Category Archives: Supernatural reviews

Review: Supernatural: “Advanced Thanatology” (13.05)


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[lots o’ spoilers ahead]


Imagine that you live like a mayfly, growing up in a violent life where people die young and nasty, repeatedly told you are nothing but a blunt tool in the service of other, better folk. Expecting to go out bloody and savage at a young age, unmourned, forgotten almost as soon as you die. Expecting … hoping at some point … that at least it won’t last forever and someday, very soon, you will find peace, even if it’s the peace of oblivion. You are surrounded by people who do all sorts of horrific things to live another day, but you? You’re ready to go pretty much any time.

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Now imagine that you are suddenly faced with being dragged, kicking and screaming, out of obscurity, held up into the light, made the light, the barrier, the firewall between Light and Dark, Firewall with a capital ‘F.’ And you start to realize, as you cheat – no, are cheated of – death over and over that your life may eventually end bloody, but it’s going to be a long time. Maybe even geologically speaking. Even to the point where you could outlive the angels, and certainly the demons, you previously thought immortal. That you are too important to die, that you have been given what you’ve seen so many others commit murder, betrayal and far worse to gain just a taste of.

And you even begin to suspect, after so many years of neglect and abuse, that the universe didn’t do this to hurt you. It did it out of love, this making you immortal. And not just immortal – eternal.

Imagine this new truth is dropped on you like a neutron bomb a moment after you thought you’d finally discovered the perfect way to commit suicide.

You wouldn’t feel blessed. You’d feel cursed. You’d feel like Dean Winchester near the end of this episode.

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I’m not sure yet if this is a top favorite, but I think I can consider “Advanced Thanatology” a favorite of the episodes so far this season and a genuinely entertaining, thought-provoking, re-watchable one. The episode does a very good job of staying on topic in terms of its central concept. There is Dean, who is profoundly, fundamentally, clinically depressed, trying to party his depression away. There is a young boy Dean tries to save who is snatched from life young and terrified. As in season one’s “Faith,” Dean tries to switch places with the boy, but is simply told that’s not the way things are. Dean’s life is important. The boy’s is just done. There is the loss of his devoted, down-to-earth mother (movingly played by Alisen Down, who was also in season eight’s “Trial and Error”). There is the sinister creepiness of the insane doctor, evoking pretty heavily both Dean’s fears about shrinks last week and the mad scientist doc of season one’s “Asylum.”

I think that’s what makes this central conflict so complex. It’s not just a case of a person who is not allowed to die, or who has become immortal and bored with it. It’s a case of someone who lives in a universe where life is short and hard, a prize taken away before anyone has had enough of it. This person assumes, especially since he is not important enough for second chances or extensions, that his life will be especially short and hard. As Dean puts it this week, “It doesn’t matter. I don’t matter.”

And then, like some lost scion of royalty in a fairy tale, this person is raised from the gutter of human life, by beings who represent eternal concepts, and given a place on Mount Olympus, in the ninth sphere of Paradise, the Empyrean, and told that he can’t die because he is far, far too important to die. Without him, the universe would be toast. And to emphasize this (perhaps just to placate him and give him motivation to continue on), they include his beloved brother in the blessing, a brother for whom he would (and has) died. And then they even bring back his best friend.

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This is not a curse, to be singled out, spotlighted, in such a way. It just feels like one to Dean Winchester. Since the climactic scene with Billie is from Dean’s POV, it does indeed seem as though she is cruel in dangling the possibility of death – of many deaths – in front of him, before snatching it away. It’s subtle, but if you mind the signs in the story, especially when Dean glances up after Billie mentions the “shelf” of his deaths (a clever and evocative image of a very esoteric concept), that entire library of Ws is devoted just to him. In addition, two of the “deaths” Billie mentions have already happened to him or been avoided, and the third is in the very next episode. It begs the question of whether, depending on Dean’s choices, any of these deaths will ever prove truly final.

One macabrely amusing moment is when Jessica the panicked red-headed Reaper enters the W archive and blurts out, “Dean Winchester is in the Veil!” Clearly, this is a DEFCON-1 moment for Reapers at this point. Dean has become such an accomplished shaman and psychopomp (not to mention slayer of Reapers and other angels) that not only does he treat his spirit walk as an ordinary event, but his mere presence in their realm terrifies Reapers. Hence the phrase, “advanced thanatology.” It’s also notable that we will soon see that there are people who dreamwalk between worlds pretty often, yet the only time Death gets concerned is when Dean Winchester does it.

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Back when I was about twenty, I read a book called Once a Warrior King by David Donovan. It’s a memoir by a young first lieutenant who served as an advisor in a remote part of Vietnam during the War. Through an unfortunate and unforeseeable sequence of events, Donovan abruptly found himself the highest political authority in that area, with the power of life and death over everyone there. People bowed to him, fought him, admired him and reviled him as if he were the most important person in that region. He discovered that unlike many of his comrades, his job involved as much the impossible task of helping the people he served and improving their lives in a war zone as it did blowing up the enemy.

Around the time I read the book, I was elected to the captain’s position on a college rescue squad that was the second busiest ambulance squad in the state. I found myself going to EMS meetings where I represented the emergency care options of 14,000 people in five towns, as well as transport for a regional neonatal care unit. ER directors twice my age, sometimes grudgingly, treated me as an equal. It was a shock to the system. As one alumnus member bluntly told me, I had wanted a grownup’s job, so it was time to grow up and do it.

A few years later, when I was in Peace Corps in Cameroon, one of my farmers came to me one day and asked if I would intercede for him in a local dispute to our village’s de facto “mayor,” as I was his “patron.” I agreed, though I didn’t think my influence would do much good. To my surprise, the mayor greeted me warmly and readily agreed to my farmer’s request. I had lived in Boubara for a year and a half at that point, and had somehow remained blissfully aware until then that not only was I fairly high up in the village, but I was apparently among the top four officials out of six thousand people.

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Were these revelations ego boosts? To a certain extent, though I always felt they were undeserved ones. The position atop a pyramid feels pretty precarious. As far as I was concerned, the position, not the person, was important. Leadership is ultimately about service. If you’re all about the gold crown, you’re missing the point.

These roles also came with huge responsibilities and major real-world consequences, for many people, if/when I screwed up – and I worried a lot about screwing up. I made fully as many enemies as I did friends, simply as a matter of course. They, too, came with the job. I’m sure not everyone I knew during that time think I served well. I’d like to think that some people did, though.

C.S. Lewis puts it brilliantly in his fifth Narnia book, The Horse and His Boy:

For this is what it means to be a king: to be first in every desperate attack and last in every desperate retreat, and when there’s hunger in the land (as must be now and then in bad years) to wear finer clothes and laugh louder over a scantier meal than any man in your land.

Dean has always been acutely aware of the rough side of this equation. He’s taken many blows and won many enemies in his determination to hold by his unique motto: “Saving people, Hunting things: The Family Business.” What he has not understood up to this point is why the fact he came up with that idea makes him more than a rather filthy-minded footsoldier in the endless war between Light and Dark.

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I think that Billie is trying to make a point. And as reluctant as he still is to acknowledge that, I think Dean is finally beginning to understand what she means, what Chuck meant, what Amara meant. Jensen Ackles does a really nice job with this as he deadpans a polite “Hmm” every so often as Billie drops bomb after mindblowing bomb of cosmic revelation about his position in the SPNverse. Dean no longer bows to Death. These two are now equals, bargaining with almost amiable hostility over the fate of a hundred souls. It’s even possible that Death now bows to Dean, or soon will.

I’ll admit it. I like Billie. I just thought her previous motivation made her look stupid and petty. So, I was happy to see her promotion rectified that. She’s a worthy successor to the previous Death.

Problem is, Dean is still human and that kind of thing will break your mind. He’s not all right at the end (“I’m pretty far from okay”), by any means, but he does now have the tools to keep going once he sees Castiel at the phone booth, an embodiment of at least one of his prayers answered against all odds. What shape he’ll be in for the rest of the season is a whole other story.

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Sam’s had a fair amount of growth in the past few seasons, so it’s interesting to see how he fields what is basically part two (after this week) of trying to talk his brother off the ledge. His performance on that score last week was less than edifying. Not only did he try to bully Dean into group therapy, but he did so on a highly risky case when the two of them needed to be at their most alert and clear-headed. That case turned out to involve an MOTW that has done Dean considerable psychological and social damage in the past. And on top of that, Sam insisted on bringing Jack along. Not his finest hour. This week, he seems to be trying reverse psychology by indulging all of Dean’s favorite quirks, including his paranoia about crazy shrinks, though Dean sees him coming a mile away.

The episode doesn’t spell it out, but it’s gotta hurt Sam’s heart just a little when he hears Dean parrot back to him the cruel speech he served Dean at the end of “The Purge” years ago, about how Dean thought he was doing good, helping, making a difference, but really wasn’t. We see Sam grimace when Dean echoes this speech, clearly having taken it to heart and been wounded near to death with the slow-acting poison of it.

Sam can try to make up for all this with two-word apologies like “I’m sorry” (season four) and “I lied” (season nine), or more elaborate groveling like his speech about trusting the LoL in the penultimate (I don’t care what J2 say about that word; I love using it – penultimate, penultimate, penultimate) episode of last season. It won’t change the fact that more often over the years, he has spoken venom and anger, sometimes even hate, and that his brother is more emotionally primed to register abuse, anyway.

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While the sequence of Sam pampering/kissing up to Dean is amusing (and Dean passed out on the floor with his tie on his head and a big, pink bra around his neck is a hoot), I’m not sure Sam even knows what to do to make it up to his brother, let alone help Dean heal and become well. It’s a long, uphill battle, to be sure, and it is by no means all Sam’s fault that Dean is this way. John (and Mary’s death, it must be said) had a big hand in it, as well as all the self-inflicted wounds Dean has incurred along the way. It’s certainly going to take a lot more than “bullets, bacon and booze,” even “a lot of booze,” for Dean to pull out of this flat spin.

Admittedly, Sam does have a point about Dean’s “bossiness.” For all his poor self-esteem, Dean has frequently stepped into the role of King with effortless grace and arrogance, literally as if he were born to it. This is played for laughs for a bit in this episode with lines like “What happened to you being nice to me?” and “You are forgiven.” And when Dean is well, relatively speaking, it’s a constitutional monarchy with all of TFW getting a say.

But when things get ugly, shit goes down, and Dean’s mental health goes to a dark, dark place, it becomes, as he himself puts it in season nine, “not a democracy. This is a dictatorship.” And that’s when Dean makes unilateral decisions, such as killing himself to make a spirit walk from which he does not intend to return, simply to rescue Sam from a few angry ghosts that the two of them could probably banish a different way. At those times, Dean’s recklessness (“insouciance” as 2014!Apocalypse Castiel once put it) tips over into self-destructive and suicidal behavior that needs, at the very least, a gentle restraining hand on the arm, as Jody did to Dean in “Patience.”

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Finally, this was a properly satisfying MOTW this week. I’m glad the show is once again remembering that it’s supposed to be horror, not paranormal romance. Yeah, it went off into mytharc in the third act, but the first two acts did have a real Hunt that was actively resolved.

That doctor was extremely creepy (notice how he simply tosses Sam aside and goes after Dean, his preferred type of victim?). As unsympathetic as I found Evan (Doomed Teaser Kid), who was composed of unadulterated idiot, I found his death properly chilling. In fact, all of the scenes in the haunted house (a series of sets the show has used many times before, with all sorts of different lighting) were straight-up horror, no chaser, and the twist of the angry, confused ghosts coming after the Brothers after the doc was ganked was disturbing, regardless of our knowing the Brothers would (somehow) get out of it alive.

Shawn’s fate was also horrific and sad. He and Evan didn’t intend to trespass on such deadly territory, but then, innocence and ignorance are not always an effective defense against the dark. His poor mother is left with her lifelong grief, (undeserved) guilt, lots of questions and a dead body, with “closure” being a mocking concept, all underscored by a classic Steppenwolf song about second chances. Shawn and Evan’s slightly wiser friend Mike will live on, also plagued with guilt he doesn’t deserve.
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The drill evokes trepanning (on top of lobotomy), a brutally ancient way to deal with both head trauma and depression. The plague masks were also a nice twist. The episode does mention their origin, though some more elaboration seems in order. The bird-like plague mask in the episode dates in design at least to the 17th century (medical historians consider it an early kind of HAZMAT suit), but was intended to deal with a much-older problem – the Black Death, which has tormented Eurasia and North Africa periodically since the 14th century. The Black Death had such a high body count and was so traumatic for the cultures who suffered under it that it contributes elements to most of our horror tales today.

