps prowling the highway, so Sam orders people out on a Hunt. He then sits down and Mary tells him he needs to sleep, blahblahblah. Sam then asks about Jack, which is an obvious segue.

Jack is getting his ass kicked, is what Jack is doing. It’s a boxing session with Bobby (let’s be frank – he may be from another timeline, but he’s basically Bobby), who is trying to teach Jack how to defend himself. Bobby quotes something about self-defense and Jack thinks it was from Ghandi. Yeah, he has a lot to learn.

Castiel is in a bar waiting for the latest Crowley-lite would-be King of Hell to show up. It’s so obviously a trap that I take some time out to do Other Things around the house and then come back. Yep, it turns out the entire bar is possessed. Not only should Castiel have seen that coming, but he should have literally seen that coming since we’ve known since season four that angels can see demons’ real faces. Ugh. Such lazy writing.

Next, we see Sister Jo leaving a church with money when she hears an angel fly in from behind her and Dean’s voice say, “Hey, Jo.”

Jo immediately thinks it’s Dean (even though she heard the wings) until she turns around and sees someone else inside Dean’s body. She then, horrified, identifies him correctly as an alt-verse Michael with her angel vision. I have to say that this is quite a beautiful and scary image, visually evocative of what kind of coldly inhuman character Michael is without dialogue. You wouldn’t expect mercy from such a creature. Hope they do it some more.

She asks him why Dean Winchester would ever say yes to him. He says, “Love,” which pretty much cinches the writers’ confirmation that Dean made this earth-shaking decision for the “right” reasons, despite the eventual consequences (“love” is always the right motivation on this show). She pretends to be sarcastic about this, but you can see she’s affected.

She then tries to run away and he warns her rather politely not to do that (even if he weren’t so powerful, he has wings and she does not). He then asks her what she wants. She says she wants human riches. He gets annoyed and tells her to stop lying. Apparently miffed because, in her mind, she really wasn’t, she says she’s telling the truth. He says that no, she likes to believe she is a “rebel” and materialistic, but what she really wants is to “belong.” She wants “love.” Michael finds this “very, very human and so disappointing.”

He says that he is well aware the angels are in dire condition in the SPNverse and thought he might “help,” but if they’re all like Jo, he doesn’t see the point. They’re not “worthy.”

I have to say that even allowing for the knowledge that these two are married with children, so it’s not all that surprising, the sexual chemistry between the actors in this scene is really distracting, since it’s fairly obvious the writers don’t intend for Jo to be (or fake being) sexual attracted to Michael the way she did for Lucifer.

Back at the Bunker, Sam is giving discouraged Jack a pep talk in his room. He reassures Jack that he will be able to move on without his powers and it will be okay. This is interrupted by Mary coming in and saying “He’s awake.” Jack still looks discouraged after Sam leaves.

Sam and Mary go to another room, but Mary won’t go in, saying she can’t look at whoever is in there. The person is sitting on a bed on top of a devil’s trap. It turns out to be Nick, very much alive, but still wounded (from the stabbing from DeanMichael that killed Lucifer inside him). He and Sam speculate that the archangel blade is engineered to kill the possessing archangel but leave the vessel alive. Well, that would be a whole lot different from pretty much any other angel blade. It also doesn’t explain why Gabriel’s vessel appears to be quite dead. This is fairly obvious foreshadowing for a possible way to rescue Dean (assuming they can find another archangel to stab Michael, or for Dean to regain control and stab himself), but I have a sneaking suspicion the Michael storyline will eventually end up with some Michael stuck in Heaven, powering it back up permanently. Then again, even Michael and Jo haven’t discussed that in detail and it doesn’t appear that Sam & Co. know about it.

I’ve seen unhappiness on Twitter about this storyline, but as I’ve said in the past, I’ve always thought it would be interesting to see Nick again (Crowley’s dialogue about boosting up Lucifer’s vessel is just vague enough that he could have resurrected Nick and just kept him comatose). The character has two pretty major reasons for PTSD (his wife and baby’s deaths, and what Lucifer did using his body) and isn’t played out the way Lucifer was. He was barely introduced before he said yes. There’s stuff to mine there. And I like Mark Pellegrino as much as the next fan. He’s a good actor who’s quite capable of mining it.

My main concern is that the writers are using this as a way of reintroducing Lucifer after a pause. If there’s one character I never, ever, ever want to see again at this point, it’s Lucifer.

