Category Archives: Season 14

The Official Supernatural: “Nihilism” (14.10) Live Recap Thread


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So, let’s kick off. We start with a Then recap of the storyline so far this season, with a focus on alt-Michael’s possession of Dean and Jack’s death/resurrection. We also get a brief recap of the Gadriel storyline from season nine.

Cut to Now.

We’re in Rocky’s Bar and the soundtrack is “Searchin’ for a Rainbow” by The Marshall Tucker Band. There’s a storm brewing outside and in comes a woman in a leather jacket with an umbrella.

It’s Pamela Barnes (wearing a t-shirt that says “To Hell and Back”), who’s been dead for ten seasons, so you already know something’s up.

It turns out she was out in the storm (which people are treating “like the End Times”) to buy limes so she and Dean can do shots of the House Special (“tequila shot and a beer”). Yes, Dean is there. He’s the bartender. And he owns the bar. Hence “Rocky’s,” as in “Rocky the Squirrel.” Yes, there are a lot of other Easter eggs in this scene that I am missing.

In conversation, they note that Sam and Castiel are doing a ghoul hunt in Wichita.

At that moment, a woman in a suit (like an angel) comes in from the rain, treating Pamela like the Help and making a snarky comment about the lack of customers (aside from one suspicious-looking drunk in a hoodie, passed out at the bar). She has papers for Dean to sign to sell the bar. Dean isn’t interested and, after offering her a drink (which she refuses), politely tells her to go away, saying the bar is the “nicest thing” he’s ever had and he’s not giving it up. The woman leaves in a huff.

Later, Pamela brings Dean a shot while he goes over the books (damn, she’s buff!). They talk about how Pamela has the latest in a series of dates. Pamela teases Dean that “you want what you can’t have” (her) and that he doesn’t really mind because “you don’t want me. You just like to flirt.”

When Pamela wonders why Dean isn’t willing to sell the bar when he’d get so much money for it, Dean says (looking and sounding an awful lot like Demon!Dean), “Sell? This bar? This is my dream.” And Pamela gets a funny little smile at that.

Later, Dean goes into a storeroom to get some beer when Pamela calls to him. The storm is still raging and the same song is still playing. As he comes out, Pamela tells him they’ve got “trouble.”

At that moment, the door busts in and an angry vampire who claims Dean and Sam took out his entire nest enters. The “drunk” on the bar turns out to be a fellow vamp. The latter attacks Dean. Dean drags him over the bar and stomps on him. Then he tosses a saltgun to Pamela, who shoots the second vamp while Dean pulls out a machete and beheads the first vamp. Then he beheads the second vamp.

Afterward, as she’s wiping blood off his face, Pamela comments that “the worst thing” about working at Rocky’s is having to deal with all the angry MOTWs who come looking for Dean and end up dead.

“Well, what can I say?” Dean says with a charming smile. “I’m famous.”

Cue title cards.

If the above sounded long, that’s because this is a very long scene, over six minutes long including the recap.

Cut to Dean’s eyes again, looking blank inside the office building from last episode. They glow Michael’s customary blue and then we have Michael again (Ackles is really good at those transitions). Having snapped his fingers, he is now back in his suit, albeit sans the coat. With a gesture, he causes manly cramps in TFW 2.0, making them sink to the floor in pain. Though the Evil Overlord Monologue may be equally painful, at least to them.

Michael snarks that hope is a funny thing, but they “never really had a chance.” He says he saw “everything” and we get blurry flashbacks to Dean watching Rowena fill in TFW 2.0 on Jack’s condition. He claims that his plan all along was to have them come there so he could get back his “perfect vessel” (AKA Dean Winchester) and EVOL!Kaia’s spork so he could destroy that.

As he monologues, Sam is pulling out a lighter and skidding it across the floor. Castiel attacks Michael to distract him (Michael easily tosses him aside after coldly saying “Don’t interrupt me”). This gives Sam time to light a holy oil Molotov Cocktail. It blows up in Michael’s face, though interestingly, it only affects him for a second or two (“our” Michael inside Adam was affected for several minutes and had to fly away to put himself out in “Swan Song”). But that’s enough for the double feint of Castiel coming back with the angel handcuffs and slapping them on Michael’s wrists. This little bit of choreography is a bit awkward, but hey, whatever works.

At first unimpressed, Michael says the cuffs can’t hold him. Well … they do. One could argue that this was part of Michael’s plan (kinda unlikely, since there’s no real advantage) or that Michael knew about the cuffs, but ignored them out of arrogance. Thing is, Michael is definitely arrogant, but he’s also very, very smart and he made plans for every other contingency TFW 2.0 brought to this point. And he got cuffed right in the middle of a speech where he unveiled his entire plan to trap TFW 2.0. So, I don’t think he knew about the cuffs.

The really interesting thing is – Dean did. So, whatever else Michael claims, his claim that he knows everything Dean knows must be a lie.

Sam tries to get through to Dean, but Michael just says, with fake courtesy, “Dean’s not home right now. Please leave a message.” I love this line. Oh, hell, I love half of Michael’s lines, anyway. Ackles just has so much fun delivering them.

We then hear police sirens and a helicopter, and Michael calmly reminds TFW 2.0 that he’s got monsters all over Kansas City, turning people. As Jack picks up their weapons and Sam locks the door to the room, Maggie calls Sam’s cell (yeah, I know. I just can’t with Maggie, either).

Maggie is freaking out. She’s driving a car full of Hunters whom she got together to deal with the monsters (per Sam’s instructions), but they’re overwhelmed. There are just too many calls and too many monsters turning too many people (instead of killing them).

She asks Sam where they are. Sam gives her the location and says they’ve got Michael (“Do you?” snarks Michael). He tells her not to worry about them, that they’ll figure things out. She and the other Hunters should go save as many people as they can.

Good idea, since those Hunters are all redshirts and would only end up dead around Michael, anyway.

Sam’s ad hoc plan is to bring Michael downstairs and stick him in the trunk with Garth, before driving away (I mean, what could wrong?). But this gets nixed when monsters start snarling outside the door, trying to beat it in. Castiel TK’s the doors shut, but that can’t last.

“I called them,” Michael says, with a fake-deprecating little shrug as TFW 2.0 rushes to reinforce the door. “It’s a party!” Did I mention how much I love Michael’s lines and Ackles’ delivery? Michael is such a bastard, but damn, is he funny.

Jack comments that none of them can fly (I guess Jack’s wings don’t work without his powers). “Well, one of us can,” Michael says cheerfully. Sam worries about getting “Dean” out of there. Of course, leaving without Dean, with Michael still inside him, would be disastrous. Assuming TFW 2.0 could even pull that off.

Sam gets a Hail Mary idea worthy of Dean. He calls Jessica, the Reaper, but gets a Reaper named Violet, instead. She politely explains that there is now more than one Reaper watching the Brothers. “It’s my shift. We have shifts now because you mess up so, so many things.”

Violet’s a keeper. Can she come back, show?

Sam wants Violet to fly them out of there. Violet points out that she can’t interfere, but she’s rooting for them.

Only Sam and Michael can see her. Michael analytically observes that “in my world, we locked Death away and enslaved the Reapers.”

“Lovely,” Violet replies, holding it together but clearly terrified of him (she swallows visibly). “Well, look at you now.”

Sam tries to persuade, claiming Death owes them a favor from “that Rowena thing,” but Violet isn’t impressed. It’s simply not within the rules or her powers. But then she shushes him as she appears to hear a voice. Then she agrees to his demand. Abruptly, TFW 2.0 and Michael are all transported to the Bunker.

To Sam’s query, she only admits that she’s not the one who did it. She then tells them, “Have fun” and with a last trade of bladed looks with Michael, she vanishes again.

They chain Michael to a post in the library. When Jack and Castiel wonder why he’s not in the dungeon, Sam points out that if the cuffs don’t hold Michael, the dungeon certainly won’t.

When Michael points out that he can hear them, they move away to whisper and he’s like, “Really?”

Sam tells the others that when Gadriel possessed him, the angel put him inside a dream world.  Crowley was able to bust in and show Sam how to cast Gadriel out. Alas, Crowley is dead (Michael would probably be above his pay grade, anyway).

Sam gets another call from Maggie, who is now at the office building. Sam explains that they’re now back at the Bunker and asks Maggie to pick up Garth and the Impala. Confused, Maggie tells Sam at the monsters have left the city and are heading west.

At this moment, Michael notes that the Bunker is points west of Kansas City. He’s calling the monsters to the Bunker.

Castiel takes Jack to batten down the hatches, while Michael calls cheerily unhelpful advice after them. Once alone with Sam, Michael insists nothing has changed. Either his monsters will break in or he’ll break loose and then “everybody dies.” And he will personally rip Sam apart, smiling a “pretty smile” that looks downright predatory.

Sam pulls out Lady Wonder Twat’s dreamtime rig from the best-forgotten LoL plot in season 12. He tells Castiel he’s going to go inside Dean’s head and try to wake him up so he can expel Michael the way Sam expelled Gadriel. Sam admits it’s not a very good plan (well, not least because once Michael’s out, he’s just going to find another vessel and start all over again), but they don’t have any others. By the way, the woman Michael possessed last episode is not mentioned this week.

We cut to a loop montage of Dean from the bar, running through the same scenarios with only slight variations. At the end, Dean looks up, confused, and almost remembers.

Jack gets first shift of guarding Michael, who proceeds to mess with his head. Michael completely shifts what he said before about wanting to recruit Jack as family and says he won’t ask again. I guess, now he has his “true” vessel back, he no longer cares.

Jack tells him that the Brothers will beat him. Michael snarks that Sam “is so far in over his head, he’s drowning” (true, but Sam has learned to swim before). With rather less conviction, he claims, “I’ve got Dean under control.”

Jack notes that “Dean is strong,” to which Michael retorts (again, protesting a bit too much), “He’s a gnat. I’m a god. Who would you bet on?” Michael insists that since he is “inside Dean’s head, I know everything.” But he didn’t know about the angel cuffs, now, did he?

Michael then does something vicious and almost gratuitous (though, considering much of his confidence about having Dean under control is likely bravado, he does need to divide and conquer). He shakes Jack’s faith in Dean by claiming that while Dean was devastated by Jack’s death, he was also relieved because Jack was just a burden to him, “a weak, helpless thing … a job, a job none of them wanted.” This is obvious bullshit, but Jack is young and naive (and vulnerable) enough to believe it.

Castiel walks in on the middle of this as Jack is rushing off, about in tears, and warns him that Michael is just trying to get under his skin.

Michael says he’s not lying and reminds them that he can still hear them.

Meanwhile, plucky Maggie is setting up a plucky roadblock of Hunters to keep the monsters away from the Bunker. I’m sure that will end well.

In the Bunker, on second shift, Castiel is now getting the patented Michael mindfuck treatment. After some insults aimed at how Castiel doesn’t measure up to his alt-version (who was such a panto villain that it’s kind of hard to take this bit of dialogue seriously), Michael asks why Castiel loves this world so much he’d die for it.

Castiel counters with his own question – why does Michael hate this world so much that he wants to destroy it?

Michael’s response is chilling: “Because I can.”

Michael explains that when he and his version of Lucifer fought in their world, they honestly believed the duel would bring back God, who would explain to them what the Plan had been all along and give meaning to their war. Instead, God never returned. There was no response to what they did, even after Michael killed Lucifer.

Michael now realizes (having access to Dean’s memories) that God – “Chuck” – never intended to return. Michael calls God a “writer” who created draft after draft. Michael believes that both his world and this one are “failed drafts,” that when God realized they were “flawed,” he simply moved on to a new draft.

Perhaps the most frightening part of this scene is the realization that Michael as played by Christian Keyes is a very different character than the version played by Jensen Ackles. This is not because of a lack of continuity in the acting or even writing, but because the character’s entire worldview was shaken and shattered, after some 14 billion years, once he entered his intended vessel and saw the truth (or, anyway, what he now feels is the truth) about Chuck’s involvement (and lack thereof) in the Amara saga. He saw that everything he had ever done for his father was pointless because Chuck would never return, never give him the answers he sought, never even love him as much as Lucifer.

In short, this ancient, subtle, dangerous being went insane. And became even more dangerous.

Ackles, here, has to evoke an entirely offscreen change in the character’s entire motivation and he gets it across very well. Michael’s mask of calm sarcasm slips and underneath, we see a volcanic rage to match Dean’s toward his own father. Michael says that his first thought was to outdo his father and become the new God. But then he changed his mind.

Now, he wants to burn it all down, world by world, timeline by timeline, until he can “catch up with the old man.” When Castiel asks what he intends to do then, Michael says, with bared teeth, “Even God can die.”

Meanwhile, Maggie and her merry band of hapless redshirts are failing miserably at even catching up with the monsters, let alone stopping them from reaching the Bunker. Also, her alleged right-hand man is looking mighty shady, especially after he disappeared into the bushes for a few minutes.

At the Bunker, Sam is still setting up the equipment for the dream machine. Jack tentatively suggests he could use his soul power to access his abilities to stop Michael somehow. Sam says Dean would never want to be freed through such a sacrifice.

Sam gets hooked up to the machines, as Castiel hooks up Michael (who says, “Cool science project!” and flirts with Castiel in a seriously creepy way). Michael then unsettles everyone even further  (if that’s possible) by claiming that out here, he may be chained up, but inside, he can do whatever he wants to them. Well, alrighty-then.

Sam goes in with Castiel and at first, they find … a dark, endless space. In fact, it looks just like the Empty set. I don’t know if that’s intentional subtext and foreshadowing or just a cheap budget, but yep, that’s what it looks like.

Sam is confused and has to confirm with Castiel where they are. Castiel has been inside Dean’s mind many times, but Sam never has. Sam then wonders where Dean is and Castiel replies, “Excellent question.” This confirms that this is not how Castiel normally found Dean’s mind in the past.

Castiel raises his hand, the center of which glows, and begins to search through Dean’s memories. There is a lot of screaming and, as Castiel notes, a lot of “trauma” and “scars.” Notable quotes that stand out are “We had a deal!” from the end of last season, Dream!Dean screaming “You’re gonna die! And this … this is what you’re gonna become!” from season three’s “Dream a Little Dream of Me,” and “Somebody help me!” from Dean suspended in Hell in the coda to season three finale “No Rest for the Wicked.”

Looking a little freaked out as he finally begins to process just how much trauma his brother’s been through over the years,  Sam acknowledges that “Dean’s been through a lot, but he’s strong!”

Gently correcting him, Castiel says that “You’ve both been through a lot and Dean is more than strong,” but what he’s really looking for is a way to follow a memory to where Michael has locked Dean away, “drowning.” In a cage, as it were. This means he has to scan through Dean’s worst memories, which isn’t exactly pleasant.

Sam then has a brainstorm (uh … as it were). Remembering Michael’s complaint from last episode that the reason he’d left in the first place was because Dean fought back so hard, Sam wonders if Michael isn’t actually torturing Dean, but doing the opposite. “Dean thrives on trauma.” (Well … I wouldn’t say “thrives,” personally, but it’s definitely his “normal.”)

Sam says that if he wanted to “distract” Dean, he’d do it another way. “Contentment,” Castiel guesses, correctly. So, Castiel starts looking through Dean’s good memories, not his bad ones. And yes, Dean has a few. “I think I’m adorable!” (from season three’s “Jus in Bello”), the “strippers” speech (from season four’s “Sex and Violence,” and it makes Sam a bit uncomfortable), the “posse magnet” speech (from season six’s “Frontierland”), and the “pie” complaint from season seven’s “The Girl Next Door.” Among others. Why, yes, I do watch this show a lot. Why do you ask?

Then they hit on Dean’s speech about not wanting to see the bar and Sam realizes it’s not a real memory. Dean has never owned a bar. This couldn’t have ever happened in real life. So, Castiel takes them there.

Sam opens his eyes to find himself and Castiel in the bar. Dean turns around and recognizes them, but doesn’t realize it’s not real. He offers them a beer (“Cosmic Cowboy IPA” is a beer sold by Ackles’ new brewery, The Family Business). Then Pamela strolls in and starts chit-chatting with them.

Castiel whispers (really, when are these guys gonna learn?) to Sam that Pamela is the psychic whose eyes he accidentally burned out. Sam retorts that she’s also been dead for years. Sam tries to tell Dean that this isn’t real and Castiel tells Pamela she’s a “complex manifestation of Dean’s memories designed to distract him” (I have a feeling she’s more than that, but we may be getting ahead of ourselves). Oh, and it’s still raining.

At that moment, the scene resets, with a very confused Sam and Castiel getting caught in the middle of Dean’s memory montage. When it comes back to the same setting, Dean and Pamela are in somewhat different positions.

When Dean echoes Sam’s question on what is going on, the montage kicks in again. Sam tries to explain that Dean is caught in a loop designed by Michael. This confuses Dean, who only remembers that “our” Michael is in the Cage and doesn’t seem to remember alt-Michael at all.

Pamela suggests that if this is all inside Dean’s head, he should be able to control everything, but turns into a joke. However, Sam accidentally creates a crack in Dean’s amnesia by reminding Dean that Castiel blinded Pamela (Castiel, uncomfortable, notes that it was an accident). When Dean looks at Pamela, he’s shocked to see she’s blind and has a flash of how it happened. Sam presses this advantage by reminding Dean she’s dead, too, which Dean also remembers (goodness, Ackles was a baby ten seasons ago!), as the music grinds to a halt. Pamela vanishes from the bar.

Dean is in denial, at first, though Castiel’s impassioned speech that this is just a dream and his loved ones in the real world need him shakes him more than a little. But it’s when Sam remembers “Poughkeepsie” that Dean is really shaken.

To refresh everyone’s memory, it’s the code word the Brothers had for “Drop everything and run.” It first popped up when Dean gave it to Crowley to tell Sam when Crowley went inside Sam’s head in “Road Trip” in season nine to get him to expel Gadriel.

When Dean, looking shocked, says, “What did you say?” Sam repeats it, looking triumphant. He’s hit the right button.

And indeed, he has. A montage of Michael memories, recent ones, ensues. Then Dean says, “I remember. I remember everything.”

The sound of clapping comes from the door. Guess who just walked in? Michael.

So, in case anyone was wondering why it was necessary to reduce the season to 20 episodes, this scene is probably a good hint. Ackles it playing two distinct characters for the price of one and remember how exhausting that was for him in season five’s “The End”? Yeah. But he pulls it off brilliantly here. This must have been quite the episode to film, especially on the road to recovering from the head cold/flu he had while filming the last episode. He’s in practically ever scene.

Dean tells Michael to get out of his head, but Michael tells Dean he doesn’t really want that. After all, Michael is Dean. He proceeds to mindfuck with Dean by mindfucking with Castiel and Sam right in front of him (sorry, but there’s not really a less profane way to put it). Michael, imitating Misha Collins pretty darned well, says that Dean only feels beholden to Castiel because Castiel “gripped you tight and raised you from Perdition.” Sadly, since then, Castiel’s been prone to making a lot of messy mistakes.

And as for Sam, well, Sam abandoned Dean with his dad and Dean, deep down, knows that Sam will always abandon him. It’s at this point that Dean starts to tell Michael to shut up.

I’ve seen some fans suggest that Dean doesn’t start protesting until Michael cracks on Sam because Dean doesn’t care as much about Castiel, but I don’t think it’s a Sam vs. Castiel thing. I think that for one thing, what Michael says about Castiel isn’t as on the mark as what he says about Sam.

Castiel makes mistakes, it’s true, but Dean has always still cared about him and it’s not because Castiel raised Dean from Hell (Dean even stabbed Castiel right after the angel uttered that first line in season four’s “Lazarus Rising”). Dean keeps Castiel around because Castiel is family. If there’s any darker motive, it’s also because Castiel is very useful to have around, an angel in Dean’s pocket, as it were. But an obligation? Not so much.

Sam, on the other hand, made a distressing habit of abandoning Dean, in many different ways, until very recently. The discomfort on Sam’s face is the Tell that Michael’s hit a sore nerve there. Dean loves Sam, anyway, which is why he comes to Sam’s defense. But it doesn’t make that one any less true.

The other thing is that this is part of a longish rant from Michael about how Dean feels, “deep down,” about the people he loves, in which Dean’s anger builds to boiling-over point. It’s much like the speech from Dream!Dean about John in “Dream a Little Dream of Me.” It’s not that Dean cares less about Michael insulting Castiel. It’s that the effect of Michael’s mean-spirited, gaslighting “truths” is cumulative and Dean gets really tired really fast of Michael “speaking” for him and damaging his relationships with those he loves. Remember that Michael keeps telling people that Dean’s big weakness is “love.”

Michael says, “You don’t need them. You don’t even like them. They’re not your family. They’re your responsibilities. They’re a weight around your neck. And deep down, you wanted – you were desperate – to get away from them. And that is why you said yes.”

Well, we know the last part, at least, is a lie, since Dean was pretty backed into a corner when he said yes and he did so, as Michael himself admits to Anael (Sister Jo) in the season premiere, for love.

But what is Michael’s end game, aside from Castiel’s dawning realization that he is stalling for time? Remember that Michael has said that he is angry with his father, God, for abandoning him. And though he chose to come over to this world, it’s true he is now a stranger in a strange land. He wanted love and he never got it. He was always passed over. But by Chuck, he is gonna keep the one thing/person he knows is his, by right and breeding and genetic engineering over billions of years. And that is his sword, Dean Winchester.

But why is Michael stalling? We cut to Jack, watching over everyone, as Maggie comes in with the other redshirt Hunters. She says the monsters are right behind her and everyone gears up for battle.

Inside Dean’s head, Sam posits that Michael needs his monsters to come and rescue him. Michael insists that’s not true, but Dean calls his bluff. Michael asks if that’s what Dean really wants and Dean says sure. Then Dean says Michael can’t do it. Castiel says that inside Dean’s mind, Michael is just a “mental projection” like the others.

Dean attacks first and gets smacked down. Sam and Castiel then get beaten up by moves Michael has pretty clearly picked up from Dean’s mind. In the Bunker, Michael is smiling. One big problem, of course, is that he can do more than one thing at once, be in more than one mind at once.