The Black Death tended to kill off medical personnel from physicians to nuns and monks at a much higher rate than the population they treated, which was equally demoralizing for the healers and the patients. The masks were intended to protect physicians from the plague (though their historical efficacy is a matter of great debate), but they also tended to scare the hell out of the patients. It’s probably not much of a surprise that the horrific bird-demons of Hieronymous Bosch’s Garden of Earthly Delights bear a striking resemblance to these later plague masks.

In this MOTW’s case, the crazy doctor also appears to use the mask to highlight his evil intentions and hide his identity, much like the killers in slasher flicks like Friday the 13th, Halloween and My Bloody Valentine. It’s pretty effective in making what was once a human (and is still a human soul) seem eerily inhuman and alien. All in all, an effective recycling of concepts (like the house full of captive ghosts from season seven’s “Of Grave Importance” or the sinister ghost shrink from “Asylum”) from both greater and lesser episodes.


Next: Tombstone: A puzzling case with ties to the Old West gives Dean a chance to indulge his Inner Texas Ranger.


You can find my live recap of “Advanced Thanatology” here.


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Review: Supernatural: “The Big Empty” (13.04)


We need your help!

Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee. Want more of my recaps and reviews? Check out The Supernatural Codex: Season 1, out on Kindle and in print.


[lots o’ spoilers ahead]


This isn’t one of my favorites of the season, though it did have a character (Mia the grief counselor) I rather liked and would like to see again. The counselor was played by the doomed fake psychic from “The Mentalists,” something the show’s writers obviously remembered. There was a fairly extended injoke near the beginning about how Mia Vallens could possibly be a medium who was accidentally (or intentionally) calling back vengeful, troubled spirits from beyond the grave. In “The Mentalists,” Rukiya Bernard played a fake medium named Camille who got killed by a ghost that had been summoned by a vengeful medium.

I quite liked Bernard in “The Mentalists” and found her very personable. So, I was bummed when the character got killed off and happy to see her again here. I was also glad that she didn’t get killed off this time, which means she could recur (although the actress does have a recurring role on Van Helsing, so there’s that wrinkle). We may not see her again on this show, but she might pop up in Wayward Sisters.

Now, I also thought Mia was an absolutely terrible family counselor, but more on that in a minute. In general, her heart was in the right place and when the chips were down, she preferred to die rather than hurt anyone in her new life (something Dean very much noticed). She took the job to help people and used her talent as a Shapeshifter in a benign way – not to mess with people, but to give them closure.

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This is a radical departure from the Shapeshifters we’ve seen in the past, but it makes sense we’d only meet the psychopaths. Shapeshifters with anything remotely close to normal in psychology would keep a very low profile to avoid Hunters. It would take an unusual circumstance to flush one out, as we see here.

Mia had a somewhat different background than other Shapeshifters we’ve met. The parent Shapeshifter was her mother, rather than a passing and malicious male Shapeshifter impersonating her mother’s husband or partner and blowing up her relationship (what seems to be the root cause of your average psychopathic Shapeshifter’s Daddy-tried-to-kill-me-with-a-shovel issues). This may have contributed to her more stable personality. She only briefly mentions her mother, but the tone is one of love and trust.

The male Shapeshifter who is her ex and stalker is the more common type we see. One interesting clue about their ugly relationship right after the reveal of her MOTW nature is that her alibi for the first murder is that she was volunteering at a battered women’s shelter.

If you think about it, Shapeshifters are among the most human of the monster species. They don’t eat people, or need to. They are essentially human, aside from their ability (and need) to shapeshift. They can blend into society. It therefore makes sense that they would have relationships very close to those of ordinary humans. It’s just that the way they breed and their inability to stop shifting as babies and children tend to create a fractured atmosphere of fear and hatred in the parental figures who are supposed to be nurturing them and bonding with them.

Mia’s method of using her ability to help her patients was a bit “Eh, okay, I guess.” It felt like a ripoff of season three’s “Long Distance Caller,” which already was an uneven episode. Didn’t help that once again, whoever edited the beginning recap gave away the MOTW right off the bat. That was a bit annoying.

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Also odd is that the juxtaposition of good PoC girl vs evil white boy was repeated from last week’s “Patience.” Then again, why complain? Season one had its fair share of cute, rich white girls being menaced by white male MOTWs – “Hookman,” “Skin,” even “Dead in the Water.” There are worse patterns than one that repeatedly presents non-cliched, heroic Women of Color with their own stories.

As for the evil Shapeshifter, he was marginally less annoying than the Wraith from last week, so there’s that. Of course, once we knew the MOTW was a shapeshifter, it was easy to pick him out as the one person around the good counselor who didn’t quite fit in. Though the red herring about the Asian assistant who had five cats and looked a bit like the second male victim impersonated in “Skin” was cute. And there was a really cool gross-out moment as Jensen Ackles (having some fun playing a monster character for the first time in a while) ripped his own face off.

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But damn, is Mia a terrible therapist. Granted, she doesn’t get a whole lot of info from the Brothers and Jack before they find out she’s a Shapeshifter, but what was up with coming down on Dean like a hammer, while totally letting Sam off the hook? I get that Jack comes across as sincere and not contributing (at least, not consciously) to the toxic dynamic between Sam and Dean, except as a point of conflict, but there was a lot more going wrong between those three than Dean’s anger.

Look, Dean is a powder keg. Granted, Dean is always volatile, but he’s clearly ill, clearly grieving, and other characters have not dealt with it nearly as much as they probably should, considering how much pain he’s in. And as even just his conversation this week makes clear, he has some major trust issues regarding psychiatry, which means stepping lightly would be much more professional and therapeutic than verbally rapping his knuckles with a ruler.

It’s not just that his view of shrinks comes from television and movies (hence his reference to Hannibal Lecter this week). In the past, he’s been tortured by the ghost of a mad scientist psychiatrist who experimented on his patients. And then there was the Brothers’ first Wraith (especially fresh in Dean’s mind after last week’s episode), who was a psychiatric nurse. For Dean, shrinks equal monsters and while Mia turns out to be a good person, she doesn’t exactly break that streak.

And yes, he’s angry, but he has ample reason to be. There’s no way he couldn’t be angry under the circumstances. There’s no way he would be feeling any other way about Jack, and his attempt to bring himself closure by saying Mary is dead and trying to move on makes sense. In light of the facts, it’s even rational, if cold and hard.

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And I get that Dean is intended to be the one who is speaking brutal, even unkind, truths about what is going on, while Sam “keeps the faith,” as Dean puts it at the end of the episode. But again, that doesn’t let Sam off the hook for how he’s coming across. There’s a lot more going on with Sam emotionally than just trying to cover up his own grief by trying to raise Jack. What he’s doing is every bit as toxic as Dean’s rage.

The thing is that Sam spends almost all of “The Big Empty” trying to manipulate events, and people, to follow the script he wants. Neither Dean nor Jack wants Jack to go on a Hunt at the beginning of the episode. Sam ignores what they want, cajoles and lies (or at least tarts up) about how Dean feels to Jack and vice versa, to get them out on the road together. And then, once he does, he tries to bully Dean into parenting Jack – not just helping Sam parent Jack, but doing it all himself. And all of this, even Sam has to admit, is to “help” Jack regain his ability to reopen the portal that leads to the alt-SPNverse and rescue their mother.

Why? Because Sam didn’t take his many chances last season to bond with her (aside from hanging out with her for a bit at the LoL Quonset Hut). Sure, I get that Sam didn’t have a good template growing up to create a mother-son bond (Dean and Mary’s bond was pretty unique), and that Mary was being distant. But last season, not only was Sam holding his mother at arm’s length, but he was trying to get Dean to do it, too, all under the excuse of giving her “some space.” Sam doesn’t seem to be comfortable with emotion or closeness unless he is the one in control, pulling the strings, arm’s length while making others take all the emotional risks. And boy, does he pull some strings in this episode.

Unsurprisingly, Dean digs in his heels and fights back, saying he never signed on for that and he’s not going to do it now. He says he won’t interfere with Sam if he wants to parent Jack, but Sam’s doing that one alone.

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Even Jack questions Sam on the same point. This is really saying something, since Jack is trying to be as agreeable as possible. Jack even tells Dean about wanting to help Sam in his plan to get Mary back. Even at this point, we can see the seed of that obsession germinating. In an early sign that he’s warming to Jack, Dean warns him, “Sam’s plans don’t always work out.” Boy, doesn’t Dean know it, too.

Yet, Sam just keeps on going with it and not once does Mia (the therapist) ever call him out on his manipulation, even though he’s causing both Dean and Jack pain, and even putting Jack at risk. In fact, so clueless and self-absorbed is Sam portrayed this week that he walks into a situation, when he knows a dangerous Shapeshifter is on the roam, with his weapon stowed simply because he heard Dean’s voice and assumes it’s Dean. Of course, it’s not Dean; it’s the Shapeshifter. And Jack is forced to use his power to save Sam.

Also, the things Sam complains about Dean being “mean” to Jack about are not necessarily things Jack doesn’t want to do. The dramatic irony here seems to be that Sam is projecting his own issues with John onto Jack, while Dean wants nothing to do with the kid, yet Jack identifies with Dean a lot more than he does with Sam.

Sam tells Jack near the beginning that Dean will appreciate Jack making the effort to help. Jack is eager to do so, but he has no clue what to do on a Hunt. It’s lampshaded that he can’t even read an EMF meter and it’s no surprise he can’t read people at all. He’s cute and friendly and good for a climactic deus ex machina save, but the rest of the time, he’s flat-out useless on a Hunt and needs to be babysat.

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So, it makes sense for Dean to have Jack dig the grave for their first MOTW suspect. Maybe not all by himself, but Jack is young and strong, and doesn’t seem to mind. That he can do and pretty well. Plus, the clearly stated orders Sam claims Jack doesn’t like, Jack actually appreciates. As I said previously, Jack gravitates toward Dean for a reason: Dean doesn’t lie to him. Jack says repeatedly that he is confused and bothered by lies. This is a big deal for him.

Jack is actually more bothered by how Sam keeps snowing him and talking around the issues that worry him rather than just being honest, than he is by Dean’s hostility. Remember that Jack is just a baby. He doesn’t get complexity, yet. Sam’s attempts to reassure him may actually scare him more than Dean’s gruffness. At least with Dean, Jack always knows where he stands. So, when Dean compliments him at the end of the episode, Jack is happy. He knows it’s real and he knows it’s hard-won. Dean wouldn’t just say that unless he felt it.

More ominous is Jack’s admission to his fake-mom that he is himself lying. He says he pretends to have feelings, to “feel bad,” about hurting people. This confirms Dean’s concerns (though Dean never finds out) that Jack is not quite the cheerful, kindly innocent he claims to be.

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On the other hand, it doesn’t make a whole lot of sense, character-wise, for Jack. Jack says he doesn’t feel bad, while feeling bad. His powers come out when he feels threatened, but also when people he cares about are threatened. Despite his sometimes-robotic-by-way-of-the-Boy-Scouts demeanor, Jack shows a lot of emotions and cheerful, apparently benign, interest in the world.

Thing is, he’s a baby. And yeah, he talked to his mom in the womb, but clearly, he doesn’t remember a whole lot about it if the only real memories he has of her come from that video she made for him. So, how is Jack learning about these human emotions he’s faking? Why isn’t he acting more like, say, Lucifer or Michael? Indifferent and cold?

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Speaking of gee, that sure didn’t make much sense, what the heck was going on with Castiel’s storyline this week? Was that canon crackfic or what? Misha Collins sure had fun, I’ll give him that (even if some of it felt like cheap soundstage filler).

But whoo, how many problems popped up here? On the one hand, okay, cool, we finally saw the Empty and found out where angels and demons go when they die. And we had another hint or two about where Chuck and Amara came from. And the show got its obligatory pop culture reference in (to a 2003 neo-noir indie comedy) with the title.

But what is up with this new being? Is it a god? If it’s awake and talking in a way that Castiel can understand, doesn’t that mean it’s been awake in the past? How did Chuck’s creations affect it, or Chuck’s disputes with his sister? Is the Empty where Amara was trapped for billions of years? Is the Empty entity really older and more powerful than Chuck and Amara? If so, why has Chuck been able to bring Castiel back over and over and over again? Why did he say he could bring back the dead archangels Gabriel and Raphael, but that it would take some extra time and work? What about Reapers? How does the Empty figure in with the multiverse concept we now have going on? And why does the Empty, a philosophically scary concept to be sure, sound just like every other superpowered blowhard the show has had over the past 13 seasons?

