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The Official Supernatural: “Moriah” (14.20 – Season Finale) Live Recap Thread


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Scroll down to find links to all of my recaps and reviews of all seasons up to this point.

Longish recap to “Carry On Wayward Son” that teases us with a bit of Dean!Michael before boring the crap out of us with how terrible the entire Jack storyline was.

Cut to Now and that cliffhanger some optimistic fans were all abuzz about last week, with Jack busting out of the Ma’lak Box. Yeah, about that. Jack whines that TFW lied to him, tosses them into some bookshelves (I really hate that he trashed their archive, but at least the library upstairs is intact), and … anticlimactically flies off.

Yeah. I know. That’s what you waited a week for. Sorry.

In the aftermath of getting themselves up and dusting themselves off, and handwaving why Jack was able to bust out of the unbustable box (I doubt we’ll get anything more satisfying than that), Dean recovers first. He says they need to find Jack fast before he hurts anyone (else) and gank him. As far as locating Jack, Sam says that praying’s out now, for obvious reasons (I dunno, Sam. Jack’s pretty gullible. He might actually fall for that one twice).

Castiel gets pissy and tries to pick a fight with Dean (the world is not Twitter, Cas), but Dean shuts him down cold. Dean gives Castiel some much-needed home truths about how he always thought raising Jack was too dangerous, but no one listened to him. How Castiel knew Jack had broke bad, but he chose to stay quiet because he wanted the fantasy of a happy family so badly. After the past two weeks, Dean doesn’t have to add, “And now Mom’s dead.”

Furious, but unable to come up with a blistering retort (I’m sure he’ll think of one a week from now), Castiel shoves past Dean and stalks out the door.

Sam is upset, but Dean points out to him that as much as they cared about Jack, he’s a monster now and he’s hurting people. They have to stop him. Yeah, Sam. Starting thinking like a Hero again, for once. Save some people. Hunt some things.

Where’s Jack? He’s in a crowded public place. People are sitting around having inane conversations, in which he detects (or thinks he does, anyway) a lot of lies. He gets the “brilliant’ idea of making everyone tell the truth. Because that’s bound to end well.

Meanwhile, Sam is following up (by phone) on Dean’s idea of recruiting Rowena for a locator spell. She thinks it’s “dangerous,” but she’s in.

Dressed as FBI agents, the Brothers enter a tech company for facial software. This somehow leads to Sam responding to Dean’s usual grumping about “nerds” that Dean is the biggest nerd of all and he even watches Jeopardy every night. Which, okay, cute, I guess, but it seems very out of place.

Dean then introduces himself to the receptionist and says he’s looking for “the Devil’s son.” So, I guess that anti-lying mojo is working on Dean now.

Dean scampers off to Sam, who is being puzzled by two coworkers admitting to each other that one is sleeping with the other one’s wife and the other one doesn’t care. Dean asks Sam who his favorite singer is (Sam always says Elvis, but Dean knows that’s a lie) and Sam is shocked when he’s forced to admit it.

At that moment, all Hell breaks loose in the office as various people start admitting their biggest grievances to each other. I kinda like the lady who’s going around, stealing staplers and gloating, “I’m the Stapler Queen!”

The Brothers quickly step into a conference room, where a TV announcer on the wall is reporting on Trump having just made a full and public confession about his tax records and connections to Russia. Also, seems he made a deal with Crowley. Oh, and her co-anchor confesses his love or her. Seems the spell in question is universal.

Now that he’s been forced to confess that his favorite singer is Celine Dion, Sam’s fully on board with tracking Jack down before he does any more damage.

Meanwhile, Castiel is in an alley, trying to talk to a demon about going to Hell and studying the Cage. The demon refuses, but a voice behind Castiel changes and ups the entire game. When he turns around, he sees Chuck. Chuck allows that TFW might just be boned.

Chuck says he came because of Castiel’s prayer (in the warehouse, when he found Joshua’s new version of the Amulet). And because Jack has become “a problem.” Because of course he did. [eyeroll]

Meanwhile, Jack is knocking on his grandmother’s door and barges his way in. He doesn’t notice the signals that she doesn’t want him around. He says he wants to talk more about Kelly. Well, he gets a lot more than he bargained for when his grandmother reveals she knows he lied to her before (karma sucks, doesn’t it, Jack?). She screams at him, demanding to know what he did to her daughter and is Kelly dead?

Jack, still having no learning curve, gets mad. His eyes glow yellow and he shouts, “STOP!” Because of course he does. Why would he accept any consequences for his own actions? He’s miserably failed at that so far.

Back at the tech office, Dean is discovering that the internet has gone awfully quiet, save for those folks admitting their lives aren’t nearly as neat as they claimed. Sam is using face recognition software to locate Jack. Out in the office, mayhem continues as Castiel and Chuck show up.

Chuck goes into a little rant about how people need to lie. “It keeps the peace.” He says he’s a writer and writers lie, so he should know. In case that sounds vaguely familiar, that’s this episode’s writer, Andrew Dabb, riffing on the late, great Ursula K. LeGuin (“a novelist’s business is lying“) and sucking hard at it.

Chuck and Castiel come in to a shocked Dean and Sam. Ignoring Dean’s questions at first, Chuck sits down with a guitar for a song. Dean, channeling half the audience (at least), grabs the guitar and smashes it, Pete Townshend-style, on the floor. When Dean gets in Chuck’s face, Chuck gets mad, but it doesn’t let him off the hook. In fact, it unites Sam and Castiel remarkably quickly at Dean’s back, especially once Chuck snaps them back to the Bunker.

Chuck starts burbling on about being a deus ex machina, but it falls on stony ground. Sam says he’s with Dean – he wants answers. And Castiel just looks pissed off. Yes, he looks like that a lot this episode.

Chuck is “charmingly” vague about questions where he’s been. When Dean asks him about Amara, he claims she was with him, at least most of the way, and is currently in Reno. No one believes him. Finally pinned down (or so it appears) on the question of why he’s here now, he says he only shows up for actual apocalypses, not ordinary stuff (like the Leviathans, or the “weak” LoL) and Jack is an apocalypse. For proof, Chuck waves a hand and we hear a lot of paranoid radio chatter from around the world.

By the way, we just saw Jack exit his grandmother’s house in a hurry, leaving the door wide open and Grandma nowhere to be seen.