Sure enough, Maggie’s lieutenant turns out to have been monsterized while he went off into the woods. The other monsters bust in and Maggie’s redshirts are killed/beaten up in short order until only she is left conscious (did I not say that anywhere near Michael and they’d end up toast?). At that moment, Jack freaks out and uses his powers to disintegrate the monsters. But it takes a lot out of him because he tapped into his own soul.

Inside Dean’s mind, TFW 2.0 are still getting their asses kicked, unaware that Michael’s plan has suffered a setback outside. The only sign Michael gives that things are not going entirely his way is to warn them that even if they managed to “force” him out, he would destroy Dean in his wake, leaving “nothing but blood and bone.”

This would have been a problem, anyway, since they can’t afford to kick Michael out. He would be free. Dean then makes a split-second decision. Opening the storeroom door, he grabs Michael, who tosses him aside. But this is enough distraction for Sam to shove Michael inside, and for Sam and Castiel to slam it shut, before Dean comes up and shoves an icepick into the latch, creating a makeshift lock.

As Michael rages on the other side, Dean rather shakily assures Sam and Castiel, “It’ll hold – my mind, my rules. I got him. I’m the Cage.”

After everyone wakes up, Sam talks to Maggie, the redshirt exception who proves the rule. In an indication that at least some of the other Hunters survived, she tells Sam that “we” will clean up in the foyer. She also lets drop an interesting nugget of info – Michael’s monsters have all lost their focus and gone their separate ways. It appears that Michael no longer controls them.

Maggie also tells Sam about Jack using his powers and seems weirded out that he still can. Sam looks worried.

In the kitchen, Castiel is giving Jack a lecture on not using his powers, anymore. They burn off his soul and once it’s gone, it will be gone. Jack apologizes and Castiel softens his tone. He’s not mad. He’s worried. He knows what happens when someone doesn’t have a soul, anymore, and it’s not pretty. Jack utters the usual Famous Last Words: “It won’t happen again.”

Speaking of, Dean is in his room, telling the mirror, “It’s just you, it’s all you,” over and over again, as Michael rages against the door of the Cage inside Dean’s mind.

A voice calling his name startles him. He turns around to see Billie, holding a book. “So,” she says, “not all good news. I did say I’d see you again soon.”

When Dean grumps that she “could have knocked,” she says she figures Michael’s already giving him enough of a migraine.

Dean assures her that Michael is safely locked away, but she’s not buying it (well, she is Death). When Dean correctly guesses she was the one who brought TFW 2.0 to the Bunker, and teases, “You broke the rules,” Billie deadpans, “I took a calculated risk.”

But then she turns deadly serious (if that’s even possible). “I warned you,” she says. She told him not to travel between worlds, but he ignored her. Dean shrugs it off, saying that he had to rescue Jack and Mary, and the others they brought back.

A quick note: Normally, at least in the past, the show would have made this a rather vague “you” that referred, at the very least, to “Sam and Dean” or even to all of TFW, past and present. But this is not a plural “you.” This is most unambiguously a personal, singular “you.”

Billie does not appear to give a zombie rat’s ass that people like Kaia have been dreamwalking to other worlds for centuries, millennia or even tens of millennia. She shows no particular concern in this conversation even about Jack. She makes the warning (somewhat retroactively) specifically about Dean crossing over to an alternate reality. And only Dean.

But she doesn’t leave him, or us, in suspense as to why. First, she reminds him about his library full of possible (and probably past) deaths. Dean rather uncomfortably acknowledges he remembers it.

Billie tells him that an unsettling thing has now happened (she doesn’t specify about when the change occurred, just that it has). All of Dean’s death books now end the same way – with Michael escaping his mind, taking over, and using Dean’s body (and soul) to destroy the world. Well … all except one. Which she hands over.

Whatever Dean sees inside the book shocks him, because he says, “What am I supposed to do with this?”

“That’s up to you,” she says, and vanishes before he can ask any more questions.

Credits

Ratings for the episode came back with a 0.4/2 and 1.44 million viewers, which was pretty steady from the fall (also, SPN often starts out the spring with a dip and goes up a bit). This tied it for third in demo (after The Flash and Riverdale) and put it in fourth for audience (after The Flash, Roswell, and the 24th Annual Critics’ Choice Awards).

The preview is up and highlights continuity from this week. So, it may not be the MOTW the synopsis originally made it out to be. There’s also a preview up for the 300th episode (which will air on February 7 and yes, I will get a retro recap and review out of the 200th, “Fan Fiction,” before then).

Review

My, that was a long recap, wasn’t it, my droogs? Well, some episodes have more narrative meat than others and this one was a doozy of a bistecca alla fiorentina. Also, it was a Deancentric episode, a very Deancentric episode, and I do so love the Deansanity.

One of the most frustrating parts of this show is how often it hasn’t respected its own canon, right from the very beginning with creator Eric “Why give a decent ending to my own stories when I can drop them and just go on to the next bright and shiny?” Kripke. But one of the cool things about the show is when a good writer comes in, ties together a bunch of old and dropped storylines, and makes new and satisfying canon with them.

“The Man Who Would Be King” from season six fairly leaps to mind. I’d almost call “Nihilism” a version of that, except that Dean doesn’t really need to explain himself and Michael doesn’t care what anybody else thinks of him – except for Dean, of course. But it did tie a lot of dropped plots (Dean has so, so many) together into a satisfying new direction for Dean.

Not so much on first watch, but on recap watch, I actually began to feel sorry for alt-Michael. He is undoubtedly an unapologetic villain of the first water. And I don’t see a happy ending for him at the end of the tunnel (that light’s probably a train) the way I could see for Amara if the showrunners had the guts to go there.

He is a world-busting threat. And by “world-busting,” I mean that he intends to burn down the entire Multiverse. He’d probably bad-touch the Empty if he could, just to get back at Daddy. It’s quite a to-do list, but he seems well up to the challenge. So, he’s got to be neutralized.

But in a weird way, Michael works as a god-like being with massive Daddy issues much better than Lucifer. No one has ever loved Michael best. Michael was never spoiled. Michael was always loyal. Michael loved God with all his being. And then God ditched him.

And the worst part? Michael didn’t even learn the truth from Chuck directly. He had to find out once he got inside Dean. The moment of his greatest triumph to this point was the moment he found it was all pointless, that Daddy had ghosted him. Of course he went insane. We weren’t really aware of that until now, but we sure know now. Michael is totally bonkers.

Of course, it doesn’t help (though it’s fun to watch) that Michael is, by a large margin, the least human-like of any of the angels, including the archangels. Michael has been inside Dean’s head for weeks, knows full well why Dean said yes, but still doesn’t understand the emotion of “love.”

He gets filial loyalty. But he can’t equate it to what Dean feels for his family, blood-related and otherwise. Even his conversation with Jack from last episode may have been just manipulation. Or it could have been as simple as missing being in his vessel. Either way, Michael didn’t seem very interested in Jack this week, except as another way to break Dean to his will.

Because, while Michael may not consciously understand love in the human sense, may openly mock it, he sure gets how it feels to not have it. He gets loneliness, envy, jealousy, romantic covetousness. Every conversation he had with or about Dean this week screamed, “Mine! MIIIIIIIINNNNNNNNNNNEEEEE!!!!!” in its subtext. It was all about dividing Dean permanently from his family, not just to beat them and subdue Dean once and for all, but to make Dean Michael’s Precioussss forever and ever. And when a 14-billion-plus-year-old being like the Archangel Michael says “forever and ever,” he means it in cosmic terms.

According to all angel canon we know, therefore, this once again makes Dean immortal (as the showrunners only sorta, kinda admitted was true during the MoC storyline). Got an angel inside you, especially an archangel? You’re not dying any time soon. And by “any time soon,” we mean that baby black holes forming right now will age and die before you do. That the archangel is not currently in charge does not appear to change this canon in any way. And Dean won’t become technically mortal again until Michael’s outta there. I say “technically” because, as the end of this episode made clear, Dean’s too important to die any time soon, anyway. But more on that in a bit.

Michael’s insanity is probably why Billie warned Dean in the first place. It’s sort of Dean’s fault (albeit as an unfortunate byproduct of Chuck ditching Dean with basically Michael’s job), and alt-Michael happily took advantage of the entire situation, but if Dean had never said yes to alt-Michael, alt-Michael would never have found out why and how Chuck had abandoned him. Or at least, come up with a really devastating theory.

Does this theory hold water? Castiel protested that it didn’t, but from what we know of Chuck, yeah, it’s possible. Chuck’s a fan favorite, played by a fan favorite, and was originally introduced as a hapless nebbish Prophet being bullied by the angels. Rob Benedict was very good at playing Chuck as a slacker writer in way over his head. It’s hard to let go of that warm and cuddly identification with the character’s “humanity.”

But Benedict is also a good-enough actor to have shown us a darker side. Whenever anyone challenges Chuck on his “hands-off” strategy and calls him out for the deadbeat he is, Chuck starts to get pretty cold and nasty. And I think that’s when we start to see why Michael, Lucifer and Raphael were so messed up, and why Gabriel went into Witness Protection. Long story short, it’s doubtful Michael just happened to end up this way. His obsessive loyalty and sense of betrayal hint at what a tyrant Chuck may have been back in the day, before he decided to ride the pine and let Free Will go up to bat. Let’s not forget that Chuck’s next experiment after the archangels and locking his sister away was creating the Leviathans.

The show’s worldbuilding also has a pattern in which whoever/whatever is created first in a race of beings is by far the most powerful, the most unruly, and the most unpredictably dangerous. Michael, the Leviathans, Eve, Cain, even Dean all show this pattern. They’re experiments and experiments have a tendency to blow up in their creators’ faces. Chuck probably put a bit more splintery oomph into Michael than the other archangels and may well have preferred Lucifer because Lucifer couldn’t credibly displace Him or kill Him.

It’s probably not an exaggeration for Michael to say that he could replace God. Just in passing this week, he commented that he put Death’s entire administration under angelic control in his own timeline. We saw enough during the Apocalypse to indicate that was entirely possible. What is curious is how that compares to Dean.

Most of what Michael says about Dean, in particular, is airy bollocks. Sam and Castiel, for once, are smart enough to see through the MOTW’s claims (even if Jack is still young enough to get his head turned by them a bit) that Dean doesn’t love them and step up to the plate to save him. We even saw Sam squirm under all of the admiration from his new team, knowing perfectly well how many lessons he learned from Dean and how many times Dean came through for him when Sam was disappearing up his own ass or even abandoned Dean. I like this new, more mature, learned-my-lesson-on-that-score Sam.

Yeah, it would have been nice to see Dean get a chance to play Grumpy Old Hunter with the newbie Hunters, but one character can’t hog all the storylines and Dean is currently too much in god-mode to gear down to that kind of storyline very comfortably. The other Hunters respect Dean because Sam respects him, but to them, Dean is probably just Sam’s Scary Older Brother Who Holes Up In His Room All The Time And We’re All Okay With That. To them, Dean is borderline-MOTW. Very borderline.

Also, I got a bit of a giggle at Michael’s flirty jealousy of Castiel. Boy, that’s gotta be confusing for Castiel. I mean, Michael’s his big brother and all. But maybe angels work that out more easily.

Anyhoo, Sam and Castiel know Dean’s track record. They know he has always put others first, expanded their family, expanded TFW, in some surprising ways. And they know that as much as his own choices have led him to saying yes to Michael, there wouldn’t even be a world, several times over, without Dean Winchester’s unorthodox and ad hoc choices. This week, they chose to put their faith in Dean and Dean’s decisions.

That’s good because, as Billie made really clear in the coda, ten seasons after “On the Head of a Pin,” the SPNverse’s fate once again rests with Dean. Unless Dean can figure out how to make that one fate Billie gave him turn out right, the entire Multiverse is screwed and Dean will get a front-row seat to it. Michael claimed that Dean was a “gnat,” but Dean’s fate is now tied directly to that of the Multiverse. If that’s not a god-like power (or at least, responsibility), I don’t know what is.

The thing is that Dean appears to be in direct opposition to Michael. In power inside the narrative, all of Michael’s protestations aside, they are actually evenly matched and were at an impasse until the end of last week. Michael’s wiliness and billions of years of wisdom (“old age and treachery,” and all that) temporarily put him on top, and could again, but Dean’s relationships with his loved ones were what tipped the balance in his favor. Dean may have thought of locking Michael in the storeroom, but Sam was the one who shoved him in, Sam and Castiel slammed the door, and it was Castiel who noticed Michael was stalling in the first place. For Dean, love isn’t a weakness at all. It’s a significant advantage, one that Michael sought to neutralize by destroying TFW.

But why would these two be tied together like that? Well, remember what I said last episode about how in so many of the good stories, especially horror, the antagonist is a metaphor for the protagonist’s darkness? Just as with the Mark of Cain, alt-Michael is, metaphorically speaking, a dark aspect of Dean. But alt-Michael is an actual different character who wears Dean’s face and body. An actual alternate personality inside Dean’s head.

He also represents a somewhat different aspect than the MoC. The MoC represented Dean’s bloodlust and love of killing. Michael is a superpowered manifestation of Dean’s Daddy issues. He’s what Dean would be without TFW, without his family. He’s how Dean feels when his loved ones have let him down and abandoned him and stepped all over him and chosen others over him. He’s Dean when Dean’s ranting in season seven’s “How to Win Friends and Influence Monsters” about how being responsible for saving the world all the time sucks and he’s tired of taking away the SPNverse’s “belt and pins” so it won’t do itself in.

That’s why there’s such a resonance when Michael tells members of TFW that Dean finds them a burden and resents them for abandoning him, why they look so guilty even while Dean is pissed on their behalf. Like the shapeshifter in season one’s “Skin,” Michael identifies a leeeeetle too much with Dean’s dark side. Well, “our” Michael did a lot to create that dark side, so I guess that makes sense.

The whole idea of the new Cage was an interesting one. Michael created a part of Dean’s mind to lock him into (like a cage) and then Dean locked Michael inside that same part. Boy, that must have been a pretty strong cage in the first place. Tells you something about how strong Dean is, not just in containing Michael now, but in needing that kind of prison to be locked inside. And even then, Michael had to distract Dean to make it work. Of course I’m all perky to see how that turns out.

Lastly, there’s the question of … WHAT’S IN THE BOOK??!! What is the one thing Dean can do to stop Michael taking him over and destroying the world, Dark Phoenix style? Expulsion apparently isn’t a possibility, anymore.

Dean seemed to think it was far out, even for him. Billie was pretty deadpan about it, but there seemed to be a hint of “Yeah, I know this one’s weird, even for you, but hey, you’ve done pink satin panties, so I’m reasonably confident you’ll figure it out.” Gotta love how much snarky subtext Lisa Berry manages to fit into a stony look.

I suppose Dean could contact Chuck and/or Amara, somehow. But I think it’s too soon, still, after season 11 for these writers and there’s still too much story in play for this to be the last season without a whole lot of loose ends (even just one more season probably wouldn’t do it). And how would he even do it?

Recruiting the Empty, somehow, is a possibility and would certainly account for Dean’s WTF?! look, but they may be reserving the Empty for another season. We also still have Heaven’s imminent crash-and-burn in the background.

The most likely possibility seems to be a visit to the Cage and saying yes to “our” Michael there. Have them duke it out, or something. Or maybe chain alt-Michael to Heaven as a powerhouse. I suppose it’s possible Dean might find a way to talk Michael down, but after what he did with Amara, that seems redundant.

Anyhoo, we’ll know more next week.


The Kripke Years

Season 1

Season 2

Season 3

Season 4

Season 5

The Gamble Years

Season 6 (with Kripke)

Season 7

The Carver Years

Season 8

Season 9

Season 10

Season 11

The Dabb Years

Season 12

Season 13

Season 14


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The Official Supernatural: “The Spear” (14.09 – Christmas Finale) Live Recap Thread


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My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through Amazon and is on sale through this Friday. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.

Can’t load up Facebook, which is annoying. Let’s get started. I doubt I will get this done tonight, as today was a day, ending with trying to get home on a flat tire (in the pouring rain, of course) by pumping it up at various places on the way home. Gotta get in to the garage early tomorrow to get it patched up.

Anyhoo, rather standard recap of The Road So Far starting with a rather awesome Dean monologue out of nowhere:

I know what it’s like to see monsters. And I know that when they’re gone, they never really go away. But me and my brother, we’re the guys that stop the monsters. We’re the guys that scare them.

Cut to Now in Kansas City, MO, to “Rockin’ Around the Christmas Tree” (never been a fan, especially of the Mel & Kim version that hits the British airwaves every December). Sounds like the Brenda Lee version.

It’s also the soundtrack on a particular floor of an office building, where everyone is being slaughtered by hyped-up werewolves. One of them then comes in to tell an elegantly dressed woman, whom he addresses as “Michael.” When he asks why Michael picked this floor, Michael just says, “I liked the view.”

Another werewolf brings in some recruits and among them is Garth. Michael recognizes him due to Dean’s memories and said he had been Dean’s friend. Garth says that’s all water under the bridge. He has a daughter now and he wants to be on “the right side” in the coming war. I’m rolling my eyes a bit, even if it’s a Garth-undercover-for-TFW thing, because the acting in this scene is pretty bad. I’m amazed any scenery was left unchewed, by anyone.

Cue title cards.

Jack is eating cereal (not the healthy kind, either) in the kitchen in the middle of the night when Castiel comes in and catches him. Jack asks Castiel not to rat him out to Sam about the cereal. Castiel asks why he’s up to so late and it comes out that Jack is still recovering from resurrecting. Castiel says that’s pretty normal (well … no, it’s really not, but it is for these guys). Castiel calls it “a rite of passage.”

Jack worries that his mother isn’t safe in Heaven from the Empty. Castiel calls Naomi “complicated,” but willing to fight to keep the souls in Heaven safe. Because that worked so well last week.

Jack also wonders why Castiel doesn’t want him to tell Sam and Dean about the deal he made. Castiel says he doesn’t want to burden them and also, he figures that with all the crap currently raining down on them, he won’t be giving himself permission to be happy any time soon.

It also turns out that Castiel stole the “secret decoder ring” from the cereal box.

Meanwhile, Sam is conversing with Garth, who is indeed spying for TFW. He says they want to “change” him by having him drink blood mixed with Michael’s grace. He claims he’ll be able to spit it out (don’t think grace works that way, Garth).

Garth has to hang up (and uses Bobby’s old “balls” line that I sure don’t miss as he goes in to get the change). Dean walks in just as Sam gets hung up on and reassures Sam that even though Sam was the one who recruited Garth for this mission, it won’t really be Sam’s fault if the mission goes sideways. Um, no, Dean. I’m with Sam. It will be his fault. But hey, maybe we’ll lose Garth this week. I’m okay with that. Early Christmas present.

TFW 2.0 gets a video call from Ketch, who boasts about liberating the egg they used on Lucifer two seasons ago from an Eastern European dealer, then having to mail it to the Bunker. It’s going to arrive, but a bit late.

Okay, so one new-used tire and a morning of Expensive Fun in the Rain with the Auto Shop later, let’s get back to this, in between bouts of math problems. Lots and lots of math. I have a Trigonometry final on Wednesday.

So, we have a new ragtime piano transition riff.

Back to Garth, with the other volunteer, who is all excited about his powerup. The head werewolf woman (who acts like a baddie extra in another CW show and that’s not a compliment) comes in and hands each of them a vial of glowing archangel grace. Garth tries to fake it, but when Michael walks in, he has to swallow. This ups his hearing, but what else has it done?

Michael is Evil Overlording about tracking down EVOL!Kaia and killing her, then getting the Spear (again, works for me! Not an EVOL!Kaia fan, either). This version of Michael probably won’t stick around long, but even so, I’m just not feelin’ her. I don’t think it’s the gender change because I actually miss Lanette Ware as Raphael and kinda liked her better than Demore Barnes (heresy, I know). I wish they could bring her back or that she’d at least stuck around a bit longer. Poor Raphael has gotten no mention-love since exiting at the end of season eight. Didn’t even have a counterpart in the alt-SPNverse.

But this version of Michael … I’m not even sure it’s the actress. Felisha Terrell is hitting all the notes she’s supposed to be hitting, at least on the surface. It’s just that Michael has never actually been a Dick Roman kind of villain, certainly not when Christian Keyes or Jensen Ackles was playing him. But this version is basically a female Dick Roman in a pantsuit and I’m very meh about that.

So, the other part of Michael’s plan (I’ll admit that it was such a lame retread that I ignored it at first) is to distribute upgraded monsters throughout Kansas City, and kill or turn the entire population on Michael’s signal. First of all, we know this never works because second of all, it’s been tried many, many times by villains on the show and it’s never worked. Like, ever.

The closest anyone ever got to doing this in such a short amount of time was in “Croatoan” back in season two and that was a small town in the middle of nowhere that had been cut off from the rest of the world. It just makes the SPNverse’s most powerful archangel look lame for even thinking up this plan. Especially with monsters that, for all of their upgraded powers, can be killed by a simple beheading.

So, Garth gets a call to TFW2.0 while they’re planning to go after the egg, which is stuck for the holidays in a postal depot (while this isn’t technically a Christmas-themed episode like “A Very Supernatural Christmas,” it is set right before or during Christmas). He warns them about the intended assassination of EVOL!Kaia. Sam is nonplussed.

And just like that, after almost half a season riding shotgun and being the wind beneath Sam’s wings, Dean just straightens up and takes over. It’s effortless and even a bit startling to everyone else how he does it, yet they fall right in behind him, anyway. Dean decides to split the team up – Sam and Jack will go get the box; Dean and Castiel will go hunt souped-up monsters and retrieve the Spear. Or at least prevent the monsters from taking it from EVOL!Kaia.

Off Dean and Castiel go in the Impala, on a road trip past those same sheep from that overhead shot that the show has been using for … what … 14 seasons now (it first showed up in season one or two)? When they arrive at what looks like a labyrinth of crushed trash, Castiel notes that the tape deck was broken (since when does Dean allow anything to stay broken on the Impala?), but Dean “didn’t complain once” about the lack of his favorite music.

