We need your help!
Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee. You can still find my reviews here of North Carolina ghost story books, and notes about my folklore research on Patreon.
My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through Amazon. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.
A friend and fellow saltgunner, Mandi Gordon, is still trying to do a GoFundMe to get out of a tough situation following her grandmother’s death. Even if you can’t contribute, please consider sharing the link where appropriate. Thanks.
Scroll down to find links to all of my recaps and reviews of all seasons up to this point.
Recap of Dean and Michael, and Jack’s boring lost-powers storyline.
Cut to Now. As a French pop song plays on the soundtrack, a man in Raton, NM is cutting up vegetables. He has a dead man, chest staked open, on his kitchen counter. He takes out the man’s liver, breads it, and fries it. There’s a snake (poisonous?) next to the dead man’s head. The cook picks up the snake, commenting that perhaps they can have a nice meal “undisturbed,” this night.
The dead man’s eyes are wide open. This makes things convenient for the man who killed him, as the cook plucks out of dead man’s eyes and pops it into his mouth. As his eyes turn to snake-like slits, he has a vision, in green, of Sam and Dean coming into the house, guns drawn.
He comments, “They’re coming again.” I presume he means Hunters, since there’s no evidence yet that he has crossed paths with the Brothers (let alone any explanation why he survived the encounter). Plucking out the dead man’s other eyeball (“a snack for later”), he slings the snake, called “Felix,” around his neck, puts on his coat, and goes out. We get a final shot of the dead man’s face, now with empty eye sockets.
Cue title cards.
Back to the nice house in New Mexico, where dinner is starting to burn. We see Sam and Dean enter the house in exactly the same way as the cook saw them. What he didn’t see was Castiel and Jack come in behind them. So, he’s not quite as smart as he thought he was. If they catch up to him.
Dean goes upstairs. Castiel and Jack go into the kitchen. Castiel groans at seeing the body and puts his fingers to its forehead for some reason. Jack looks at the dishes on the stove. He says, “He’s cooking body parts … again.”
Subsequent conversation as everyone gathers in the kitchen indicates that, indeed, the cook was referring to them previously. Seems they’ve been hunting him for a while and can’t figure out why he’s always one step ahead of them. Or why his victims never fight back, even though the latest one seems to have been still alive when the cook started slicing and dicing. The dead man’s name is Dennis Barron and it’s his house.
Dean guesses they’re dealing with witchcraft. In comes none other than Rowena, grumping that Dean is “always blaming witches.”
Dean: ‘Cause a lot of times, it’s witches!
He’s got a point, Rowena.
It turns out that Rowena was in the general locality when the rest of TFW 2.0 (oh, come on, people, she’s totally a card-carrying member now) called her up and asked her for help with a tracking spell. They’ve been hunting the cook “for weeks” and Rowena points out that her spell has gotten them closer than before, even if they just missed the guy.
Even so, they have no new clues until Jack picks up a snake cast the cook had previously stepped over and apparently forgotten. Dean comments that the cook may have a snake as a pet.
When Jack starts coughing, everyone stops and looks at him in concern. Jack insists he’s not dying. No one looks particularly convinced. Frankly, I’m more concerned about Dean being out on a hunt, looking for a killer who’s already claimed at least six victims in northern New Mexico. Dean’s on a psychological knife’s edge keeping Michael locked inside his head. Why, oh, why, is he out hunting?
Rowena, notes the blackened lips of the dead man (she hadn’t yet been at one of the crime scenes). Sam says there are also gray patches on the face. Dean snarks that they were concentrating on cannibalism and missing eyes.
Rowena does seem to love fight-flirting with Dean. I wonder if he realizes it? Oh, who am I kidding? It’s Dean. Of course he does.
Back at the motel, Rowena probes Sam on how Jack is not dying (since that was how he was last time she saw him) and how Dean is managing to keep Michael locked up. Sam hedges (saying, for example, that “Dean is Dean” and everything is hunky-dory until they find another way to trap or kill Michael) and tells her they need to get back down to the business of researching their hunt.