Castiel asks if Chuck can fix it. Chuck says sure. He snaps his fingers and says, “Fixed … like it never happened.” Dean tests it by saying “Celine Dion rocks” and then assures everyone that yep, they can lie again. Back in the tech office, all is normal again, and a guy is ranting about someone stealing his yogurt while another guy is sitting at his own desk, eating said yogurt.

Chuck then fangirls Jack and his powers a bit (because of course he does). He then says Jack has to go, but Chuck can’t do it (for reasons), though the Brothers can. And he has just the thing. A silvery, rather creepy-looking pistol appears on the map table.

Chuck says the gun will kill anything. He says he’s thinking of calling it “The Equalizer” or “The Hammurabi.” The stony silence from the other side of the room deepens. Dean picks the gun up as Sam asks why Chuck didn’t bring it to them before. He says he just invented it, that’s why. Sam asks how do they know it will work? Chuck says of course it will work. He made it.

Dean says there are no bullets. Chuck technobabbles about “balance” in the universe and quantum bubbles and stuff. Sam (who is just so very done at this point with Chuck, after fangirling him for near a decade and a half) tells him to “get to the point.” Chuck says that whatever happens to the person/being you shoot, also happens to you. And since he can’t die without the entire Multiverse dying, he can’t use it on Jack.

Castiel asks why Chuck can’t just give Jack his soul back. Chuck claims it’s complicated, that souls are complicated. Castiel says, well, maybe they can just put Jack in the Cage until they find another solution (because I’m sure that would work as well as the Ma’lak Box).

Dean cuts him off by saying there’s no other way, while holding the gun. Castiel snarls that Billie said that Dean had to go in the Ma’lak Box, too, and look how that turned out. You know, I get that Dabb thinks he’s acknowledging that loose end here, but that somehow makes it worse that he knew perfectly well he was dropping that plot and chose to give us this load of horseshit, instead.

Also, we’re halfway through and so far, almost nothing has happened except a whole lot of infodump.

Chuck starts muttering angrily about how the previous Death was much more hands-off and Billie is too active for his tastes. That makes me just a little bit suspicious because why would he care?

Anyhoo, Dean tells Castiel to suck it up and deal or “walk away.” Castiel walks away. Meanwhile, Jack is walking down the street, remembering that he probably killed his grandmother.

In the next scene, Sam comes in on Dean drinking. Dean has already decided he will be the one to pull the trigger and die, along with Jack. Sam starts to whine that Jack is still saveable, that he did all those things because he didn’t have a soul. But Sam doesn’t seem to get that Jack can’t get that soul back, so that’s irrelevant. Really, how many people – how many women who are mothers to him – does Jack have to murder before Sam admits that maybe Jack needs to face some fucking consequences for once?

I mean, I really hate Sam in this scene. He is so casually misogynistic, so casually dismissive even of the death of his own mother, just so long as he can play Daddy to Jack. And on top of that, he’s busy guilt-tripping Dean about killing himself to kill Jack, because he’s “already lost too much.” Wow. Sam is breathtakingly selfish, isn’t he?

Anyhoo, Castiel has driven to some cemetery, where Jack flies in behind him. Castiel turns and hugs him. I am so very over Jack. Can’t he just go away forever now?

Back at the Bunker, Sam comes out into the Library to find Chuck playing with the archangel blade. Chuck asks Sam where he got it (as if Chuck wouldn’t know) and Sam just says, “Another world.” Sam asks Chuck about the other realities. Chuck says he’s “lost count … one’s in reverse. One’s in all-yellow. And one is just all squirrels.” So, all Deans, then?

Sam brings up that alt-Michael claimed Chuck made and discarded these worlds like “failed drafts.” Chuck claims that this Sam and Dean are the “most interesting” of all the Sams and Deans in the Multiverse.

Back to the cemetery, Jack is telling Castiel about his visit to his grandmother. He says she told him he killed Kelly, which he did. He says that used to bother him, but he doesn’t feel anything, anymore (except that both the script and the acting Show him feeling all sorts of things). We get the rest of the flashback, in which she saw his glowing eyes and exclaimed, “What are you?!” In the flashback, Jack has a moment of clarity and “runs away,” instead of hurting her. Castiel is all proud of him, because I guess the many other people Jack’s killed don’t matter.

In the Library, Sam asks if Chuck is watching them all the time and Chuck gets all creepy-nostalgic and says, “Yeah.” With a smile. Like his smile when Castiel stormed out. I don’t like that smile. Chuck says, “You’re my favorite show.”

Sam says that if he had Chuck’s power, he’d … well, what, Sam? Your track record with superpowers blows chunks, dude. Chuck says he can’t intervene. Only Sam and Dean can: “You’re my guys.”

Then he says something really humiliating for Sam, even as Sam guesses (but is it accurate?) that Chuck is afraid of Jack and knows where Jack is – he points out that Dean has already left to go kill Jack.

At the cemetery, Jack is still claiming that killing Mary was an accident. He claims to try to “do the right thing,” except for being “led astray” by Duma. He admits that whenever he tries to do things right, he screws up.

Castiel, like the kind of indulgent parent who needs a good talking-to from Supernanny, keeps saying that if only they could go away somewhere and “fix this.” This show has done such an excellent job of ruining Castiel this season, all in favor of blowing sunshine up Jack’s ass.

When Dean shows up with the gun, though, Jack tosses Castiel across the cemetery and kneels down so Dean can shoot him.

Castiel gets up and starts yelling at Dean, even as Sam is running through the cemetery, yelling at Dean (there doesn’t see to be any concern from either of them for Dean, just Jack), and Jack says, “I understand.”

Jack admits that he’s a “monster,” even as Chuck shows up and Sam realizes that Chuck is “enjoying this.”

But Dean hesitates and then, he tosses the gun aside.

At that moment, Chuck gets mad. It’s not how “the story” is supposed to go. This is a case of Abraham and Isaac, “of a father killing his son … it’s epic!” At that moment, Sam voices all of his growing misgivings throughout the episode about Chuck – “He’s been playing us, all our lives.”

Chuck: Dean, no offense, but your brother is stupid and crazy.