I mean, great, Castiel’s back now. Awesome. But a lot of questions were left unanswered (did the Empty entity come back with Castiel? Is it possible for other dead angels and demons to come back from the Empty now?) and there’s no sign as of yet that even half of them will get answered.

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Next: Advanced Thanatology: The Brothers encounter an extremely violent ghost, which leads them to a surprise reunion with an old frenemy.


You can find my live recap of “The Big Empty” here.


Like this column? You can help keep it going by contributing monthly via Patreon (which includes perks), making a one-time donation through Paypal, or buying us a coffee.


Review: Supernatural: “Patience” (13.03)


We need your help!

Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee. Want more of my recaps and reviews? Check out The Supernatural Codex: Season 1, out on Kindle and in print.


[lots o’ spoilers ahead]


While this episode was by no means perfect, I’m happy to report my relief when I first watched it that it was not half as boring as the previous one, albeit it ran a trifle long in some spots (it was only about two minutes over the usual time, but some of that dragged a bit). I was also pleased to find, despite some serious flaws in the character’s central conflict, that I rather liked Patience and the actress who played her. This was a very good thing. After “Rising Son,” I was beginning to wonder if it was time to hang it up with this show.

I was also happy to discover that even though this was the first of the lead-up episodes to the backdoor pilot for the new spin-off, Wayward Sisters, it had a fair bit of conflict and action involving Sam and Dean, who each had a storyline this week. Last season suffered greatly from Sam and Dean: Guest Stars in Their Own Show Syndrome. So far this season, that’s been greatly alleviated, at least for Jensen Ackles, who’s not fielding any newborns at home this year.

The funniest (and most reassuring in terms of how the new show will go over with fans) thing is that everyone has a different favorite. They like Claire, but they hate Patience. They like Kaia, but they hate Alex. They think Jody and Donna should be Hunting, but just together and not with any younger charges. Nobody can agree except that a lot of fans have already picked a favorite, if only in relation to at least one other character they feel shouldn’t be on the show. This indicates that fans in general have already got past the initial phase of accepting the overall concept of a group of women Hunting together and mentoring each other. They just can’t agree on which characters they think should be in that group. Considering most fans can’t really agree on liking Sam, Dean, Castiel, Crowley, and so on, even after 13 seasons, that’s a good sign for Wayward Sisters, not bad.

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Which is not to say the episode (or even the new show’s franchise concept so far) lacks flaws. Missouri Moseley returns in this one. Remember her? Season one? Kripke-penned “Home”? Let me refresh your memory – she was an African American psychic who fawned over Sam a lot and smacked Dean upside the head for … uh … reasons. Or something. That Missouri.

Now, obviously, there was some unfinished business between her and the Brothers, so you could say she had a reason to come back. Was this addressed? Nope. Sam doesn’t even see Missouri this time round. He’s too busy babysitting Jack for more than a quick phone call, and he and Dean have a fight over just sending Jody to deal with it before Dean goes off to help her. Dean gets no apology or even acknowledgement of any kind from her about her previous treatment of him (though she does commiserate with him on his “recent losses,” which she senses in his mind, so there’s that). In fact, when he makes the logical protest to her staying behind (while there’s a psychic-eating monster on the loose), Missouri’s Inner Bitch comes roaring out. Consider those loose ends still dangling.

Anyway, she’s only there to introduce a younger, prettier psychic, her granddaughter Patience. God forbid the CW have an older, gifted female (let alone an older female PoC) character as a main lead. I didn’t love the way Missouri was fridged to jumpstart the title character’s story.

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It bothered me that not only were the two PoC female leads for Wayward Sisters introduced very late in the day, but they were introduced in a fundamentally different way from that of Claire and Alex, who were introduced as victims of the supernatural (like Sam, Dean, Jody and Donna), rather than as essentially supernatural beings (like Patience and Kaia). Also, the CW has an extremely poor track record with PoC female characters with powers, wherein they end up powerful handmaidens to white girls. Bonnie from The Vampire Diaries fairly leaps to mind here.

Not helping is the way Patience’s father, James, is portrayed. It’s one thing to be introduced to the supernatural world in a traumatic way. A lot of people will go straight to denial, initially, as the show has demonstrated many times. But James was raised in the Life. He knows the supernatural exists. Hell, he can even work divination magic. He just wants to stick his head in the sand, even if it gets his mother and daughter killed.

The thing is that if you read between the lines (and remember how Missouri was introduced almost 12 seasons ago), there’s plenty of reason for James to resent his mother. Missouri dragged him along with her on down the road to Hunting supernatural things and it seems pretty clear that it traumatized him. The catalyst for their final estrangement may have been Missouri’s cocky miscalculation about the fate of his wife (Patience’s mother), but it’s clear a lot of bad things happened before that.

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But the writing wants us to believe that James is the bad guy here. Since the episode never addresses the stark contrast in how Missouri treated Sam (with powers) and Dean (no powers as far she could see) in season one, it neatly avoids addressing the pretty stark contrast between Missouri’s treatment of James her son (no apparent powers) and Patience her granddaughter (practically a Mary Sue). Missouri is a bigot when it comes to plain, old, ordinary humans. It’s therefore a tad difficult to believe the episode’s portrayal of James – a man old enough to have a teenage daughter and successful enough to be raising her in a safe, nurturing, upper-middle-class environment – as too immature to forgive his saintly mother.

It doesn’t help that the episode is wildly inconsistent in portraying Missouri and Patience’s talents. Dean tells Jody that Missouri can read objects, but what we actually see her do, for the most part, is read minds to a limited extent and foretell the future in blurry images. That’s not reading the past from objects, Show. Reading objects is a different ESP talent.

Also, we’re apparently supposed to get the idea from that that she is able to foretell her and the MOTW’s futures enough to determine that she can’t escape the MOTW, at least not without endangering her family (she specifically sees James, but then talks about Patience to him). How is this even possible when you have two new variables – Dean and Jody – in the equation? That smacks of overly convenient writing. You’d think Missouri would have learned from the mistake she made in predicting the fate of James’ wife/Patience’s mom that her powers are not infallible, but nope.

In addition, the family member who ends up in immediate danger is Patience, not James. Patience is threatened by the MOTW immediately after he kills her grandmother. It seems he was able to kill Missouri, and then zip past Dean and Jody to attack Patience before they could even contact James. I call shenanigans on that timing.

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In fact, I call shenanigans on that whole MOTW, but let’s finish talking about Patience’s powers, first. Patience initially has a dream that warns her of both her grandmother’s death and the MOTW’s attack on her later at the school. This dream seems to be a mix of literal precognition (the attack) and metaphor (her grandmother’s ghost warning her). Okay, this is a dream we’re talking about, so a little funky logic is acceptable.

But then, after she’s captured, Patience has a prolonged waking vision of her father, Jody and then Dean being killed, which allows her to warn each of them about the MOTW’s attack. But this is a different kind of precog from what she previously showed and all three types are different from what Missouri had.

This may seem like nitpicking, but if you look at how Sam’s precog was shown in the first two seasons, it’s very consistent and that’s pretty important to the story. He has quick flashes, usually of something fatal happening, accompanied by nasty headaches. If he acts on them, he is usually able to stop the event from happening, though something else bad may happen, instead. Sometimes, he has dreams. Less often, he has waking visions. But they are always the same kind of thing.

Precog and even telepathy are shown similarly for other characters such as Psykids like Ava (in “Hunted”) and Andy (sending Dean a vision in “All Hell Breaks Loose, Part 1”), and even Chuck in “The Monster at the End of This Book.” We also have a clear origin for these visions. The Psykids apparently get theirs from Azazel, while Chuck gets them from the angels. Yes, I know we later find out Chuck is God, but his conversation with Zachariah at the end of that episode makes it clear the angels are sending him visions. Maybe they’re even sending them to the Psykids. Who knows? But the point is that these visions of the future don’t just pop up out of nowhere.

Missouri and Patience’s visions do, which means they’re much more malleable and “magical” in the sense of being overly convenient writing divorced from the logic of the worldbuilding. The characters don’t have these visions because the visions make sense in the context of the story. They have them just to move the story along.

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Now let’s check out the MOTW. Unfortunately, whoever made up the recap spoiled the crap out of the MOTW “surprise” (admittedly, that cat came right out of the bag in the teaser, anyway), which is that the MOTW was a Wraith. I don’t think a Wraith was the right MOTW for what the episode wanted to do and the actor they got was definitely not right to convey what they wanted. Or maybe he was, which kinda makes it worse.

Now, the Wraith’s targeting psychics was fine, as far as it went. We know Wraiths like to feed on a specific kind of human, often a “soft” target that can’t fight back very well. And therein lies the problem. The Wraith we first met in “Sam, Interrupted” in season five was working at a psych hospital, targeting patients. If they weren’t psychotic when they came in, they sure were by the time the Wraith was ready to feed on them. The Wraith possessed a toxin, spread via touch, that made people psychotic. This particular Wraith actually enjoyed the taste of brains under extreme psychological distress and played an Angel of Mercy to get them. Subsequent mentions of them followed a similar pattern.

Aside from targeting those who generally can’t fight back very well (psychics, who are otherwise ordinary humans), the Wraith in “Patience” follows none of these rules. He doesn’t bother to poison or weaken his targets. He simply attacks them and overpowers them.

He doesn’t treat them as food, either. The actor who plays the Wraith plays feeding as a straight-up sexual serial-killing thing, which is not how the Wraith in “Sam, Interrupted” acted. The Wraith in “Patience” attacks women, specifically, and creeps all over them. The Wraith in “Sam, Interrupted” attacked different types of people, which actually made it scarier because it was hard to see a pattern at first, let alone who could be the Wraith. You couldn’t see it coming.

In “Patience,” we know right away. There’s no mystery about it whatsoever, especially since there is no attempt to give any backstory to the MOTW aside from where he got his predilection for psychic brains. It’s all very CW. In a bad way.

And it also means that the Wraith is way overpowered for this type of MOTW. I can see him taking out James, maybe even Jody, if he got lucky. But Dean? On top of the other two? Nope. Not the organized and well-armed way they came in.

Now, if the writers had used an MOTW that was known for being fast and strong, I might buy that. A Vampire or a Shapeshifter or a Djinn I could see. Or if they’d argued that this was the Alpha Wraith, maybe. But as it was, I didn’t buy this particular MOTW, or his ability to fight and evade and take down healthy human prey.

Hell, even Patience was able to break off the Wraith’s stinger (the way Dean did in “Sam, Interrupted,” albeit while barely able to stay upright due to being poisoned). Not exactly an intimidating monster. I just didn’t buy that he could take Dean at full strength, let alone Dean on top of Jody and James. And if the MOTW wasn’t that dangerous, that makes Patience’s precog flashes rather silly and unnecessary to the plot.

I got the impression that we were supposed to have the usual balance of opinions between Sam and Dean this week, where Sam was on one side and Dean on the other, and we were supposed to see both sides as having merit. Which was sort of true if you squinted, but only because the writing kept Telling us Dean’s judgement was off, while actually Showing something a bit different.

For a start, not only is Dean in character for telling Patience at the end to grab as much Normal as she can, but he’s right. Hunting never ends well for the Hunter. As Dean has put it many different ways in the past, “it ends bloody or sad … you’re covered in blood until you’re covered in your own blood.”

So, when Jody tells Patience that Dean’s wrong and that if Patience wants to get into the Life and use her “gift,” she can call her, I just want to suggest that Jody first tell Patience why she lived alone in a big, old, empty house before she took in Claire and Alex. Gee, whatever happened to her husband and son? Patience deserves to hear that story before she makes her decision.

Yes, the supernatural world is the real world on this show. Yes, once you become aware of it, you see it everywhere. Even worse, it becomes aware of you. But step into the shadows, engage too closely, and your projected lifespan drops like a stone.

Dean’s not wrong (neither is James, really). It’s just very hard to get away from the supernatural world once you get plunged into it.

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Then there’s Sam’s “training” of Jack. Points, at least, for the show having Sam remember that he used to be psychic, too … sort of. Sam talks about being different when he was younger and worrying about having a “darkness” inside him, that Dean and Castiel helped him fight it, so there’s that. But then Sam proceeds (as he always has) to make it All About Sam and try to push Jack into learning more about his powers, even though it’s really obvious that Jack is afraid to use them.