At a nearby diner, Dean is admitting to Castiel (which whom she’d been flirting at the crime scene) he’s glad Rowena’s also on the case. Cue the sneak peek in which Castiel asks Dean how he’s really doing. Let’s just say Dean is having a lot of migraines and it’s very distracting. Dean admits that he’s hanging on by his fingernails and barely sleeping. Castiel calls that not “sustainable.” Dean agrees and forces a promise out of Castiel to put Dean in the Malak Box and drop it in the ocean, if it comes to it.
Oh, and Jack is in the bathroom, coughing up blood again. He uses his soul energy to heal himself, which I’m sure will not end well. Oh, I so did not miss this dumb storyline.
When Jack comes back, Dean puts his mask back on and they get back to the case. Castiel calls the murders they’re tracking “ritualistic” and “liturgical.” When Dean and Jack exchange a glance, and Jack gets his usual deer-in-headlights look, an exasperated Castiel says, “It means ‘religious.'”
“Ah,” Dean says. “Yeah. See, that one I knew.”
Castiel speculates that it may not be a monster. It may be a human serial killer. Jack points out that anyone who would do the crimes they’re tracking is a monster, regardless of their species. Dean agrees.
They get a call that Sam and Rowena are on to something and head back to the motel. There, Dean gets a turn at confusing Jack, calling Sam’s infodump “an AV Club presentation.”
I gotta say that Ackles is nailing Dean’s world-weary, insomniac, I’ve-got-a-headache-the-size-of-an-archangel attitude very well this week. He’s a hoot and you just know something’s very wrong underneath.
So, Sam and Rowena have identified the monster as a Gorgon. Dean recognizes the name and cites Medusa. Rowena looks a bit shocked at this flash of erudition and Dean says he got it from the film, Clash of the Titans, which deflates her a bit. Whether that’s Dean practicing his usual self-deprecating sleight-of-hand about his education, who knows? Anyhoo, he easily infodumps the myth about the Gorgon’s look turning humans to stone. Rowena says this is an exaggeration. What Gorgons actually do is use snake venom to paralyze their victims and then eat them. And they like to go on killing-and-eating sprees every few months. This one has been cutting a swath of 17 people across the southern U.S., roughly along the old Route 66.
This brings up the issue of how the Gorgon keeps eluding them. Rowena mentions an obscure bit of lore that the Gorgon, by eating pieces of its victim, “can glimpse the future.” How are they going to catch a creature that can literally see them coming? No one has an idea.
Meanwhile, the Gorgon is stalking his next victim, a trucker, by pretending to be a desperate and hungry hitchhiker (well, he’s hungry, anyway) who’s willing to do anything to get a ride. Yes, that includes giving the trucker a BJ. But once they get in the truck, he instead starts with a kiss on the lips. When the trucker starts to get impatient about how that wasn’t what he had in mind, he becomes paralyzed in mid-word. There was venom on the Gorgon’s lips.
Pleasantly telling him it’s going to hurt, since it takes a while for the venom to make people numb, the Gorgon plucks one of the trucker’s eyes out and eats it.
This is one of those watch-through-your-fingers scenes at which Supernatural has long excelled. You know the trucker’s doomed, but he doesn’t – until it’s too late. And now we know the Gorgon’s modus operandi.
The next day, Dean and Castiel are at the truck, pretending to be FBI, talking to a young police officer, about the case. The trucker is inside, missing both eyes and, of course, dead.
After a nervous case of the giggles dies down, the policeman shares with them an important bit of information. There was a note on the body. It’s addressed to Dean. Dean manages to get it from the officer, who leaves, and read it out loud to Castiel.