Castiel is pretty pissed (yes, I know, but he actually gets angrier in this scene), but it’s Dean who gets a really ugly look as he realizes he was being set up for assassination. That’s probably the most interesting part of the episode – that Chuck wanted Dean to die, but couldn’t – or wouldn’t – do it himself.

As he’s losing control over the situation, Chuck tries to bully-entice Dean into picking up the gun and shooting Jack by offering to bring Mary back and claiming that “the kid is still dangerous.”

Dean, realizing he’s been played, steps back from his greatest temptation, saying “No. My mom was my Hero. And I miss her. And I will miss her every second of my life. But she would not want this. And it’s not like you even really care.”

Dean gets a good rant going (why not? Everyone else got one this episode) about how Chuck has always known what was going on even back to the first apocalypse. He could always change it, but chose not to. Sam backs Dean up, though he does kinda step on Dean’s groove a bit.

But what happens next is interesting because Chuck basically ignores Sam and tries to shmooze Dean. It’s only when Dean tells him to go the Hell that Chuck decides he’s done. He snaps his fingers. And guess what? He’s totally capable of smiting Jack by remote. Easy as pie.

Dean tries to stop him, but gets knocked through a tombstone. Sam picks up the gun and shoots Chuck (the Dramatic Reenactment we get after commercial is embarrassingly cheesy), but it just bounces off Chuck and hits Sam in the shoulder like a real bullet.

Chuck: Fine. That the way you want it? Story’s over. Welcome to the end.

And Dean finds himself in the dark in the graveyard. It’s suddenly night. Sam and Castiel are still there. Sam’s still been shot, though he’s okay. Jack is dead, his eyes burned out of his head.

Dean says, confused, that Chuck said only the gun could kill Jack. “He’s a writer,” Castiel says, kneeling by Jack. “Writers lie.” Watch out for those anvils, kids. They’re heavy this week.

But alas, we’re not done with Jack Sue. To the tune of Motörhead’s “God Was Never on Your Side,” Jack wakes up in the Empty to meet the Empty Entity itself (which makes a benediction over him and chuckles) and Billie flying in for a chat. Because of course they do. [eyeroll]

Back on earth, the Brothers and Castiel witness souls blasting out of of glowing rifts in the ground. Castiel infodumps that they are souls from Hell. Shouldn’t they be demons, then? But instead, we have the Woman in White (from the Pilot) accosting a motorist, John Wayne Gacy’s ghost showing up at the door to a kid’s party (even though his thing was young gay boys), and Bloody Mary (also from season one) appearing in a mirror in the room of two young girls. Which, again, is nice and all, but the WiW and Mary really ought to be demons by now. Really.

Also, in the midst of exploding tombstones, zombies appear to menace the Brothers and Castiel. It’s all epically stupid as Castiel pulls out his angel blade and Dean grabs some iron from a rusty gate, handing some to Sam. All to Classic Rock we apparently couldn’t afford most of the season. The zombies converge on the three of them.

Credits.

Ratings for this week were pretty bad and didn’t experience the usual season finale bounce, with a 0.3/2 and 1.30 million. Even so, the show still far outstripped most of the other shows on the CW, which can’t even muster 1 million at this point.

No preview for next week, obviously, since that won’t be until October.

Review

Well, this was quite terrible, wasn’t it? Not to mention dull. There was a great deal of talking and very little action. One character (Rowena) was mentioned for a bit and then dropped. Another character who had been prominent the past few episodes (Fauxifer), and who should have been around, was simply forgotten. You may have noticed that almost everything (except for the office set) occurred in the Bunker or that graveyard. I guess Classic Rock and some zombie makeup’s too expensive to justify the cost of any decent fight choreography, or, hell, anything happening beyond a whole lot of infodumpy dialogue. Don’t bother to get excited about the biblical implications of the title, since they were spelled for all of a hot minute.

On Twitter, I compared it to a mess of moldy spaghetti tossed at the wall. They actually started the season with a good premise (Dean possessed by alt-Michael), but then floundered because they basically didn’t know what to do with it. I can pretty much guarantee you that if they flubbed the Michael storyline, the same writers will flub the EVOL!Chuck storyline because the problem will remain the same – the Big Bad is too Big and too Bad for Our Heroes to vanquish. It was actually easier with Michael because they had Dean and Dean was fighting from within, but nope. They went the very stupid Soulless!Jack route, instead.

Also, those who have been crowing about getting to see the same old MOTWs the Brothers had previously vanquished, again, think very hard about how well it’s gone of late with this current writing crew and old, iconic characters – very old and very iconic characters – that they brought back. For example, those who were looking forward to seeing Chuck again, just how happy are you today?

This show needs new showrunners and new writers, stat, but it’s probably not going to get any at this point in the game. And that’s too bad. The show deserved a better final season than it’s probably going to get. I really hope I’m wrong, but … well … it’s not as though this season finale was good. It also actually managed to make “Swan Song” look even worse. Didn’t think that was possible, but there you go.

But before we get into why, let me just put forward this spec. Let’s say that those of you who are thinking Chuck wasn’t really Chuck this episode (as opposed to written completely out of character, though both things can be simultaneously true) are correct. Who is this Chuck, then? Could it be he’s the Empty Entity? His characterization is more appropriate for that character, last we saw it, don’t you think?

But, you may ask, who was the being (beside Death) who greeted Jack in the Empty? Some have speculated that it was Gabriel, but I have another idea. What if it was Chuck?

This would explain a lot of things and might even make Jack less of a Gary Stu (since he’d be the first of TFW, such as he is, to arrive in the Empty, so Chuck and Billie are just taking what they can get). It would explain why “Chuck” was so much more nihilistic than before. Mind you, I think he always had that potential, and that’s why I hated the idea of his being God in the first place, but his demeanor and attitude toward the Brothers has either changed or he’s just being more honest. Or he’s not Chuck.

It explains why he would play mind games and try to get TFW to kill Jack when he could have done it at any time (you could argue that he killed Jack because Jack was the biggest threat to him, but if Jack were any kind of threat, Chuck wouldn’t have been able to smite him like that). It explains why he had a beef with Jack in the first place. There’s never been any indication Chuck gave a rat’s ass one way or the other about Jack, seeing as how he did nothing about his birth, the alternate universes, or any of that.