Sam interviews Nick about what he remembers from Lucifer. Nick says that he remembers nothing useful about Dean’s whereabouts and all he knows about Michael’s plan is that he told Lucifer he wanted to do things right this time. Oh, yay. That doesn’t sound ominous, or anything.

Sam then gets a call from the demon who has kidnapped Castiel. The demon tells Sam that they need to talk or Castiel will die. So, Sam has to go take care of that.

It’s interesting that a lot of the chatter I’ve seen on social media talks about what a great leader Sam is now and how well he handles things in this episode in Dean’s absence. But I’m more struck by the differences and how much Sam is bogged down by housekeeping duties when he should be triaging the situation better.

Dean is by no means perfect (hell, that’s why he’s so fun to watch and relateable), but he is, as his own brother has stated many times (and been backed up by others) a genius of a true leader. In Sam’s place, Dean would be putting out some fires, too, it’s true, and he’d definitely be leading from the front. But he would also have a laser focus on the main goal – stopping Michael. He wouldn’t lose that focus, either.

Sam wants to find his brother, and I think he’s quite dedicated to that goal, but in the process of dealing with all the different pieces on the chessboard, he seems to have lost focus on the fact that there is a worldkilling archangel out there that needs to be dealt with three weeks ago. Instead of having every single person in the Bunker deal with the Michael problem, Sam is actually draining his resources by having people go out on minor hunts (and how alt-SPNverse humans would know how to navigate in the SPNverse is a big old plothole, anyway).

It’s almost as if a part of him is relying on Dean to somehow keep a rein on Michael from inside until Sam and his team find him (and there are some hints that may even be possible), but it’s shortsighted to do that. If Dean can’t stall or hold back Michael, then everyone else is completely on Michael’s disturbingly inhuman timetable and that’s not good.

If Dean is Julius Caesar, then Sam is Mark Antony.

Sam recruits a team consisting of himself, Mary, Bobby and Maggie (no, I have no idea why, either). Call them Team Free Will: The Expansion Pack. Jack wants to come, too, and Sam agrees over Bobby’s objections. Oh, come on, Bobby, you guys are already taking Maggie. How much worse could Jack be than her?

At the bar, the demon explains in excruciating detail to Castiel that he is bait so the demon can get something from Sam. Castiel does try to warn him that Sam won’t do a deal with him, but the demon has apparently not heard about all the CRD’s Sam has killed (this is a BED). In the previous scene, the demon had made a crack about Destiel being a thing and Castiel hadn’t exactly disagreed.

Castiel wonders what the demon really wants and, lo and behold (without mentioning the archangel’s name, unfortunately for Castiel), the demon has been visited by Michael and asked what he wanted. The demon now says he wants “everything.”

This brings up two interesting points – Michael apparently isn’t killing the people he visits, and he’s asking questions of more than humans and angels. The first is really important because while we know Michael doesn’t kill without reason, we’ve also seen that he has found a whole lot of reasons to kill. And it would be sensible to kill those he asks so they can’t rat on him to Sam or anyone else. It would also have been sensible (in the way Michael thinks) to kill both Sam and Jack in the church after stabbing Lucifer. But he didn’t do that, either. So, it makes one wonder how much real control he has over his vessel who, strictly speaking, only ever gave conditional consent. And is his control growing or receding?

The second point isn’t fully developed, yet. Let’s see where that goes.

Driving through the night, Bobby reassures Jack that the alt-SPNverse humans are still grateful for everyone he saved back in their ‘verse and that they still believe in him. Jack seems to perk up a little about this.

Sam is less sanguine about Mary’s pep talk in the Impala. He worries what Michael is doing to Dean, or if Michael has perhaps even burned Dean out and moved on to another vessel (he’s the Michael Sword, dummy; there aren’t any other vessels). Mary brings him up short, saying that Dean is out there “alone and scared.” She starts to choke up a bit as she says that she has to hope things will turn out okay and they’ll find Dean because she can’t afford to “drown in the bad.” This is actually a good scene between the two of them, and well-acted, showing their guilt and grief and concern without quite spelling it out ad nauseam. This mission is as much about redemption for them both as rescue.