The Gorgon says he sees Dean reading the note, alone, beside the truck, and talks about other fragments involving Dean, Sam and Rowena. But he never mentions Castiel or Jack. Sam realizes that they have an in. The Gorgon can’t see angels. They can use Rowena’s spell to track him and then Castiel and Jack can trap him.
Okay … but … Dean has an archangel inside him. How can the Gorgon see him? It’s a plothole, but there you go.
Meanwhile, Rowena says she should whip up an antidote to the Gorgon’s poison, just in case. And she has an idea about how to get the antivenin. She says, with an evil smile. Hmm.
Cut to a vet’s office. Rowena and Sam rush in, Sam holding a fluffy little dog. They claim that the dog is sick and ask for immediate help. They get the vet to take the dog right away by playing a bickering couple. They call him “Jack.”
The vet (well, vet tech) takes the pup into the back, takes his temperature by sticking a thermometer up his butt, and then leaves him on the table to go talk to the “loving” couple. Vets don’t just leave animals like that, but hey, this is a show that sits people up who are bleeding to death so they can do dying monologues. And has male Gorgons. Moving along.
When she goes back out to the waiting room, Sam and Rowena are gone (what, they wouldn’t even stick around to provide a distraction?). In the exam room, the dog turns into Jack, who fishes through the nearby medical shelf until he finds antivenin. When the vet tech comes back to the exam room, the dog is also gone.
Outside, Jack comments that he wishes he’d got the stuff before she’d taken his temperature and gets in the car. After a mutual double-take, Rowena quizzes Sam about Jack’s current condition. Mentioning in passing the transformation spell she did to turn Jack into a dog, she says she noticed some kind of energy “pushing back” against her, something parasitic. Now adjudging herself beyond curious and into “worried,” she demands Sam tell her what’s up.
When Sam hedges some more, she points out that using “mysterious” magic with unknown consequences is “a very on-brand me thing to do” and then further points out that “until very recently, I was the villain.” Ah, Rowena, how I love your willingness to call Sam a hypocrite.
Meanwhile, the Gorgon is monologuing to his snake and his latest victim, who’s tied up and crying in his condo. The Gorgon says he picks on men because women have become much more “cautious” of late. He also suggests that the man is hallucinating, which makes me kinda wonder if this is all in Dean’s head, or something. The man starts screaming for help, so the Gorgon paralyzes him and goes looking for the oven.
Meanwhile, Sam is checking in with Maggie (ugh). She infodumps about how the Gorgon can only be killed by beheading with a silver sword. Also, Mary is on her way back from a case in Oregon.
I just realized why the Gorgon guy looks “familiar.” They’re doing the Andrew Cunanan murder spree, hence all the gay predator vibes and the reference earlier in the episode to human monsters. I’m kinda eh about this idea. I’m not sure TV needs any more gay killer stereotypes.
Anyhoo, Sam thanks Maggie for all her help (oops, Redshirt Clean-up on Aisle 3 alert) and hangs up. He relays the info about the silver sword to the rest of TFW as Rowena wraps up her location spell and tells them the Gorgon is nearby, not moving. Dean wonders if they need to worry about “things” coming out of the Gorgon’s neck once they cut off his head. Sam scoffs that this is movie exaggeration, but legend actually has Pegasus and Chrysaor, among other things, springing out (you remember Chrysaor, right? The golden sword from last episode?). Also, as Dean wisely points out, “We can’t be sure.”
Anyhoo, when the Gorgon hears the doorbell, he tells the man he was previously torturing (who is either unconscious or dead), “I’m expecting anyone – are you?” Castiel kicks down one door and when the Gorgon tries to run, Jack appears in the other one.
The Gorgon chuckles and claims it’s not fair: “You’re not human.”
“And you’re a monster,” Jack says.
“Demigod, actually,” the Gorgon corrects him, while putting his snake in his satchel, which, strictly speaking, is true. I was wondering if the show would even remember that. The Gorgon further states that while he didn’t see him coming, he can “see” Jack now.