The Empty Entity, on the other hand, wanted Jack in the Empty just a few episodes ago. It explains why he was so moody (Chuck was a lot of things, previously, but moody was never one of them). It explains why he was so not-so-secretly sadistic (which we know the Empty Entity is). It even explains the nature of the new gun, the rant about “balance” (since when did Chuck care about that?), the strange absence of Amara, the changing Jack’s spell of compulsive honesty back to quotidian lying, and the sudden rage toward Billie and her “meddling.”

What it doesn’t explain is why Chuck (or “Chuck”) wanted Dean dead, too, because that was as cold-blooded an assassination attempt (of Dean) as this show has ever done. Or why Chuck didn’t just flat-out kill Dean when Dean refused, but had no problem killing Jack. And alas, even if the above theory is correct, that doesn’t mean the writers will do it any justice, whatsoever.

Which brings us back to the review.

There was some nice acting, especially from Jensen Ackles. And Jared Padalecki got something substantial to chew on with Sam’s growing realization that Chuck was a rotter. This particular journey actually fitted Sam best, since Sam is the brother who has had the most faith in God, has prayed to Him, and has had the most faith in Him. Dean has always been angry with God (and even began the series as a sort of atheistic pagan who didn’t believe in a universal deity, let alone a benevolent one). There’s more dramatic charge in Sam coming to this conclusion after a lifetime of belief and devotion, than Dean, since Dean’s already naturally inclined toward it. I mean, Dean was right all along about Chuck. Go figure.

Unfortunately, the acting can’t save the writing (or the direction). You’ll note that I didn’t mention Misha Collins or Alex Calvert. It’s not because they’re bad actors, but because they basically get nothing of substance to do here. As I said in the recap, Castiel spends most of the episode pissed off (usually at Dean) and poor Calvert is once again stuck with Telling the audience that Jack has no emotions (because he has no soul) while clearly Showing (due to the writing and probably the direction) that actually, Jack’s biggest problem is his emotions and his utter failure to control them without hurting someone. Over and over and over again.

I continue to believe that Jack is unsalvageable as a character. This episode just drove home why. So, no, I wasn’t thrilled to see his Speshul Sparkly Self waking up in the Empty and being visited by two Very Important People. I think he has just gone too far as a character, trampled too many moral lines, killed too many people, to come back from that.

Even Jack’s biggest stans implicitly acknowledge he has something he’s done to the main characters that may not be forgiveable when such fans try instead to transfer that moral charge onto blaming Dean (who is the current surviving victim of Jack’s rampage least likely to indulge him with a forgiveness he really doesn’t deserve). Somebody’s gotta pay, so if it’s not Jack, it’s got to be his “unreasonable” victim. Essentially, it’s just an extension of fans who bought the idea (put forward by Jack himself) that Mary caused her own death by making Jack mad (which, as I said a couple of weeks ago, is Abuser Logic).

Unfortunately, the show itself is at its most emotionally dishonest when having other characters deal with Jack (there’s also that bullshit “Writers lie” thing, but we’ll get to that in a minute). Dean’s character is the least muddy in his emotional arc, though we see his actions through a glass darkly and he has a last-minute change of heart that’s poorly mapped. Having Jack have a sudden and unlikely epiphany (after nearly fridging yet another biological mother figure) that he’s EVOL is, of course, emotionally manipulative, intended to woobie Jack, handwave Jack’s crimes (and they are crimes) to this point, and make Dean look like a big meanie. Again, Abuser Logic.

Less understandable are Sam’s (and especially Castiel’s) overly indulgent attitudes toward Jack, even to the point of ignoring the horrible things Jack has done, including to people they loved. It doesn’t help that the show has written Sam and Castiel for two years as invested in fostering Jack as much as for reasons of pride and ego as for altruism. But even that low bar doesn’t excuse their throwing over a 14-season and 10-season obsession (respectively) with Dean in favor of a character they’ve known for a hot minute, relatively speaking, and who is the son of their worst enemy. I don’t buy that and the show doesn’t even try to make it look plausible. Dabb & Co. just Cousin Oliver it all the way down the line.

So, let’s wrap up with that idiotic “Writers lie” theme. As I said before, it probably comes from a quote by Ursula K. Le Guin, “A novelist’s business is lying,” which this quite-thoughtful essay on her speculates comes originally from Picasso’s quote, “Art is a lie which makes us realize the truth.”

Now, Picasso was, by all accounts, a pompous asshole (and probably an emotional vampire), but he was a talented asshole and in this case, he’s quite right. Great writers don’t just lie to lie. They lie to get at important truths they might not otherwise be able to articulate. I’m going to quote myself from Twitter again (sorry), this time in response to Andrew Dabb’s nonsense about how “writers lie.”

Me: Bad writers lie. Average writers lie pretty. Good writers engage audiences with the truth. Great writers inspire others with the truth.

Also, in context, Le Guin isn’t just saying that writers (well, novelists) lie. She said it in her forward to The Left Hand of Darkness (not my favorite of her books, though I did love some of her others), in response to the idea that science fiction writers should write predictions of the future in their stories. Le Guin was saying that we writers actually are using science fiction to comment on our present. We’re not seers. Don’t put us on a pedestal. We can only present our own, personal truth.

Which is pretty much the opposite of writing a show where the God character is a douchey alter ego to the shallow and self-indulgent writers. That is a cheat, a mean spirited prank on the audience, and poor repayment for our support of the show. Don’t forget that these writers see us all as Becky Rosen.

See you next week with a retro review.


The Kripke Years

Season 1

Season 2

Season 3

Season 4

Season 5

The Gamble Years

Season 6 (with Kripke)

Season 7

The Carver Years

Season 8

Season 9

Season 10

Season 11

The Dabb Years

Season 12

Season 13

Season 14


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The Official Supernatural: “Let the Good Times Roll” (13.23 – Season Finale) Live Recap Thread


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Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee.

My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through Amazon and is on sale through this Friday. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.

Yeah, yeah. I skipped ahead. Don’t worry; I’ll do the others. It’s just that this one is a-buzzin’ and I want to watch/live recap it all the way through.

Laissez les bons temps rouler.

Recap of the season so far with, of course, “Carry On, Wayward Son,” which begins with a quick voiceover by Dean (and segues into a quick request from Rowena for music). ‘Cause that’s never ominous in a season finale, or anything. The recap ends with alt-Michael and Lucifer being left in the alt-SPNverse.