Dean admits that he never realized before how horrible it must have been for Castiel and Sam, being possessed when they said yes to Lucifer. Dean hates that alt-Michael “tricked” him (I dunno, Dean. It’s not really a trick if it’s your only option left to save the world) and he won’t rest until he’s killed Michael, himself.

Back to Sam and Jack, who are breaking into the postal facility. Jack demonstrates a new skill – he can use a lockpick now.

Back to the trash labyrinth. Near the center of it, Dean and Castiel, who have armed up, enter a grotty old warehouse and then creep around a labyrinth of moldy boxes inside. Dean finds EVOL!Kaia’s camp in the middle, with an iron pot that’s still warm. As Castiel comes up to the same spot, they both hear a door slam to the outside.

Castiel is worried about the lack of monsters in the vicinity. Maybe they got E!K already? Dean thinks she’s “in hiding,” since she would have fought back and the camp is laid out neatly. But it begs the question of this being intel from inside Michael’s camp (and Michael has laid traps before), so what’s going on?

What’s going on is that when Sam and Jack leave the vicinity of the pilfered post office, with a strangely light box, Sam gets bonked on the head by one of Michael’s low-rent monsters, then sees Jack get kidnapped by two more of them (apparently, the extras budget was so low for this episode that despite Michael’s boasts of having upgraded thousands of monsters, we see the same four redshirts with bad teeth over and over again – lame). Then Michael shows up and melts the magic egg in front of Sam. While monologuing.

Ugh. Yeah, I don’t care if it’s the acting or the writing or what. I am officially over this version of Michael. Get a new meatsuit or something.

Oh, and then she knocks Sam out for real. Because Sam doesn’t already have stock in MRIs, already, or anything.

Back in the warehouse, Dean and Castiel are wondering what’s going on when they get a call from Garth. Nobody can get hold of Sam and Jack. As soon as Garth hangs up, he hears Michael fly in. Michael decides it’s time to…uh…talk with Garth. This won’t end well.

In the warehouse, Dean gets poked in the back by E!K. Some terrible sorcerer-in-a-Saturday-night-low-rent-Syfy-flick acting from her end ensues. Dean cuts it short by leaning into her Magic Spork and telling her to put up or shut up. He has family in danger and Michael’s about to murder thousands of people. Dean doesn’t have time to mess around with E!K and her stick. Either she can give up the spear or she can kill him.

Behind Dean, Castiel is making it pretty clear that if E!K takes Option #2, Castiel will kill her right afterward. Whoo, that glare could blister paint.

E!K decides to make a deal – she’ll give up the spear if they have Jack send her home. Dean lies and says that Jack can still do that, while Castiel looks surprised, and E!K buys it hook, line and sinker. At first, she wants guarantees, but Castiel points out that she’s not giving them guarantees, either. Clearly, she’s lying to them and has a new reason to go home. She admits as far as that she has her own people she wants to protect (presumably on the other side). I continue to fail to care about her storyline and look forward to its being wrapped up sooner than later.

Eventually, she gives up the spear, swearing she will kill Dean if he doesn’t bring it back. Ha, I say. Ha. Then she disappears.

Dean gets a call from Sam, in which Sam admits that Michael ambushed them and took Jack. This conversation is weirdly repeated before and after a commercial break, for reasons I don’t quite get. Sam drives off to Kansas City, as Dean says he and Castiel are coming to meet him. Castiel warns Sam not to go in alone. I’m sure we all know what Sam’s current plan is.

Meanwhile, Jack is being brought into Michael’s boudoir by the underwhelming low-rent werewolves who need to piss off  back to Legacies. They leave. Michael, who is standing the near the window, turns round and proceeds to bore Jack and the audience half to death with endless monologuing about the Grand Low-Rent Werewolf Plan, how things went for Kansas City in the alt-SPNverse, how they’re kin because they’re powerful beings with no limits (assuming Jack will eventually get his powers back), how Jack is too young to understand time and on and on and on and blahblahblah.

I’m sorry. That was just so hideously dull. Where was I?

Oh, yeah. Jack says that “Sam and Dean and Castiel will come for me.” Michael shrugs this off, so I guess the Really Obvious Trap Michael set is just that. Michael leaves.

So, remember when Castiel told Sam to wait? Sam didn’t wait (oh, come on, you didn’t think he would, did you?), possibly because he can’t get hold of Garth. The first werewolf he bags on camera is the guy who bonked him on the head at the post office, after he sent off the recruit who came in with Garth to infiltrate a church service. The second one is that annoying woman who kept tandem chewing scenery with Michael earlier and gave Garth his dose of archangel grace. Yay, Sam. My hero. Two of the more irritating redshirts at almost one go.

Sam enters the office where Jack is tied up and cuts him loose.  They hear footsteps and it’s Garth, apparently okay (but obviously not and Sam should have realized that). They get down to the parking garage with some rather ugly blue-silver Christmas trees.

As Sam and Jack come out of the elevator, Garth convulses. He still has his mind, but Michael is in it and has control over his body. Michael makes Garth wolf out, and attack and even flip Sam, but Sam is eventually able to choke Garth out. When Dean and Castiel arrive, they tie Garth up and dump him in the Impala’s trunk.

Castiel heals Jack, while Dean plays (badly) with the spear and TFW2.0 gets ready to take on Michael with the spear and an angel version of the demon cuffs, which may (but probably not) work on an archangel.  Jack is apprehensive, seeing as how he was just kidnapped, like, an hour ago and they’re going right back up there. Sam and Castiel reminisce about the obvious signs that this is a trap (including the obvious lack of monster guards or Michael coming down to check up on Garth’s interrupted signal). Dean just smiles because yes, obviously, it’s a trap. Duh. Good to all be on the same page now.

Off they go into the trap, Dean in front, to the tune of Movement IV from Beethoven’s 9th Symphony (that big choral moment all the car commercials use since Die Hard used it 30 years ago – damn, I feel old, now). Okay, I legit laughed out loud at that.

Upstairs, Michael is waiting impatiently and doesn’t look nearly as sure as the face the archangel shows to the world. But then Michael senses someone and says, “There he is.”

“He” apparently turns out to be Castiel, whom Michael beats to a bloody pulp before dragging him back to the room with the view. Sam and Jack show up, and get choked out.

This may (or may not) distract Michael as Dean attacks with the spear from a closet. Michael gets into a fight with Dean, and even manages to disarm him and choke him a bit, while monologuing that Dean’s initial “yes” was a “mistake” and that therefore, everything Michael now does is “all on you.” Which is creepy and rape-y and not actually true, but there you go. Sam gets the spear back to Dean and Dean is able to slash Michael.

“Trust me,” Dean says. “That’s gonna leave a scar.”

But then he hesitates (partly as Michael, or perhaps Michael’s vessel, looks afraid). We see the same double vision, some flashbacks to Dean as Michael, and then a really quick and weird one of Dean standing in a bar, playing bartender and looking confused. And then, the camera slides back to Dean’s face. It’s no longer Dean behind the face, though. It’s Michael.

Castiel senses it first (he should; according to canon, he should have seen Michael enter Dean’s body) and calls out to Dean. “Dean” then breaks the spear in half and turns around, eyes glowing.

By this time, it’s pretty obvious to all off TFW2.0 that Michael is back in the house. Unfortunately. And Michael is determined to rub it in.

Michael: When I gave up Dean, you didn’t think to question? To ask ‘Why’? Dean was … resisting me. He was too attached to you [cut to Sam], to all of you [wider shot of all three of them]. He wouldn’t stop … squirming. To get out, to get back. So, I left. [picks up a drink of whisky] But not without leaving the door open … just a crack.

Castiel: Why wait?

Michael: To break him. To crush and disappoint him so completely that this time, he’ll be nice and quiet for a change. Buried. And he is. He’s gone. [drinks down the whisky]

And now, I have a whole army out there, waiting, ready for my command. Ready … for this. [snaps fingers]

Credits

So, that’s it for new episodes for now, though the show returns on January 17 and we already have a promo, which gives away a pretty large spoiler about how this cliffhanger resolves. We can discuss it in the comments if you like, but I’ll try to keep the following review free of future spoilers. Or not.

The show exited 2018 with a 0.4/2 and 1.43 million. This put it below the DC shows this week, who had a big crossover event that netted all but Legends of Tomorrow, Riverdale and Black Lightning (which weren’t in the event) in the 0.7-0.8 range, but comfortably above other CW shows in audience, including Legends of Tomorrow,  Riverdale and Black Lightning, with whom it tied in the demo. Honestly, even if it weren’t the only non-tie-in show on the network, with 13 and a half seasons of eagerly watched content across several streaming platforms, it would be ridiculously safe.

Review: This episode ended up being All About taking Michael down. In the process, it showed both the strengths and the weaknesses of the storyline and the character (at least, the alt-SPNverse version).

Jensen Ackles knocks it out of the park as Michael. The stillness, the coldness, the smugness and arrogance, the self-assuredness, all of these are the direct opposite of Dean’s fire and passion, his joie de vivre, his doubts and fears, his heroism; his ability to be humbled without breaking, to get back up no matter how many times he’s knocked down, to step back and let others take the stage; and his huge capacity for love.

Michael’s biggest strength as a personality is also his greatest weakness – he’s full of self-confidence, a born leader who’s sure he will always win. He’s also cocky, which gets him into trouble, over and over again, in this new alternate reality, especially when it comes to his chosen vessel, whom he does not know or understand at all.

I’ve probably said this in the past, but horror, of all the genres, is the one that most often uses monster metaphors for emotional states, for the human condition. In Sam’s case, Kripke was interested in the idea of Sam having superpowers and how it felt to be hunted for being the next step in human evolution. The audience, on the other hand, really latched onto Sam’s alienation from his family, of feeling that he had tainted blood, a tainted inheritance. Sam’s mixed feelings between settling down with a “normal” life and embracing the Family Business for good also showed the conflicts of growing out of adolescence into adulthood.

Dean central metaphors were clearer and brutally different. While there’s certainly a familial resonance, and he has grown beyond his being frozen into childhood parentification, the monster metaphor for Dean is mental illness. Always has been, probably always will be.

Some of the monsters are internal and some are external. Dean has a lot of rage due to seeing his family get torn apart, his mother burned to death, his father turning into an embittered person who had little time for his eldest, his brother growing into a puppet king of Hell. But in Dean’s case, as many of his demons are real, actual demons from Hell as they are bugs in his head. And Dean has grown very strong, madness and all, feeding on his own rage over the years, but also his great love. Dean has a powerful rage, but he has an even mightier heart.

Dean’s first two lines of monologue in this episode could as much be about his internal demons as his external ones: “I know what it’s like to see monsters. And I know that when they’re gone, they never really go away.” That line from “The Time Warp” in Rocky Horror Picture Show has frequently come to mind this season with regards to Dean’s journey – “Madness takes its toll.” It does indeed.

I’ll admit that when EVOL!Kaia was going on about how she’d kill Dean if he didn’t give her spear back in one piece, I had to laugh and thought of Dean’s line from season three’s “Malleus Maleficarum”: “You wanna kill me? Get in line, bitch!”

At the end, when Michael made his little speech about keeping Dean down – frankly, I think the show lost an opportunity not using The Rolling Stones’ “Under My Thumb.” It was exactly that psychology – the evil, entitled, abusive ex. How dare Dean fight back? How dare he say no ever again after the one time he said yes? How dare he try to leave the relationship? Watch me use your own hands to murder everyone and everything you love, Dean. And it’ll be all your fault.

Possibly the most bizarre aspect of that dynamic this episode was when Michael tried to woo Jack with the idea of growing eternal with him, knowing full well the entire trap this episode was set up to ensnare Dean for eternity, the person Jack most looks up to and emulates. Is Michael really so detached from human emotion that he doesn’t think about the effect wearing Dean’s face for centuries would have on Jack? And that’s even assuming Jack has centuries left. There doesn’t ever appear to have been an archangel Naphil before and the regular angel variety don’t seem to live very long.

There’s a part of Michael that I think resents that Dean has feelings for anyone but the archangel he was bred to house for the next billion years or so. And Michael definitely has underestimated Dean. Without getting too far into that promo for next episode, I think it’s very interesting that Dean knew about the angel cuffs, but Michael didn’t. Didn’t even mention them, let alone take steps to destroy them.

It seems possible that just as Dean has been resisting Michael and forcing him to avoid doing certain things, even to make certain mistakes, he has also been able to hide things here and there from Michael. Michael isn’t nearly in control as much as he thinks – or, at least, as much as he claims. Michael has the tail of the tiger and the ride is rougher than he anticipated.

This is the tension that makes Ackles’ portrayal of Michael so damned fascinating (and why I hope the writers will resist the urge to let anyone but Dean off Michael in the end). It’s the tug of war between an archangel and his vessel. We got some of this with Sam and Lucifer, but by the time Sam said yes to Lucifer, he had been buttered up for a long time (even a lifetime) as special and wonderful by Lucifer’s demon minions. I think the hardest thing for Sam wasn’t become Lucifer’s vessel (as we see with Nick’s storyline, Lucifer makes a connection with his vessels that they miss if they survive his departure). I think the hardest was Sam rejecting Lucifer long enough for Lucifer to tire of his vessel (or see him as ruined enough) to abandon him for other victims, and then having to deal with not being the Special One, anymore. It’s taken a while for Sam to get used to, and learn to like, being “only” human.

But Dean was never seduced in this way. His was a very rough wooing, He was beaten down all his life, told he wasn’t special. And now, Michael wants Dean’s body (and Dean’s memories, which Michael perceives as part of Dean’s body and therefore Michael’s too) while locking Dean away, apparently now in some weird dream of being a bartender in a midnight bar. Of course Dean fights back. Why wouldn’t he? But to Michael, this is an affront, an insult, and he cracks down harshly.

But Michael’s hold over Dean is not nearly as secure as he boasts. If you woo Dean, he distrusts you. If you beat him, it just gets his blood up. He understands fighting very well.

So, Dean distracts Michael and prevents him from killing people Dean loves. Michael makes a lot of excuses, but this elaborate plan he lays out in this episode shows that he is less sure and confident than he makes out. Rather than a victim who is simply overwhelmed and turned into a puppet for Michael, Dean appears to be Michael’s match, even if he doesn’t really know it yet.

That, however, is precisely why Michael doesn’t work when played by other actors. Whenever someone else plays him, whether last season or even this episode, this critical tension is lost. Michael becomes nothing more than a generic villain, a petty tyrant in his own world turned freebooting pirate in this new one. His external plan – to get all humans turned into monsters, or make them into cattle for those monsters – has been tried before, more than once, and never succeeded. It’s nothing new and seems a bit lame for a being who is some 14 billion years old.

People talk about what a great villain Lucifer was and yes, before he was played out, he was. But that’s because Lucifer personally oversaw the destruction of Sam and Dean’s family. And Michael was Lucifer’s older brother. The problem is that this isn’t our Michael. It’s a Michael from an alternate timeline. He was our Michael up until the point Mary decided not to bring John back. And then he wasn’t. He was never the Michael who oversaw Dean’s birth and the destruction of Dean’s family. He’s just a would-be conqueror, trying to take advantage of a cosmic loophole.

Is this Michael not aware that Heaven is about to fall and render his conquest moot? Does he simply not care? Surely, he’s aware of the existence of the Empty Entity. All of these things seem like a larger story than Michael’s low-rent monster army.

Michael’s war for Dean’s body against Dean is interesting because it’s Dean. And it’s interesting because it’s a metaphor for Dean’s own battle with his madness, just as Demon!Dean and MoC!Dean was. The rest of TFW2.0 is now in a Saving Dean storyline and that’s what makes their part in it compelling. Michael separate from Dean? Not so much.

Finally, I’ve seen spec about how TFW2.0 will manage to kill Michael now. Well, they didn’t have either the egg or the spear when they killed Lucifer for real. But there is one way left. Alas, only Dean can do it (unless they bring out the other Michael from the Cage). Only an archangel can kill another archangel, with an archangel’s blade. If Dean could regain control of his body while Michael was still inside, he could stab himself with Michael’s blade. As we saw with Nick and Lucifer, it might not even kill him. Or maybe they could figure out a way to steal Michael’s grace (Michael knows how). But that all would depend on Dean and Dean being able to regain control of his body from Michael.


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The Official Supernatural: “Byzantium” (14.08) Live Recap Thread


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My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through Amazon and is on sale through this Friday. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.

Recap of Lily Sunder’s story, as well as one of Jack’s predicament so far.

Cut to Now and a closeup of Dean looking devastated. He’s in Jack’s room with Sam and Castiel, who are looking after Jack. Jack says that maybe his early death was “meant to be” and Dean gets even more upset, going out into the hallway.

Even though Jack tells Sam to tell Dean “it’s okay,” Castiel goes after Dean and insists he come back in because Chuck forbid anybody take any emotional breaks or anything. I see Castiel’s back to his usual “Berate Dean” form.

Dean does return, but even though it’s only been a minute or so, Jack has died. Sam announces it and we get a closeup of Dean that looks … determined.

Cue title cards.

Outside, Castiel talks about “making arrangements” and Dean says that a wake and a “Hunter’s bonfire.” When Sam walks off, Castiel wants to go after him, but Dean tells Castiel to let Sam be.

Sam packs a bag and takes off, while Dean leaves a voicemail for Mary and Castiel moons about Jack’s room. Castiel sees Sam leave, but, per Dean’s instructions, doesn’t stop him. Dean is upset, since he didn’t mean to let Sam leave the Bunker. They follow Sam, who has left in the Impala, and find him sitting next to Baby.

Dean at first thinks Sam made a deal. In a flashback, Sam says he was trying to chop down trees to build a pyre. Sam admits that he feels utterly inadequate. Dean and Castiel reassure him that he’s not. Castiel claims that Jack’s death doesn’t feel “natural.” Oh, Castiel, honey, since when has anything about Jack been natural?

Sam asks what they should do. Dean suggests a wake (i.e., a heavy-duty drinking and reminiscing session montage about Jack set to The Allman Brothers Band’s “Please Call Home”), so that’s what they do.

Sam bows out first and then Castiel. As Castiel leaves, Dean asks, “We did all we could, right?” Castiel doesn’t even pause, just walks out. Dean pours himself another drink, and toasts Jack (wondering where he is, because there was some debate due to his Naphil status), but looks thoughtful.

Cut to Jack by the Impala on a bright, sunny day, eating a burger. He’s with the Brothers and Castiel, and Dean is outlining a hunt they’re on (while he and Sam bicker). But in the middle of teaching Jack how to read a map, Dean starts to glitch and the sun appears to blink. Jack is in heaven, but something is seriously wrong.

Jack walks out into the boring white corridor that has become the Heaven set (I really miss the night road version of the Axis Mundi, just saying). Everything is flickering. And then he gets chased by a black goo monster. Remember the Leviathans or the Empty Entity? Like that.

Dean wakes to a terrible hangover (Ackles sure milks that stuff) and voices in the other room. Sam and Castiel are talking to a woman with a black eyepatch. An older woman. Remember Lily Sunder from season 12? Her. Only, played by a different actress because, as Dean crassly tells her, “You got old.” As in, very quickly.

So, in other words, they recast her. I’m okay with this because I will take Veronica Cartwright (who played a witch-hater in both The Witches of Eastwick and late, lamented Eastwick the series) over Alicia Witt any day. Maybe Witt wasn’t available. Or maybe they wanted to change up the character’s look.

So, Sam got the idea sometime during the wake the night before to call Lily and see if she could help with deciphering Kevin Tran’s notes from the Angel Tablet. The idea is that maybe they can find a way to bring Jack back (since he’s half-angel).

The Angel Tablet, as we know, was broken along with Dean’s human life at the end of season nine. Kevin had transcribed the entire thing but into incomprehensible scribbles that only a Prophet could understand. And (as Dean points into in an understandable rant about Lily not exactly being their friend due to having tried to murder Castiel during their previous encounter when she was seeking revenge for her daughter) Donatello is obviously not going to be any help in his current state.

Lily suggests that she could use her knowledge of angels to decipher the tablet, which is why Sam called her. Unfortunately, it turns out she can’t.

“Well, thanks for stopping by,” Dean snarks. Nope, Dean doesn’t ever hold grudges forever, or anything.

Lily says she has a second plan. She can use her magic to resurrect Jack. Her magic draws on the human soul (and she only has a tiny sliver of hers left). If they can find a way to resurrect Jack, Jack can say a spell that will use a very small part of his soul to keep his body alive. Dean doesn’t like it, but Sam is for it and Castiel says that if he can find Jack in Heaven, he can pull his soul back down long enough for Jack to revive and say the spell.

But Dean is suspicious of Lily and calls her out on her motives. She admits she has a price. After killing “a lot” of angels (funny, I only recall two), she’s pretty certain she’s bound for Hell. She wants to change her destination.

Dean wonders how they’re going to make that happen. Summon Death? Billie’s not liable to be too helpful. Castiel gives up a new piece of information on How Things Work in the SPNverse – Death and her Reapers don’t decide who goes where. Since Chuck left, that job belongs to Anubis. As per Egyptian mythology, Anubis weighs a soul against a feather on his scales to decide where it goes after death.

Sam points out that in the mythology, Osiris was supposed to do that. Dean adds that they already met Osiris (and Sam put Osiris in a coma for the next few centuries) in “Defending Your Life” in season seven. Castiel handwaves this by saying that Heaven “passed over” Osiris as their new soul judge for some unknown reason in favor of his son Anubis. Though a pagan god, Anubis doesn’t work for Heaven. He works with Heaven.

So, they decide to summon Anubis and force him to change Lily’s fate. Lily is surprised at their sang-froid, but Dean says they’ve summoned gods before (and killed them).

Dean is not actually thrilled by this plan, having issues with the idea of Jack drawing on his own soul for power and also not finding Lily the least bit trustworthy. Sam says it’s worth it if it saves life.

Okay, let’s stop the presses for a sec, here. Everyone involved in this appears to be under the impression that Jack is in Heaven, even though they weren’t sure before. If Jack were in the Empty, I could understand the desperate desire to bring him back, even if it’s still an incredibly dangerous thing to do. But as far as they know at that moment in the episode, Jack is in Heaven and effectively enjoying Paradise. So, why are they dragging him back down to earth to have him live on his own vampirized soul again? I’m with Dean – that’s a bit creepy.