They arrive that morning where Castiel is being held. Sam gives Mary the Spork before going into the bar, reasoning that they will search him. Indeed they do and Crowley-lite smarms all over him, trying to butter him up. Sam blows him off to check on Castiel, who says he’s okay.

Crowley-lite introduces himself as Kipling (“Kip for short”), as we get a bit of eye-rolling virtue signalling from Dabb. As Sam demands to know what he wants, Kip says he warned Sam to come alone. Other demons bring in Jack and Maggie, then beat them up a bit. Sam does his damnedest not to let on that the two genuinely competent Hunters remain in ambush.

So, Kip monologues a bit. We find out he’s been 600 years topside and has been a very naughty boy. He was an even naughtier boy in life during the 12th century, riding with Genghis Khan. He preens and brags and gets annoyed (though he never seems terribly dangerous) when Sam balks at doing a deal with him. Kip wants the “deal” Crowley had with the Winchesters (pretty hard to do that with Dean not there, Kip, just sayin’) and Sam says there was no deal. Kip says that Hell is in a bind, since it’s without a King for the first time in a very long time and he wants to be King. Sam says no. Then all (slowmo) Hell breaks loose.

Mary and Bobby burst in through the door. Bobby is shooting a machine gun. Mary has a pistol. She tosses the Spork to Sam, though she also has an angel blade, with which she dispatches a demon. Bobby gets some of the demons with his gun, but then gets it knocked out of his hands. Sam goes after Kip, but gets TKed into a wall. All this with that annoying “let’s slowmo this Kodak kill moment” stuff that’s so popular lately. Jack tells Maggie to stay under the table they just dived beneath and goes to help. This does not go well. He quickly gets punched out, though he does distract the demons kicking Bobby.

Mary gives Maggie an angel blade, then gets tackled by a demon in a female host. The demon starts choking her, but then gets stabbed by Maggie. As Mary and Maggie wrestle with some of the remaining demons, Sam gets the crap beaten out of him, but finally manages to stab Kip when Kip is distracted by admiring the Spork he’s holding.

It occurs to me that Dean probably could have cleaned up most of the bar all by himself, starting with Kip. This is a very choppy fight and Castiel keeps disappearing as he watches helplessly. Remember how well Cain was integrated into the fight Dean had with three demons? Yeah, not like that.

Anyhoo, once Sam stabs Kip, he yells at the other demons and they stop in shock. He tells them there won’t be any new King of Hell, ever, and come-at-me-bro-demon if any of them want to argue. Instead, they all smoke out.

Oh, and none of them ever finds out that Kip talked to Michael.

Back at the Bunker, a battered Castiel apologizes to a battered Sam. Sam says it’s no big deal. He would have tried the same thing, too, if he’d thought of it first. They infodump about Ketch in London (no mention of the LOL), looking for the egg that tossed Lucifer out of the POTUS, but not finding it.

Castiel then goes to give Jack a pep talk while Jack mopes about how he’s “useless.” Castiel thinks Jack’s grace should regenerate eventually (though can’t he still fly? Hello?), but Jack doesn’t know what to be without his powers.

Meanwhile, Mary and Bobby are enjoying a beer. Called that one last season.

Sam, back in his (Dean’s?) room, gets a call from a mysterious number. It’s Sister Jo, saying they need to talk. Guess she’s finally choosing sides.

Meanwhile, Michael has found someone “worth saving.” It’s a vampire. Remember that second point I talked about? Michael’s going with the monsters.

Credits.

This wasn’t as bad as it sounded on Twitter. Sam actually made plenty of mistakes and he’s no Dean Winchester. And TFW:TEP is no TFW, either 1.0 or 2.0. That was more interesting to watch than the SuperSammy who has everything go his way crap that they’ve done in the past. Also, yay for Mary finally getting organic stuff to do besides run away from her sons.

And I like watching Michael, even if some of his characterization and motivation doesn’t work too well in light of last season (why would he focus on vampires now when he ignored them pretty literally to death in the alt-SPNverse?). He’s interesting to watch and quite scary (Ackles really knocks it out of the park). Also, powerful and deliberate enough not to rush his EVOL World Rebuilding Plan. After all, it took 13 billion years to work through the previous one. Too bad the show apparently cut down the little screentime he already had (his first scene was reportedly longer at SDCC, if the audio out there is any indication).

Dean’s absence is keenly felt in this one, though, especially in the fight scene. And I don’t particularly like the idea of using Michael vampires because the show has overdone that MOTW. I guess we’ll see.