Cut to Now, with Sam in the Bunker explaining to the alt-SPNverse refugees how our world sucks so much more normally than theirs. There’s a joke about Trump and alt-Bobby gets to deliver it.

Sam gets a call from Dean, who is with Castiel and Jack near a harbor. It seems to they are celebrating getting everyone (they care about) back from the alt-SPNverse by Hunting some dockside werewolves because … reasons. As you do. Just roll with it, I guess.

Castiel starts off the carnage by stabbing one werewolf who’s outside on a smoking break. The Brothers and Jack then bust into the shack, where two other werewolves are discussing the Kardashians. Jack freezes the werewolves, while Dean and Sam fill them full of silver.

Meanwhile, alt-Bobby (now dressed just like “our” Bobby) is taking a nice walk in the rain with Mary. They infodump that Ketch has taken off, while Rowena and alt-Charlie are on a road trip (as long as anything involving Charlie stays off my screen, I’m good, but I sure hope this doesn’t mean the writers are now going to ruin Rowena to make alt-Charlie Sue look fabulous). Anyhoo, alt-Bobby admits that while they can’t go back home without an archangel, he’s not sure he even wants to. It’s nice here (he says as he makes cow eyes at Mary, who looks flattered).

Sadly, this is Supernatural, so the mood is immediately shattered by their discovering Maggie (remember her? The refugee the Brothers helped through a tunnel a few episodes back?) in the path with her head smashed on a rock.

Cue title cards.

Cut to the sneak peek where the Brothers talking about retiring. Sam is surprised that Dean would want to retire. Dean says that if he knew people were safe from monsters, he’d do it, happily, then go live on a beach with Sam and Castiel, and some umbrella drinks. Yeah, that sort of conversation never ends well.

After Sam goes off to do whatever, Dean hears Jack in his room, having a nightmare. Apparently, this is one of the rare times when Jack sleeps. It turns out Jack has nightmares about people he couldn’t save in the alt-SPNverse. Dean wakes him up (Jack wakes up in a less scary mood than Dean does) and reassures him that he has those dreams, too. Jack said he promised to save those people, but wasn’t “strong enough.” Dean tells him it’s not about being strong. If Jack weren’t strong, he wouldn’t have made it back. You just have to keep going and understand you’ll make mistakes some times. But Jack’s family and that’s all that matters.

Hmm. This is getting a bit worrisome. These are the kinds of conversations main characters have right before they get written off.

Sam comes in with a phone call. It’s about Maggie, whose dead body we see next, still on the ground in the rain. Jack is upset, saying he couldn’t protect her. Everyone tries to figure out what’s going on, since all the usual suspects are back in alt-SPNverse. They interview her friend who came over with her from the alt-SPNverse. The friend is shocked to hear she’s dead, saying she expected they would be safe here. She says Maggie had snuck out the night before to see a boy at a local quickie mart she was sweet on (so, I guess a fair bit of time has passed, then). As soon as Jack hears this, he flies off to the quickie mart. Uh-oh.

At the quickie mart, the kid in question is just putting stuff away, minding his own business, when Jack comes in and slams him into one of the freezer shelves. He starts choking the kid, demanding to know why he killed Maggie. The kid has no idea what he’s talking about. Castiel shows up and tries to stop him, but Jack slams him into some shelves. Sam and Dean come in, and an exasperated Dean shoots Jack to snap him out of it. They quickly show him that the kid didn’t kill Maggie, especially when he looks devastated at finding out she’s dead.

Jack runs back out into the woods and starts hitting himself, crying and wondering why he always hurts people. Then he hears angel wings and Lucifer appears behind him. Jack asks if he’s real and Lucifer hedges about how he got there. Lucifer claims that Sam left him behind and lied when he said alt-Michael killed him. Lucifer is all sweetness and light to Jack, but Jack cuts to the chase and asks how Lucifer got through the closed rift. Lucifer dances around this, too, and tries to tell Jack he’s not really human, that they have a lot in common. Ewww. Jack, I know you’re a baby, but jeez. It’s sad when Lucifer is so obvious that he can only fool an infant.

Lucifer suggests they go to some other planet. Jack compares it to Star Wars, but isn’t so sure about leaving Sam, Dean and Castiel behind.

Back in the quickie mart, the Brothers and Castiel try to cover up what happened with the kid by calling the incident “a training exercise” and saying they’re FBI. This is working pretty well until they hear the whine of an angel. A very, very powerful angel. An archangel, in fact. They tell the kid to run (hate to break this to you, kid, but I think your job’s about to go belly up) and he does.

The whining increases and then they see the impossible. Dean tells them to run outside, just as the windows on the quickie mart blow out. Alt-Michael stalks after them, smug as ever. Dean is already pulling some holy oil out of the trunk, lighting it, and tossing out at Michael’s feet. This makes Castiel’s incipient suicide run at alt-Michael unnecessary, since it temporarily stops the archangel, and they flee in the Impala.

Mary and alt-Bobby are discussing who could have killed Maggie when Jack walks in with Lucifer. It’s not a happy reunion, to put it mildly. Lucifer calls alt-Bobby “Longmire.” Lucifer tries to shmooze everyone by healing Maggie and bringing her back from the dead (while continuing to insult Sam to Jack and in front of Mary), his eyes glowing. Jack is impressed by this, enough to leave with Lucifer. Meanwhile, Mary has sent alt-Bobby to call the Brothers. How does alt-Bobby know how to use a cell phone if he’s been living in an Apocalypse World most of his life?

The Brothers come in, but Jack and Lucifer are already gone. Dean goes to call Jody and the other Hunters (alt-Bobby is impressed that Dean has an entire network of Hunters on speed-dial), while Castiel goes to see if there’s any angel chatter, even though they’re almost all locked up in Heaven now. Castiel later reports that it’s all silent on that front, which is unnerving.

Sam talks to Maggie, who is reluctant to talk at first. Then she says she didn’t see her killer’s face, only his eyes. Cut rather obviously to Lucifer and Jack, ostensibly getting ready to leave on their cosmic voyage.

In the Bunker, things go rapidly downhill as someone “knocks” on the door with an enormous boom. Dean insists Mary and alt-Bobby take Maggie and escape through the garage (overriding Mary’s protests), then he and Sam pull out their guns, as they and Castiel turn to confront alt-Michael busting the door down (dammit, gonna have to fix that door again).