Anyhoo, the plot is at that moment conveniently turning in favor of making this moral dilemma irrelevant because Jack has entered his mother’s heaven (she starts off as a little girl playing ball with her dog). At first, Kelly is thrilled to see him, until he explains to her that she’s in Heaven, which means that they’re both dead.

Dean is drawing the trap when Lily hands Sam her angel grimoire (“the instruction manual”). On the pretense of getting some last-minute items, Sam leaves the room with an unspoken signal to Dean to go apologize to her. Dean sort of does this, but then takes the opportunity to call her out on her motives.

Dean astutely notes that she has intentionally stopped using her magic, is allowing herself to get old and die, even though she fears Hell. Lily admits that when she swore to kill Ishim, she was fine with using up her entire soul to do so. But as it turns out, she was left with a final “sliver … a whisper” of soul. She knows that her daughter May is in Heaven and desperately wants to be reunited with her if she has any soul of her own left.

In Heaven, Castiel is looking for Jack, and finds piles of goo and dead angels. Well, one dead angel, Azuriel. Duma wakes up and tells him they were attacked by the black goo, but she remembers nothing else. Castiel tells her he has to find Jack, but she’s afraid to be left behind. They go to Jack’s Heaven together, finding the scene Jack left when he exited his Heaven, sans characters.

Naomi shows up and identifies their enemy as the Empty Entity. It’s the one that has flung open all of Heaven’s doors (even the ones Metatron had closed) and left them vulnerable, able only to send out a distress signal on Angel Radio. It’s seeking Jack, perhaps because Jack is half-angel. Naomi insists they have to give Jack to the EE (she also calls it The Shadow) to appease it, but as she does so (and Castiel says no), she is attacked from within by the EE and overtaken.

There’s a wee retcon here. Naomi says that Heaven has “46,750,000,000” human souls, but in season five’s “Dark Side of the Moon” (which Dabb co-wrote, so you’d think he’d remember), Ash claims there are about 100 billion. So, which is it, Show? That’s a pretty large discrepancy.

Back on earth, Dean is lighting candles while Sam is saying a spell in Ancient Egyptian (sounds like, anyway) and Lily is cutting her hand to let blood drip inside the circle. Anubis appears suddenly, without fuss, inside the circle with a briefcase.

Anubis is … okay, I was disappointed by Osiris, who was a bit of a nutcase (apparently, Adam Glass didn’t like writing him, so that would explain why that episode sucked). But I like Anubis. Sean Amsing balances him just right (which is appropriate, all things considered). He’s impressed to meet the Winchesters, finally, saying he usually operates behind the scenes and allows Death and the Reapers to do all the face time, so he’s never met the Brothers, even though he’s weighed their souls many times. When Dean snarks at him, Anubis finds this charming (“just as advertised”) rather than insulting.

He calmly asks why he’s there and Lily steps forward. At first, Anubis hesitates, calling her request “unorthodox,” but figures that since he’s already there, he might as well grant it. He pulls out an abacus (amused at Sam’s confusion) and takes her hand. The abacus has black and white beads that zip up and down. When they settle, there are a few white beads at the top, but most are black and at the bottom. Anubis sadly tells her he’s sorry. She’s going to Hell.

At first, the Brothers threaten to keep him in the circle (he can be imprisoned in a ring of palm oil) or even kill him if he doesn’t change Lily’s fate. Dean even notes that God could make an exception.

Anubis says that’s not the way it works. Humans make their own fates depending on their own actions on earth, summed up at the moment of death. No one can change her fate save Lily herself and if the Brothers try to keep him there or even try to kill him, the only thing they’d accomplish is possibly changing their own fates (i.e., that their actions would be unheroic). Reluctantly, Sam gives in and lets Anubis leave.

In Heaven, Castiel and Duma are walking through Kelly’s colorful garden. Castiel is sure Jack is there, in his mother’s heaven.

Jack and Kelly are inside a house. Jack is peering out the front door, telling her that if an attack comes through it, he will distract whatever it is so she can run. Kelly just tells him she’s not running.

Jack is surprised when he hears Castiel’s voice and greets him warmly (but Castiel is an angel; why is Jack surprised that Castiel could find him in Heaven?). Castiel apologizes to Kelly, who tells him he has nothing to apologize for.

Castiel explains that he and the Brothers have found a way to bring Jack home, and the cost of the small piece of his soul. But Castiel also adds that the EE is looking for Jack in Heaven. If he leaves Heaven and goes back to earth, it will stop attacking Heaven. Castiel explains the EE is looking for Jack because he’s half-angel.

Duma then shows up and it turns out (yeah, shock-twist, not so much) that she is still possessed by the EE and now the EE knows Castiel’s plan. Oops.

In tears, Lily wants to bail, even though Sam begs her and says that Jack is their son. Dean is more cutting, using her previous confession against her, saying she must have so little soul left that she is not even human, because no one with a human soul who had gone through what she did with her daughter would do this to them.

Lily glares at Dean hard enough to peel paint off the Impala, but she comes back. They set things up with Jack’s body and she starts chanting the spell.

Upstairs, EE/Duma kicks Castiel and Kelly around a bit, then starts to take Jack. EE is apparently upset, still, about being woken up and dearly wants to see Castiel “suffer.” EE/Duma also sneers to Jack that the Empty is worse even than Hell because it’s “nothing.” Except that the EE was quite happy before it woke up, so how would it feel that way?

But EE/Duma savors the victory a wee bit too long, so that Castiel hears a prayer from Dean saying they are ready with Jack’s body for the resurrection. So, Castiel gets up and makes a deal with EE/Duma. He says that he was the one who woke the EE up, and the EE might have to wait a long time to get him. But if it takes him in Jack’s place, he will go “willingly” and “now.” EE/Duma is okay with this, with one alteration – it will come and take him when it feels like it, when he’s finally happy and he “feel[s] the sun on your face.”

I guess the EE will be waiting a long time, then.

Castiel agrees to the deal and the EE releases Duma, blasting up into a ceiling vent. Duma wakes up, confused, and Jack is upset about Castiel’s sacrifice. Castiel says that Sam and Dean are trying to bring him back right at that moment and that Castiel owed it to Kelly to save Jack.  He also begs Jack not to tell them about the deal they made. Jack agrees, because secreth and lieth have always gone so well on this show.

Jack says goodbye to Kelly, who says she will be waiting for him. Castiel puts his hands on the side’s of Jack’s face, which glows, and the Jack wakes up on the table in the Bunker (as Lily stops chanting and starts in surprise), deathly pale and coughing, but breathing. Sam quickly hands him the spell to heal himself, which Jack does with much hacking and choking. His eyes glow briefly and he asks in wonder if that is his soul. Dean asks  him how he feels and Jack realizes he’s healed. Dean hugs him and Sam manfully squeezes his arm.

In the background, Lily has been clutching her chest and backing away from the table. She sits down offscreen in a chair. When Dean turns to her to thank her (Sam does, as well), she is lying dead in the chair. The spell took the last bit of life out of her.

Lily finds herself in Anubis’ office, which is a 40s noir style set-up in a clock tower (pretty cool design). Confused, Lily asks what she’s doing there. In response, he pulls out his abacus and takes her hand again. This time, most of the white beads end up at the top.

Anubis asks Lily if she realized “what the spell would cost you”? She doesn’t answer (though her look says she did). The implication is that not only did she suspect it would cost her her life, but even the last sliver of her soul (since her spells were powered by her soul). By giving these up, she appears to have restored her soul and also won passage to Heaven because Anubis tells her, “Say hello to your daughter for me.”

In Heaven, as Castiel is exiting Kelly’s, he encounters Naomi. Naomi thanks him for saving the angels, even if he didn’t make his sacrifice for them. As a “reward,” she offers him what the angels know about alt-Michael’s location.

Downstairs, Jack is enjoying a burger (no doubt made by Dean) with the Brothers and Castiel. Dean tells Jack that Castiel got intel on alt-Michael. Castiel says they still don’t know where EVOL!Kaia is, or her Spork (though I’m guessing it’s with her), but they’re one step closer. Dean calls a clink of glasses over the prospect of taking down Michael once and for all.

Credits

Ratings went up a bit this week on this one, which is somewhat unusual for December (Christmas ratings for non-holiday shows tend to be dire). Perhaps fans wanted to know what happened to Jack. The show got a 0.5/2 and 1.53 million, which put it in second for the week on the network in both demo (tied with Arrow) and audience.

The promo for next week (which is the Christmas finale) is up. This will be the last episode until January 17. Since the show is only 20 episodes long this year and so far, they’re going with the usual number and spacing, it appears that we will have some looooonnnnger than usual mini-hellati in spring. They’re basically stretching 11 episodes out over 4 months. I’ll be doing some catching up with older seasons during those lacunae.

Review

So, the review. This episode obviously wasn’t going to kill off Jack (though, for a bit, they teased that it might turn out the way things did for Bobby in season seven, which would have been awful), but in order for it to have the necessary emotional weight, someone recurring needed to get thrown under the bus.

Castiel’s not going anywhere, either, but his deal will throw the usual spanner into the works when the time comes. And the time may come sooner than later (albeit I still think everyone else was distracted, with reason, by the horrific shiny of Jack’s illness from the fact that Dean is definitely not okay – with potentially cosmic consequences). Depends on where they go with the Michael storyline, which they finally revived this week, and how fast. I can’t decide if the EE will be the Big Bad for this season, with alt-Michael reluctantly recruited to fight it, or will be reserved for another season (yes, people, there will be another season – did you see those ratings?).

Since none of the regulars was going anywhere, the return of a guest star was required. Well, we technically got more than one, though Kelly didn’t leave Heaven. And while Duma and Naomi’s exits were teased, Heaven only lost one redshirt angel (sorry, Azuriel, or whatever your name was!).

So, hello again, Lily; goodbye, Lily. Initially, I was perfectly okay with this. I found Lily Sunder mighty unsympathetic in her first appearance. Not only was she up against Ian Tracey’s Ishim (yes, I know Ishim was whackadoo and jealous of Dean’s friendship with Castiel, but it was Ian Tracey. Sue me), but she was played by Alicia Witt. I’ve noted in the past that I’m not a huge fan of Witt. I fact, I just realized she’s actually been irritating me since the 1980s, as she played my favorite character not very well in David Lynch’s version of Dune. Yeah, she was a kid back then, so it wasn’t her fault, but she isn’t now.

But I liked Cartwright. She brought a twilight sadness and guilt to Lily Sunder that the character needed to hook us into her story arc. We still had the foundation of a frenemy we had met before as an enemy, whom the Brothers (well … Sam) called in desperation, but with more emotional pain and less angry snark.

Lily wasn’t just a sacrificial character the show threw under the bus to give Jack’s resurrection emotional weight. She was a character whose ending had been left undetermined in the previous episode. There was still a story to tell about/for her and the episode did a pretty decent job of doing so. Yeah, a lot was packed in, but Lily’s journey was never ignored or given short shrift. Her decision was pivotal for the episode, but made perfect sense for her. Anubis was right – only Lily could change her own fate.

The thing was that Lily was a very selfish character in her first appearance. One understands the concept of revenge. The entire reason the Brothers are so powerful in the first place is because of their familial quest for revenge for their murdered family. We hear a lot of demons and monsters and angels and gods make snarky references to the Winchesters’ violating the Natural Order, but the Natural Order destroyed their family, for generations, made them products of a eugenics program going back possibly billions of years, caused them untold misery. Why would they feel any loyalty to that? Excuse me, but the sheep get to fight back.

But the Brothers have always had the Family Business motto to project that mission outside themselves. It’s always been about more than just their needs. Though John gradually lost his way, he also saved a lot of people. And though Sam could be a lot more selfish than Dean (and Dean could be downright violent, albeit otherwise the most altruistic Winchester), Sam has always perceived saving others as a way to redeem the darkness he feels inside him. And, of course, there’s Mary, who could never quite stop hunting because there would always be innocents needing help.

Lily, on the other hand, didn’t care if innocents got hurt on her mission. She had no empathy for the vessels the angels she killed inhabited. Just collateral damage, as far as she was concerned. She couldn’t care less that Ishim was about to kill Dean. To her, that was just a convenient way to stall Ishim until she could get to him and kill him. She even got herself into her original predicament by summoning Ishim and messing with forces she didn’t fully understand.

Yes, she loved her daughter, but she then used May (and May’s death) as an excuse to become darker and darker over time. In Lily’s case, her use of her soul to fuel her power was really a metaphor for her gradual loss of humanity over time.

And it made sense that Dean would be the one to call her out on it. Sam gets moral tunnel-vision and often is willing to work with some shady people, doing shady things, without looking hard enough into what’s going on (this goes all the way back to, oh, “Faith”). I especially wasn’t too thrilled by how Sam brushed off the realization that Jack was in Heaven and that they would be yanking him back down to earth if they resurrected him, having him power his body with his own soul just to survive.

Dean doesn’t buy into that as much. Dean wants to know the hidden moral cost before he plays the game (and Dean was the one who questioned the soul battery idea for Jack). Sam had the idea of calling Lily but it was Dean who knew how to find her true motivation and bring it out.

So, Lily desperately needed redemption. The fact that there were any white beads in her favor the first time shows that she did manage to do some good, and that allowing herself to age and die was a promising start. But she needed something else, something where she set aside her selfishness for good and all. That involved sacrificing her life to save Jack.

By giving Lily a real story of her own, the episode made it possible for her sacrifice to anchor Jack’s return. A life for a life, but in Lily’s case, sacrificing herself is exactly what her story needed to end well.

I also liked Anubis. This felt like a do-over of the botched Osiris story in season seven and even of Kripke’s original idea of gods as just human-eating monsters. Anubis was not a monster. Nor was he an angel. He was an actual pagan god but a benign one. Don’t think we’ve ever had that before.

Yeah, it was sort of a retcon that basically ignored the Fates (“My Heart Will Go On”) and previous pagan god lore, but I’m okay with that. I didn’t like the Fates, anyway. Plus, the idea that all pagan gods were evil and dependent on the power of their worshipers (especially the whole “Hammer of the Gods” massacre) never sat well with me. And yes, I’ve read American Gods, and no, I didn’t like it. I felt it was disrespectful toward pagan religious systems (aside from being overlong and hideously boring at times).

Anubis has a place in the SPNverse, a critical place. He has basically replaced Chuck as the person who decides where human souls go when they die. Except that he doesn’t decide – the humans do. That was the twist. Anubis is just the psychopomp.

I also liked the way the actor played him. Anubis wasn’t going to put up with any crap, but at the same time, he understood the emotional stakes (fitting for a god who weighs human souls against a feather) and was willing to cooperate as far as he could.

He wasn’t mean. He wasn’t cruel. He felt compassion for Lily, even though he hardly ever had interactions with humans. He didn’t so much as balk at giving Lily a final accounting (after all, he did say that he normally only did it at a person’s death) or congratulating her when it turned out well. If anything, Anubis is a much nicer and kinder god than Chuck. Go figure.


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The Official Supernatural: “Unhuman Nature” (14.07) Live Recap Thread


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I have a confession to make. As much as I love this show, I have really come to hate Nepotism Duo scripts. I tend to drag my feet on recapping and reviewing them because they are so. Damned. Boring. The pacing is usually rushed on the important things and endlessly show on the unimportant things. And half the time, their stories are pretty offensive, brain-dead, and constantly contradicting themselves and other Show canon.

So, let’s get started.

Brief rehash of Jack’s story, focusing on how he lost his sparkly powers and is now sick.

Cut to Now and Nick sitting in an office in front of a nice stained-glass window, speaking to someone offscreen (behind the camera). Remember this speech from Psycho Debbie in Addams Family Values? It’s kinda like that:

Nick is confessing about killing his neighbor, while waving a bloody knife around (so his audience is likely either not real or dead). He says the really disturbing part is that he had “feelings” afterward of pure enjoyment. That’s a problem. But at the same time, he deserves to find out what happened to his wife and baby.

He starts talking about forgiveness and as he gets up, we see he is speaking to a priest. A dead priest. Who’s had his throat cut and has been crucified in a doorway. Nick pats the corpse on the chest, saying the priest should have just given him what he wanted, and leaves.

Cue title cards.

Y’know, I always wanted to find out what Nick’s backstory was and who killed his family (Kripke sure as hell didn’t care). But I always worried that the writer who decided to do it might take the cheap and easy route, and “blame” it all on Nick by having him conveniently go psycho. That way, nobody, either writers or audience, would have to deal with the uncomfortable cognitive dissonance of Nick’s years-long suffering over the course of the show, while the Brothers “failed” to save him.

The thing is that the Brothers didn’t fail at anything. They had no idea Nick had even said yes or been possessed until nearly halfway through season five and thought he went bye-bye at the end of the season. By that time, they had reason to believe that should Lucifer, say, be forced to leave his vessel, there wouldn’t be anything left to Nick anyway (which appeared to be the case after Sam said yes). Nor did they resurrect Nick or steal his body in season 12 – that was Crowley.

So, having Nick be an innocent victim of Lucifer wouldn’t have been a problem for the audience retaining sympathy for the show’s protagonists. The Brothers are innocent victims of Lucifer, too. The fact the show chose to have him go psycho in his “roaring rampage of revenge” was simple laziness and lack of imagination on the part of the writers. Oh, yay.

But those title cards are still nice.

Cut to the Bunker, where Jack is lying in bed, coughing up blood, while Castiel tries to heal him. It doesn’t work, which is what Castiel tells the Brothers, who are waiting out in the hallway, Dean a bit more loudly than Sam.

They hear a noise in the room and rush in to find Jack on the floor, seizing. Jack’s lying on his side, which actually is a good position for a seizure (less likely to choke), so Sam picks Jack up so he can choke for real and so the audience can see his face.

At that point, the three of them drag him to the ER, where Dean bosses everyone around. Or tries.

The nurse takes an awfully long time arguing with Dean over Jack’s personal information, even though there’s blood on Jack’s shirt (ugh, Nep Duo, do you think you could possibly have done a little research on medical procedures?).

Anyhoo, Jack collapses (which speeds up the process) and is rushed into a room, where the doctors can’t figure out what’s wrong with him or even stabilize him very well.

Meanwhile, Nick is meeting in a diner with a friendly female reporter, who investigated the murder of his family. He tells her the neighbor’s dead. Nick gets a little strange when she first turns cagey about having dropped the story. When he presses her on which cop covered his case, she mentions a guy who retired afterward and is doing private security up on Montauk.

The Brothers quickly conclude that the hospital is doing Jack no good (saying “all his systems are shutting down” is unhelpful and pretty non-medical, makes him sound like a computer). So, they check Jack out and Sam calls Rowena.

There’s a cute scene in which Rowena arrives at the Bunker, all perky to help … Dean (ha, knew she had a little torch for him). Sam had lied to her. When she finds out that it’s Jack (more specifically, Lucifer’s son), she’s equally ready to bail. Jack shows up and basically sweet-talks her into staying. Poor Rowena. Such a sucker for a wee magical bairn.

Unfortunately, she’s not able to cure him, though she can diagnose what’s going on. As a half-human/half-archangel, Jack’s body exists in a stasis kept by his grace. Take away the grace and his body starts to eat itself. Castiel offers his grace, but Rowena says Jack needs archangel grace.

As they talk, Dean gets dizzy and has a dissociative episode in front of everyone that no one whatsoever sees. I get they’re all worried about Jack, but it happens right in front of the whole group. Jeez.

Somewhere else at night, Nick is hanging outside a nightclub in the city. He strikes up a conversation with a girl outside using her phone, while hiding a knife from her. But when she refuses his invitation to go somewhere quiet, and instead suggests he come inside the club, he chases her away while holding back from killing her. Then he has a dissociative episode very much like Dean’s in the previous scene.

At the Bunker, Jack wants to go on a roadtrip and is packing when Dean walks in. To Jack’s suprise, Dean is fine with the idea of Jack living a little before he dies. Jack is tired of being “special” (he says people came to expect he’d be around forever, but perhaps that was not to be) and just wants to have a taste of life, so Dean agrees to go with him to Vegas.

Sam, Rowena and Castiel are all on the phone to various people when Dean comes out with Jack and the two of them announce this after we find out the only lead (via Ketch) is a shaman the LoL used to use. Sam asks if Dean thinks this is a good idea. After some hesitation, Dean says yes. Sam looks concerned, but neither he nor anyone else has noticed that Dean just had another dissociative episode right in front of everybody seconds before.

Well, alrighty-then. A dying baby Naphil and a slightly-more-insane-than-usual salty Hunter are off to Vegas. I’m sure this will end well.

After visiting Rollin’ Thunder Burger Barn, Dean impulsively decides to teach Jack how to drive. Fortunately, Baby’s an automatic (or this could get really interesting), so we get a cute montage of Jack learning how to get up to highway speeds, to Bachman-Turner Overdrive’s “Let It Ride” (my God! More Classic Rock!).

At one point, Jack blurts out, “It’s like I’m you!”

“No,” Dean says with a weird look on his face. “It’s not … eyes on the road!” And yet, you can see he’s touched by Jack’s enthusiasm about being out on the road with him. I don’t think Dean is used to being hero worshiped. Claire’s OTT adulation freaked him out, too.

Back at the Bunker, Castiel decides to go off alone to meet with the shaman (something-something about spreading out their resources; it’s not made very clear). He comments that Dean seems especially upset about Jack’s illness and that they can’t cure it. Sam tells Castiel that Dean was rough on Jack initially (well … um … yes, for the same reason Rowena’s reaction made perfect sense. He is the son of the Devil) and he thinks Dean feels guilty. He also says that while they have both “lost people” before, “this feels different.” Castiel says that’s maybe because it “feels like losing a son.”

The scene is a bit sappy (but hey, somebody noticed Dean’s feelings for once). Too bad nobody has yet noticed that Dean is slipping again.

Dean and Jack stop off to eat. Dean asks what Jack wants to do and suggests going to a local bar to hook up with a girl. Jack has another idea, so they run with that.