Now, Jack does mention Dean saying he’s evil, but he also brings up the reasons why Dean feels that way and agrees with them. He did kill his mother by being born. He has hurt people. He has lost control of his powers. He even mentions feeling Asmodeus in his mind, pushing him and coopting his powers, during his attempt to raise the Shedim the previous episode. But what Sam mostly latches onto (as he very belatedly decides to stop pushing Jack) is that Jack is afraid of Dean (despite being physically invulnerable), not that Sam is doing pretty much the same thing to Jack that Asmodeus did and for equally selfish reasons – and that this bothers Jack a whole lot.

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When Dean gets back, the hints throughout the episode that all is not well with him (such as Jody holding him back when he starts to ream James out for lying to Patience) come to a head. Sam calls Dean on being so harsh to Jack and threatening him (even though Dean’s been very upfront about that, so it should hardly be a surprise to Sam).

To the writers’ credit, they do have Dean finally calling Sam out right back on Sam’s less-than-altruistic motives for getting Jack to learn how to control his powers, saying that Sam doesn’t really care about Jack. He just wants to use Jack’s powers to get Mary back, using Jack as “an interdimensional can opener.” And there isn’t a whole in this episode that contradicts Dean on that point.

Dean would never come out and say this, but Sam’s example of himself as a person Dean saved in spite of Sam’s being a “freak” is also a poor one – Sam hurt a lot of people because Dean didn’t kill him. Not that the angels and demons would have allowed Sam to stay dead, but still.

In the end, Dean can’t hold back. His barely leashed pain and rage pour out as he yells that he “can’t even look at the kid” because he blames Jack directly for losing Mary and Castiel.

Unfortunately, he does that as Jack is listening nearby (which seems uncharacteristically dumb). This accidentally sparks Jack’s powers as Jack spontaneously tries to do something “good” and also reaches out to his foster daddy, Castiel. In the process, Castiel wakes up someplace dark and weird.

But that’s for next time.

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Next: The Big Empty: While trying to figure out who is killing a grief counselor’s patients, the Brothers and Jack end up in family therapy. Meanwhile, Castiel wakes up somewhere dark and strange.


You can find my live recap of “Patience” here.


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Review: Supernatural: “The Rising Son” (13.02)


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[lots o’ spoilers ahead]


I have a confession to make – yes, I was very busy this past fall, but the main reason I have been putting off reviewing this episode is that it was boring. Very, very boring. And on top of the previous episode (the season premiere, no less), I just couldn’t hack rewatching boring one more time, at least for a while.

Well, I’ve rewatched it now, so let’s buckle down and get to it. I’d like to review everything for this season up to this point before the show returns on January 18.

This was not a good episode. If anything, it was worse than the previous week, a bit like the Nepotism Duo’s take on the same themes Dabb had introduced. Yikes.

The pacing dragged and there was an endless amount of infodumpy dialogue that damned near put me to sleep. When one of the most intriguing parts is a scene you never got to see (Dean hallucinating sheep on the road), there’s a problem.

As usual with these two writers, the episode was overstuffed with characters and ideas, none of them developed beyond the thinnest of surface levels. Questionable racial overtones popped up in the one loyal demon having an African American host and acting in a servile manner (as if the writers watched Get Out and completely missed the point of the film) toward the new YED, but also in giving alt-Michael an African-American vessel. I’m all for diversity, but someone clearly didn’t think through the Unfortunate Implications involved in that casting (coughJefferson and Sally Hemingscoughcough) or just plain forgot all about the Very Important Bloodlines storyline from the first five seasons. And I don’t mean that terrible backdoor pilot.

Someone in the comments here (I think it was Eva) suggested that alt-Michael is using one of alt-Raphael’s vessels, which would be cool, if true. I doubt these writers are that subtle, but it would be fun if alt-Michael isn’t really alt-Michael but alt-Raphael or even an angel who got souped up the way Godstiel did. That would actually make him look pretty clever and devious. This storyline desperately needs some kind of twist. After all, if alt-Michael is looking for archangel grace (oops, that’s a bit later on), why not hunt down alt-Gabriel or bring in alt-Raphael? Where are they?

I also was suspicious of Lucifer not recognizing alt-Michael (or the angel squad not recognizing Lucifer). Angels and archangels are supposed to be able to recognize each other, just as angels and demons can see true demon faces. Being in an alternate timeline shouldn’t change that. But the writing was so messy that it was really hard to tell if this was a red herring or just a plothole.

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I wanted to be impressed by alt-Michael, but something was off with him. Granted, the clumsy fist-fight between archangels didn’t help with either his or Lucifer’s gravitas. Who even thought that was a good idea? But I dunno. He just felt one-dimensional.

Speaking of archangels, what was up with Lucifer wandering around barren dunes with Mary in tow, complaining that she couldn’t keep up? He’s an angel. He still has wings. He can pick her up and fly all over the world multiple times in an eyeblink. I get that he was trying to stay under the radar a bit, but come on. Even that didn’t work out for him, or Mary.

I can’t even with what they did to poor Mary. She encounters a single human, who happens to be a male Hunter, who claims wimminfolk can’t be Hunters and he hasn’t seen a woman in who knows when. So, what does he immediately try to do? Rape her at gunpoint. And is she able to defend herself, this woman who was actually doing just fine on her own against all sorts of humans and creatures all last year? Nope. She needs Lucifer to come in and save the day by … punching the guy through the torso from behind. Eugh. I can’t believe this script was half-written by a woman.

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But hey, this is also a script that demands Dean get yet another kickass fight in which he senses the demon behind him, thrashes it good and hard, but can’t land the final blow, so he needs to get saved by Sam who … stabs the demon from behind. I sense a theme.

Look, I get it. Jared Padalecki is in his thirties now and has suffered some pretty brutal injuries on set over the years. I don’t blame him for wanting to dial it back on the stunts. But the way the writers are choosing to write around this is not cutting it. Sam needs to be doing his own stuff, not stealing Dean’s wins at the last minute. Not even Dean getting the next demon with the thrown angel sword made that less annoying. It’s bad writing. Give Sam fights (or other important work) Padalecki can do without hurting himself. Leave Dean’s fights alone.

There’s this general trend of obviousness and over-explaining in the episode of things that need a little mystery, while enormous plotholes are left alone, reminiscent of other winners from this duo like the best-forgotten Ghost!Bobby-centric episode, “Of Grave Importance.” For example, why are we suddenly shown a demon like Asmodeus teleporting away, when before, a demon would just walk out of frame or smoke off whenever other characters turned their backs? Why are we now shown archangels, who can fly at the speed of light (or faster), as slow-arcing fireballs, when showing the look on the face of a human, and putting the sound of wings on the soundtrack as an angel flew off, was effective enough?

What’s with the stupid fistfight between two beings who can incinerate half the planet between them? We suddenly have the budget to show angels flying and demons teleporting, but we don’t have any money left over for some decent FX and fight choreography between two archangels?

I suppose we have to talk about the new YED, AKA the latest attempt to spit on both Azazel and Crowley’s memories with the fans simultaneously. Even Dean calls Asmodeus Colonel Sanders a few episodes later, but the fandom was way ahead of him.

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Asmodeus (and, for that matter, Lucifer) is an obvious attempt to replace the departed Crowley. Now mind you, lots of characters have come and gone on this show. It is on its 13th season, after all. And I get that some sort of bad blood behind the scenes precipitated Crowley’s abrupt departure and Mark Sheppard’s absence from this past season’s gag reel. The character had been around a long time, probably well past his sell-by date. As I’d been telling people for years, he was as expendable as the rest of the supporting cast (except for Castiel because they already tried writing him out and it didn’t go well).

But the way they wrote him out and then completely ignored the character came off as simultaneously clumsy and mean-spirited. He had a lot of fans, Show. Respect that.

Adding to this, Asmodeus plain sucks as a character, let alone a major villain. He’s one-note and that one note grates. His powers don’t make sense. His motivation doesn’t make sense (I get he’s pretending to be Lucifer’s lackey to gain power and rule Hell, but why raise the Shedim?). And he lacks charm. Plus, constantly having him played by other actors reduces the audience investment in the main actor (Jeffrey Vincent Parise) and his performance. It’s a thankless task, poor guy.

The worst part is that if they hadn’t killed Crowley off, he’d be doing what Asmodeus is currently doing. Hell, he already did that poisonous father figure storyline twice – once with Kevin and once with Amara. Mark Sheppard even claimed at a con that Dabb had wanted to get rid of Crowley for a while, presumably because the character was played out, yet here we have a brand-new character and he’s got the same old tired storyline. He’s so freakin’ one-dimensional that he twirls (well … strokes) his mustache. I mean, come on.

Not to mention, what’s the deal with trying to spy on the Brothers by impersonating (not even possessing) other people? Why then leave just two demons from Central Casting to deal with the Brothers when it’s later shown he could just choke them out? Why would he even think Jack already had some kind of emotional connection to Team Free Will? It all makes him look weak and stupid, to the point where Sam has to be written like an idiot to build up this new baddie. Dean, at least, doesn’t trust the overly friendly bartender, even if he never finds out about her human doppleganger’s murder.

No wonder this new YED/Princes of Hell storyline doesn’t work (in stark contrast to the Knights of Hell/Mark of Cain plot, which did). The original YED, Azazel, was largely an unknown. He was creepy, unique, mysterious, fanatical. Even after we learned his agenda, we never learned much about him. He never lost his mystery.

The new YEDs are painfully overexplained, with too much Tell and not much Show. Why are we shown Asmodeus with shapeshifting powers and scars on his host body? Why would a demon even need shapeshifting powers when it can possess someone at will (so why cut the bartender’s throat or impersonate a Prophet when you can possess them?). How the hell does a creature consisting of black smoke manifest scars on the human it’s possessing? Speaking of which, why are the allegedly demonic Shedim solid monsters? Folks, that stuff belongs on the Makes No Sense shelf, not in an episode. It adds nothing to the show and contradicts previous canon.

And what’s the deal with the Shedim, who are about as scary as Care Bears? Why not – oh, I dunno – rewatch “Shadow” from season one and bring back the Daevas? They were scary. Ah, but that would involve having to set that very stupid scene in the middle of some random field in anything but broad, freakin’ daylight. Because nothing says “scary,” especially on this show, like making it look as though Keith Szarabajka’s about to race through the fields shouting, “If you dig it, they will come!”

Speaking of Szarabajka, while I’m thrilled to have him back (love me some 80s Equalizer nostalgia), what the hell was going on with Donatello? I can sort of see Dean not really reacting to Donatello’s revelation that Amara sucked out his soul a year past. As Sam points out to Jack, Dean’s not firing on all cylinders mentally right now. Already emotionally overloaded, he may just be rolling with the idea that if Donatello’s okay with his current situation, and isn’t hurting anyone (the Mr. Rogers reference), then that situation’s dealt with for the moment. Triage and all that.

Also, Dean is feeling lost after Chuck apparently ignored his prayer and has never felt comfortable with using his relationship with Amara, who is every bit as volatile and unpredictable as he is. He’s not likely to call on her if Chuck didn’t answer, even if it’s entirely possible she’d be more likely to show up.

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But what’s going on with Sam? Sam’s had no soul in the past. He knows what it’s like. It’s always bothered him, seeing other people without souls. Yet here he is, shrugging off Donatello’s lack of soul as if it’s not a big deal. What do they mostly talk about when Sam is fooled by the fake “Donatello” (Asmodeus in disguise)? Jack, of course. Yet, Sam never twigs that maybe this obsession with Jack and his burgeoning superpowers is just a tad odd for a man who has no one else to talk with about the fact that he’s missing his soul, especially the only two people who might be able to help him get it back (not like Amara would miss it).

It’s funny that I’ve been seeing all these complaints about Dean being “mean” and “whiny” and cruel to puir Jack, but nothing about how Sam is way too calm about all this. In fact, I’m not terribly surprised that Jack is choosing to look up to Dean. Dean’s the only one being honest with him. It’s also possible that Jack imprinted on Dean a bit via his imprinting on Castiel (who is obsessed with Dean). Weirdly enough, Jack may only really feel safe with Dean. Look at how Dean was the only one who noticed he was repeatedly stabbing himself. Jack is desperately seeking boundaries, control, over his powers (not really to expand them) and only Dean offers those boundaries.

Dean’s promise at the end of the episode probably was intended to be reassuring on some level. It was exactly the promise Dean was begging to exact from Sam and Castiel when he had the MoC. Jack may be in a similar position (losing control to darkness and not wanting to hurt innocents, but also unable to die), so Dean offers him the only reassurance he thinks would be helpful. If Jack does go dark (as he fears), Dean will be the one who takes care of it. If Jack doesn’t go dark, well, Dean’s not going to let anyone else kill Jack but himself. So, if Jack turns out to be good, Dean’s got his back.