Bullets and attempted angel-blade stabbings have no effect. Alt-Michael tosses Sam and Castiel aside, and focuses on Dean, saying that Dean will be the first soul he purges in his great crusade (this seems like rather a large plothole, considering “our” Michael was well aware of who Dean would be as his chosen vessel long before Dean was born). Dean insults him back, even as alt-Michael chokes him slowly, enjoying it. In the process, alt-Michael admits he made a deal (in flashback, we see it’s with Lucifer) to come through the doorway.

On the floor, Sam desperately prays to Jack, hoping Jack can hear him. Jack is temporarily distracted by Lucifer’s star-trekkin’ BS, though a sour note creeps in when Lucifer slips up and mentions wanting to make some “improvements.” But then Jack hears Sam’s prayer and comes back, just in time to stop alt-Michael from fully choking Dean to death.

Jack slams alt-Michael into a post. Lucifer flies in after him, as Jack starts doing Very Bad Things to alt-Michael, making him bleed from his eyes and ears. But Lucifer gets outed as the villain he is by alt-Michael, who screams, “Lucifer, we had a deal!”

Awkward.

Even Jack can see this red flag. As everyone compares notes, Sam tells Jack that Maggie saw the “red, glowing eyes” of her killer. Yep, it was Lucifer. Jack forces Lucifer to tell the truth. Lucifer killed her because she saw him “scouting out the Bunker.” He “crushed her skull” and thoroughly enjoyed it.

Disillusioned, Jack says, “You’re not my father. You’re a monster.” Lucifer is too weak to do much besides roar impotently and whine (alt-Michael is still hurting too much to do more than let his head loll). At least, until Jack lets him get too close. Then Lucifer springs on him, cuts his throat (not fatally) with his archangel blade, and drains his considerable grace (which takes remarkably little time). I’m honestly not sure from the dialogue, but considering his track record, I’m guessing this was Lucifer’s Plan A all along.

Lucifer then heals up the wound (there’s still some grace there, but Jack looks semi-conscious, at best) and disappears with him in a flash of light. As they do, Sam and Castiel both rush forward to grab them. Castiel is tossed back, but Sam disappears with them. To where, no one knows.

Lucifer lands them in a church, where he beats up first Sam (talking about how they’re going to “break up” permanently now) and then Jack, when Jack tries to stagger to Sam’s aid. Lucifer informs Sam (as if Sam didn’t know) that Jack has killed quite a few people. Sam says it doesn’t matter. As Dean said before, Sam says that Jack is “family.”

Lucifer, always disloyal to his own kin, is unimpressed. He tells Sam that “family blows.” To prove it, he drops his archangel blade in front of them and tells them that one of them can walk out, but not without killing the other (it’s doubtful he intends either of them to survive, but first things first). Lucifer also Evil Overlord monologues about how, if one of them lives, in the seven-to-ten days it would take him to “unravel the universe,” the survivor might figure out how to stop him. Or not. Lucifer fully intends to destroy everything and recreate it in his image.

Sam picks up the archangel blade and hands it to Jack, telling Jack to kill him. Instead, Jack starts to stab himself, telling Sam “I love you. I love all of you.”

Meanwhile, Michael is informing Dean that Lucifer is “juiced up” on Jack’s grace and now powerful enough to destroy the universe. All of the universe (“And you thought I was bad?”). He’s actually all for going to kill Lucifer, but his meatsuit is incapacitated and Lucifer is now much more powerful than before.

Dean has an idea, a horrible, no-good idea that alt-Michael may (or may not, considering he was fully willing to kill Dean before) have already been angling for. What if Michael had his Ultimate Weapon, the Michael Sword? Alt-Michael admits he knows who Dean is (which is a bit puzzling, considering he was just trying to kill Dean and was fully intent on killing Dean first, implying he saw Dean as the greatest threat in this new universe) and further admits that yes, it might be possible, the two of them together, to kill Lucifer.

Castiel starts to protest, but Dean says, “Lucifer has Sam. He has Jack. Cas, I don’t have a choice!”

Ah, but it’s Dean, so Dean has conditions. And before we protest that alt-Michael doesn’t have to honor these conditions, remember Death’s ongoing grumpiness about broken deals. Deals for a major supernaturally powerful being are a big deal in the SPNverse and breaking them has major consequences. So, when Dean calls it “a one-time deal” and flat-out says he will be in charge, with alt-Michael having no say and only providing the power, somewhere, someone with more power than alt-Michael is taking notes.

Just as Jack is slowly, agonizingly stabbing himself to death, a bright light appears behind him. It is DeanMichael (Hunterwings, maybe?), his own archangel sword in hand, just landed and unfolding his wings.

I gotta say, this is a pretty damned awesome image that will surely be copied over and over again this summer. Too bad about the way-over-the-top Ten Commandments music that accompanies it.

Anyhoo, Sam calls Dean’s name and Dean responds in kind, cueing us that this is Dean and not alt-Michael in charge.

Lucifer says, “You let my brother in.”

Dean acknowledges this, saying they had a common goal – “we both want to gut your ass.”

Lucifer charges like a bull and Dean starts off well by kicking him across the room. Unfortunately, the rest of the fight goes less well for Dean, especially once they start flying at each other, though he does quite a bit better than Sam and Jack.

Dean drops his sword and Lucifer starts beating on him in mid-air. Then he decides that stabbing’s too good for Dean (Michael doesn’t even get a mention; Lucifer clearly sees his true nemesis as Dean Winchester) and starts to smite him.

Sam then decides to grab the sword and toss it to Dean in one of the cheesier (and more literal) “wind beneath my wings” moments the show’s produced. Dean grabs it and stabs Lucifer, then falls back to earth as Lucifer blasts light out every orifice, then literally crashes and burns.

Afterward, Lucifer lies amidst the charred and glowing remnants of his wings. Sam and Dean and Jack share a bring “It’s Miller Time!” moment, made temporarily sweeter by Dean correcting Sam’s “You did it!” to “We did it!”

But this is the season finale and we’ve got a few minutes of airtime left, so of course this does not end well.

Dean suddenly doubles over in pain and screams, “We had a deal!” (Remember when alt-Michael screamed that at Lucifer and how that worked out for Lucifer? Just saying.) Then, he straightens up, only what straightens up is no longer Dean.