Anyhoo, we’ll see what happens next week. Ratings were not wonderful (a 0.5/2 and 1.49 million, which tied it for second for the week with Riverdale and only 10 thousand behind in audience), but still good for the way the CW is shaping up so far this season. There’s a promo for 14.02 out here.


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Review: Supernatural: “Lost and Found” (13.01 – Season Premiere)


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[lots o’ spoilers ahead]


Well. That happened.

Where to start? I have to say that this episode, like the season 12 finale, was remarkably tedious. Okay, perhaps “remarkably” is the wrong adjective for a turgid mess of cold oatmeal. Still, I was very bored and if there’s one thing Supernatural generally isn’t, it’s boring. But Dabb as a showrunner and the Nepotism Duo in charge of the Writers Room seem capable of dousing even the sparkiest sparks.

There were a few big problems here. One was a complete lack of surprises in terms of pre-existing SPNverse elements, except where the show ignored canon for no damned good reason (as in ignoring the part where Kelly, at least, ought to be in Heaven, so why is Sam saying they hope she’s in a better place?), or simply forgot about it (as in the part where two angels were blown away by a banishing spell while another one in the next room wasn’t – um … what?).

I also didn’t like the lame attempt at generating suspense by jumping around in the episode’s timeline and saving a few bucks for the super-expensive Metallica song (“Nothing Else Matters”) in the season 12 recap by recycling a fair amount of footage from previous seasons. The use of super-expensive songs in an episode generally signals an attempt to perfume stinky writing as often as it accentuates a great scene. This was true even in season one (thinking of an episode like “Hook Man,” here, which has almost back-to-back rock songs and hasn’t held up so well over time).

The angels were tedious dicks, including the bitchy Millennial one who pretended to be a drunk girl so obviously that it became clear early on she was Up To No Good. Holy crap, was she annoying. Her death wasn’t nearly painful enough. She should have seen Jack not be hurt by her blade before she died.

Also, for all her sarcasm and ridiculous anger at Dean, she turned out to be all hot air and no threat, not to mention, frustratingly vague. I guess that’s why Sam was able to kill her when he’s never been able to kill an angel in the past. Yeah, that’s snarky, but really, Show? Enough with giving easy kills to Sam to “balance” out classic kills made by Dean. It risks diminishing both brothers and that’s the best I can say about that.

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Also, can the show please kill Lucifer, already? My God, am I over him and his perpetual adolescent whining. He’s how many billions of years old now? Grow up, dude.

But hey, at least we had confirmation Mary’s still alive. And kicking.

Second, let’s talk about the new characters, guest and recurring (since I guess we have to). About the only one who made any positive impression on me was the Sheriff. Okay, she’s no Jody Mills, and we’re not liable to see her ever again, but it was downright refreshing to see someone confronted with Dean blandly explaining about the Family Business at his most dissociated and disconnected, and just roll with it because they had already seen sufficient weird to perceive his spiel as reasonable.

This contrasted positively to Annoying Drunk Girl Angel (we’ll just call her ADGA for short) in that, for one thing, it was nice to see Dean lay it all out in such an IDGAF way that the world is bigger and creepier than most humans think, and the other person respond … well … appropriately for her own survival, but with ADGA, Dean didn’t even try to defend himself from her tired and lame accusations.

Now, the angel Ishim from “Lily Sunder Has Some Regrets” hated Dean, too, but his anger made sense, albeit from his own twisted perspective. It was personal, focused. It reflected his own conflict with the episode’s resident Mary Sue.

In contrast, ADGA came off as spoiled and pissy, whining about Dean being a “Becky” roommate (apparently not the Becky of seasons five-to-seven) who “broke things” and didn’t care about other people. But come on. How many fans actually care about this, especially when there’s an alternate universe next door where the angels got exactly what they wanted and it sucks out loud for everyone else? Plus, it’s a place where the angels broke everything. Foreshadowing of a possible alliance between this ‘verse and that ‘verse’s angels was a little too obvious, so please, Show, edit the angel monologues way, way down from now on. They’re boring and hypocritical.

Then there’s Jack. I was somewhat relieved to see that the actor isn’t as bad as he appeared in the promos (he came across as very, very bad in them), and he even generated a little sympathy, but there’s little for him to work with here. Jack isn’t a character. He’s a walking deus ex machina, written as inconsistently as you’d expect from a character who not only has a faulty, weak conflict, he basically has none at all.