Anyhoo, while Castiel checks the Gorgon’s victim and gives him the antidote, the Gorgon tells Jack a story. Castiel helps the man out of harm’s way (so, yeah, he was unconscious, not dead). Meanwhile, the Gorgon says there was once a chicken whose eggs were constantly being eaten by a snake. Finally, there was only one egg left, but the snake got that, too. Unfortunately, for the snake, though the chicken had guarded the egg well, it was really a trap. The chicken had hard-boiled it and the snake choked to death.
When Castiel growls at him to get to the point, the Gorgon says, “I can’t tell if he’s the chicken or the snake.”
Castiel attacks the Gorgon and, after a brief fight, gets “kissed” and collapses. Furious, Jack blindly attacks the Gorgon and gets slammed into a cabinet. When the Brothers come in, the Gorgon only acknowledges Dean: “Hello, Dean. Wish I could say it’s a pleasure to meet you.”
Because TV fights are usually stupid, Sam attacks first (everybody really should just pile on the monster) and gets knocked down. Dean attacks and does best of all, nearly beating the Gorgon. But the Gorgon gets the drop on him and slams him into a cabinet – twice. Really hard. Dean goes down, unconscious.
Sam cries out in horror and attacks the Gorgon, but gets knocked flying. The Gorgon then grabs his bag and heads out into the hallway … where Jack slices off his head out of nowhere. Bye-bye Gorgon.
Jack rushes to Castiel, while Sam rushes to Dean. Jack tries the antidote out on Castiel (Castiel had it in his coat pocket), but it doesn’t appear to work. So, Jack uses his soul power to heal Castiel. This is quite stupid. If the poison actually worked on Castiel (why would it work on an angel?), the antidote should, too.
Meanwhile, Sam is discovering that Dean is in a deep coma and not coming out of it. TFW 2.0 rushes back to the Bunker, where Maggie asks if Dean is okay. Sam says no, that Dean has a head injury. For once, I can kinda understand Maggie’s confusion – the Brothers get knocked out all the time, often for hours.
Castiel can’t heal Dean because he supposedly can’t even get inside Dean’s head (yes, well, having an archangel inside does that). Jack offers to heal Dean the way he healed Castiel, but Castiel forbids it. Castiel says Jack has already burned off too much of his soul, already. I’m wondering why this didn’t come up on the hours-long car ride back. Crestfallen, Jack leaves the room.
Rowena sees Jack leave, but has nothing to offer save advice about washing Dean’s wounds (and a warning to Sam about how Jack is currently sustaining himself, now she realizes what it is). Really? Most powerful witch in the world and no healing spells? How about at least taking Dean to the hospital? They could treat him there.
Of course, Dean is unlikely to die any time soon with an archangel inside him, but more importantly, with Dean unconscious, what is that archangel doing? Maybe TFW should slap some angel cuffs on Dean just in case? But nope. Doesn’t occur to anyone. Not even when Dean convulses – and we get a flash of Michael beating on the inside of his cage – does Sam buy a clue.
While Rowena does research (they kept the Gorgon’s snake, by the way, and yes, it’s cute), Jack sits in his room and mopes. Castiel comes in to cheer him up. Jack is really shocked that Dean is so badly hurt: “It’s Dean. It was just a fight.” Castiel points out there’s always a “risk” when they go on hunts. Which brings us back to why the hell was Dean out hunting with Michael in his head, when there was a houseful of Hunters who could have been out there in his place? But nobody asks this pertinent question.
Castiel says that Sam and Dean are human, mortal, and that even the “brightest beings,” while they “burn bright,” they are gone before their time. Castiel says that Dean will wake up (ignoring Jack’s concern about Michael if Dean doesn’t) and then it’s best to appreciate the time everyone has together.
Jack wonders what the point is of being a “cosmic being” if everyone you love dies. Don’t worry, Jack – you’re not likely to outlive Sam and Dean. They’re the heroes of the show.