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This is, of course, leaving aside all the stuff about how this is a perfectly natural reaction from Dean, and completely in character. Why wouldn’t Dean feel this way? From his perspective, Jack had a direct hand in Kelly and Castiel basically marching to their deaths (Jack may not have meant to, but they were definitely brainwashed to some extent). Jack also created the rift that took away or helped destroy Mary, Castiel and Crowley. Everything Dean has heard that’s remotely reliable indicates Jack will be a willing tool of his father, Lucifer, in wrecking the world (again), since that’s what he was created to be. Why wouldn’t Dean want to destroy Jack?

Dean’s grief-fueled madness, and Sam’s reaction to it, is also problematic for Sam’s characterization. Sam “reassures” Jack in an avuncular tone that Dean just has his wires crossed and doesn’t really want to kill Jack. Um … first of all, it’s painfully obvious that killing Jack is precisely what Dean does want to do, considering that’s the first action he goes for after his prayer to Chuck apparently fails. If Jack weren’t covered with thick plot armor – sorry, invulnerable to angel blades – he’d be dead, already.

Second, the way Sam frames it, in an almost jovial voice, makes it clear that if it comes down to Dean or Jack, Jack’s screwed as far as Sam is concerned. He won’t protect Jack if it really comes to it.

Now, Jack’s just a baby. How else can he be anything but freaked out by that lack of reassurance? No wonder he clings to Dean’s brutal honesty. At least, if he can win Dean’s affection and loyalty, he’ll know it’s real.

In fact, Sam sounds indistinguishable in his “concern” for Jack from Asmodeus or the angels. He only seems to want Jack around for Jack’s powers (showing a lot of rather creepy interest in them) and what those powers can do for him and Dean.

The thing is that Alexander Calvert (Jack) actually has a reasonably high amount of chemistry with both Jared Padalecki and Jensen Ackles. Their characters’ adoption of Jack and attempts to raise Jack work because there’s actual affection there. That kind of chemistry doesn’t just happen, so I can see why the show would want to keep him around.

Alas, as a written character, Jack is a hot mess and he’s not fitting into the storyline at all well. He’s ridiculously overpowered and in his current state is an obvious deus ex machina. Adding to the suspension-of-disbelief carnage, convenient new powers pop up every week, aiding the writers a little too much in getting out of self-inflicted plot corners, to the point of making the situation a whole lot less scary than it could be. They need to power him down. They also need to play out this Lucifer baby-daddy-from-Hell storyline and move on.

The only actually interesting thing about the writing for this kid is that the Brothers are trying to raise him. Dean’s had parenting experience. Sam has almost none. So, it makes sense Sam is only able to relate to Jack as the young man he appears to be, whereas Dean understands better that Jack is just a baby. A super-powered baby, but still … just a child. Who needs a lot of guidance.

I can understand giving him a bit of power so he has enough plot armor to survive around the Brothers (unlike poor Kevin), but he’s got way too much right now and it kills the story tension. I mean, come on, that Impala ride to the rescue in Act Four was painfully slow. And I get that Jack is young, but the ruse to get him to let the Shedim out was so obvious it made him look stupid. Let’s stop doing that, Show.

One thing I will say is that the season began to improve considerably after this episode. “Rising Son” even looks a bit better in retrospect, mainly because some storylines that seemed to be going in a really annoying direction (and probably would have in earlier seasons) progressed or resolved better after this episode than I expected. But that doesn’t actually make it a good episode in its own right.

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Next: Patience: We probably didn’t need Missouri Moseley to return at this point. But she does, in an episode that introduces one of the last two main characters for the upcoming spin-off, Wayward Sisters.


You can find my live recap of “Rising Son” here.


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Review: Supernatural: “Lost and Found” (13.01 – Season Premiere)


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[lots o’ spoilers ahead]


Well. That happened.

Where to start? I have to say that this episode, like the season 12 finale, was remarkably tedious. Okay, perhaps “remarkably” is the wrong adjective for a turgid mess of cold oatmeal. Still, I was very bored and if there’s one thing Supernatural generally isn’t, it’s boring. But Dabb as a showrunner and the Nepotism Duo in charge of the Writers Room seem capable of dousing even the sparkiest sparks.

There were a few big problems here. One was a complete lack of surprises in terms of pre-existing SPNverse elements, except where the show ignored canon for no damned good reason (as in ignoring the part where Kelly, at least, ought to be in Heaven, so why is Sam saying they hope she’s in a better place?), or simply forgot about it (as in the part where two angels were blown away by a banishing spell while another one in the next room wasn’t – um … what?).

I also didn’t like the lame attempt at generating suspense by jumping around in the episode’s timeline and saving a few bucks for the super-expensive Metallica song (“Nothing Else Matters”) in the season 12 recap by recycling a fair amount of footage from previous seasons. The use of super-expensive songs in an episode generally signals an attempt to perfume stinky writing as often as it accentuates a great scene. This was true even in season one (thinking of an episode like “Hook Man,” here, which has almost back-to-back rock songs and hasn’t held up so well over time).

The angels were tedious dicks, including the bitchy Millennial one who pretended to be a drunk girl so obviously that it became clear early on she was Up To No Good. Holy crap, was she annoying. Her death wasn’t nearly painful enough. She should have seen Jack not be hurt by her blade before she died.

Also, for all her sarcasm and ridiculous anger at Dean, she turned out to be all hot air and no threat, not to mention, frustratingly vague. I guess that’s why Sam was able to kill her when he’s never been able to kill an angel in the past. Yeah, that’s snarky, but really, Show? Enough with giving easy kills to Sam to “balance” out classic kills made by Dean. It risks diminishing both brothers and that’s the best I can say about that.

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Also, can the show please kill Lucifer, already? My God, am I over him and his perpetual adolescent whining. He’s how many billions of years old now? Grow up, dude.

But hey, at least we had confirmation Mary’s still alive. And kicking.

Second, let’s talk about the new characters, guest and recurring (since I guess we have to). About the only one who made any positive impression on me was the Sheriff. Okay, she’s no Jody Mills, and we’re not liable to see her ever again, but it was downright refreshing to see someone confronted with Dean blandly explaining about the Family Business at his most dissociated and disconnected, and just roll with it because they had already seen sufficient weird to perceive his spiel as reasonable.

This contrasted positively to Annoying Drunk Girl Angel (we’ll just call her ADGA for short) in that, for one thing, it was nice to see Dean lay it all out in such an IDGAF way that the world is bigger and creepier than most humans think, and the other person respond … well … appropriately for her own survival, but with ADGA, Dean didn’t even try to defend himself from her tired and lame accusations.

Now, the angel Ishim from “Lily Sunder Has Some Regrets” hated Dean, too, but his anger made sense, albeit from his own twisted perspective. It was personal, focused. It reflected his own conflict with the episode’s resident Mary Sue.

In contrast, ADGA came off as spoiled and pissy, whining about Dean being a “Becky” roommate (apparently not the Becky of seasons five-to-seven) who “broke things” and didn’t care about other people. But come on. How many fans actually care about this, especially when there’s an alternate universe next door where the angels got exactly what they wanted and it sucks out loud for everyone else? Plus, it’s a place where the angels broke everything. Foreshadowing of a possible alliance between this ‘verse and that ‘verse’s angels was a little too obvious, so please, Show, edit the angel monologues way, way down from now on. They’re boring and hypocritical.

Then there’s Jack. I was somewhat relieved to see that the actor isn’t as bad as he appeared in the promos (he came across as very, very bad in them), and he even generated a little sympathy, but there’s little for him to work with here. Jack isn’t a character. He’s a walking deus ex machina, written as inconsistently as you’d expect from a character who not only has a faulty, weak conflict, he basically has none at all.

What, precisely, does Jack want? Well, it seems he wants to find his “father” (who turns out to be Castiel, not baby daddy Lucifer, in a not-terribly-surprising twist) and he wants to survive. Or something. Oh, and he has powers that are remarkably malleable (translation: They exist to give the writers a cheap and easy out for times they’ve written themselves into a corner), except, of course, when they conveniently don’t work. They are remarkably inconsistent, even within the context of his being only a day old. I get that the angel sigil didn’t entirely work on him (because he’s half-human. Or something), but the rest? Not so much.

For example, he can understand and speak English thanks to “being” his mother in the womb (so not a reassuring or non-sexist way of phrasing it, Dabb), but though he can hear angel voices and had also bonded with Castiel, he can’t understand them. He’s impervious to an angel blade, but Tasers knock him out. He can’t control his powers because he’s a baby, yet he’s capable of expressing and understanding complex ideas.

Also, the FX for his powers were a bit pants and looked really goofy.

As a character, he just doesn’t make any sense and even more, he doesn’t really have a journey except toward going EVOL and/or dying (as opposed to Amara, who had an atypical bond with Dean from the start and a legit beef with her brother), and he’s never going to fit well into the MOTW format. Yep, no reason to get attached to this character. He won’t be around for long.

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Another big problem is that the show keeps trying to bring in CW tropes, principally from the DC superhero shows, and they don’t work so well. I keep trying to remind myself that the show has always been meta, always been a commentary on what was going on in the genre. That’s what keeps it fresh. And it is on the CW, after all. The problem with going so CW, however, is that the tropes the show currently uses are so plastic, shallow and insincere that it’s hard to care about them. The show works best when it’s a bit rough around the edges and this season premiere was too flaky to evoke that.

Which leads us to the biggest problem of all – once again, as too often happened last year, the show was about everything and everyone but Sam and Dean, yet none of these subplots was compelling enough to make me care, let alone make me forget that Sam and Dean were once again being made guest stars in their own story. In the damned season premiere, no less.

This was especially bad for Sam, since the only part I actually enjoyed was Dean’s grief and rage and sense of abandonment. Perhaps “enjoyed” is not the right word, but at least I was interested, even as I wondered whether this storyline had been interrupted for too long and should have been pursued in last season’s premiere, rather than that idiotic LoL storyline that came out of left field. The angels’ jealousy of Dean (even dismissively referring to Sam as “the other one”), Dean’s half-admission that Chuck left him in charge rather than him and Sam, Dean’s anger and despair over being left with half-truths and no tools for actually running the world, all of these things are intriguing and could potentially be a big arc for Dean. But considering Dabb and Singer took a year-long break from them to pursue other storylines that were a lot dumber and more boring, I’m not hugely confident they’ll remember Dean even has this storyline longer than five episodes down the road. Enjoy it while you can, I guess.

Also frustrating is that Sam’s big plot this season appears to be babysitting Jack because Sam is convinced Jack is Good. Or potentially Good. Or something. Just like his mother Kelly, the walking, saintly, single-mom womb whom nobody watching actually liked or misses.

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Never mind that just a couple of seasons ago, Sam was convinced Dean having the MoC had to be stopped at all costs (even though Dean mostly had it under control, all things considered), to the point that Sam went behind Dean’s back and got the Darkness released. Then he became convinced right off the bat that Amara had to be destroyed and did some pretty stupid things to bring that about, too. Add to that the fact that never in the history of this show has Sam ever thought anyone supernaturally gray could be Good and had that turn out well – and that the first few moments were probably the best time they had to neutralize Jack should he turn out to be a threat – and Sam’s idea that Jack is Good looks ludicrous. Even Sam had to Tase the kid at one point to keep him from attacking Dean.

In light of all this, it was rather eye-rolling that the show wanted us to believe that Dean was the irrational one and Sam was being sensible and compassionate, when everything Dean was saying was actually pretty smart – look for Jack, find out his weaknesses, protect innocents from him, call and warn Jody, pray to Chuck (something that didn’t even occur to Sam until the very end of the episode). The show tried to reinforce this take of Irrational Angry Dean by having Jack act all cherub-like – aside from the odd sinister look, that is. Again, not buying it. This is a character who is far too powerful to exist on the show as-is, who entered the world by killing his own mother, and who brainwashed both her and Castiel while still in the womb. Even if he weren’t Lucifer’s son, I’d think there would be plenty of red flags here that negate any dewy-eyed boy-band appeal in Jack.

This week totally ignored the Hell aspect of the storyline. It seems we’ll get that next week when the incompetent Nepotism Duo turn in their first script of the season (God help us all). Crowley and his death got almost completely ignored this week (though Castiel did at least get kind of a send-off and a Viking funeral). We’ll see how much coverage the ex-King of Hell gets next week. Probably not much.