What, precisely, does Jack want? Well, it seems he wants to find his “father” (who turns out to be Castiel, not baby daddy Lucifer, in a not-terribly-surprising twist) and he wants to survive. Or something. Oh, and he has powers that are remarkably malleable (translation: They exist to give the writers a cheap and easy out for times they’ve written themselves into a corner), except, of course, when they conveniently don’t work. They are remarkably inconsistent, even within the context of his being only a day old. I get that the angel sigil didn’t entirely work on him (because he’s half-human. Or something), but the rest? Not so much.

For example, he can understand and speak English thanks to “being” his mother in the womb (so not a reassuring or non-sexist way of phrasing it, Dabb), but though he can hear angel voices and had also bonded with Castiel, he can’t understand them. He’s impervious to an angel blade, but Tasers knock him out. He can’t control his powers because he’s a baby, yet he’s capable of expressing and understanding complex ideas.

Also, the FX for his powers were a bit pants and looked really goofy.

As a character, he just doesn’t make any sense and even more, he doesn’t really have a journey except toward going EVOL and/or dying (as opposed to Amara, who had an atypical bond with Dean from the start and a legit beef with her brother), and he’s never going to fit well into the MOTW format. Yep, no reason to get attached to this character. He won’t be around for long.

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Another big problem is that the show keeps trying to bring in CW tropes, principally from the DC superhero shows, and they don’t work so well. I keep trying to remind myself that the show has always been meta, always been a commentary on what was going on in the genre. That’s what keeps it fresh. And it is on the CW, after all. The problem with going so CW, however, is that the tropes the show currently uses are so plastic, shallow and insincere that it’s hard to care about them. The show works best when it’s a bit rough around the edges and this season premiere was too flaky to evoke that.

Which leads us to the biggest problem of all – once again, as too often happened last year, the show was about everything and everyone but Sam and Dean, yet none of these subplots was compelling enough to make me care, let alone make me forget that Sam and Dean were once again being made guest stars in their own story. In the damned season premiere, no less.

This was especially bad for Sam, since the only part I actually enjoyed was Dean’s grief and rage and sense of abandonment. Perhaps “enjoyed” is not the right word, but at least I was interested, even as I wondered whether this storyline had been interrupted for too long and should have been pursued in last season’s premiere, rather than that idiotic LoL storyline that came out of left field. The angels’ jealousy of Dean (even dismissively referring to Sam as “the other one”), Dean’s half-admission that Chuck left him in charge rather than him and Sam, Dean’s anger and despair over being left with half-truths and no tools for actually running the world, all of these things are intriguing and could potentially be a big arc for Dean. But considering Dabb and Singer took a year-long break from them to pursue other storylines that were a lot dumber and more boring, I’m not hugely confident they’ll remember Dean even has this storyline longer than five episodes down the road. Enjoy it while you can, I guess.

Also frustrating is that Sam’s big plot this season appears to be babysitting Jack because Sam is convinced Jack is Good. Or potentially Good. Or something. Just like his mother Kelly, the walking, saintly, single-mom womb whom nobody watching actually liked or misses.

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Never mind that just a couple of seasons ago, Sam was convinced Dean having the MoC had to be stopped at all costs (even though Dean mostly had it under control, all things considered), to the point that Sam went behind Dean’s back and got the Darkness released. Then he became convinced right off the bat that Amara had to be destroyed and did some pretty stupid things to bring that about, too. Add to that the fact that never in the history of this show has Sam ever thought anyone supernaturally gray could be Good and had that turn out well – and that the first few moments were probably the best time they had to neutralize Jack should he turn out to be a threat – and Sam’s idea that Jack is Good looks ludicrous. Even Sam had to Tase the kid at one point to keep him from attacking Dean.

In light of all this, it was rather eye-rolling that the show wanted us to believe that Dean was the irrational one and Sam was being sensible and compassionate, when everything Dean was saying was actually pretty smart – look for Jack, find out his weaknesses, protect innocents from him, call and warn Jody, pray to Chuck (something that didn’t even occur to Sam until the very end of the episode). The show tried to reinforce this take of Irrational Angry Dean by having Jack act all cherub-like – aside from the odd sinister look, that is. Again, not buying it. This is a character who is far too powerful to exist on the show as-is, who entered the world by killing his own mother, and who brainwashed both her and Castiel while still in the womb. Even if he weren’t Lucifer’s son, I’d think there would be plenty of red flags here that negate any dewy-eyed boy-band appeal in Jack.