Meanwhile, Nick is showing up on the doorstep of the former cop who investigated his family’s death. The man is clearly paranoid and tries to slam the door on Nick once he realizes who he is. But Nick busts his way in, grabs the man by the throat and says they should “talk.” I’m sure this will involve lots of violence.

Jack has decided to go fishing. With Dean. He was inspired by Dean telling him once that he went fishing with John and it was “the happiest moment” Dean ever had with his father. Dean hedges that he “never said that,” but Jack says, “It was the way you said it.” This seems to be a callback to Dean’s fishing dream at the beginning of season four’s “The Rapture.”

Jack tells Dean that he doesn’t see happiness in going to exotic places, but in the smaller moments, specifically spending time with Dean, that if this is it for him, this is how he wants to spend it. The subtext is pretty heavy that Jack sees Dean as his primary father figure. Kinda sucks for Castiel (Sam was always more the responsible uncle).

Meanwhile, Castiel is meeting with the shaman, who lives in an old trailer. And is a Russian named Sergei. Sergei makes a ring of holy fire blast up around Castiel and comes out armed, but then they go inside and talk.

As far as I can tell, this is supposed to be a male version of Baba Yaga. I don’t really get why Baba Yaga is male in this version.

Sergei claims to be a healer, but comes off as very dodgy. Anyhoo, he pulls out a box and turns out to have some archangel grace from Gabriel. Gabriel had traded it for a cloaking spell to hide him (the time he hid out in Monte Carlo). The grace alone won’t heal (or, according to Sergei “restart”) Jack’s body. It also requires an intricate spell. He will accept no payment except for an IOU from the Winchesters (because that is considered valuable now in the magical world).

Meanwhile, Nick is beating up the ex-cop, who is tied to a chair, so yep, we got violence. Nick talks about killing the neighbor, but he also supplies some extra info we didn’t hear before. The neighbor had said he saw a police officer leave the house after the murders, but there was a cover-up. He mentions the reporter, who told him this guy was the one who was seen leaving the house.

The ex-cop finally confesses that he doesn’t remember what happened. He ran into a guy who called himself “Abraxas,” then has no further memory until he woke up with blood on his hands.

Nick realizes the guy was possessed. At first, it appears he may let the guy go, since he was actually just an innocent host. But then the bloodlust takes over and he kills him, anyway, beating him to death with a hammer. He looks agonized afterward. Also, covered with blood.

Back at the Bunker, Castiel admits that Sergei was dodgy, but this is what they’ve got. So, they do the spell and Jack drinks the archangel grace (I didn’t catch the first word, though it’s probably supposed to be “gratia” for grace,” but the Latin basically says that it will restore the person to how they previously were). At first, he appears to get better, but then he becomes much worse.

Furious, Castiel calls Sergei, who is getting stoned, and finds out the spell was experimental (um … yes? Wasn’t that obvious?). When Castiel threatens to find Sergei and kill him if Jack dies, Sergei tells him good luck doing that. I roll my eyes a bit over this exchange.

At the very end, Nick has gotten drunk while still in the dead cop’s house and admits that he enjoys killing and doesn’t want to stop. He’s lost without being Lucifer’s vessel (yes, yes, I know. Anvils for Dean). Just in case we were thinking the writers hadn’t gone sufficiently lazy with Nick’s storyline, Nick prays to Lucifer for help and Lucifer, very improbably, wakes up in the Empty.

At the very end, Rowena is doing a sort of read over Jack (there’s a hilarious BTS video that explains why Jack is smiling while asleep and dying).

Dean blames himself, but Sam and Castiel both say that Dean at least made Jack happy, which is more than anyone else has been able to do, lately. When Rowena finishes, they ask what she can do and she says they can only sit vigil while Jack dies.

Oooh, cliffhanger.

Credits

I’ll do a review-ish tomorrow night. Tune back in here for it and ratings info.

So, the promo for this week is here (the Christmas midseason finale is next week and, as usual, they’re actually stopping a bit short of halfway, even though the season is shorter this time).

Ratings were a 0.4/2 and 1.49 million in audience. This tied it in the demo for second and made it second (solo) in audience for the week on the network.

Review

What to make of this one? It has some good ideas, with nothing too terribly offensive. There are some scenes where the actors took the opportunity to chew the scenery and did really well.

Mark Pellegrino knocks it out of the park communicating Nick’s pain and confusion, and newfound bloodlust. The scenes between Dean and Jack were heightened by the easy chemistry between Jensen Ackles and Alexander Calvert. I doubt that the show will kill off Jack (they need all the actual break-out popular new and younger characters they can get), but Calvert got across a heretofore only implied notion that Jack was originally intended to be a mayfly person, with huge superpowers but not destined for a long life.

Ackles, on the other hand, got to explore a new (and surprising for Dean) dimension of his character in which Dean realized that not only did Jack look up to him as a father, but loved him as one, perhaps even more than Castiel or Sam. We even got a callback to season four with the two of them fishing.

I also got a giggle out of Rowena being easily lured back to the Bunker by Sam because she thought Dean was in trouble (he is, but nobody’s noticing that, yet). I thought she had a wee torch for him. And even a cursory glance at the last third of season ten would explain why she doesn’t trust Sam, even if we hadn’t had the reveal late last season that Sam is her fated nemesis.

Nor did I have any problem with her refusing to help Jack at first. Lucifer may not have been able to kill her permanently, but he sure did a number on her and it makes sense she’s still traumatized. If it’s okay for everyone to be freaked out just by having Nick around, it’s okay for Rowena to be freaked out by having Lucifer’s son around. It would be out of character if she weren’t.

And in all fairness to the Nepotism Duo, these character moments didn’t entirely come out of nowhere.  Jack has been emulating Dean as a model of behavior since the very beginning of last season, even when Dean was outright rejecting him. Dean certainly has more experience of actual fathering than either Sam or Castiel. And Dean did warm up to Jack enough by the end of last year to make his sacrifice to Michael about saving Jack as well as Sam.

And the thing with Nick (which is a rather obvious hint of what Dean may face in the near future as a former vessel) made some sense, too. I mean, he’s been Lucifer’s vessel since season five. There was bound to be some serious and probably permanent damage.

But a lot of this stuff popped back up out of nowhere, leaving unanswered questions behind. Why does Jack emulate Dean when he started out apparently modeling himself on Castiel? And why not emulate Sam, who accepted him first of the two brothers? Jack’s motivations confuse me here.

The concern between Sam and Castiel over Dean’s feelings was nice to see – finally. But at the same time, when the hell did this all come up? That’s a huge change of heart for those two characters since even season 11.

Since when do they feel concern for Dean and his feelings, and explicitly tell him things are not his fault, without getting angry at or exasperated with him? Since when do they feel bad for him rather than fear him when strange supernatural symptoms happen to him?

Why the sudden switch after Dean was possessed by Michael? That’s another big unanswered question that I don’t see being answered. I see it just being left as a big plot/character arc hole.

Also, it was quite exasperating for everyone to natter on about how concerned they were about Dean when they didn’t even notice him going dissociative right in front of them. The Show didn’t match the Tell there.

I totally get that the main emotional focus is on Saving Jack, who is the character dying and therefore in immediate peril at the moment, but when another character is looking openly vertiginous in front of everyone, especially as he’s about to go out driving in a car with said terminally ill person, maybe notice that, guys and gal? Jeez.

As for what’s happening with Dean, obviously, it’s related to Michael. I’ve seen theories that it was related to the sensation of drowning Dean talked about when he was possessed by Michael, that it was Michael reasserting himself. There are some problems with that theory (even if it’s plausible enough for this writing crew).

First of all, there’s simply no reason for Michael to hide out intentionally inside Dean and act as a spy in the Hunter camp. Michael is so powerful and already so aware of what’s going on that he really doesn’t need to do that.

One could argue that Michael has been hiding inside Dean after being wounded by the Magic Sparkle Stick, but again, that doesn’t really sound like Michael and still doesn’t answer the question of why/whether he would be hiding out. Trapped and unable to leave? Sure. Intentionally remaining in hiding when he just could take over? Not really Michael’s style.

Second, Nick had the same vertigo as Dean and if that penultimate (and really annoying) scene in the Empty is any indication, Lucifer is definitely not inside Nick, at least not right now. So, the foreshadowing still leans toward it being an aftereffect. A really, really nasty aftereffect. I’m not saying the writers couldn’t go that route of Michael hiding out, rather than being stuck or being elsewhere (they’ve gone in far dumber directions), just that it doesn’t exactly make me go, “Ooohhh, that makes so much sense!”

Speaking of that penultimate scene, ugh. I’ve seen some theories, as well, that it’s another character (Crowley, say), but I doubt the writers will be that creative. They’ve been mighty uncreative about Nick’s storyline so far, so I don’t expect them to swing for the fences now.

They could have had the killer of Nick’s family be an “ordinary” human, or a monster, or a pagan god, something we didn’t expect. But nope, it’s probably what we thought – some demon killing Nick’s family to motivate him to say yes to Lucifer, even though that makes no damned sense when at that time, Sam was all set to become Lucifer’s vessel (Nick’s wife and baby had been dead for a little while when Lucifer came to him and that Lucifer found him immediately after escaping from the Cage). It’s linear and it’s a retcon and it means we are probably going to get stuck with Lucifer all-friggin’-over again. I hope that won’t be so, but yeah, it probably will.


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The Official Supernatural: “Optimism” (14.06) Live Recap Thread


We need your help!

Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee. I’m posting reviews here of North Carolina ghost story books, and notes about my research all month long on Patreon.

My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through Amazon and is on sale through this Friday. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.

Recap of the story so far and where the principles and guest stars at (the latter mainly being alt-Charlie). Odd, clicky soundtrack, as though they wanted “Time Has Come Today,” but couldn’t afford The Chamber Brothers again.

Cut to Now in McCook, Nebraska, with this weirdly upbeat ragtime piano tune that sounds like something Randy Newman would write (specifically, “You’ve Got a Friend in Me,” but it’s not). We swing down past a closeup of a bronze statue of a bearded man in 19th century garb to a perky young woman jaywalking across a street.

She says hi to an elderly man then opens up the town library for the day. Later, we see her shelving books, while confirming (rather unenthusiastically) a dinner date with one guy, fending off the creepy stalking of another, and complaining that nobody ever comes into the library, anymore.

Okay, first of all, I am very sick and tired of the cliche of the young, nerdy woman who has guys swooning over her and treats them mean (especially in an episode that’s bringing back Charlie). Second, has Steve Yockey just not been in a library, lately, ’cause all my local libraries are pretty busy. If only because they have free internet and job hunting resources. And I don’t exactly live in a book paradise. More like a bookstore desert.

So, Date Guy leaves the library, all libidoed up ’cause he’s going out tonight with the hot librarian. And we get what I do believe is the first actual Classic Rock (okay, it’s Disco) of the season – The Bee Gees’ “Stayin’ Alive.” That is, until he turns into a Doomed Teaser Guy and is grabbed by dead white hands into a bush, where he is messily murdered offscreen.

Cue title cards.

Jack is trying coffee with tons of sugar. Dean walks in and comments on this. Jack says that now he no longer has powers, “everything tastes different” and he can’t seem to figure out how to get the right taste on anything.

Jack says Sam went off on a hunt with alt-Charlie and didn’t tell Dean because Dean was already on an overnight drive to visit his mom and alt-Bobby. Sam left Jack behind to watch out for Dean because Sam is worried about Dean. That’s the story Sam told Jack, anyway.

Jack muses that Sam and alt-Charlie must be having a great time on their hunt. Cut to Sam and Charlie on a stakeout at a pest control place, in a pickup that looks suspiciously like the one Sam used while investigating Dean’s massacre of the late, unlamented Stynes.

Sam is so bored that he plays with a spinner, which is mildly amusing.

Dean notices that Jack has a cough, but Jack pretends it’s nothing and there’s no blood just yet. Jack tells Dean that Michael wasn’t his fault, then mentions he dug up some news about Doomed Teaser Guy, who was found dead with human bite marks. Jack wants to go hunting. Dean thinks it’s a bad idea and says he should go alone. Jack says he’s going stir crazy and feels guilty about not killing Michael when he had the chance. So, he eventually bugs Dean into letting him take him on a hunt. Dean tells Sam. Sam expresses concern, but doesn’t object (as if that would stop Dean). Alt-Charlie shrugs and comments that they’ve got four missing people and a jar of goo on their end. So far, so mysterious.

Dean and Jack arrive in town and first hit Dick’s Red Rooster Diner. Jack says it was the place where DTG (called “Winston”) spent his time on breakfast. This is the sneak peek where the counter person (who thinks she has a “working knowledge of the Constitution,” but doesn’t know any) is a jerk to them until Dean whips out some money and bribes her.

There follows a Fargo-like montage of local people (including Diner Jerk) talking about how sweet the librarian is, but since her boyfriend left, she can’t seem to keep boyfriends. They disappear or die and she’s just “bad luck.” It’s a little too on-the-nose, but Dean and Jack’s reactions are amusing.

Meanwhile, alt-Charlie is telling Sam that Dean will be okay, that he has friends. Sam then eulogizes her (dead) counterpart here, which rather-understandably makes alt-Charlie pretty uncomfortable. It turns out her life went very differently. She was working for Dick Roman (the real one, since the Leviathans never came out to play) and had a girlfriend named Kara. Everything was fine until the day alt-Michael and alt-Lucifer fought, causing a huge EMP wave to “fry” all the electronics in the U.S. Human society than fell into chaos and sometime during that, Kara died. Sam says that hasn’t happened in his reality and alt-Charlie just replies, “Yet.”

Back to the diner, where Dean has ordered Jack and him some pie and Jack is asking Dean about sex. As you do, when you’re about a year old and have the body of a teenage.

Dean and Jack mull over what to do about the librarian, Harper. Dean says that so much bad luck is a red flag that something is up, but Jack asks, how are they going to find out?

Dean’s idea is to run a Good Cop Bad Cop con on Harper, with Dean playing Bad Cop and Jack coming in to “save” Harper from his interrogation. I kinda like how unapologetically shady Dean is in this and how Jack enthusiastically goes along for the ride. Dean is a lot of things, but he’s also a great con man and thief.

Dean looks a little taken aback when Jack calls him an “old man,” but when he sees how eagerly Harper eats it up, he rolls with it and leaves. But he watches from the car (grumping privately about the insult) while Harper bonds with Jack (immediately taking him to her apartment for a book) and fends off her creepy, red-bearded stalker, Miles.

As Dean gets out to follow Jack and Harper, he hears Miles getting messily murdered offscreen in an alley, while putting out trash. When Dean investigates, he is watched from the bushes.

Back to Sam and Charlie. Charlie is reading through a lot of occult books, while Sam compliments her on her Hunting skills (FYI, Charlie hasn’t actually done any onscreen hunting at this point). This version of Charlie is the exact opposite of her perky SPNverse version. She wants to quit Hunting because all it ends up getting you is dead. Sam doesn’t understand why she would want to quit, which is pretty out-of-character for Sam, even now. I get that this is supposed to be an Anti-Charlie Charlie, and I guess that’s not a terrible idea, but the execution so far is still boring and the result is still a whiny Charlie.

Not only is alt-Charlie quitting Hunting, but this is her last case. She’s going to go off the grid and stay away from people and monsters.

Then they get to their MOTW (it appears we have two, since there are two hunts), something called a “Musca,” which is a man-sized fly. It turns out there is a “bad egg” of a male Musca that can’t find a mate and leaves its community to bind humans together and “nest.” Or something. Then then see someone (or something) sit down next to a pair of elderly women, wearing an all-black kind of combo of a Puritan minister and beekeeper’s outfit that completely obscures its face. It’s really lame. Like, the spider people in “Unforgiven” levels of lame.

At Harper’s apartment (which is bright and perky), Harper rather awkwardly flirts with Jack, who doesn’t get it. While she’s in the other room, getting the “book,” Jack drops a silver coin on the floor and covers his hands in holy water. When Harper appears to pass those tests, Jack covers a cough with a “Christo!” Dang, been a while (“Phantom Traveler” in season one) since anybody used that.

Jack says he’s from Lebanon. Harper says her family has been in her town for many generations and she’s “the last one.” To cover up a real bout of coughing, Jack sees a photo of Harper with a guy, whom she calls “Vance.” She says he was a former boyfriend who left town – and her – thus beginning her round of bad luck.

Harper stops Jack from answering a call to Dean and starts acting in love with him. Jack asks her where her bathroom is, goes in and answers the call (good Jack!). Dean is still at the site of Miles’ gruesome demise. As they’re talking about what/who is stalking the men around Harper, Dean gets attacked by the thing that apparently killed Miles. Jack hears the attack over the phone and rushes out of the bathroom.

When a worried Harper asks if she came on too strong, Jack reassures her that she didn’t. She asks if they should “go for coffee.” Before Jack can answer, Dean bursts in (having apparently not been messily murdered offscreen), making Harper scream in shock. Dean and Jack hurriedly do The Talk (not the sex talk, but the monster talk), while Dean grabs a chair and shoves it up under the doorknob to Harper’s apartment. They’re there to save her. When Harper asks, “Save me from what?!” the apartment door starts banging on cue and Dean says, “That!”

As Harper is asking who is out there, Dean says it’s a “what” and that “I thought it was a ghost until it punched me in the face.” (There’s an amusing exchange as Harper thinks Dean said it was a ghost and Jack says that no, Dean said it wasn’t.) Dean then spots a photo of Vance and picks it up, asking who it is and when he died.

Harper is very surprised to hear that Vance is dead, saying “He lives in Connecticut.”

“Not anymore,” Dean says (love Ackles’ delivery). Vance shouting Harper’s name from outside the door convinces her that it is, indeed, Vance.

As Vance busts the door down, Dean figures he’s some sort of revenant (a big callback to season two’s “Children Shouldn’t Play with Dead Things,” in which Dean was also pretty messed up). Dean comments that silver will slow them down, but only one thing can kill them. He finds a silver knife in Harper’s apartment and grapples with Vance, yelling at Jack to get Harper out of there.

Meanwhile, it’s night and the Musca shows up at the bus stop (that’s what the bench turns out to be). Alt-Charlie is all for going after it, but Sam wants to wait. So, of course, a bus comes along and gives the Musca cover to kidnap a guy sitting next to it, except why would it wait until the bus came to do that if it doesn’t know two Hunters are sitting across the street. Isn’t it doing that right in front of a bus full of people?

Well, anyhoo, it finally gets them out of the truck to go after the thing, and Sam to shut up temporarily about trying to bully alt-Charlie into staying in Hunting. Thank God. ‘Cause that was really dull.

Back to the fight scene, which is actually fun. There’s an amusing Riverdale dig when Dean calls Vance “Archie.” But Vance, for whatever reason, decides not to continue fighting Dean (who is basically distracting him to help Jack and Harper escape, anyway) and runs after Harper and Jack. Who have run back to the library.

The storyline for Sam and alt-Charlie’s hunt is so damned thin that they actually infodump a conversation we never heard about how a “brass nail dipped in sugar water” is maybe the only thing that can kill a Musca. Alt-Charlie says they don’t have either of those things. Sam babbles that they can “improvise” before they bust into a warehouse with guns that apparently can’t actually kill the MOTW. Once inside, they comment on the stink and find a lot of flies and fly paper. Then they go stalking through the warehouse, nodding randomly to each other for no reason (I was like, “Whaaat?”).

Alt-Charlie finds a pile of bodies at the same time Sam finds the Musca’s briefcase. Turns out the Musca’s been chloroforming its victims. Charlie finds the latest one from the bus stop – he’s still alive – but manages to get grabbed by the Musca and tossed off the platform thing-y it has its victims on like the cast of Cats. This conveniently knocks her out. Sam comes in and finds her, only to be attacked by the Musca (which is a guy dressed like a mime, wearing a very dodgy bug mask that the director doesn’t let is see too closely amid all the jump camerawork). As it’s dripping goo on Sam for some reason, alt-Charlie wakes up and stabs it in the back, then Sam shoots it, and that is apparently all you need to kill it. So much for the brass nail and the sugar water.

So, back to the library, where Jack finds out the hard way that Harper and Vance are in cahoots (I know. Golly, and she seemed like such a nice girl, too). Harper killed him before he could leave town and it turns out she comes from “a long line of necromancers,” so she raised him from the dead and he was obsessed with her. Yeah, the infodump’s pretty heavy in this one.

Jack gets stalked around the stacks, but just when he’s thinking he needs to make a rush at Harper (which, as “Children Shouldn’t Play with Dead Things” showed doesn’t actually work in getting rid of a revenant), he gets grabbed by Dean. Dean quietly brings Jack up to speed on how to kill Vance. So, Jack once again plays bait by shmoozing Harper and luring Vance out into the open. Dean gets in on it (Harper actually orders Vance to kill Dean at one point), but when Dean and Jack get demonic handcuffs on Vance, Harper pulls a runner.

Meanwhile, Sam and Charlie are in her truck, infodumping about how the last victim of the Musca will be okay, while we get a montage of the Musca’s people retrieving its body because apparently, once again, Sam and alt-Charlie didn’t salt and burn the damned body. Sam also persuades alt-Charlie to stay in Hunting, which probably means she’ll get sacrificed sometime this season. Whatever, Show.

Cut to a diner with Marty Robbins’ “I’ll Go on Alone” in the background. Harper is writing a letter to Jack in which she babbles on about finding him, killing him, and then bringing him back from the dead so they can be together forever. Seems she finally left McCook.

Back at the Bunker, Jack and Dean talk about stalking Vance to his gravebed with a silver stake (as in “Children Shouldn’t Play with Dead Things”) over coffee (Jack) and whiskey (Dean). Dean tells Jack he did well. Jack tells Dean he should stop beating himself up over Michael and wants to go out on more hunts. Dean hedges and says he’ll discuss it with Sam when Sam gets back. At that point, Jack starts coughing again. He coughs up blood and starts bleeding from the nose. Then he collapses on the floor as Dean tries to revive him.

Credits

The ratings were up a little from last week, with the show tying for second on the network in demo with a 0.4/2 (0.397, unrounded) and coming in second for audience with 1.48 million.