Jack mopes that he has powers, but can’t use them to help those he loves. He feels selfish. He also worries about the story the Gorgon told him (turns out he kept the snake). Castiel explains that the story is mostly about greed, but it’s also about “killing the thing you love to kill the thing you hate.”
This mopefest is interrupted by Dean screaming in the distance. Castiel and Jack rush to the infirmary to find Sam trying to calm Dean, who is pretty literally ripping the place apart, screaming “WHERE IS HE?!!” He doesn’t have his balance back, but he sure is pissed.
Sam tries to reassure Dean that he’s back in the Bunker (i.e., safe). Unsettlingly, Dean roars back, “I KNOW WHERE I AM!” He does not mean the Gorgon. Then he turns to them, looking devastated, and says five scary words: “He’s gone! Michael … he’s gone!”
We get a flash of the cage inside Dean’s head, with the door busted wide open.
Dean is horrified and at first, blames himself. But when Castiel tries to reassure him, Dean turns on a dime to pure rage at Sam: “I told you! I told you to let me take that coffin ride to the bottom of the ocean!” And yeah, he’s not wrong.
Alas, there’s no time for anyone to absorb that, as a scream of terror from another part of the Bunker alerts them just how wrong Dean is not. It’s Maggie. They rush to the library, where everyone is dead except for Maggie. She comes running to them, but is remote-smote (Michael’s signature power) right in front of Sam.
Out strolls Rowena, with blood on her neck. She says, “Hello, boys” and her eyes glow white. Michael.
Dean calls out Michael in his new vessel and Castiel tries to order Michael to let Rowena go. Michael snarks that Rowena is just fine, “sturdier than she looks,” and speculates that all the centuries of magic have made her a pretty strong vessel. Michael then monologues about why Rowena said yes (after an odd bit to Dean about how he must “appreciate” Michael’s choice of a new vessel in Rowena). It turned out Michael (played by Ackles inside Rowena’s head) threatened to kill everyone she loved in the Bunker if she didn’t say yes – well, after threatening to kill her, to which she laughed and said Sam was fated to do that. Yeah, we already kinda knew Rowena had a soft spot for the rest of TFW 2.0, but in the rest of this hot mess of an episode, the writers choose to drive this particular point home. I will admit, though, that I enjoyed Ruth Connell’s take on Michael.
Michael then says, “I had no intention of keeping my word, but I think she knew that.”
When Michael snarks that Dean should have done the Malak Box “while he had the chance,” Dean tells Sam to get the angel cuffs. Obviously, Michael doesn’t let them do that. He/she immobilizes and tortures Dean, Sam and Castiel (but ignores Jack for some reason). Jack then grabs an angel sword and calls out Michael.
Michael zaps Jack. Jack’s eyes glow and he zaps her back, releasing the rest of TFW 2.0. Michael shrugs that Jack is burning off his soul and it will be gone soon enough. There’s some lame zapping back and forth, bragging from Michael, and speechifying from Jack (in comparison, that dodgy wirework from last season’s finale is Emmy-award-winning), before Jack grabs Rowena and expels Michael from her. Then he apparently reduces the glowing light of Michael and his grace to a tiny stream that he inhales.
Then he turns around and declares he’s “me again” as his eyes glow.
Ratings for this week went down a bit to a 0.4/2 and 1.28 million (which may be a series low for audience). Even so, it came in second in audience and tied for second (with Supergirl) for demo this week. Go figure.
The promo for next week is up.
So, that happened.
This show, bless its heart, has had a talent over the years for reinventing itself. Part of that, of course, stems from the show, at its core, being a meta commentary on the horror genre. As horror has changed, so has Supernatural. The other part has been its being a hybrid procedural, in which it had MOTW episodes and serialized episodes and ones in between.
Unfortunately, the thing with experiments is that they don’t all work. I don’t even know if this episode was intended to be an experiment, but damn, did it not work.