This week totally ignored the Hell aspect of the storyline. It seems we’ll get that next week when the incompetent Nepotism Duo turn in their first script of the season (God help us all). Crowley and his death got almost completely ignored this week (though Castiel did at least get kind of a send-off and a Viking funeral). We’ll see how much coverage the ex-King of Hell gets next week. Probably not much.

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You can find my live recap of the episode here.


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The Official “Lost and Found” (13.01 – Season Premiere) Live Recap Thread


Sorry, guys! Starting a little late. I had to do some chores ’cause I’m getting up early tomorrow for work.

Anyhoo, recap of season 12 to Metallica’s “Nothing Else Matters” that shows how poor season 12 was. Not the first time they’ve tried to hide terrible writing with an expensive song.

Cut to Now. Sam confronts Jack, who has glowing eyes and calls Sam “Father?” Sam, like a moron, says he’s not Jack’s father.

Cut to Dean kneeling beside Castiel, then getting up to go in the house and kill Jack. The shot doesn’t hurt Jack, who then responds with some showy sound FX and throws them into the wall. Expect that not to get repeated much. It looks really expensive.

Cue title cards, which are a glowing, Sauron-like eye.

Flashback to Mary attacking Lucifer, which segues into Mary burning on the ceiling in the Pilot. Dean wakes up (it’s a dream). He and Sam were knocked out until dawn. Dean storms out of the house, asking if Jack has wings. Sam says he doesn’t know.

Cut to Jack walking around naked and then two losers at a fish fry restaurant seeing him outside, naked, asking for his “Father.” They call the one slacker dude’s mom, who is a cop.

In the car, the Brothers argue over what to do with Jack. Dean is all about the holy oil and “hitting him with everything we got.” Sam is all about understanding him and figuring out if he’s EVOL or not. ‘Cause Sam was all about being understanding when the Darkness got unleashed–oh, wait. Sam does ask about whether Castiel really is dead, too. “You know he is,” Dean retorts.

Meanwhile, the Sheriff of North Cove (AKA Slacker’s Mom) is meeting Jack. She introduces herself as Christine Barker and says she’s “just here to help.” Jack smiles a very-much-not-nice smile.

Castiel’s body has been retrieved in record time and put on a table under a sheet in the cabin by two angels, one PoC male who is angry and obnoxious and “racist” about Kelly’s body, and one blonde female who claims to feel sorry for Castiel. Stay classy, show.

Cut to the police station, where Jack is one step away from a psych eval. He’s got clothes, now. Very unimpressed by him, so far. He’s basically a walking plot point.

The Sheriff asks him some questions that go rather poorly, while Slacker watches, mocking. Jack says Kelly is “in Heaven” (rather doubt that, dude) and is looking for his father.

Jack starts talking about “the bad woman” (Dagon) burning and “the universe screamed.” I’m glancing at the clock because damn, this is dull so far. Let’s get back to the Brothers, please, Show.

When she goes to check his fingerprints, Slacker asks him “how high are you?” Jack doesn’t understand his question. And realizes he is hungry.

Meanwhile, I’m discovering the exciting world of drying paint.

Back to Sam and Dean, pulling up (so coincidentally) to the fish fry joint where Jack appeared. Sam wants to go eat something. Dean wants to call Jody and get her to put out an APB on Jack. It’s a topsy-turvy world when Sam wants to eat fried food and Dean wants to work.

Inside, the other Slacker is dealing with an annoying drunk customer. Sam asks the guy if he saw anyone naked wandering around the guy says that why, yes, he did. Sam makes a call to the Sheriff, impersonating an officer, and she is shocked by Jack’s blank slate of fingerprints.

Outside the Pirate fish fry, Dean is walking back to the car with bloody knuckles when he’s accosted by Annoying Drunk Girl who was inside when Sam went in (dear God, woman, GO AWAY). She notices his bloody knuckles, but not that he is retrieving a flask of booze for a drink and to dump on his knuckles. She tells an annoying story about a college roommate called “Becky” (apparently, not Becky Rosen), while Dean coldly eyes her up over the roof of the Impala. Sam comes out why she’s still going on. Sam brings Dean up to speed and they leave while she smirks. Maybe she’s a demon. I don’t and don’t care. Hope she’s Monster Chow soon.