Sam rather unnecessarily supplies who this new/old being is: “Michael.”

Alt-Michael glances around appraisingly (some really nice acting from Ackles here), then, looking straight ahead, says in a cold and taunting tone to his vessel, “Thanks for the suit.” He flies off, leaving a horrified Sam and Jack.

In the Bunker, Mary and alt-Bobby rush in to find a devastated Castiel.

Later, on a rainy street corner, we see a man walking down the street in 1920s gangster garb (as much as I didn’t care for the Ten Commandments musical cue in the previous scene, I love the hell out of the Untouchables musical cue in this one), looking around him in wonder. He looks like Dean, but … isn’t. Right before the credits roll, the camera freezes on his sinister smile and glowing blue eyes. Michael.

Credits


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The Official “Who We Are/All Along the Watchtower” (12.22-12.23 – Season Finale) Live Recap Thread


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Recap of recent events and a mention of Walt and Roy.

Cut to Now, with Mary killing her way through a list of people to get to Jody.

In the Bunker, Dean suggests murdering the Twat to save air. I’m all for it, but she claims she’s the only one who can undo Mary’s deus ex machina conditioning. They then try searching through the lore (on Sam’s suggestion) and Sam finds a spell that requires virgin’s blood (they have to purify their blood, since no one is a virgin), but it doesn’t work because Ketch put a dampening spell on the Bunker.

On the second day, Dean suggests breaking out, but the walls are too strong. Sam is for giving up and mopes about having been stupid about the LoL. Little late, there, Sam. Sam says he “followed because it was easier than leading.”

Dean’s not for giving up. Annnnd, Genius Dean gets an idea.

He’s gonna use the grenade launcher. The Twat thinks it’s stupid. Well, sure, but desperate times….

Dean fires in the hole.

It’s still dark. Sam looks for Dean, but can’t breathe. And then, the lights turn on. And the air comes back. Dean enters the Bunker, wounded but alive.

So, Mary shows up at Jody’s. The Brothers go through the dead and then rush to Jody’s house. Jody and Alex have her tied up in a chair.

Dean gets all the booze he needs, while Mary digs in the knife. They bring in the Twat, who admits she lied. Mary’s gone. Dean is going to take her out into the cornfield (okay, Jody’s backyard) and the Twat thinks that

Walt and Roy come in and it’s totally anticlimactic. Damn, the writing has sucked this season.

Sam gives a Big Speech about fighting back. He’s going to be a leader now because apparently, these writers can’t even allow Dean that.

Sam wants Dean to come along, saying Dean is better than any ten Hunters. Dean pleads being wounded and that Sam is “ready.” But Sam senses Dean has an ulterior motive. Dean admits he’s going to try to save Mary. They hug.

Jody has a moving moment with Alex, whom she’s sending out of the fight. Jody is going with Sam.

At the LoL Quonset Hut, Henchbitchstress is marshaling the forces of about a handful of LoL to attack … all of America. I facepalm. Really hard.

Ketch asks a redshirt tech to locate and track Mary. He’s a little horrified to discover she’s back at the Bunker. For many reasons.

Dean doesn’t trust the Twat, but she claims all she wants is a “head-start” to go see her son again. I’m sure hoping this is meant to make her a good guy, so we’ll “feel bad” when Ketch or somebody kills her. Because I sure don’t want her to make it out of this episode alive.

Anyhoo, Dean goes into the dreamworld with his mother. Mary is tending to Baby!Sam (of course she is) and feeding Toddler!Dean. It’s a totally different house layout from the Pilot teaser, where Sam had his own room. Really, show? You were too lazy even to recreate that?

Dean tries to talk to Dream!Mary, but she ignores him.

Sam and the other Hunters storm the LoL – in broad daylight, ’cause that’s smart. They start cold-bloodedly taking out the LoL. You know, the human LoL.

I like the new blonde Hunter. I don’t expect her to make it, but I’ll hope, anyway.

Inside, Henchbitchstress in her matching two-piece and pearls, belatedly and over-confidently orders a counterattack. But the Hunters are already inside.

Dean realizes his mother is intentionally choosing to stay in her dreamworld. As she tells Dream!Dean she says she won’t let anything happen to him, Dean says the words fans have been waiting for all season: “I hate you.”

Dean pours out his anger and resentment about the deal she made. He talks about his abandonment and how he got parentified. How Mary’s promise never came true.

Do you think Jensen is selling this? Of course he is.

Annoyingly, Dean still kinda makes the pain All About Sam, but at least he talks about his own pain first. He repeats that he hates Mary. He says he also loves her. Obviously, he’s very confused. He says he can’t help but love her because she’s his mother. He admits he made deals, too (I think that hurts her the most), and that he forgives her. While crying. He insists they can start over, but she has to fight back (clearly, someone watched the season finale of The Exorcist). He says he needs her to “see me.”

Finally, she turns around and looks at him. She recognizes him.

Back in the Bunker, the Twat is trying to escape. Of course. But it’s too late. Dean is yanked of the dreamworld – by Ketch.

The Twat’s already dead. Dammit, I wanted to see that!

Chez LoL, Walt and Roy are getting killed and Sam is confronting Henchbitchstress. Who fleas into a locked

In the Bunker, Ketch is beating up Dean because Dean’s still got that bum leg.

But Dean’s got some moves left. After all, he survived Purgatory. He does some serious damage to Ketch.

Dean: “When you left us alone in the Bunker? Man, I knew you were psycho, but I didn’t think you were stupid.”

Ketch decides to cheat a little further and pulls a gun. But he gets shot first. By Mary. Dean goes to her, kicking Ketch’s gun out of the way.

Ketch [to Mary]: “I knew you were a killer. You both are.”
Dean: “You’re right.” Mary shoots Ketch.

Henchbitchstress tries to get someone from LoL Central to get her out, but they ignore her. The Hunters blast their way in and Henchbitchstress tries to talk her way out by telling Sam (she mistakes him for Dean, I kid you not) Lucifer got out and Crowley’s dead. LoL Central try to back her up. Sam shoots out the LoL commlink. Jody shoots Henchbitchstress. Yay, Jody.

Sam & Co. blow up the LoL Quonset Hut. Well, there’s a kind of satisfaction to blowing the shit out of a storyline that shouldn’t have happened in the first place. I’ll give them that.