Promo for next week.

Eh. I can’t say this one wowed me. There were some nice callbacks to seasons one and two in the first hunt, and Dean and Jack got some good bonding. Dean’s Salty Old Veteran shtick with Jack is a hoot. But it was a pretty thinly plotted hunt, with even flatter guest characters than usual. It certainly lacked the depth of “Children Shouldn’t Play with Dead Things,” one of my favorite episodes ever, and it wasn’t nearly as creepy as “Phantom Traveler,” another early favorite of mine.

Part of the problem was having another hunt stuffed in with it and what the hell happened there? It’s not as though the show has never had the Brothers go off on separate hunts or storylines, so it’s perfectly capable of doing A/B plotting.

But this one mostly consisted of Sam and alt-Charlie sitting around in a pickup, watching a bus stop and waiting for an MOTW to show up. They kept talking about how they felt sorry for the Musca, but why would they? And that drippy montage at the end with the Musca community showing up to take away their errant member was completely unearned.

Not to mention, it made Sam and alt-Charlie look stupid because they should have salted and burned the body – all of the bodies, really. And the creature design for the Musca was … well, not very good. I’m hoping that montage doesn’t mean they’ll be coming back because no, just no.

Harper is obviously coming back. I can’t say I’m hugely thrilled about that, either. Perky evil can be fun, but there’s something missing with her and I don’t just mean that the character herself is short a few hash browns from her Happy Meal. It could just be the general lack of development for the storyline and then piling it on top of Jack’s health woes.

It was fairly obvious from the start that something was off with her. The possibility that she’d offed Vance crossed my mind rather early, but I can’t say I got much suspense out of it. I also can’t say I’m feeling much suspense about her stalking Jack, either. The whole bunny boiler thing seems pretty dated to me.

The fight scene between Dean and Vance was fun – too bad it kept getting undercut by the stakeout in the pickup truck. Ackles did some really snarky tee-offs on line deliveries this week. I also liked that Dean and Jack ran a con on Harper, not once but twice. She knew they were Hunters, but was utterly clueless about everything else (not least that Jack is not entirely human).

There was some good partner chemistry there between Dean and Jack, and it was nice to see Jack acknowledge that he made some critical errors that led up to Dean being backed into saying yes to Michael. The “old man” crack had me rolling my eyes along with Dean, but that’s mostly because it always makes the writers look like ageist idiots. That sort of thing may fly on other CW shows, but not this one.

Overall, a few nice bits (and Dean looks super-hot in a noir detective suit), but this one felt too thin. You need to work on plotting some more, writers.


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The Official Supernatural: “Nightmare Logic” (14.05) Live Recap Thread


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Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee. I’m posting reviews here of North Carolina ghost story books, and notes about my research all month long on Patreon.

My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through Amazon and is on sale through this Friday. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.

Apologies for not getting to this one until now. Also, next week, I’ll be busy Friday and Saturday, so I likely won’t get to that one until Sunday.

Okay, so let’s get started.

Recap starting with Maggie (the most useless DiD ever) then going through the Michael storyline and Dean’s speech to Sam about ending all monsters. FYI, there is a wee spoiler in there that, tied in with the title, will tell you right away what the MOTW is. Sorry.

Cut to night in Claremore, OK, where Maggie is walking through a forest all alone. She enters a graveyard and approaches a crypt with the family name “Rawling” across it. She sits down and pulls something out of her backpack. It turns out to be a bodycam that she reports into before clipping it on and entering the crypt.

Okay, why is Maggie Hunting, let alone by herself? The last time we saw her on a Hunt, she nearly got her team killed and that was with a group. Is she by herself or did some other moron think this was a good idea?

Also, we already found out that bodycams, or any cams, are a bad idea from “Ghostfacers!” They’re distracting to whoever is using them and the footage risks outing Hunters to the general human world, which is not a good idea.

Anyhoo, Maggie breaks into the crypt, believing she is Hunting a ghoul. By herself. With no backup. Okeydoke.

As she walks around the crypt, looking for opened coffins, a wavering machete in her hand, she is attacked by a snarling old man/ghoul.

Cue title cards.

Cut to the Bunker, where Sam is giving some newbie Hunters from the Other Side a lecture on Hunter safety before sending them off. As Dean walks in on them, Sam automatically glances to Dean for feedback. Dean chooses, instead, to take a backseat. As the meeting breaks up and Sam walks off with Dean, Dean’s main comment (aside from seeing Sam do coordinating with Hunters as “adorable”) is that Sam is not getting enough sleep. Yeah, one thing Sam really ought to be doing is having someone play dispatcher on shifts for Hunter check-ins, rather than trying to do it all himself. Yeah, I used to run a rescue squad. You gotta learn to delegate that stuff.

Sam discovers that one of the Hunters (he infodumps that he has 20 out there, including our four non-redshirts Castiel, Jack, Mary and alt-Bobby) “missed check-in.” It’s Maggie. So, now we know which moron sent Maggie out on a Hunt all by herself. Yay, Boss Sam.

So, Dean is trying to call Maggie, while Sam calls up her body cam and some random redshirt wanders past the Library. Sam infodumps that the body cams automatically upload to a server, which I’m sure could never get hacked by hostile parties, or anything. So, yeah, Sam’s responsible for that swift decision, too. Dean doesn’t call him on it, just infodumps about the reasoning behind it. They get the teaser for the episode.

Sam starts to tailspin in self-recrimination. Dean yanks Sam’s head out of his ass by agreeing it looks like a ghoul and it’s time to go find out for sure. Meanwhile, Rando Redshirt dude wanders around in the background, checking the wastebaskets, or something.

Off the Brothers go to Oklahoma. That is a rather odd background on the obligatory Impala-on-the-road shot. Did they bluescreen that?

In the graveyard, Sam infodumps that it’s all owned by the same family, which Dean notes is awfully convenient – for that family.

Sam says Maggie was investigating a report by some local kids that they were attacked by a “walker” while they were studying. Sam even outs it as an explicit The Walking Dead reference.

“I know what a Walker is, Sam,” Dean calmly replies. As they approach the crypt, Dean notices some beer cans in front of it and dismisses the “studying” excuse with that adorable half-laugh he always used to do back in the day. Ackles is having fun plumbing his old Dean tics toolkit these days.

Inside, they find disturbed dust and scuff marks, but no blood. Dean theorizes that the ghoul might have dragged Maggie off to feed on her later, and that she might still be alive. Either way, they have to find the MOTW and kill it.

They are hailed from the entrance by a guy in a gardening suit with a rake and accused of trespassing. Sam smoothly states they’re from an historical society and Dean follows up by asking where the local family mansion is. They guy leads them to it and introduces them to a rotund, smarmy grad student type who burbles over the idea of an historical society turning the family manse and graveyard into an official historical site. It’s obviously a lot more complicated than that, but this is just a Winchester cover story, anyway, so let’s roll with it.

The guy, named Neil, lets them in and comments that there seem to be an awful lot of people there from the “HBC.” Turns out Mary and Bobby showed up to investigate, too. Bobby is pretty sarcastic about Sam’s attempts to pull rank, so Mary takes Sam off to talk to him about Maggie, while Dean stays behind to interview Neil, with Bobby.

Neil says he’s not part of the family. He’s Mr. Rawling’s “nurse.” When Bobby asks to interview Old Man Rawling, there’s a snag. Old Man Rawling is in a coma.

Mary tells Sam she and Bobby came to check on Maggie because Maggie was “nervous about her first Hunt.” (Oh, hon, she shouldn’t have been out Hunting, period, not to mention alone.) They were texting with her when she suddenly went radio silence, but Mary admits she and Bobby should have let Sam know. Well, yes, there isn’t much point to all these high-tech improvements if y’all don’t use them to, y’know, stay in touch.

Something is awry with Old Man Rawling. He’s in a coma surrounded by blood transfusions and yet, he’s the ghoul from Maggie’s body cam footage. Meanwhile, Maggie is underground somewhere, trussed up and being drained of her own blood. Big hint about the MOTW, there.

A woman with groceries walks in, looking totally unimpressed by the new people in her dad’s room. Neil introduces her as Sasha, Old Man Rawling’s daughter. After a little banter, she throws them out.

At the Impala, the Hunters chew things over. Bobby says he tested OMR and he had no bites, so probably not a ghoul.

Mary speculates shapeshifter, but Dean points out that ‘shifters don’t generally do graveyards. Sam thinks maybe demon, but Bobby points out that demons aren’t generally so patient as to put their hosts’ bodies back in their beds after taking them for a “joyride.”

Dean notes Bobby’s irritability and calls him out on it. Bobby admits he has a problem with Sam sending Maggie out on a Hunt alone. He says she wasn’t ready and “a real leader” would have noticed this.

Mary breaks things up by going on reconnaissance with Sam and having Dean go with Bobby. I get she wants to give Sam a pep talk, but why stick poor Dean with Bobby? Sheesh.

Also, I don’t agree with Mary that it’s not Sam’s fault. It really is. Yeah, Sam’s moping over it isn’t helping, but Sam should have clearly seen how unready Maggie was back in the season premiere bar fight and kept her back for longer. I mean, come on, it’s been only a few weeks since then. No way Maggie turned into Hunter Sue in that time and Mary (the one who had to hand her an angel sword and tell her to get out there during the bar fight) knows that better than anyone.

Instead, Bobby is made to look like a big meanie for pointing out that Sam’s leadership skills need a little work. They do. Sure, he can get better, but he can’t get better if other characters’ keep holding his hand.

Bobby asks Dean if he was too hard on Sam. Dean’s response is rather noncommittal, saying that Sam is “doing his best.” But Dean also notes that Sam is overdoing it and not sleeping enough.

Sam, meanwhile, asks Mary about her relationship with Bobby. She says things were going fine until they got back home (for her). Then Bobby closed up and all he ever wants to do is hunt. Sam tells her a little about “our” Bobby, that his wife was possessed and he had to deal with it himself (um…was Sam not aware of Rufus’ involvement in that?). Mary asks if Bobby ever had kids. Sam says no.

Then they find an old campfire and Mary spots something.

As Dean and Bobby find the cabin from The Blair Witch Project, Mary and Sam find burned IDs in the fire. They’re a Hunter’s IDs. Bobby is distracted by someone in the woods and goes to follow him. Dean enters the cabin (which is full of animal furs and skulls) and discovers the body of the Hunter in the IDs. He’s then attacked by OMR, but when Dean stabs him, OMR (who is still in the hospital bed, while his daughter sits nearby) explodes into ashes, covering Dean. When Bobby comes back, he snarks at Dean’s appearance as Dean asks him where he went.

Back at the manse, while going through her father’s papers, Sasha hears a noise of breaking glass and footsteps upstairs. She goes to investigate, thinking it’s Neil, but she instead finds a half-open door to a dark room and a ravenous vampire. Screaming, she runs, but when she trips and falls, nothing comes after her.

As Neil acts all solicitous over her, Sasha is later interviewed by Mary and Sam, and immediately guesses she saw a vampire. This leads to her and Neil getting The Talk.

Dean walks in with news from “the shed.” Sam quickly fills him in about the attack. “Oh, good. You told ’em,” Dean says conversationally. The matter-of-fact way they confirm the identity of the Hunter Dean found is a hoot as it’s filmed almost from an outsider’s POV. They look utterly terrifying when they drop the “normal” mask like that.

Mary goes to check on Bobby (whom Dean says stayed back to get something from his truck), but can’t find him. Meanwhile, the Brothers formulate a theory, right in front of Sasha and Neil, that OMR is somehow psychically manifesting images of himself. They interview Sasha a bit more and it turns out the noises she thought she heard came from the attic. Sam goes up there, while Dean stays back to guard Sasha and her dad.

Sasha pops a benzodiazepine while Dean sharpens his machete. Neil has gone…somewhere. Sasha asks him to stop and then points out the insanity of Dean’s very presence there. Dean asks her if she’s okay and she brushes it off. At first.

Dean shrugs and sheaths his machete, but then Sasha opens up as she also downs some whiskey.  Her father was a workaholic who was never home, said he was doing it for the family. But her mother had a family history of depression and killed herself when Sasha was 12. Sasha found her. Sasha “worshiped” her father when she was a kid, but now is bitter because he never expressed any regret over not seeing his wife was suicidal or being around for his family.

This is a huge John Winchester anvil. There was an earlier one in the woods, when Mary said Bobby wasn’t “open” the way John was and then has to admit she means the way John was before she died as Sam snorts in disbelief.

Dean offers Sasha some advice – “let it go. You’ll feel a lot lighter.”

“That what you do?” Sasha asks.

“I try,” Dean admits. “Every single day.” It’s a heartbreaking moment of pure honesty.

Upstairs, Sam finds the darkened doorway Sasha discovered. It leads to a room with unfinished walls (no drywall) that leads to a stairway that goes up to the attic. Very strange layout, that.

In the attic, he find Maggie, trussed up. She tries to warn him as the same vampire that went after Sasha attacks him. Sam stabs it and it, too, explodes into ashes. Needless to say, despite his and Dean’s theory, Sam’s a bit confused.

As Sam gets Maggie down, Maggie apologizes for screwing up. Sam reassures her that she didn’t (well, she did, but now is not the time).

We cut to the woods, where Bobby finds a young man with his eyes burned out, angel-style. Dialogue identifies this young man as Bobby’s son Daniel. Daniel beats up Bobby and then impales him against a tree with an angel blade. He tells Bobby the angels crucified him “piece by piece” (uh…that’s not really how crucifixion works, but okay), but when he’s about to kill Bobby with another angel blade, Mary shows up.

Mary shoots Daniel, but unlike the other monsters, Daniel doesn’t disappear (plothole, y’all). Instead, he knocks Mary down and starts choking her out. This gives Bobby the strength of ten Grinches. He manages to yank out the angel blade impaling him, while dangling from the tree, knocks Daniel down, and stabs him with it, after apologizing. Daniel bursts into ashes. Yeah, it’s as stupid as it sounds. Also, I’m getting tired of Mary having to be rescued all the time. She’s a competent Hunter, Show, come on.

Inside the house, Sasha and Dean enter the room where Neil is tending OMR. Dean suddenly, really notices the blood bags and has an epiphany. He calmly asks why Neil is giving OMR a blood transfusion for a stroke and Neil blathers something about how “it keeps his iron up.”

Dean asks Sasha to make him a sandwich. She’s confused at first until he mouths, “Go,” and she realizes he needs her to get out of the line of fire because Neil is the MOTW. She skedaddles. I like Sasha. She’s sassy.

As she leaves, Dean pulls out his gun and aims it at Neil. Neil at first professes to be confused until Dean explains his reasoning. He says he only just recognized the set-up Neil has OMR in as one he was once trapped in, too.

We then get a brief flashback to Dean’s nightmare flash of being trussed up by a djinn in season two’s “What Is and What Should Never Be.”

“You’re a djinn,” Dean says. I love me some Smart, Deductive Dean.

Neil smiles and reveals his djinn face and glowing eyes, but then flips the script really strangely by saying “But you knew that, already…didn’t you?”

As Dean interrogates him about why he’s killing Hunters (and Neil the Djinn sure is chatty), Neil reveals that he thinks Dean is Michael (until Dean tells him otherwise). Michael has altered him and offered him a deal for more power: “Find somewhere quiet. Set up shop. Kill as many Hunters as I can.”

The upgrade Neil got was fairly impressive. With a single touch, he can now read minds, extract nightmares, and give them physical life – the projections Dean and the others have been dealing with. OMR is afraid of dying along and unloved, Maggie of the vampires that murdered her family, and we just saw what Bobby feared.

Neil keeps edging closer to Dean, saying Dean can’t harm him. Dean proves somewhat otherwise by shooting him in the leg. Angry and hurt, Neil charges Dean and uses his power on him. He claims he won’t “hurt Michael’s favorite monkey suit, but I am curious – what are your nightmares?”

But whatever he finds inside is a lot more than he bargained for. It tosses him back out as he stammers, “You…you’re….”

Dean wastes no time taking advantage of the djinn’s confusion. He attacks Neil and slams his head into the table. “You know,” he comments, looking just like Demon!Dean, “I don’t have a knife dipped in lamb’s blood – but I can improvise!” Spotting two bronze bookends, he grabs them and beats the djinn’s head in, but not before Neil defiantly claims that “there are dozens of” Hunter traps of Michael’s, lying in wait “for you and your family.”

“You don’t know my family,” Dean replies coldly, before dealing the fatal blow and then disintegrating Neil’s head with his gun, held in bloody hands.

Later, Dean removes the apparatus from OMR, while giving Sasha a crash course in helping a djinn victim recover. As Dean leaves, she reassures her waking father that she’s there for him.

The Brothers drive home and return Maggie to the Bunker, where a bunch of redshirt Hunters I’ve never seen before and care nothing about cheer her return.

Dean cheerleaders Sam about bringing Maggie back. Meanwhile, Mary bandages up Bobby and gets him to tell her about Daniel. After the angel war kicked off, Bobby was given a “platoon.” He and his son had taken care of the thing with his wife (which went the same way as in the SPNverse). Daniel was part of Bobby’s platoon, but on one mission, they got separated. Daniel and his group were captured by angels (Bobby assumes) and never seen again. Bobby is left to speculate what really happened and since they crossed over to here, is trying to get himself killed. Mary tells him she won’t let him do that. After talking with the Brothers, she gets an offer from Donna via them of Donna’s cabin (what happened to Rufus’ cabin?), so she and Bobby can try a little normalcy for a while. So, that’s Mary and Bobby off for a few episodes.

Before they leave, though, Bobby is yet another character who gives Sam a pep talk about being a leader. But hey, at least Dean gets an explanation from Mary this time and is allowed to give her “permission” to leave.

The Brothers then put out the word to other Hunters about the “new, supercharged monsters.” After, Dean tries not to blame himself (and has lots of trouble with pronouns), while Sam insists he’ll just sleep less than before so they can find and kill Michael, even though they don’t know how to do either one.

Credits

Okay, now I am truly curious about what happened with Michael. There were heavy hints this week, especially in the scene with the djinn, that Michael is still inside Dean, but, for whatever reason, is currently dormant. Dean seems unaware of this, but he also appears to be fully in control. At least for now.

The theory I like best is that Dean somehow reasserted control, but has no idea that he did, let alone how he did, and has Michael trapped inside his own body. Remember that while Michael may have intended for Dean to become just his vessel, Dean is a powerful agent of the Natural Order in his own timeline, in his own right, which means other beings like Chuck and Amara, but especially Death, are apt to get involved if alt-Michael tries to stay in control of Our!Dean for too long. There are, as Death always likes to say, consequences for that sort of thing, especially since Michael broke his deal with Dean.

Perhaps, as it appears Michael was able to assert himself at the end of last season partly due to Dean’s being smote by Lucifer, Dean was able to reassert himself after Michael was wounded by Kaia’s Magic Hockey Stick (or maybe Michael overused his own grace in his experiments, which contradicts how precious he was about it last year). It could also be that because Dean’s deal with Michael was conditional on Michael letting him be in control, that is a natural condition Michael must constantly fight in order to dominate Dean. And when the djinn looked for Dean’s nightmares, he found Michael.

This doesn’t really explain the djinn’s final words, but I suspect the writers were just going with the ridiculous cliche of the expositional Final Curse. Folks, most people are too busy dying for that nonsense and it lessens the horror and severity of death. Enough, already.

Also, if the djinn found Michael, he may also have realized that Michael was imprisoned inside Dean, which meant he was dealing with Dean when he spoke his final words. Or something.

So, this is a version of Dean Done Come Back Wrong/There’s Something About Dean. Honestly? I’m okay with it. Ackles is acting the shit out of it and it’s a true mystery. Let it go all season.

Also, I loved the callback to “What Is and What Should Never Be.” The show has never allowed Dean to feel his trauma before over being violated by the djinn like that, so it’s nice to see him use it to figure things out about the MOTW, and have the show lampshade it with a flashback to that episode and that particular scene.

I’m far less into the Sam the Leader storyline. I know that Sam needs something to do, and since Dean has the mytharc, that makes Sam the wind beneath Dean’s wings. But this storyline is unconvincing. It suffers from the same problem just about every Sam storyline going all the way back to the Pilot suffers from – the writers never trust that the audience will care enough about Sam to just give us the story. They always Tell us how to feel about Sam’s story rather than Show us.

So, we have characters throughout the story holding Sam’s hand, listening to Sam’s problems, Telling Sam (and us) that Sam is really a great leader (even when it’s clear he is not). Dean’s leader storylines are great because we see all the fight and struggle to convince others to follow him. For Sam, all the whining about lack of sleep aside, it’s a walk in the park. That’s boring to watch.

Another problem going back to Kripke (but especially evident in the Nepotism Duo scripts that suffer from plotting so bad that they LOL!canon their own canon five minutes after they established some within the same script) is a tendency to present us with a major Sam change (usually, though not always, a heroic one) rather than develop it. I have no issue with Sam starting out not-great and developing into a great leader, but to skip a few weeks and be Told he’s brilliant already is just plain lazy writing.

I don’t quite get why Dean is sitting back and letting Sam lead. Okay, actually, I do kind of get it. Just as Bobby was correct in calling out Sam’s awful decision in letting Maggie go hunt alone (even if the show then forced him to backtrack and apologize for stating the flaming obvious, and letting Sam feel and understand the consequences), Dean hanging back and letting Sam do this is very much of a Dean Leader thing to do.

Problem is, I’m not sure that the likes of the Nepotism Duo, Robert “Insert PC snark instead of story here” Berens, Davy “Linear Plotting 101” Perez, and Andrew “Let’s pillage every inappropriate comic book plot I can remember” Dabb are aware that this is basically Dean leading this group of redshirts who only know him as a supervillain through teaching his brother how to lead.

Speaking of the redshirts, their lack of character development is not good. The Bunker is infested by a bunch of one-dimensional characters I don’t have any emotional attachment to whatsoever (and from the sound of things on Twitter, neither do a lot of fans). Even the ones who get a little development, like Maggie, are boring and kinda of annoying.