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You can find my live recap of the episode here.


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The Official “Lost and Found” (13.01 – Season Premiere) Live Recap Thread


Sorry, guys! Starting a little late. I had to do some chores ’cause I’m getting up early tomorrow for work.

Anyhoo, recap of season 12 to Metallica’s “Nothing Else Matters” that shows how poor season 12 was. Not the first time they’ve tried to hide terrible writing with an expensive song.

Cut to Now. Sam confronts Jack, who has glowing eyes and calls Sam “Father?” Sam, like a moron, says he’s not Jack’s father.

Cut to Dean kneeling beside Castiel, then getting up to go in the house and kill Jack. The shot doesn’t hurt Jack, who then responds with some showy sound FX and throws them into the wall. Expect that not to get repeated much. It looks really expensive.

Cue title cards, which are a glowing, Sauron-like eye.

Flashback to Mary attacking Lucifer, which segues into Mary burning on the ceiling in the Pilot. Dean wakes up (it’s a dream). He and Sam were knocked out until dawn. Dean storms out of the house, asking if Jack has wings. Sam says he doesn’t know.

Cut to Jack walking around naked and then two losers at a fish fry restaurant seeing him outside, naked, asking for his “Father.” They call the one slacker dude’s mom, who is a cop.

In the car, the Brothers argue over what to do with Jack. Dean is all about the holy oil and “hitting him with everything we got.” Sam is all about understanding him and figuring out if he’s EVOL or not. ‘Cause Sam was all about being understanding when the Darkness got unleashed–oh, wait. Sam does ask about whether Castiel really is dead, too. “You know he is,” Dean retorts.

Meanwhile, the Sheriff of North Cove (AKA Slacker’s Mom) is meeting Jack. She introduces herself as Christine Barker and says she’s “just here to help.” Jack smiles a very-much-not-nice smile.

Castiel’s body has been retrieved in record time and put on a table under a sheet in the cabin by two angels, one PoC male who is angry and obnoxious and “racist” about Kelly’s body, and one blonde female who claims to feel sorry for Castiel. Stay classy, show.

Cut to the police station, where Jack is one step away from a psych eval. He’s got clothes, now. Very unimpressed by him, so far. He’s basically a walking plot point.

The Sheriff asks him some questions that go rather poorly, while Slacker watches, mocking. Jack says Kelly is “in Heaven” (rather doubt that, dude) and is looking for his father.

Jack starts talking about “the bad woman” (Dagon) burning and “the universe screamed.” I’m glancing at the clock because damn, this is dull so far. Let’s get back to the Brothers, please, Show.

When she goes to check his fingerprints, Slacker asks him “how high are you?” Jack doesn’t understand his question. And realizes he is hungry.

Meanwhile, I’m discovering the exciting world of drying paint.

Back to Sam and Dean, pulling up (so coincidentally) to the fish fry joint where Jack appeared. Sam wants to go eat something. Dean wants to call Jody and get her to put out an APB on Jack. It’s a topsy-turvy world when Sam wants to eat fried food and Dean wants to work.

Inside, the other Slacker is dealing with an annoying drunk customer. Sam asks the guy if he saw anyone naked wandering around the guy says that why, yes, he did. Sam makes a call to the Sheriff, impersonating an officer, and she is shocked by Jack’s blank slate of fingerprints.

Outside the Pirate fish fry, Dean is walking back to the car with bloody knuckles when he’s accosted by Annoying Drunk Girl who was inside when Sam went in (dear God, woman, GO AWAY). She notices his bloody knuckles, but not that he is retrieving a flask of booze for a drink and to dump on his knuckles. She tells an annoying story about a college roommate called “Becky” (apparently, not Becky Rosen), while Dean coldly eyes her up over the roof of the Impala. Sam comes out why she’s still going on. Sam brings Dean up to speed and they leave while she smirks. Maybe she’s a demon. I don’t and don’t care. Hope she’s Monster Chow soon.

In the station, the lights start fritzing badly and the Sheriff can’t find anyone. Pulling out her gun, she enters the Locker Room, from whence comes creepy laughter. Inside, though, it’s just her son and Jack, eating food from the food dispenser. Jack is discovering nougat. Or something. The light-fritzing turns out to be Jack making the food dispenser operate with his mind. Then he hears angel voices. When the Sheriff tries to stop him leaving, he accidentally shoves her into the machine and bails.

As lights explode, he gets to the squad room and sees Dean, but gets Tased by Sam. The Sheriff, who was unconscious just a moment before, comes into the room, gun drawn, looking fine. Nice lack of continuity, there, Dabb.

I miss when this show didn’t bore me.

So, we need a third act, I guess, so Sam is tossed into a cell, while the Sheriff interrogates Dean. Dean tells her what’s up, the Family Business. Rather than get pissy, the Sheriff asks Dean what Jack is. Dean says he’s a Nephilim.

In the jail cell, Sam talks to Jack, who tells him about hearing the angel voices. Jack asks Sam to tell “them” that he’s “sorry.” Whatever, show.

Sam asks Jack how he knows English. Jack says he talked to her, “I *was* her.” (very much not reassuring). Sam then asks Jack how he got his powers and if he remembers opening the door to the other world. Jack doesn’t know. He says he has to find his father, that his father will protect him.

Sam says that Lucifer doesn’t protect people. Jack says no, his mom said that Castiel would protect him. Sam tells Jack that Castiel is dead.

Outside, Slacker is lighting a cigarette. He’s confronted by Annoying Drunk Girl and the two angels. So, is she an angel, or is she in league with them?

Inside, Dean is releasing Sam, saying the Sheriff believes them. Then they hear Slacker outside scream. As they and the Sheriff come out into the squad room, they see Annoying Drunk Girl with an angel blade to Slacker’s throat.

The Sheriff starts to raise her gun, but Dean warns her not to. Annoying Drunk Girl Angel/Demon wants the Sheriff to shoot Dean to let her son go. Sam is still in the cell.

But it’s mostly a distraction so the other two angels and come in and attack Sam and Jack. ADGA stabs Slacker, pretty much just for kicks, as soon as she hears they’re in. Sam gets his ass kicked and the other two angels take Jack as Dean gets the drop on ADGA. He interrogates her and she smacks him in the head then enters the cell. Sam has blasted the other two angels away with a sigil that almost blasts Jack away, too. She stabs Jack, and gets stabbed by Sam, but only Jack survives. So, that happened.

Outside, the Sheriff goes off with her son in the ambulance, while the Brothers have a talk about Jack. Dean agrees with Sam’s plan to bring Jack back to the Bunker, to minimize the damage and find a way to kill Jack.

Dean chooses to burn Castiel’s body. Sam says maybe they can ask Chuck. Dean says he already tried. That’s why his knuckles are bloody. He prayed to Chuck to bring all of them back and then smacked a restroom wall (repeatedly), and cried, when Chuck failed to answer.

Not sure why the show has decided to forget all about Amara. She might answer Dean’s prayer.

Anyhoo, Dean is now going to burn Castiel and nobody is stopping him: “God’s not listening. He doesn’t give a damn.”

Oh, they also burn Kelly, by the way. Let’s not speak of that drippy, nothingburger character again, Show.

Dean has a moment alone with Castiel to cry over him. Later, Sam talks Jack through a Hunter’s funeral. Dean says goodbye to them all, including Mary. Sam says she may not be dead, but Dean refuses to entertain what he sees as false hope.

Boring music for this. Not very Supernatural.

Over in Alt-Verse, Mary is getting stalked and chased by Lucifer, who is playing with his food. Mary says what, is Lucifer going to kill her now? Lucifer says maybe or maybe not. Maybe he needs her. Whatever, Lucie.

Credits.

Okeydoke, that’s it for tonight. Not the greatest of episodes. Pretty much pointless aside from Dean’s cold, hard turn at grieving.

Expect my review by Sunday night.

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Recap and Review: Supernatural 12.10: Lily Sunder Has Some Regrets


By Paula R. Stiles


[spoilers ahoy for several seasons]


Tagline: Castiel’s past comes back to haunt him in the form of a vengeful woman and the sinister angel comrade who made her that way.


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Recap: Quick recap of Dean’s early relationship with Castiel and the boring Lucifer “baby mama drama” (as Dean puts it in the following episode episode). Can Kelly Kline please ride off with her hellspawn pregnancy to the Island of Forgotten Guest Characters and Dropped Plots?

Cut to Now and a striking African American woman playing a video game at a bar. The bartender notes that she does this every night and it’s closing time. She ignores him. He also notes that she beats the game every night and doesn’t have to. She ignores him.

A redhead in an eyepatch shows up and is a total bitch to the first woman. She refuses to get out of her way. When the first woman uses angel powers on her, the redhead calls her “Benjamin” and is unaffected. A brief fight ensues (excuse me if I don’t buy that any ordinary human, using the power of her soul or not, would have much of a chance a chance against even a de-winged angel). Benjamin gets beaten and calls for help, with the redhead encouraging her to do. We see three other angels, one of them Castiel in the Bunker, hearing it. The redhead says, “I’ve waited so long” and then stabs Benjamin to death. White light comes out and the redhead leaves.

Title cards.

Cut to Dean looking at a board in the Bunker, trying to figure out where Lucifer’s boring baby mama scampered off to. Sam comes in with coffee. It turns out Castiel set up the board. Dean is not thrilled that Castiel lost Baby Mama Kelly and wonders how she could have gone to ground the way she did (seeing as how she’s carrying a creature that every angel can sense for hundreds of miles). Sam then changes the subject to whether or not Dean has heard from Mary. Dean says yeah, she’s hunting a shapeshifter in Atlanta. When Dean offered to help, she said no, she could handle it alone.

Dean wonders aloud if Mary is getting back into hunting too quickly. Sam brushes off Dean’s concerns, even though Sam isn’t actually the one keeping in touch with Mom (bit passive-aggressive, there, Sam). Sam also calls Dean out on not speaking to Castiel. Dean points out that Castiel did something the previous episode (killing Billie the Reaper) that is supposed to have “cosmic consequences” and avers that doesn’t sound like a good thing.

As Sam is hemming and hawing over that, Castiel comes in, snarks at Dean, and tells them about Doomed Teaser Angel, who was once a comrade. Sam volunteers to come help and when Castiel, still in sarcasm mode, asks if that means both of them, Dean rather reluctantly says he’ll come along. To prevent Castiel from doing anything else that’s “stupid.”

Dean drives, of course. In the car, Sam tries to engineer a detente, which is ignored by both Dean and Castiel. Sam then tries the guilt trip to paper things over. Castiel finally tells them a bit about Benjamin, that he would never have put his vessel, a devout woman he’d found in Madrid, in harm’s way. She was his “friend” on top of being his vessel. Dean riles Castiel up a bit by being sarcastic about how Benjamin probably wouldn’t have run off half-cocked the way Castiel did the week before.

At the scene of the teaser crime, we see a charcoal outline of broken wings on a wall and meet the bartender again. He is shellshocked. Castiel is rude to the guy. Dean sees the bartender out, while Sam asks Castiel if he’s okay. Castiel is upset. Meanwhile, Dean finds an angel blade, which Castiel realizes isn’t Benjamin’s.

In a motel room, the annoying (sorry, mysterious) redhead is lying on a bed, whispering a spell. She opens her eyes and says Castiel’s name. As she grabs her suitcoat and leaves, she kisses her fingertips and touches a sepia photo of a little girl.

Outside a diner, Castiel tells Sam and Dean that before he led his own battalion (except, um, wasn’t Anna actually his commander?), he served under another angel named Ishim. Ishim is inside the diner, but Castiel doesn’t want the Brothers to come in with him. Ishim doesn’t like humans. “Ishim,” by the way, is an entire class of angels (and their leader may be Azazel or Metatron) who are closer to humans than any other angels, but here it’s used as a name for a single angel.

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Dean’s like, pfft, no, to that, especially when Castiel gets snarky again. So, no surprise that shortly after Castiel comes in and greets two angels (Ishim and Mirabel, who still have their vessels from the old days), Dean comes in. Neither angel is happy to see Castiel, blaming him for the fall from Heaven and the deaths of many angels (Balthazar and Uriel get name-dropped).

Right before Sam counts down to Dean “storming in,” and Dean enters the diner (insisting on sitting between Sam and Castiel across from Ishim), Ishim and Mirabel say that they’ve lost two other angels besides Benjamin since the Fall, in the same way. Despite this, Ishim sends Mirabel out alone to check whether anyone besides the Brothers has showed up (because splitting up isn’t dumb, or anything).