Were there enjoyable parts of the episode? Absolutely. Dean and Castiel’s cheerfully dysfunctional parenting of Jack while on the hunt was hysterical and it looks as though the show’s finally decided to make its MOTWs scary again. It wasn’t a total cringefest along the lines of “Bitten” or “Bloodlines.” The episode was still recognizably Supernatural. It was just an episode with some really serious plotting and canon issues.
Let’s start with the ending. I’d have called it a cliffhanger ending if next week didn’t look like a “normal” MOTW. Then again, this week was advertised as one, too, so there you go.
Jack … oh, dear. I actually quite like Jack, but I like very specific things about Jack. I like him when he is a member of the family (similarly, I like Rowena best when she’s a part of TFW and not so much when she’s a villain). That’s where Alexander Calvert’s bro chemistry with the rest of the main/recurring cast shines through. Jack as a budding Hunter, as someone who is learning how to love and how to strategize and how to navigate the world – in other words, Jack with character growth and a learning curve? I like that Jack.
Jack with superpowers I don’t like at all. And I really hate the incessant banging away at his cosmic beingness at the exact same time we get the “Jack is dying” plot. He’s not Schrodinger’s Naphil, show. Make up your damned minds. Either he’s dying or he’s immortal. He can’t be both.
The other problem is that Jack is sweet, but he’s dumb. I mean, I get why. He’s a baby. But the kid is less than two years old. Kumquats can still outwit him at this point. Look how easily Lucifer took him down and yet, here he is again, thinking he can just use powers to solve every problem. Because that’s worked out so well so far.
It is therefore quite insulting (on top of having Jack steal Dean’s storyline and all the canon carnage it entails, but one disaster at a time) and unsatisfying to have Jack kill Michael just like that. In fact, I don’t actually buy that Jack has killed Michael.
Yes, Jack with his powers is impressive, but on top of having cosmic powers, Michael is also old and wise and cunning. I’ve seen fans speculate that Michael got cocky and arrogant and eh, I don’t see it. Not with Jack, anyway. Michael’s been plenty arrogant with Dean, and it’s gotten him into plenty of trouble with his Chosen Sword, but he was still nigh-impossible to beat. He was one step ahead of everyone, nearly at all times.
If this character had been named “Lucifer” or “Crowley,” would we have believed he was truly dead? Oh, hell, no. So, it’s ridiculous to think that Michael is. And yet, the way the show has been with this character, I wouldn’t be very surprised if this really were the end for Michael. They’ve wasted this character so, so much.
The other thing that has me rolling my eyes (while simultaneously making me very suspicious) is that the last time Jack tried to restart his powers with archangel grace, it nearly killed him. Now, it just worked? Hmm. Hence that cliffhanger feel.
Speaking of dumb, damn, Sam, that Idiot Ball looked heavy this week (poor Castiel, despite getting pwned by the MOTW, still looked like a genius in comparison). The episode toyed a bit with the fact that none of this would have happened if Sam had backed Dean with the Malak Box. Or at least brought angel cuffs with them on hunts in case Dean lost consciousness or otherwise lost control (or even used them in the infirmary, jeez, Sam). The box option was tragic, but it was a sure thing, a sure way to save the world. But Sam had to have his world-saving cake and his brother, too, and just as Dean warned him, Michael got out.
Well, unless Jack resurrects them next week, I guess we don’t have to deal with the Sam-as-Hunter-Central storyline, anymore. Seeing as how they’re all dead (including Maggie – yay) and it’s Sam’s fault.
Or are they? There were various references inside the story itself to hallucinations and things not being as they seemed. For a start, this is the same writer who gave us this scene a mere four episodes ago:
Let’s all keep in mind that not once does Billie actually say Michael will kill Dean (and by the way, Rowena’s able to call Michael’s first bluff because of similar info Billie gave her). She says that Michael will escape his mind and use him as a vessel to burn the world, unless he goes into the box. Dean, as I pointed out at the time, will be immortal. He just will experience what Michael threatened Rowena with. And by the way, Michael can’t kill Sam if Sam is invariably fated to kill Rowena, so … yeah.