It’s another case of a plot that would be fine it if weren’t being treated like 5-minute rice. Spreading out their involvement with other Hunters and using the Bunker as a base of operations for Hunters? Fine as a plot spread out over an entire season, or more. Doing a cheap time jump and presenting it as a fait accompli? So not okay. It reminds me of how the Roadhouse initially came across in season two – an abrupt change in tone that threatened to screw up the show’s basic franchise plot and everything fans liked about it.

I’m going to (possibly) go against the grain again and say that I don’t actually have any problems with a Mary and Bobby pair-up. The writers have floundered a bit with her since they brought her back. First, they had her in conflict with her sons, avoiding them because of her own guilt over how their lives turned out following her death. That made her look unsympathetic, especially toward Dean.

Then they had her off in the alt-SPNverse, mothering Jack. That, too, was not so successful in making her sympathetic, largely because she was using Jack as a substitute for her grown-ass sons.

This week, though, shows why Mary and alt-Bobby could work. We see her actually seeking advice and validation from her sons in figuring out what’s going on with Bobby and whether or not to proceed in a relationship with him. Rather than being in conflict with her, they are her allies.

Sure, there were flaws in it. I didn’t like that we had an extended conversation between Mary and Sam when, again, until the time jump, she was much closer to Dean, but hey, at least she got to talk to Dean at the end and seek “permission” to leave for a while, which he calmly gave. Still waiting on that conversation about his possession by Michael, though.

And I really wasn’t thrilled to see her used, yet again, as a DiD to motivate Bobby. That was annoying. But overall, I’m okay with it.

As for the “But she was with John first” stuff, we did have her defend John a bit to Sam, while acknowledging that he changed (not for the better) after she died. It’s not as though she’s forgotten about him. And JDM’s got another show, with little interest in coming back to this one, while Matt Cohen is both too busy and not the right period to come back as John. So, Bobby it is.

Promo next week is up. Alt-Charlie’s back – ugh.

Ratings for the show were down a bit, still 0.3/1 and 1.43 million in audience. Don’t think Legacies is doing Supernatural any favors. Still a tad salty about the CW picking that up over Wayward Sisters.


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The Official Supernatural: “Mint Condition” (14.04) Live Recap Thread


We need your help!

Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee. I’m posting reviews here of North Carolina ghost story books, and notes about my research all month long on Patreon.

My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through Amazon and is on sale through this Friday. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.

Right. Let’s get cracking.

Well, this is obviously the Halloween episode of the year (seeing as how it’s on All Saints’ Day). You gotta love how its Halloween episodes are so often some of the show’s lighter episodes. That’s … well, that’s actually pretty messed up.

We get a recap that brings us up to date on the mytharc (which, so far, appears to be Michael possessing Dean, then leaving for no good reason after he got stabbed by the Big Toothpick of Meh wielded by Kaia Sue from last week.

The recap also completely spoils the MOTW by having a recap of ghost eps and ghost rules in voiceover from Sam and Dean. Okeydoke.

Cut to Now and a comic book shop in Salem, OH. What? Everybody instantly knows the inside of a comic book shop just from the memorabilia section.

Anyhoo, as a gold commercial for Diamond Dave’s goes on voiceover, and we get fake ads on now-defunct cable network Chiller (Sorry, Shocker, but it’s about Chiller – it’s a ghost network, geddit?) for fake horror movies like Hell Hazers II (which was filmed during season two’s “Hollywood Babylon”) and one involving a creepy guy in a skin mask (whose tagline is “Time to slice and dice!), we see a guy at the counter unwrapping some action figures in their original packaging (remember “Hell House”?). When he gets to a rare Thundercats one, he sneaks it into his backpack, right before he gets a call from a young woman named Sam who is apparently either his boss or business partner.

Unaware that he is snaking merchandise, she gives him an earful for a bad rating he got the store on Yelp due to getting into a screaming match (involving some racist language) with a customer over a superhero match. She begs him to tone it down because they really need the customers. After a nerd-rage rant, he appears to calm down and sort of apologizes.

As he leaves, still with the stolen merch, we see that the life-sized mannequin across from the counter is of “Slice and Dice” guy.

At home, he is yelling on the phone at the pizza delivery guy, trying to get a free pizza (yep, he’s a dick), when the Thundercats doll he has out and on the table turns its head.

Uh-oh.

The guy hears a noise, turns around, and sees the toy on the floor. Upright. Looking angry. Now, it’s not really dumb that he goes over to investigate initially, because it’s just an oddity. But when the toy grimaces at him, whirls its mini-nunchucks, and smacks him upside the head, he takes way too long even to scream. So, dumb on top of being a jerk.

Title cards

Cut to – what the heck is the red lettering on Dean’s socks? Never mind. Dean is in his room, eating pizza and watching horror movies. He’s “made it all the way through the Halloweens” and is on a film called All Saints’ Day (because the episode aired on All Saints’ Day, yeah?), featuring the creepy mannequin dude from the teaser, a serial killer known as the Hatchet Man.

The plotline is blatantly 80s slasher. A long-haired blonde dude in jeans and a t-shirt, with a dancer’s body, is moping a floor in an institutional hallway (basically, it looks like the same set as for season one’s “Asylum”) when he spots a vending machine and decides to steal some candy. Hatchet Man walks up in the middle of this chicanery and puts an ax through the guy’s knee. When a young woman in a pink outfit (complete with shoulder pads) randomly comes out and screams, Hatchet Man immediately turns his attention to her: “Time to slice and dice!”

They even get some decently high 80s slasher-style gore. I wonder if the FCC has just plain given up with the show except for language at this point.

That’s when Sam walks in to do – I kid you not – a welfare check on his brother.

Sam infodumps that Dean has been in his room for a week. Dean infodumps back that Castiel is out training Jack, Dork!Kaia is still missing, so is Michael, and, well, “the house is full of strangers.” I note that Dean does not mention his mother. Hmm. He does mention that Sam shaves. He does a double-take when Sam comes in. Ackles has a lot of fun calling Sam’s face “smooth as a dolphin’s belly!”

Sam doesn’t appear to see that he’s filled up the Bunker with people Dean doesn’t know or trust (and who don’t know or respect him at all) and that this is Dean’s home. Of course Dean retreated to his bedroom. He’s an introvert.

Sam also thinks that Dean’s enjoyment of horror films is weird, considering their profession, and doesn’t like Halloween. Coming from a guy who is literally a serial killer fanboy, that’s a hoot.

But Sam is successful in luring his brother out to a Hunt with a video of Doomed Teaser Douchebag ranting about getting attacked by a Thundercats action figure. Dean’s all over that.

In Salem (Ohio), they immediately go to the comic book shop, where the girl from the teaser, Sam, is working the counter. Sam (our Sam, yes, this will be confusing) turns away from the Jason Todd costume that Jensen Ackles cosplayed in real life for Halloween. He and Dean are dressed in ties and short-sleeved shirts that make them look like extras from The Office.

Dean teases Sam that he and Girl!Sam are a lot alike. Sam retorts that Dean and a nerdy, slobby guy in the stacks are also very much alike. Dean denies this with a snort, but after he discovers the mannequin of Hatchet Man (“David friggin’ Yeager!”), he and the guy immediately and automatically start to bond over it.

The Brothers introduce themselves to Girl!Sam as insurance agents with rock star aliases checking up on DTD’s (real name Stewart) injuries. She says he’s at his apartment, resting. They say they went there and he got evicted. She admits he and his roommate had a fight (over nerd stuff), and that he’s also a troll, and says he’s back at his mother’s house.

Mom is pleasant, but smothering and enabling. She gives them apple cider (and Dean snags the Flash mug). When Sam snarks about it, Dean points out that she offered. Dean is wearing Birth Control Glasses that are totally not working for their intended purpose. Damn, Jensen Ackles. When are you ever not hot?

They hear Stuart yelling at a video game in the basement. Dean rolls his eyes at that, but Sam actually recognizes the name when Stuart comes up the stairs and finds them there. Sam introduces them (Campbell & Sons – LOL!) and Dean notices that Stuart is burning sage in the basement.

Stuart, who has cuts all over his face and is pretty twitchy, says he got the idea from a “Goth girl” he met online who was into Wicca (naturally, this catches the Brothers’ attention). He says he broke up with her before they could MIRL (Meet In Real Life). I kinda love Dean for not knowing. Neither did I, but Sam fills in the blanks for both of us.

When they ask about the video, Stuart turns full-on squirrely. He insists he faked it and then orders them out of the house. They decide to stakeout the house until Stuart and his mom leave, so they can check it out for hex bags. Sam points out that Wiccans aren’t always witches and Dean replies, “Except when they are.”

While they wait, Sam fields a call from one of his Bunker groupies. Dean snarks at this (but doesn’t mention Sam’s Bobby act). Then he quizzes Sam about his hate-on for Halloween (Sam really doesn’t like major holidays, does he? Remember Christmas?). Sam won’t talk about it.

At that moment, Stuart’s mom comes out in a … yep, I do believe that is a poodle skirt … and drives away. The bit where the Brothers awkwardly duck down as she goes by is funny.

As they debate on how to get Stuart out of the house, Sam reads through the comments on his video, calling them “brutal.”

“Gotta love the internet,” Dean says, “where everyone can be a dick.”

At that moment, Stuart comes stumbling out the front door, screaming for help and covered in blood. As Sam tends to him, Dean pulls out his pistol and goes in alone. He follows a trail of blood downstairs. As he’s distracted by a poster of The Texas Chainsaw Massacre, he hears a chainsaw rev up behind him, in midair. It flips through the air and hits the poster, as Dean dodges out of the way.

The Brothers talk to Mom at the hospital and persuade her to stay with her son. As they exit the hospital room, Dean says he checked the house over for hex bags and found nothing, but the EMF meter went off the scale. So, they’re looking for a ghost, though Sam is puzzled by the motive. He goes back to the house to check on what’s going on, while Dean stays at the hospital to wait until Stuart wakes up. Sam is puzzled to find that the Thundercats toy reads nothing in EMF. So, it’s apparently not cursed. He also finds a photo on one of Stuart’s computers that shows Stuart, Girl!Sam, the geek dude who bonded with Dean, and an older guy.

At the hospital, Dean finds the geek dude has arrived. He says Stuart is his best friend. The guy is actually pretty level-headed, but his home life is bad (his father is abusive) and Stuart lets him stay over when things get bad.

On the TV is All Saints’ Day III. That’s geek dude’s favorite. Dean’s is IV. They recite in union the tagline for it. Dean says, “I like to watch movies where I know the bad guy’s gonna lose.” I hear that.

Sam visits the store, where Girl!Sam is closing up. Sam asks her if anyone “close to Stuart” has died recently. She says the previous owner was a guy named Jordan. He was their mentor, but he only left the store to Girl!Sam and geek dude (named Dirk). He left Stuart out of the will because Stuart was always stealing merchandise and Jordan fired him twice.

As she says Jordan was cremated, Sam sees the glass case behind her frost up. He tries quickly to bring her up to speed, but then the Hatchet Man mannequin comes alive and knocks him out. When he wakes up, Girl!Sam is alive, though scared, but they’re locked in.

At the hospital, in the middle of talking about the film series’ best kills, Dean gets a call from Sam about what happened. Dean totally geeks out over the approach of his horror movie idol.

We then cut to a gratuitously blatant homage to the Halloween films in Hatchet Man’s stroll down the sidewalk toward the hospital, through crowds of unsuspecting teenage trick’rtreaters.

Dean and Sam each give The Talk, Dean while doing a line of salt around Stuart’s bed. He then tells Dirk to stay by the bed, inside the line, while he goes looking for the ghost. Unfortunately, the ghost starts poltergeisting the hell out of the room while Dean is gone and Dirk flees in terror.

Stuart’s mom runs into Hatchet Man while bringing her son a tray of food and she’s terrified. Dirk bravely distracts Hatchet Man away from her, but then is chased relentlessly through the empty hallways while security is too busy watching a near-mirror image of the same chase from the scene we saw earlier (that began with the guy getting an ax to the knee). Dean had commented earlier that hospitals can be remarkably deserted at night.

Dean, meanwhile, has found an ax.

The scene cuts back and forth between the girl in the movie trying to escape in an elevator whose doors won’t close and Dirk in the same situation. They finally do, and both the girl and Dirk escape.

Dirk ends up in the morgue, where Dean finds him and asks him why he didn’t stay put. Dirk says Hatchet Man is in the hospital and sure enough, the MOTW sits up on one of the gurneys, pulling off a sheet.

Cut to a cheesy preview of All Saints’ Day III: The Reckoning. Then we get the confrontation between Dean and Hatchet Man. Dean says the ghost can go into the light on its own or he can “send it there.” He’s pleased when the ghost decides to fight. Not so pleased when the ghost turns out to be really strong. A kick-ass fight ensues and Dirk even helps at one point, but Sam and Girl!Sam burst in on Dean getting choked out.

Sam had gotten them out of the comic shop by making a makeshift bomb from a lunchbox. When Girl!Sam asked him how he learned that, he says, “I had a messed up childhood,” which echoes what he tells Sarah in “Provenance.”

On the way, they figured out how Jordan (the ghost) was getting around. He was using a Batman keychain. As they rush in, Sam yells at Dean to get the keychain, which is in Hatchet Man’s pocket. Dean gropes around and yanks it out, tossing it to them. Girl!Sam gets into the spirit by grabbing some alcohol to speed up the burning process. Jordan is forcibly exorcised and flames out, probably to Hell. But when Girl!Sam asks about him, Sam just says, “He’s in a better place.”

Stuart lives, but we don’t see him again.

Driving back, Dean finally gets Sam to tell him why he hates Halloween. It turns out to have been a teenage date-gone-horribly-wrong. Sam was nervous all night and when asked to bobbing for apples, threw up all over his date and a lot of other things.

Dean also thanks Sam for getting him out of his room and giving him a “win.” Sam tells Dean that saying yes was not the wrong thing. He did it for Sam, Jack and his “family,” for all the right reasons. What Michael used his body to do afterward is not his fault.

Dean flatly states, “I’m not gonna get over it.” But he admits that he’s not “doing anybody any good” staying in his room all day, so he tells Sam he’ll do whatever Sam and the team need him to do.

Dean says they should dress up in costume the next Halloween and starts naming possible costumes, from the ridiculous (“Turner and Hooch”) to the injoke-y (“Rocky and Bullwinkle”) to the really disturbing (“Thelma and Louise – we’ll just put it in Drive and go!”).

In the coda, one of the security guards from before enters the morgue. The lights fritz, so he gets out his flashlight and follows the trail of weapons and such used on Hatchet Man until he gets to the mannequin itself. The mannequin then appears to speak one of Hatchet Man’s taglines: “Trick’rtreat!” So, we get one of those 80s horror movie “twist” endings that never made a lick of sense.

Credits

So, that was one was more amusing than I thought it would be. Had some nice rewatch value. Davy Perez still overdoes it a bit on the homages, but moves things along and doesn’t insult our intelligence this time. But I really think the direction by Amyn Kaderali (and, of course, the enthusiasm from the cast and crew over doing a Halloween episode) is what makes it. Which is kind of funny, considering Kaderali’s previous three episodes weren’t terribly memorable, either. But hey, improvement’s always good.

Girl!Sam and Dirk could come back. I wouldn’t mind.

It seems as though the mytharc focus is firmly on Dean this season. We’re four episodes in and it’s All About his possession by Michael and ensuing PTAPD (Post Traumatic Angel Possession Disorder).

Promo for next week is here.

Ratings for this week were meh (usually are for a holiday week), with a 0.4/2 and 1.46 million. Still significantly better than its lead-out, though.


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The Official Supernatural: “The Scar” (14.03) Live Recap Thread


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Recap of events up to this point. Still no rock and the incidental music is frequently dull this season.

Cut to Now and Dean walking back into the Bunker with Sam. Dean is already back in shirtsleeves and talking about how he doesn’t remember anything from saying yes in the Bunker to waking up in front of TFW:TEP at the end of last week. This is almost certainly a lie, since Dean was fully awake and fighting when he went up against Lucifer in the season finale.

Dean is a little shocked to see the Bunker’s HQ turned into an actual HQ (and where the hell were all these people last week, when Castiel was pulling double duty, babysitting Jack and Nick?), and even more so that people are already calling Sam “Chief” after just a few weeks. Yeah, I know. Convenient writing. Just roll with it.

Dean is reunited with Jack and Castiel, who seem glad to see him again, especially Castiel. Then Dean makes the excuse that he needs to go shower and leaves. As the others ask Sam if Dean is all right (think that’s a big old NO, Ghost Rider), and Sam hedges, we see Dean enter his room, take off his outer shirt, and spot a ginormous scar on his right shoulder in the mirror.

Cue title cards.

So, Dean hides this and pretends nothing’s wrong – wait, that’s only half-right. He actually goes to tell Sam and Castiel. No secrets. Who are you and what have you done with Dean Winchester?!

Dean insists that Castiel do a mind-meld (i.e., soul read, which, as we know from season six’s “The Third Man,” is extremely painful) to dig up his memories. Castiel finds some fragments of already-filmed stuff of Michael and his experiments, and seems puzzled why a powerful archangel would be creating monsters (you and me both, dude). He then discovers a new memory – one of DeanMichael getting stabbed in the shoulder, creating the odd scar. There’s a lot of screaming, but no blood (of course) and also no angel light (whoops, continuity error or just plain being cheap about the FX).

Dean has no idea what Castiel just dug up, so they call Jody. Not sure why, but it’s what they do.

Jody is getting a text from Claire (I think) about Alex’s laundry. Claire asks if Jody is on a hunt and Jody says no. Then she gets a call from TFW 1.0.

So, the reason they called her is that Dean recognized the figure that stabbed him/Michael as the same hooded figure that casually murdered Kaia in the “Bad Place” last season. We know (though they don’t) that this was Bad Place!Kaia, so I want to reiterate that she murdered her own counterpart in this world, without an ounce of apparent remorse. I’m thinking that will be important later.

Anyhoo, it turns out the hunt Jody wasn’t telling Claire about involves headless bodies with the same scar.

Dean immediately packs. He, Sam and Castiel are heading out when Jack comes in and wants to help. Sam and Castiel hedge, but Dean’s the one who gets blamed for “hurting” Jack’s feelings by saying he’s not strong enough to go. Yeah, because that’s much worse than taking him along and letting him get beaten to a pulp by demons – oh, wait.

Roadblock number 2 is a female Hunter coming in (apparently Yet Another alt-SPNverse Denizen) with the only survivor of a witch. The witch is dead, but she apparently hexed the girl with an ageing spell. Castiel can’t immediately cure her, so he stays behind to work on it. Dean forges ahead with just Sam.

Oh, by the way, it was established earlier in the ep that Nick is still in the wind and TFW:TEP has no idea he’s turned into a murderer.

In the car, Dean is speeding a bit (75 doesn’t really seem very fast, but okay) and Sam decides it’s time to get pissy and have The Talk about how Dean’s not acknowledging his feelings. Because this has gone so well before, mainly due to Sam always using what info he worms out of Dean to hurt Dean later. Just sayin’, Sam.

Sam whines that time may not have passed for Dean, but it passed for him and he’s worried and he wants Dean to tell him stuff Dean claims he doesn’t remember. Dean is charitable enough not to throw in Sam’s face the times Sam took off on him and did things and told Dean they were none of his business (not to mention that whole “year off” when Dean was in Purgatory and Sam didn’t look for him).

BTW, Dean thinks Sam needs to lose the beard. I’m kinda with him on that.

They arrive at Jody’s, in a meeting at night in the woods. Jody and Dean enthusiastically hug, and Jody admits she’s been hiding the hunt from Claire. Alex is still working at the hospital. Patience is still in school. Jody likes the beard. Dean rolls his eyes at Sam behind her back. Then Dean suggests they go right off into the hunt, even as Sam suggests they wait until daylight. Uh, Sam, honey, Jody just met you at night in the woods and said she doesn’t want to go home until the hunt is done. Go hunt.

There are three bodies so far. Jody thought they were human, but if they’re headless, you can’t really check to see if they’re vampires. Since, like, now vampires can bleed, and all. LOL!canon. And they might be werewolves

Back at the Bunker, Jack decides to pack a bag and leaves note to “Sam,Dean,Castiel.” But as he’s about to go do the Little Orphan Annie shtick, he hears voices down the hall. It’s Castiel and the Hunter, trying to cure the Damsel in Distress in the infirmary. When Jack comes in, Castiel explains that he can’t heal the girl because “the spell is too knotted.” Whatever that means. Castiel got hold of Rowena, who told him to try a reversal spell, but it’s complicated.

Castiel notices the backpack and asks if Jack is leaving. Jack, with a new look of determination, says no and enters the infirmary, presumably to help the girl.

Is the Hunter this week being played by the actress who played the detective in the Warner Bros cartoon ep? She was fun.

It’s daylight in the woods and Dean wants to split up. Sam and Jody veto the idea, so Dean just strides ahead and they run to catch up. Dean finds a campfire (still smoking) with three heads – three vampire heads – on poles in front of it.

Jody and Sam debate over whether it’s just a really big coincidence, or whether these are her three John Does as Dean confirms that they are vampires. But Jody is confused by this. She says that she took their blood home and had Alex examine it. The blood didn’t react to silver or anything like that. Well, vamps wouldn’t.

Dean crouches by the fire and checks out how long it’s been since it was last tended. Then he looks up over his shoulder and is startled by a vivid and hallucinatory flashback of the hooded figure that stabbed him, with the spear in its hands. When he looks up again, though, the figure is actually there and poised to strike. It’s not a flashback. It’s a flashforward, a premonition sort of like Patience’s gift, except briefer and more shadowy. I’m reminded of Zachariah’s claim in “Point of No Return” that Michael foresaw the day Dean would say yes in great detail (except that Dean didn’t quite say yes that day). So, Dean may have a new power. Kewl.

And before anybody starts going on about Dean is fully human, folks, that ship has sailed, hit an iceberg, sunk, been rediscovered and brought up by deep sea submersibles, and set up in a museum. And besides, Nick sure as hell isn’t just an ordinary guy, anymore, either, and it took Sam a hell of a long time to become fully human again – about ten seasons, to be exact. So, no, Dean is not fully human anymore, if he ever truly was.