Predictably, Mirabel is caught off-guard in the alley by the redhead and quickly dispatched. And neither of the angels inside notices, despite all the hand-wringing over Benjamin’s broadcast-by-angel-radio death and previous episodes of angels noticing when another angel died nearby (I mean, it’s pretty darned bright and loud). Okeydoke.

Ishim and Dean don’t like each other. I mean, they really, really don’t like each other. There’s a staring contest as Ishim dumps a metric ton of sugar in his coffee/tea (what’s that about?), on which Dean comments with a nasty smile. Ishim calls Dean and Sam “monkeys,” while Dean tells him to “go to Hell.” Good times.

After Ishim leaves to find Mirabel, the Brothers dress Castiel down on putting up with Ishim’s crap. Castiel storms off after Ishim, who is getting attacked in the alley by the redhead after finding Mirabel’s body. Ishim recognizes her and tries to smite her, but she laughs and says she’s no longer “powerless.” Well, neither are demons and they can get smited, so I don’t really see how that works, but okay.

She grabs Ishim around the throat, but Castiel comes out and slashes her in the side, knocking her down (Castiel also recognizes her in a brief flashback to Olden Tymes). When the Brothers back him up with guns, she insists that she has no desire to hurt humans and blasts out light from her raised palm. Mind you, the Brothers have plenty of time to shoot her while she’s doing this, but nope. Dean ends up temporarily blinded and Sam dazzled. But Sam is still able to get the license plate number of the white convertible in which she roars off (because that car’s not inconspicuous, or anything).

Later, at an old church, Castiel tends to a wounded and weakened Ishim. Ishim can’t heal himself. Castiel clues Sam in that he recognized the woman and Dean (who has already noticed this) insists Castiel tell them what happened. We then get a saturated-color flashback to Orono, Maine, 1901.

Ishim is leading the way to a house through the woods. Mirabel and Benjamin are there, as is Castiel inside a young white woman. Ishim tells them that one of their angel brothers is living in sin with a human wife, and that the two have a daughter, a naphil (the show uses the plural term “nephilim” because hey, why do research?). Ishim says the girl has “a human soul mixed with angelic grace,” which is very dangerous. Is this more dangerous than Dean having hundreds of thousands of souls inside him last season? Who knows?

Despite the fact that the angels can actually track Lucifer’s unborn naphil child because they can sense nephilim (mentioned early in the episode), the angels in this scene just take Ishim at his word that the girl inside the house is a naphil. Um … show? Wouldn’t they be able to sense if the girl’s a naphil or not for themselves?

As they stride up to the house, the two other angels who later die offscreen (a man and a woman) join them. Not sure why these two weren’t in on the conversation that required a round robin of infodump, but I guess roles with lines are too expensive.

A man and a woman come out. The woman is the redhead. She calls the man “Achamel.” He tells her to go back inside and whispers in her ear. Looking frightened, she obeys. Achamel, who looks like Jesus, comes down the steps to have it out with Ishim, who goes off on his patented “filthy animals” rant about humans. Achamel hints that Ishim is the one who has something to hide with a retort about “shame.” Meanwhile, Castiel and the others look on coldly.

Achamel further hints that Ishim is being dishonest, then attacks him. The others grab him and Castiel pronounces judgment on him. When Achamel hears the charge of fathering a naphil, he looks shocked, but Ishim grabs him by the throat so he can’t speak. The other angels, being dumb as a box of hair, don’t notice any of this unsettling subtext. Mirabel stabs Achamel, killing him.

Ishim then tells the others to get rid of the vessel’s body, while he goes into the house to deal with the wife and the naphil alone. You know – the superpowerful, potentially world-killing naphil. Inside, out of sight, the woman shouts to Ishim to stay away from her daughter and then the child screams.

As I said, angels are dumb as a box of hair.

Case in point: In the present, Castiel insists it was a just mission, even though there are red flags all over the story and the Brothers are thoroughly disgusted with him and Ishim. Ishim identifies the redhead as Lily Sunder (of the episode’s title) and says he spared her. Dean guesses the obvious, that she now seeks vengeance. Hmm.

Ishim says she was a professor in apocalyptic literature (in the grand scheme of things, this is probably the least-idiotic dumb thing in this episode, but that’s still pretty anachronistic, especially for a woman) and that she is fluent in Enochian. He says she must have made a pact with a demon to remain young and gain powers. Except, you know, the part where she has angelic not demonic powers.

Dean says he and Sam will go talk to her, since she allegedly has no wish to hurt humans. Castiel begs to differ, saying it will take all of them to defeat her (well, I don’t see why, but Castiel can get off on these ridiculous tangents). He also says he still has to heal Ishim’s wound.

Castiel also gets pissy when Sam suggests that Lily’s got some justification for being angry, what with having her entire family murdered in front of her. Castiel swings it way the other way and asks if Sam thinks he and all the other angels deserved to die for that. Sam hedges because, well, yeah, that’s how blood vengeance is supposed to go. Castiel puts Sam on the spot by asking him if he’d let it go were he in Lily Sunder’s place. The answer to that, of course, is “no.”

Dean cuts off the rest of the conversation by saying that he and Sam are going alone to talk to her and that’s that. Meanwhile, Lily Sunder, in her motel room, is healing her own wound with white light and looking stern. Or something.

While he waits for the Brothers to come back, Castiel talks to Ishim and then heals him. Ishim is still on his anti-human rant, saying that angels are supposed to stay away from humans because humans are far more of a threat to them than the other way round (think Lily and the Brothers might feel differently). Ishim also doesn’t much like the way he perceives Sam and Dean “bossing” Castiel around. Castiel insists that his friendship with “Sam and Dean” (we know he mostly means Dean) has made him “stronger” not weaker. He discovers that Ishim’s wound is more serious than he’d thought, so it really drains him when he heals Ishim.

At the motel, the Brothers arrive at Lily Sunder’s room. Sam says Lily’s car was a rental. They find her in the hallway (right after Dean admits they may have to kill her if she won’t stop going after angels). She has two angel swords now (even though she left one behind at the scene of Benjamin’s murder) and seems to think the Brothers couldn’t stop her from killing Castiel. Stop laughing in the back, there.

Sam tries to talk her down with the reasonable approach while Dean looks skeptical. She is also skeptical, since (shocker) it seems Ishim fibbed a little. And left some things out. Well, that is why they decided to go get her side of the story. Once she realizes they’ve been lied to and don’t want to hurt her unless they have to, she unbends and tells them more of the flashback story.

A brief conversation over a doll between Lily and Achamel (shortly before the angel posse shows up) confirms that he is not the father. So … who is? Is it, say, Ishim, maybe? The daughter’s name was May and we find out that what Achamel whispered was for Lily to take her and run.

Does Lily do this? Well, not right away. Inside the house, she starts dithering over which papers to take while reassuring her daughter everything is okay. This, of course, gives Ishim time to blast the door open and come inside.

It also makes Lily look very stupid. This makes me not very sympathetic to her bitterness in the present when she admits she summoned him in the first place as soon as she found the spell to do so. She says she was always fascinated with angels and thought Ishim was “perfect” when she first met him. She also says that her daughter “was human,” that she had her before she ever did the summoning, or met an angel. But in doing so, she admits that she intentionally endangered her daughter by summoning a supernatural being with a child in the house.

In the flashback, Ishim bitterly calls her out on using him to get his secrets “for your precious studies.” When he tells her that he had confided in her because he loved her, she claims he never did and was just obsessed with her. Because yelling at your creepy ex when he has all the cards and you need to get out of the house with your daughter always works well in Lifetime movies – oh, wait.

Anyhoo, he gets angry about Lily having summoned Achamel to protect her from him (Ishim sees it as throwing him over for Achamel, which is … kinda true, actually). He pins Lily to a column and kills her daughter right in front of her, calling her “powerless” to stop him.

So, huge plothole here. If Lily is an expert in Enochian and knows more about angels than angels know about angels, why couldn’t she just make an angel-banishing sigil and blast everyone away as Ishim was coming in the door? Hell, as soon as she saw the angels coming? Then take her daughter and run like hell? Achabel wouldn’t have died. Neither would May. At least not then. And we know the episode writer knows this is an out because it’s a major plot point in the climax of the story.

I hate these sorts of plotholes because they’re so hand-wavy and lazy. Kind of like the ongoing thing since season five (thanks to Kripke) that Lucifer can’t be killed. Even though we’ve seen two archangels bite the dust, and even God and his sister nearly flatlined last season. But nooooo, we’re stuck with Lucifer until the end of time.

Back in the present, the Brothers are freaked out by Lily’s story and Dean tries to get hold of Castiel. Who doesn’t answer because a rejuvenated Ishim has stolen his phone. It seems Ishim hasn’t felt this good in a long time and Castiel is temporarily drained. Uh-oh.

So, Sam stays to watch Lily while Dean goes to warn Castiel. I’m sure this will end well.

In her motel room, Sam asks Lily the obvious question of why she waited so long to go on her roaring rampage of revenge. She says she couldn’t find the angels while they still had wings (which seems iffy when she could hear them talk, but okay). But she doesn’t explain why it’s taken her over two years to find all of them since they fell. I had a bit of trouble with that.

Sam asks her about Ishim’s claim that she made a pact. She says that no, she uses Enochian magic, fueled by her soul. But it’s not finite. She will eventually end up with no soul. Sam says that yeah, he gets that. She admits that she used to dream about her daughter, but now she doesn’t dream at all, because losing her soul makes her more and more emotionally detached. Sam gets that, too.

She warns Sam that Ishim will kill Dean. She claims that Ishim is “a big man in Heaven” and can’t afford to see his sins brought to light. This makes no sense. If Ishim really is that important in Heaven, 1. why have we never heard of him during all the many plots involving that place and 2. why didn’t he and his brethren just go hide back there? After all, the angels were forcibly called back to Heaven not long after they were thrown down. Some went willingly, of course, but some were killed because they refused. So, why are Ishim and his lieutenants out wandering around on earth now? They’re not Grigori.

Anyhoo, she loses a bit more of my sympathy when she says she’s fine with the current situation. Once Ishim kills Dean, Sam will be fine with killing Ishim, so she gets what she wants, eventually, anyway.

Cut to Dean entering the church and finding a weakened Castiel. Castiel explains that he healed Ishim. Dean tells him (without looking around for Ishim first) that Lily’s daughter was human and that he thinks Ishim “is playing you.”

Up pops Ishim behind Dean. Nope. Sure wasn’t expecting that. [/sarcasm]

So, Castiel belatedly compares notes with Ishim, who lies like a rug. Dean snarks that Ishim lies a lot worse than Lily. Mutual manly bitchiness ensues. Ishim tries to separate Castiel from Dean by insulting Dean and asking Castiel why he lets Dean boss him around. Castiel’s finally not buying it, though, and bears down on the question – was May human or a naphil? Ishim admits the truth by refusing to answer the question straight. In other words, May was human.

The fight breaks out when Dean pulls out his angel blade and gets slammed into a wall. Castiel tries to attack Ishim, but gets his ass handed to him. As Ishim beats him up, he pours out his anger and jealousy and envy. Castiel was the one who got to go to Hell and raise the Righteous Man. Now Ishim is going to cut out Castiel’s “human weakness” with his angel sword, just as he cut out his own. And he goes straight for Dean. Ohhh, dear.

Fortunately, while Castiel is getting beaten to a pulp (albeit getting in a punch or headbutt or two), Dean is thinking quickly. He cuts his hand and makes a banishing sigil. When Ishim approaches, Dean warns him to stay back. But Ishim has Dean’s number. As a helpless, beaten Castiel watches, Ishim points out to Dean that he would survive being blasted away, but Castiel might not. Unwilling to put Castiel in mortal harm’s way, Dean very reluctantly drops his hand. Then, with a grim and fatalistic look, he grasps his angel sword as Ishim smirks and comes after him.

But Sam and Lily arrive with good timing. Lily calls Ishim off by shouting his name. He turns to confront her, sarcastically calling her “my love.” As Sam rushes to Dean, apologizing for bring Lily along (Dean quickly forgives him), Ishim and Lily fight. It’s a pretty good fight, but he’s much stronger than before and soon bests her.

The Brothers come in and distract him by slicing him on the limbs. Enraged, he tosses them into a corner, but this gives Lily time to pull off her eyepatch and do a white-light jazz hand. Her blind eye glows as she declares she will “never be powerless again.” She Tks him into a wall. He’s not impressed, pushing away from it and approaching her the way Dean did Abaddon when he killed her. Before he can strike, though, Castiel stabs him from behind. Afterward, Castiel sinks to his knees, telling her “You held him for long enough.”