Well, Michael did escape Dean’s mind, but what about the rest? Michael indicated to Rowena that he had lost interest in Dean as his vessel. This … doesn’t pass the sniff test. It’s basically Michael admitting defeat with a mere human and Michael never does that. If the door’s closed, he finds a window, but he doesn’t just give up.
Also, if Michael was able to escape the cage inside Dean’s mind, that should have meant he could retake control of Dean’s body at that point. Why didn’t he? Dean wasn’t restrained in any way that Michael couldn’t deal with (no angel cuffs). Hell, even if we go along with the idea that he possessed Rowena, no way would he kill Dean that quickly. He’d kill everyone else slowly and make Dean watch. And it makes no sense whatsoever that Michael wouldn’t include Jack in that pain. He did at the beginning of “Nihilism.” You know, the episode written by the same writer.
I therefore have to wonder if some kind of mind-fuck is going on and if so, where we (and Dean) parted ways with the show’s reality. It makes no sense that the show, that the very same writer, would ditch carefully laid-out canon just four episodes later. In context with what we were explicitly told and shown four episodes ago, Jack killing Michael (or even successfully exorcising him) makes no sense whatsoever. Admittedly, this is a show that has ditched canon like a prom dress at an after hours party, but generally, it occurs at least half a season later and under different writer management.
But all this being some elaborate Michael plan to get Dean back under his thumb? That makes sense to me. Granted, it doesn’t make the plotting (especially the inconsistent and sometimes nonexistent foreshadowing and subtext) in this episode any better. But at least it tracks for the general storyline. I don’t get using the term “Ouroboros” (a symbol of a serpent eating its own tail, which represents eternity) for Jack getting his powers back. I do get it for Michael trying once again to “tame” his chosen vessel.
Finally, let’s talk about the MOTW. The actor, Philippe Bowgen (as the Gorgon, Noah Ophis), did a good job getting the creep across. And the general idea of the Brothers chasing a killer over several weeks and several states, never quite sure if they’re even chasing something supernatural, was intriguing. Even though I had issues with the writing for him (all that endless monologuing, ugh, and then he gets killed off just like that, after delivering a weird story), and was skeptical of the gay predator angle, Bowgen sold it well, I thought.
At first, I wasn’t impressed by the idea that this MOTW could be so dangerous a fighter once cornered. The Gorgon is clearly a lowlife. There’s really no reason to run if he’s not afraid of the Hunters chasing him. Also, his focus on Dean was really strange.
Then I remembered the Djinn we had this season (“Nightmare Logic”). You remember him – Michael’s creature? Michael’s enhanced creature? What if Michael wasn’t just experimenting on monsters, but on demigods, as well? I suppose it’s possible the pagan gods will make a reappearance, more powerful than before, thanks to Michael’s tinkering. But that may just be wishful thinking.
Anyhoo, this is one of those episodes where the foreshadowing/subtext/whatever needed to be a whole lot clearer. I mean, if you’re going to have a Gorgon this week and mention Medusa, you really should also mention that you had a sword connected to Medusa last week, because absolutely will the audience remember that.
I felt as though there was a lot of handwaving about the snake-and-chicken storyline, while things like the Gorgon’s strangely formidable defense and obsession with Dean (not to mention his just throwing everyone else about while intentionally knocking Dean out). I feel as though this storyline is like the Ghost!Bobby one in season seven, where it will get muddied and dragged out so long that by the time we find out what the hell is going on (or even that something is going on), we’ll be so irritated that it won’t feel satisfying.
But hey, maybe this will all make sense by the end of the season. I just hope it makes sense because it doesn’t suck.
The Kripke Years
The Gamble Years
The Carver Years
The Dabb Years