Anyhoo, the whateveritis gives a startled Dean just enough warning to dodge a strike from the spear. A fight ensues in which the refugee from Arrow gets all Kung-Fu genre on the three of them. Though Dean probably would have won if the hood hadn’t come off and the person he saw looked just like Kaia. EVOL!Kaia (sadly, the actress still only has about three expressions) knocks Dean over, tosses her spear to a mound nearby, swan-leaps over a fence, grabs it, and runs away. All of this is entirely unnecessary for a real fight and looks fake. I hate the way EVOL!Kaia fights.

Back at the Bunker, Jack sits with the young girl, who tells him her life story. As subtext anvils rain down, she asks of Castiel is his dad. Jack says, “One of them,” smiling fondly. When he asks her if there’s anyone they can call, she says her mother, but she fears Mom would hate her. She ran away from home out of rebellion (Jack looks guilty) and was taken in, along with two other girls, by the witch. She says the witch gave them gifts (Jack notices a big, honking necklace that Castiel and the Hunter apparently didn’t), but then the witch turned mean. She locked them up and the other girls withered away to husks. Now, she is withering away, too, but even faster, and she’s scared. Jack reassures her that Castiel will find a solution.

In the woods, Dean is still striding ahead and Sam still wants to chew the fat. This is basically just an excuse by the writers for some infodumping from Sam about how he thinks Michael sent his super-vampires (I guess he somehow found a way to perfect them?) to kill EVOL!Kaia for reasons as-yet unknown. Dean’s like, yeah, all right, but that doesn’t change the plan. Which is, obviously, to find and capture EVOL!Kaia. As Dean walks off, Jody pats Sam on the shoulder and follows Dean. Yay, Jody.

Thanks to Dean’s tracking skills (which are still excellent), they can follow EVOL!Kaia. And they do, as the day passes again toward night.

In the Bunker, Castiel and the Hunter do a Latin spell together, but it only speeds up the ageing process and DiD starts to choke as Jack looks on, distressed. I check my watch.

By the way, it was also infodumped at the beginning that Mary and Bobby stayed back at Michael’s laboratory to … uh … clean up his experiments.

Back in the woods, Jody skips a call from Claire. She tells Sam she promised Claire that she would cover all human-related cases but would let Claire know about “anything monster-y.” This, however, would be too much. It seems that Kaia was Claire’s “first love” (well, yeah, it would be rather awkward to continue much further with Claire’s weird puppy-dog hero worship thing for Dean, since he’s twice her age and totally not into it, or ever address again that whole Daddy Issues stuff she had going with her Fagin dude that Dean killed). So, Jody is not going to tell Claire. Or, at least, she’s going to put it off as long as she can.

Jody asks Sam about how he and Dean are doing (more infodumping about feels!). Sam says that Dean is “working something out – alone” (hey, man, you asked Dean to address what Michael did to him and he said he was by going on this hunt). Sam doesn’t think Dean is any more ready for this hunt than Claire would be. Jody points out that maybe Dean needs to be on this hunt. After all, hunts are how Dean works out dark and destructive feelings. Dean’s entirely barren field of fucks in “Children Shouldn’t Play with Dead Things” fairly leaps to mind here.

Boy, the woods are really nice and clean and open here in Vanco – I mean, Sioux Falls (and it was amusing to see Sam geek out once again about serial killers, to Jody’s consternation and Dean’s exasperation).

So, cut from Sam’s manly, brooding, bearded face to EVOL!Kaia dropping down into a crouch next to some cabin. She enters, briefly scans the interior, then goes to the sink for some water. After stealing some crackers, she comes back out. The creaking of wood warns her, but this turns out to be deliberate. She turns right into a gun butt from Dean, who was waiting on the porch. As she falls, Sam and Jody happen to be standing there (even though they weren’t when she walked out onto the porch. Continuity error, there).

Gotta say, that was pretty satisfying. I rewatched it a time or two. She’s a tad high on the Jerk Sue scale.

So, they tie her to a chair and interrogate her. After they confirm that she is the Kaia from the Bad Place, they ask her why she came through the rift. She refuses to say why, so Sam asks her why she’s (still) in Sioux Falls. She says it’s “because of him.” She means Michael and Dean confirms he’s no longer Michael. She snarks, “I know. You’re much weaker.” Because really, she wasn’t already obnoxious enough. Gotta say that seeing any version of Kaia ever again on this show was not high up on my wish list and this episode is not changing that opinion.

Anyhoo, Dean says, yeah, whatever, but “you’re still scared.” She claims she’s not scared of Dean (but she sure should be). She’s afraid of “them.” She means the monsters Michael has been sending after her. Every time she stops running, more come. As she speaks, we get a view of her camp, with three new super-vamps surveying the severed heads of their predecessors and snarling.

EVOL!Kaia claims she wasn’t trying to kill her double, with whom she claims to have had a Very Special Bond, but “the blonde” (Claire). Which is bullshit, of course, because if she’d actually cared about her double, and seen through her eyes, she would have known perfectly well not to try to kill Claire.

Jody says they need to get her back to the station for more security and protection. Dean says they have to “break her” right then and there. While Jody and Sam look a bit horrified, EVOL!Kaia smugly claims all Dean wants is the weapon she normally carries (but, for whatever reason, stashed someplace because Stuff to Keep the Plot Going). It does not seem to occur to her that these people who knew Kaia and “the blonde” might want to break her for less esoteric reasons – like revenge. For all her sparkly weapon and fancy martial arts, EVOL!Kaia is quite stupid.

By the way, back at the Bunker, DiD has died. As Castiel covers her face with a sheet, Jack weeps over her body, proclaiming that he could have saved her if he’d still had his own sparkly powers. Then he gets an idea (very belatedly). He pulls off the sheet, looks at the necklace, and asks the Hunter where she put the witch’s body. Um … excuse me? Didn’t the woman just salt and burn the witch on the spot? Nope, she brought her back to the morgue, where the witch is in the cooler. That was their first mistake. The second was not noticing the Big Honking Green Necklace On Her Neck that is identical to the one on DiD’s neck.

Some days, there just aren’t enough facepalms.

So, Jack explains in excruciating detail for Castiel, the Hunter and any of the slower members of the audience that the witch is still dead because the witch-killing bullet is still inside her. But the necklace drained DiD because it was trying to revive the witch, which it couldn’t do because the witch-killing bullet was still inside (really, it’s that spelled out). He yanks the necklace off her neck.

Back in the cabin, Dean is admitting that yes, he’s there for the weapon and is willing to torture EVOL!Kaia for it. He then tosses her around a bit, but EVOL!Kaia just smirks because sure, why would she be the least bit afraid of a guy who is wearing the face of the immensely powerful being that is sending monsters after her, 24/7? I’m not sure if the actress would be any better with more competent writing, but the script sure isn’t doing her any favors.

Meanwhile, Jody and Sam want to protect this puir widdle not-innocent who just bragged about killing her own double and trying to kill Claire. Pretty sure if Jody were actually in character in this scene, she’d be shoving Dean out of the way and cutting strips of skin off EVOL!Kaia.

Meanwhile, the vampires are coming. In case anybody still cares.

So, she claims that Dean is just like Michael, with his “threats” and “violence,” and she starts blathering on about how she “saw” Dean shove a gun in her double’s face (yet shows no fear because bad acting and awful writing make for a totally unrealistic character), and he’s afraid and “weak.” And this is the part where the script really crashes and burns for me.

Yeah, Dean forced Kaia to get into a car with him. And there’s been a lot of bashing of Dean (some fans really dig that) over the decision. Now, I’m okay with scenes where an antagonist calls Dean out on being so violent, but the ones that work (like, say, the interrogation scene in season one finale “Devil’s Trap”) involve much better writing and acting than this one.

The thing is that no other reaction from Dean in the scene where he threatens Kaia would have been in character. To Dean, Kaia was just shrugging off that she’d been helped out of a bad situation (the clinic) and refusing to help him, Sam and Jack rescue their mother, who was being tortured by Michael, right at that moment.

It wasn’t just that Kaia was afraid to help. It was that Kaia made it abundantly clear that she just didn’t give a shit. Too bad, so sad, getting on a bus now. If she hadn’t been afraid, she just wouldn’t have been bothered.

And just as an in-character Jody would have been ripping EVOL!Kaia apart rather than standing weakly by and mouthing platitudes about how torture is wrong (because Jody is a mama bear when it comes to Claire), an in-character Dean would have been bashed just as cheerfully by the same parts of fandom if he had not gone full-on Mad Max in 13.09 to save his mother, once he found out she was actually alive and – oh, yeah – being tortured by the archangel he was once supposed to say yes to, on anyone who got in his way.

But even this is rather beside the point because the very person who is calling Dean out on threatening Kaia is the one who murdered her. And excuse me, but murder (“accidental” for being the “wrong victim” or not) is far worse than a threat that isn’t actually carried out. So, screw you, EVOL!Kaia, you hypocritical little Psycho Sue, and get off my damned screen.

By the way, back at the Bunker, Jack brings the witch’s necklace back to the infirmary, smashes it, and DiD is instantly revived. So, there goes that B-plot.

In the cabin, more painful infodumping as we get a flashback to Michael appearing to EVOL!Kaia and offering her a place in his army if she gives him the spear. She attacks him (because, well, she’s stupid) and he easily evades her attacks (some nice stuntwork from Ackles, which unfortunately shows up the Kaia stuntwork in all its flaws) until she somehow manages to knock his feet out from under him and stab him in the shoulder. Not the heart, not the neck, not the eye, not anything that might have been, you know, effective. Just the shoulder.

Also, it’s pretty sad when the writers forget that full-power angels have wings and can easily outmaneuver a human using them, not to mention, smite them. Remember Anna against Mary in “The Song Remains the Same”? Like that. So, this fight is just straight-up lame.

Anyhoo, all is interrupted by the arrival (finally) of the super-vamps, who proceed to beat the crap out of Sam, Dean and Jody. A plot hole bubbles to the surface when one of the vamps insists he’s only there for EVOL!Kaia and they proceed to beat the crap out of Dean. Because I’m pretty sure that Michael’s vessel is still every bit as important as a spear that could kill him. If not more so.

The vamps are so dumb that when Dean frees Kaia by shooting her chair leg and she jumps out the window, they don’t follow her. So, it’s not a real shocker that she stabs one of them from behind, and then the other two conveniently turn around so she can whirl her big stick a few times and lop off their heads. She then pauses for a bit and Jody says hey, you came back instead of leaving us to die. EVOL!Kaia sullenly insists she came back to kill the monsters (because that totally makes sense – not) and then she bails.

Oh, please, Show, can’t you just kill her off offscreen? I’m begging you.

Afterward, Jody has a broken arm, but insists on driving herself home, after telling Dean not to blame himself (which is a bit like telling Dean not to breathe, but I appreciate her effort).

Back at the Bunker, Castiel visits Jack in his room and tells him he’s proud of him. The Hunter (who now has a name, Jules) is taking DiD back home to her mother. Can we keep Jules? She’s about the only decent thing about this trainwreck of an episode.

After Castiel leaves, Jack coughs up blood, but doesn’t tell anybody. Because it wouldn’t be a Supernatural episode without Secreth and Lieth.

In the car, Dean feels guilty for having said yes to Michael and says Sam was right (well … not really. About a lot of things). He just wanted to skip to the end where he got the weapon and killed the Big Bad. He says he never should have said yes (Sam, who would not be alive, and who knows full well what Lucifer was planning to do to the universe, had Dean not showed up at that church, says nothing to contradict him).

Dean then admits that he actually does remember all of being possessed. He doesn’t remember most of what Michael was doing, but he remembers the possession mostly as a kind of drowning and being too weak to overcome it. Which makes Sam’s whinging earlier in the ep about how he had to deal without Dean around, while Dean got to not remember the past few weeks, look pretty damned bad.

Credits.

This was a pretty inept script, full of endless, momentum-stopping, intelligence-insulting infodump, characters acting stupid or out of character simply to advance the plot, simplistic and linear plot turns (we still don’t even know why Michael left Dean, just how Dean got the scar), an unnecessary B plot, bad acting and some not-so-hot stuntwork, especially from the main guest star. Not what I would have liked to see from a Jody return or a Dean possession aftermath ep.

It’s probably therefore no big surprise the show got a fairly low rating of 0.4/2 in the demo and 1.39 million watching. in part due to audience bailing in the second half (though it seems that Legacies‘ unloved series premiere also dragged it down). Let’s hope next week has at least a tighter MOTW script because Show, you can do better than this.

Promo for next week.


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The Official Supernatural: “Gods and Monsters” (14.02) Live Recap Thread


We need your help!

Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee. I’m posting reviews here of North Carolina ghost story books, and notes about my research all month long on Patreon.

My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through Amazon and is on sale through this Friday. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.

Hey, remember when I did a column for Innsmouth Free Press called “Gods and Monsters”? Good times. Of course, the original source for that title is the classic 1998 film about the last days of James Whale, director of Universal’s version of Frankenstein. Last week got its title from the Robert Heinlein novel about a young man who returns to Earth after being raised by Martians and inadvertently starts a cult.

Interminable recap of the situation so far, without even any decent rock music. I’m not one to complain when there isn’t a rock song in every episode, but it’s been a mighty dry spell of late.

Cut to Now and creepy, Gothic church full of cobwebs and detritus. And tied-up people. A man is tied to a chair, slowly bleeding into a cup from his throat. Michael approaches him and heals the cut, then takes the cup. He pours a little bit of grace (his grace?) from a vial into the cup of blood, saying “A little bit of this, a little bit of that.” Swirling it around, he then feeds it to the man.

At first, nothing much happens, and then the man starts glowing from within and his eyes burn out. He falls forward, dead.

“Too much ‘that,'” says Michael. Then, as Universal Horror Film music blares on the soundtrack, he twirls a curved set of knives and rhetorically asks the line of terrified tied-up people, “Who’s next?”

Cue title cards.

So, what is TFW: TEP getting up to these days? The show is so glad you asked (and this being the Nepotism Duo, you’re gonna get the answer in excruciating detail).  They’re finding a story about a pile of dead bodies in Duluth with their eyes burned out and immediately think, “Hey! It must be Michael!” as you do when there about five angels left on the planet and one of them is talking to you right then.

So, Sam gets Mary and Bobby together (because apparently, the redshirts we met in the season premiere are still off hunting vampires on the highways and Maggie is…somewhere).  He leaves Castiel behind to “babysit” (Castiel’s apt wording) Jack and Nick. Castiel admits that his angel grace would undoubtedly clue Michael in and that, even though his track record says this won’t end well, Jack and Nick do require babysitting. Jack is still moping about his lost grace and Nick is making everyone jumpy.

Absolutely no one mentions that this is undoubtedly a trap, just like the last time they thought they had Michael cornered, over in the alt-SPNverse. Remember Kevin 2.0?

And Sam still has Hiatus Beard.

Jack comes in and mopely agrees that he needs to stay behind. Later, Castiel visits Nick, who is having nasty flashbacks to Lucifer using his body to murder lots of people. He’s also hurt that Castiel won’t look at him…much.

Nick doesn’t remember why he said yes to Lucifer in the first place, until Castiel helps him remember. That his wife and child were murdered. Hey, we’re actually gonna find out what happened with that dropped plot.

Cut to TFW: TEP talking to the medical examiner in Duluth (as FBI agents). She conveniently gets a call so they can check the bodies on their own. Sam quickly discovers that one of the dead is a vampire. Bobby and Mary discover the other bodies were, too. And they see the scars for where Michael “bled” the vamps (we’ll leave aside the ongoing stupidity of dead bodies being able to bleed). They wonder why Michael is bleeding and smiting vampires, or “hunting” them in the first place.

Meanwhile, Michael is putting on a nice suit and putting down a brief rebellion from Dean, whose reflection is in the mirror? We know that won’t be the last time Dean fights back.

Castiel tells Jack about the time after the angels fell when he had no powers or wings, and how lost he felt. We get a tidbit that angel powers can take as long as a century to come back. So, that leaves the writers a lot of wiggle room, eh.

As Castiel is talking on the phone to the field team about why Michael would go after vampires, Nick comes in. Nick is upset because there’s no sign that the case of his wife and baby’s murders was ever solved. If he hadn’t said yes to Lucifer, he might have been able to keep the police on the case until it was solved. When Castiel goes to touch his shoulder, Nick comes up with a Lucifer-smite snap, as if on reflex. But when Castiel asks him what he was thinking at that moment, Nick doesn’t know. Castiel goes to touch him again and whatever he finds, he admits that Nick may be more “damaged” by Lucifer than any of them first thought.

Nick goes out to investigate his family’s murder. Castiel doesn’t stop him.

In a grotty motel room, TFW: TEP have tracked down a young woman who had showed up at the morgue to ask about her friends. She turns out to have been one of the people tied up in the church. She claims to have been just a “veggy” vamp, feeding on animals and tells them that she saw Michael’s experiments on her friends (though she didn’t see the part we did in the teaser about his archangel grace). She says she managed to escape. To get them to spare her life, she tells them where Michael went.

Cut to Michael, still all dressed up, entering a hotel room with a woman in a red dress. They exchange banter about how he picked her up in the bar and he is utterly unsurprised when she shows werewolf teeth. He tosses her across the room and orders her to call her “master” (I guess the werewolf Alpha is still alive).

Back at the Bunker, Nick is having a lot of trouble getting anyone in law enforcement to tell him about what happened to his family. It’s a cold case. His only lead is that a witness claimed to have seen someone leave the house and then claimed that they were mistaken.

Castiel tells Nick about Jimmy Novak and Nick calls him out for wearing a dead human. Before leaving to check on Jack, Castiel tells Nick, Jimmy and his family were “my greatest regret.”

Meanwhile, Michael is meeting with the werewolf leader, who isn’t an Alpha so much as a leader of a large pack. Michael makes it clear that he despises humans and that Chuck isn’t coming back any time soon. Which makes Michael the de facto God of this realm.

He offers the leader a way to rule the earth and take over from humans, as long as he volunteers his people to be experimented on. Michael downplays his previous failures with the vampires, which makes you wonder what kind of mistakes he made in the alt-SPNverse.

Jack has somehow gotten out of the Bunker and goes to visit his grandparents. He passes himself off as her assistant and tells them she gave birth to a son. He doesn’t tell them she’s dead. It’s a pretty awkward scene as he dances around the fact that he’s the grandson.

Vampire Girl is packing (TFW: TEP apparently having let her go) when Michael flies in. He tells her that Rule #1 is to have bait for a trap and Rule #2 is that “when the trap has been sprung, you don’t need the bait, anymore.” His eyes glow and he smites her from across the room without even turning to face her.

Castiel is not at all thrilled when Jack gets back, but they talk it out. Jack admits he couldn’t let them know that she is dead now.

The conversation takes a dark turn when Jack asks where TFW: TEP is. Jack thinks Dean can’t be saved and says that Michael has to die. Jack fails to understand that they don’t have any means to kill Michael and that the only way they can cage him is to separate him from Dean. So, killing Dean is so not an option.

Nick visits his neighbor, Artie, and has a talk with him. It turns out Artie was the witness. Artie says that he thought he saw “something,” but he must have been wrong. He starts to get nervous.

Nick gets pretty intense and starts accusing Artie of having beaten his family to death with a hammer. Nick beats him up, determined to get the truth out of him.

TFW: TEP go to the church and find the scene of Michael’s experiments. Then they’re attacked by hyped-up werewolves. Silver doesn’t work. Neither do angel blades, but beheading does.

The doors open and a figure appears. It’s not Michael; it’s Dean and he looks exhausted. He tells them that Michael “just left” and he doesn’t know why.

We cut back to Nick, who has beaten his neighbor to death with a hammer. Hmm.

Credits

Okay, Nick is an obvious parallel to Dean, so that’s not good. I feel a bit annoyed that they went this route with Nick, since it now makes it convenient to see him as EVOL.

I don’t quite know what trap Michael set with Dean, but this being Supernatural, it’s bound to backfire as much on Michael as on TFW. Think I’ve said this before, but I’ve thought for a while that Dean’s possession by Michael could be intermittent and if Michael thinks experimenting on his Sword with his own grace is a good idea, he’s got another think coming. This, of course, makes things that much more awkward for TFW, because that makes Dean pretty unsafe to be around.

As for the rest, damn, Nepotism Duo scripts are overly busy, aren’t they? I felt as though a whole lot of wheel-spinning happened this week.

Ratings for this week went up a bit from 0.468 to 0.485 (rounding up both weeks to 0.5) and from 1.49 million to 1.53 million.

The promo for next week is up.


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Supernatural: Season 14


We need your help!

Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee. I’m posting reviews here of North Carolina ghost story books, and notes about my research all month long in October on Patreon.

My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through Amazon and is on sale through this Friday. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.

Here are all my live recaps and reviews in one, handy-dandy spot, for Season 14.


The Official Supernatural: “Stranger in a Strange Land” (14.01-Season Premiere) Live Recap Thread

The Official Supernatural: “Gods and Monsters” (14.02) Live Recap Thread

The Official Supernatural: “The Scar” (14.03) Live Recap Thread

The Official Supernatural: “Mint Condition” (14.04) Live Recap Thread

The Official Supernatural: “Nightmare Logic” (14.05) Live Recap Thread

The Official Supernatural: “Optimism” (14.06) Live Recap Thread

The Official Supernatural: “Unhuman Nature” (14.07) Live Recap Thread

The Official Supernatural: “Byzantium” (14.08) Live Recap Thread

The Official Supernatural: “The Spear” (14.09 – Christmas Finale) Live Recap Thread

The Official Supernatural: “Nihilism” (14.10) Live Recap Thread


The Kripke Years

Season 1

Season 2

Season 3

Season 4

Season 5

The Gamble Years

Season 6 (with Kripke)

Season 7

The Carver Years

Season 8

Season 9

Season 10

Season 11

The Dabb Years

Season 12

Season 13

Season 14


Like this column? You can help keep it going by contributing monthly via Patreon (which includes perks), making a one-time donation through Paypal, or buying us a coffee.