In the station, the lights start fritzing badly and the Sheriff can’t find anyone. Pulling out her gun, she enters the Locker Room, from whence comes creepy laughter. Inside, though, it’s just her son and Jack, eating food from the food dispenser. Jack is discovering nougat. Or something. The light-fritzing turns out to be Jack making the food dispenser operate with his mind. Then he hears angel voices. When the Sheriff tries to stop him leaving, he accidentally shoves her into the machine and bails.

As lights explode, he gets to the squad room and sees Dean, but gets Tased by Sam. The Sheriff, who was unconscious just a moment before, comes into the room, gun drawn, looking fine. Nice lack of continuity, there, Dabb.

I miss when this show didn’t bore me.

So, we need a third act, I guess, so Sam is tossed into a cell, while the Sheriff interrogates Dean. Dean tells her what’s up, the Family Business. Rather than get pissy, the Sheriff asks Dean what Jack is. Dean says he’s a Nephilim.

In the jail cell, Sam talks to Jack, who tells him about hearing the angel voices. Jack asks Sam to tell “them” that he’s “sorry.” Whatever, show.

Sam asks Jack how he knows English. Jack says he talked to her, “I *was* her.” (very much not reassuring). Sam then asks Jack how he got his powers and if he remembers opening the door to the other world. Jack doesn’t know. He says he has to find his father, that his father will protect him.

Sam says that Lucifer doesn’t protect people. Jack says no, his mom said that Castiel would protect him. Sam tells Jack that Castiel is dead.

Outside, Slacker is lighting a cigarette. He’s confronted by Annoying Drunk Girl and the two angels. So, is she an angel, or is she in league with them?

Inside, Dean is releasing Sam, saying the Sheriff believes them. Then they hear Slacker outside scream. As they and the Sheriff come out into the squad room, they see Annoying Drunk Girl with an angel blade to Slacker’s throat.

The Sheriff starts to raise her gun, but Dean warns her not to. Annoying Drunk Girl Angel/Demon wants the Sheriff to shoot Dean to let her son go. Sam is still in the cell.

But it’s mostly a distraction so the other two angels and come in and attack Sam and Jack. ADGA stabs Slacker, pretty much just for kicks, as soon as she hears they’re in. Sam gets his ass kicked and the other two angels take Jack as Dean gets the drop on ADGA. He interrogates her and she smacks him in the head then enters the cell. Sam has blasted the other two angels away with a sigil that almost blasts Jack away, too. She stabs Jack, and gets stabbed by Sam, but only Jack survives. So, that happened.

Outside, the Sheriff goes off with her son in the ambulance, while the Brothers have a talk about Jack. Dean agrees with Sam’s plan to bring Jack back to the Bunker, to minimize the damage and find a way to kill Jack.

Dean chooses to burn Castiel’s body. Sam says maybe they can ask Chuck. Dean says he already tried. That’s why his knuckles are bloody. He prayed to Chuck to bring all of them back and then smacked a restroom wall (repeatedly), and cried, when Chuck failed to answer.

Not sure why the show has decided to forget all about Amara. She might answer Dean’s prayer.

Anyhoo, Dean is now going to burn Castiel and nobody is stopping him: “God’s not listening. He doesn’t give a damn.”

Oh, they also burn Kelly, by the way. Let’s not speak of that drippy, nothingburger character again, Show.

Dean has a moment alone with Castiel to cry over him. Later, Sam talks Jack through a Hunter’s funeral. Dean says goodbye to them all, including Mary. Sam says she may not be dead, but Dean refuses to entertain what he sees as false hope.

Boring music for this. Not very Supernatural.

Over in Alt-Verse, Mary is getting stalked and chased by Lucifer, who is playing with his food. Mary says what, is Lucifer going to kill her now? Lucifer says maybe or maybe not. Maybe he needs her. Whatever, Lucie.

Credits.

Okeydoke, that’s it for tonight. Not the greatest of episodes. Pretty much pointless aside from Dean’s cold, hard turn at grieving.

Expect my review by Sunday night.

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I’ll also be simul-recapping on Wayward Children.

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