Dean finds some mega-pain pills (so he’ll be stoned for the rest of the finale). Mary feels really guilty and apologizes to Dean for being a cold, distant bitch. She says she couldn’t face what she’d done to her sons.

Dean tells her her deal didn’t make them “who we are.” They made themselves heroes who “save the world.”

Mary fears Sam will hate her, but Sam returns at that moment. Group hug. Credits.

So, that ends 12.22.

12.21 doesn’t start too well.

So, we get a recap to “Carry On, Wayward Son” of the season so far. It wasn’t very good.

Cut to Castiel and Kelly at a pretty mountain lake. Kelly is trying to build a Swedish crib and mourning that she will never see her child’s face.

Is anybody else mightily offended by this whole woman-as-walking-womb storyline?

Oh, and in case the misogyny wasn’t high enough, when TFW try to contact Rowena, they get Lucifer, who just incinerated her. Because apparently, she wasn’t worth an onscreen death.

To add insult to injury, Crowley’s “rat” resurrects his usual body in a parody of Dean’s resurrection in “Lazarus Rising.”

TFW bemoans about how the writing won’t let them kill Lucifer or send him back to Hell.

Some ball of light is stalking Castiel and Kelly. In case anybody cares. Castiel finds it as a line of light on the beach. When he touches it, he’s transported to a dark place, where a monster attacks him. Somebody shoots the monsters. Castiel recognizes the person and says, “You?”

Trying not to get excited but PLEASE LET IT BE MICHAEL.

More offensive crap with Kelly talking to the naphil, calling him Jack. Show, she’s got a vicious monsters inside her, not cancer.

Crowley shows up and gets punched by Dean. Dean’s going to kill him, and Mary’s on board, but Sam suggests they find out what Crowley knows, first.

Crowley tells them how he escaped inside a rat. They tell him Rowena’s dead. He admits he wanted to keep Lucifer as his personal nuke (because that worked so well with Demon!Dean).

Sam asks why he’s back in the Bunker. Crowley admits they always come out on top, so he’s throwing in with the winning team. Crowley offers to make it worth their while. He’ll seal the gates of Hell.

Back to Kelly wondering where Castiel is. He’s kinda busy, dummy.

Castiel doesn’t tell her where he was. She says her contractions are starting. Castiel goes on a long, boring thing about a doula course he took.

Meanwhile, TFW is heading out to find Lucifer and Dean leaves Crowley Spork-spiked to a table.

Castiel goes to look out the window at the glowing line of light. Kelly thanks him for helping her (pretty sure that’s because he’s brainwashed).

Outside, we get another look at the light.

Recurring The Originals promo for tomorrow night’s ep that reminds how much worse Supernatural could still be.

Kelly asks what vision Castiel had when he joined up with her and he confirms the show is completely ripping off the Jasmine storyline from Angel.

The lights flicker and he goes downstairs. TFW is there. They tell him Lucifer is out and they’re there to help, at least for now.

Dean groans about his knee. An exasperated Castiel heals him. Sam finds the line of light outside.

Castiel says it’s a “tear in space and time.” He calls it an “alternate reality.” Sam and Dean talk about “The French Mistake.”

It’s a manifestation of the child’s power. The Brothers insist on going there with Castiel.

He says it’s an alternate reality of Heaven and Hell fighting forever. He says a “friend” brought him up to speed.

I foresee a whole lot of retconning to get the writers out of the corner they wrote themselves into.

Castiel says he has faith the Naphil won’t hurt anyone. Dean calls Castiel a “dumbass.” Because Castiel is.

In the other world, they meet a Bizarro!Bobby. I so wish I were joking.

Mary gets stuck helping Kelly, while the Brothers find out the alt-world is one where Mary never made a deal to save John (and continued hunting) and the Brothers were never born. So, they never saved the world.

Bobby kills angels for fun, but sensed Castiel was different. Oh, and Rufus is alive.

C’mon, Dean, angel-killing bullets are not new on your world.

Kelly asks Mary if she’d die for her boys the way she will die for “Jack.” Barf. So much barf.

Crowley shows up.

Damn, we could have gotten a final Rowena scene in half the time this freakin’ baby is taking to get born. So dull.

Castiel comes in to talk to Kelly. He seems to be having second thoughts.

Downstairs, the Brothers are gearing up. What happened to all those Hunters that survived from last episode?

Dean talks about TFW and rather reluctantly includes Crowley.

Lucifer shows up. Finally. Took him long enough.

Sam warns Lucifer that Chuck will show up. Lucifer begs to differ. Dean contemptuously asks if Lucifer really intends to “smash all His toys?”

Castiel attacks Lucifer and gets tossed aside. The Brothers flee. Lucifer, like a moron (has he learned nothing?) pursues and finds them going into the rift.

Lucifer likes the new world he arrives in.

Sam tells Lucifer this is the world he wants.

Sam scampers off as Dean lights him up with angel-killing bullets. Dean gets his ass kicked as Sam and Crowley make a spell to trap Lucifer there.

Crowley says they need one more “ingredient – a life.”

Crowley comes out and challenges Lucifer. Sam grabs Dean and gets him back to the rift.

So, are we gonna lose Crowley, after all?

Crowley pulls out an angel blade and stabs himself.

Yep, looks like we’re losing Crowley. Castiel appears for no damned, good reason and attacks Lucifer. Sam drags Dean back through the rift as it closes.

Oh, and the baby is born.

Hmm, diving movie that demonizes sharks. Not-yay.

Castiel stabs Lucifer and comes back through the rift, but then gets stabbed. Lucifer comes through and it was all for nothing.

Just about certain at this point we’re getting a magic reset plot. They’re not gonna kill off this many fan favorites for real.

Mary beats up Lucifer with the magic brass knuckles. He drops his sword, but drags her through the rift.

Oh, and the boring-ass baby is being born. Sam runs inside. Dean mourns over Castiel and looks up at the sky.

Inside the house, Kelly’s dead (yeah, I know. Nobody cares). Sam sees burning baby footprints and follows them into the nursery.

He sees he Naphil. It looks like Lucifer and has glowing eyes.

And that’s the really annoying cliffhanger on which we are left.

I’ll also be simul-recapping on Wayward Children.

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