We get an overhead shot of Lily staring down at dead Ishim and his broken wings. Sam wonders if that’s it and Dean asks Lily, far more pointedly, “Are you done?” When Lily hedges that she’s been seeking revenge for over a century, Dean, even more pointedly, tells her it’s over (i.e., that he won’t let her kill Castiel, too.).

At that point, Castiel intervenes. He apologizes to Lily and tells her that if she can’t let it go, he will wait for her to come and finish him down the road. She thanks him and then just leaves. Oookay.

Back at the Bunker, Dean gives Castiel a beer, telling him “You earned it.”

The Brothers go into a stereo, extremely cleaned-up paean to how nice Castiel has been to them over the years, leaving out all the times he’s turned on them, betrayed them, run off with the butterflies, or just plain made dumb decisions. And Dean admits he’s not angry so much as “worried” that Castiel’s killing of Billie will turn ugly, what with all the “cosmic consequences” deal.

Then we get a boring retread of the whole nephilim plotline, how Lucifer’s child is dangerous and scary beyond measure, and they may have to kill a kid (assuming they can kill the kid). Which is just eye-rolling post-Amara. A group drinking session ensues.

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Review: I mostly enjoyed this one, but my goodness, were there enough plotholes to drive that truck through, or what? Also, Castiel acted childish for most of the episode. I wanted to slap him half the time. And Ishim was remarkably transparent in his motivations. Not that Lily Sunder was any great shakes as an anti-heroine.

Still, Ishim was a great villain and foil to Dean, specifically, in the sense of Ian Tracey and Jensen Ackles having a crackling good time playing off each other as brittle antagonists. There was never going to be any peace between those two. Their instant and mutual hatred had too much destructive resonance. Lily’s revenge story was bland in comparison.

It’s no secret that I’m as big a fan of Ian Tracey as of Jensen Ackles, so imagine my delight in seeing him return to the show and get some meaty conflict and fight scenes with Ackles this time round. Tracey is A-list in Canada (and, to my mind, Canadian A-list, consisting mostly of seasoned character actors rather than “stars,” is generally much stronger than Hollywood A-list), so it’s a rare treat to see him, Ackles, and Misha Collins get face time. Padalecki got that chance last time (season seven’s “Adventures in Babysitting”), but Ackles didn’t and Tracey’s character had a much smaller role in that one. However much I liked Lee Chambers, they killed him off between episodes and brought back Lee’s annoying daughter Krissy. That gives you an idea how disposable a redshirt he was.

I was rather put out that they killed Tracey’s character off again this time and made him a one-shot, though at least he had a lot of fun and scenery to chew in this one. I was further put out because Ishim was actually a much more interesting character than the title character.

Lily Sunder is a blah Vengeful Sue character and I have no desire to see her again. She’s got about three settings – frightened and helpless, angry, and smug – with little connection between them and equally little emotional connection to the audience.

Also, she’s far too overpowered in her initial scenes versus the two angels we see her kill, making her subtext too much of a predator and not enough of an avenger, even once we find out the truth (all Tell, no Show). This put the sympathy on the angels (especially Benjamin) and it never really came back to Lily. I felt sorry for Achamel and certainly for May, but I never felt very sorry for Lily.

After all, this is a woman who intentionally summoned an extremely powerful and deadly being, which resulted in the death of her daughter. Even if she had done it before her daughter was ever born, it was a dumb thing to do. If Lily had summoned a demon or used the Necronomicon to call up Cthulhu, the audience would hardly be sympathetic to her. The show indicates that humans in the SPNverse are really dumb about the true nature of angels and think they are good (which is the intended way of making her sympathetic, despite her reckless stupidity), but the audience knows better at this point.

Plus, any professor of apocalyptic lit would know that it is incredibly dangerous to summon angels. In traditional Christian lore, demons are just fallen angels. Even they serve God. Christ allowed some control over demons by humans in order to exorcize them. But unfallen angels still serve God directly and represent manifestations of His power and glory. Not only are they much more powerful than demons, but their position in Creation compared to humans is very different. Summoning them can be perceived as directly interfering with God’s will, so while angel grimoires may be considered white magic, they are still very iffy in moral terms.

This leads directly into Ishim’s bigoted rants about humans and angels remaining separate, and his resentment of Dean and Sam giving Castiel orders. This makes perfect sense if you consider that for an angel, like a demon, summoning is a compulsion. It’s unclear how compelled angels feel to answer (it probably depends on the power of the summoner versus the power of the summoned), but Castiel and other angels have made it clear they find a direct summons by a human to be a peremptory and insolent command, and they don’t like it.

Episode writer Steve Yockey makes Ishim look like a jealous, bitter, racist ex, but in the rules of the show itself, Ishim’s will may have been abrogated by Lily in the initial summoning. It appears she may have compelled him to love her and serve her, which makes her all kinds of unsympathetic, dead daughter or no. Regardless of how much Ishim was (or felt) compelled to do her bidding early on, she is the one who created the instrument that murdered her daughter by twisting an angel in the first place.

While Yockey probably didn’t intend any of that subtext, it therefore makes some sense that Castiel has no sympathy for Lily until Ishim threatens to murder Dean right in front of him. Castiel isn’t just being dumb about the daughter not being a naphil or inhuman in his indifference to the child’s death. Lily’s daughter is innocent, but her loss is just punishment for Lily’s defiance of the Natural Order and implied abrogation of Ishim’s free will.

But Ishim misreads what’s going on between Castiel and Dean. Dean did not initiate the relationship with Castiel and Dean. Yes, Dean commands Castiel loyalty and obedience, but both he and Castiel perceive this as just, both because of their friendship and because Castiel participated in the destruction of Dean’s family. Castiel serves Dean entirely of his own free will and Dean respects those terms.

Dean is not a parallel for Lily (as the dialogue states); he’s a parallel for her daughter. Therefore, he is an innocent. When Castiel kills Ishim to save Dean, he is belatedly making up for failing to save May. And the audience is all for this, not just because of the emotional investment in the “profound bond” between Castiel and Dean, and not just because, as the Firewall, Dean may not only have the ability to exercise true free will and even change Natural Order, but may even embody the Natural Order. It’s because Dean in this story is truly innocent.

Ishim drastically misinterprets the relationship between Castiel and Dean, perceiving it in the same toxic way as his own relationship with Lily. Lily does, too, at first, but changes enough to end her vendetta with the death of Ishim (the angel who actually murdered her daughter) at Castiel’s hands. However dimly, Lily senses that if she went after Castiel, Dean (and Sam) would end her. She may not want to hurt humans and they may be willing to let bygones be bygones if she stops there, but they’ve killed humans who practice black magic before. And they are very good at it.

I will give Alicia Witt credit for not making her as irritating as I expected Lily to be, and her fight scenes looked pretty good. I’m not a fan of Witt’s sarcastic delivery, and the character itself had some issues, but Witt did okay with the role, aside from the above problems of lack of range.

I suppose, if the writers do insist on bringing Lily back, she could mellow into a sort of Rowena-like frenemy, but I’m not nearly as into watching Witt as I am Ruth Connell. Also, I don’t like how Lily cold-bloodedly killed the vessels of the angels she also slaughtered (who were misled, not evil) and shrugged off all the collateral damage as an okay consequence of becoming sociopathic through using her soul to fuel her angel-like powers (something I have suggested was possible since season six).

Yes, Ishim murdered her daughter, but she’s the one who chose revenge. And being fine with standing by while Ishim murders Dean, or murdering innocent angel vessels while insisting she doesn’t want to harm any humans, doesn’t jibe with her claim that she’s a vengeful heroine in her story. I also wasn’t impressed by her never once showing an ounce of guilt over her inadvertent role in her daughter’s death in, y’know, summoning her daughter’s eventual murderer in the first place out of little more than religious fanaticism and academic curiosity. And there’s no sense she ever had any feelings for Ishim aside from accomplishment at having summoned an angel, so one can kind of see why he felt rejected.

It doesn’t help that she comes off as a bit of a user, summoning another angel to help her with her first angel when he becomes a problem and getting that angel killed without much remorse on her part. Or that the show has her kill off the other two angels in female vessels so that we’re left with fewer female characters at the end (really, show, it’s not necessary to have only one significant female character at a time in an episode. We’re 51% of the population, not something exotic like dancing bears).

Plus, there’s the plothole that she apparently knows Enochian and all this stuff about angels that Ishim taught her but not the banishing spell that Dean tried to use and she could have used to save her daughter. Not the sharpest tool in the shed is Lily Sunder. Then again, the characters in general have been written all season unnecessarily as thick as posts, similarly to how characters are written on other CW shows. It seems the new writers think this is the way to do things now.

Castiel rhapsodizing about Benjamin and his loving relationship with his vessel (and our seeing yet another PoC angelic character bite the dust in as many weeks) doesn’t make Lily look very sympathetic, either. I wish TV writers could figure out how to write female guest characters more sympathetically, or at least not so much like bitches all the time, because ugh. And no, the “surprise twist” didn’t improve things on that front. In fact, it made things much more confusing. In the Devil’s Baby Mama storyline, it’s clearly stated that angels can sense the conception of a naphil. Yet, the twist is that Lily’s little girl is just an ordinary human. How could the angels outside the house not sense that? It’s a big old plothole that’s never explained.

I still think that Ishim with his dark, angelic obsession was far more intriguing than Lily (hell, Benjamin was far more intriguing than Lily and I was sorry to see him/her go). He would have made a fabulous recurring antagonist for Castiel over the course of a season or so. He was so obsessed and they had so much history, and the hate chemistry with Dean was fantastic. Maybe we could get a flashback or two in a future episode (no-no, don’t burst my bubble of denial).

Part of the intrigue was the way the writers straight-up gave us a parallel to Castiel’s relationship with Dean in Ishim with Lily, one that went horribly wrong. As I’ve said in the past, I think Destiel (in the sense of a relationship that uses romance tropes) is canon on the show, just as Dowley is canon. In addition, these relationships aren’t just one-shots and don’t just exist to add tension. They actually change the plot and characters over time.

Crowley’s jealousy of Dean’s relationships with other men (including not only Castiel, but brother Sam) is the core of his personal conflict with Team Free Will, just as his loneliness stems from the persistent emotional rejection by his mother Rowena (hmm, something Crowley kinda has in common with Dean this season). Meanwhile, in Castiel’s obsession lies the core of his faith in God and the reason why Chuck keeps favoring him and resurrecting him. Castiel is the Firewall’s literal wingman and bodyguard.

Are we going to see teenage kissing and holding hands? Hell, no. These characters are a grown human man with emotional walls like Ancient Troy and a half-billion-year-old seraph. Note that the relationship between Ishim and Lily didn’t involve any cute teen romance tropes, either (unless we’re talking about this commercial and campaign about the difference between Young Love and abuse, which gets quoted in the episode). In fact, the idea that Lily’s daughter was a naphil turned out to be a red herring deliberately engineered by Ishim so that he could take revenge on Lily by killing the girl, and use his angel comrades to help him do it.

The story of Ishim and Lily (and even Benjamin and his ancient unnamed vessel) once again raised the specter I have talked about in the past that angels are designed to be obsessive. It’s in their DNA, as it were. They were created (possibly by the archangels rather than Chuck directly, as hinted late last season) to worship their father in every way possible and to obey their angelic superiors without question (as I said, dumb as a box of hair). When an angel transfers this obsessive love to a human, it can be overwhelming, even terrifying, for the human. With the power balance between them so far out of whack, it can become abusive in a human heartbeat.

Up to this point, we hadn’t known of any other such relationships between a human and an angel (unless you count Dean and Anna, which ended very badly), so we had nothing to compare. Anna seemed relatively fine, albeit suspicious of Castiel, until she was captured and reprogrammed. So, we had no way of knowing if the circular pattern of Castiel obsessing over Dean, becoming enraged with Dean over the least disagreement or mistake, possibly harming or betraying Dean, and then feeling remorseful, was how things went with angels and humans. Well … apparently, that’s about as good as it gets.

Naturally, the slashiest and most parallel it gets is when Ishim cannily calls Dean’s bluff about the angel-banishing sigil and Dean chooses not to use it, knowing full well that doing so will probably get him killed. This is right after Ishim tells Castiel he’s going to murder Dean right in front of him to get rid of Castiel’s “human” taint the way he did his own (by murdering Lily’s daughter and incurring her hatred). It’s also right before he sarcastically calls Lily, upon her arrival with Sam as part of the cavalry, “my love.” The subtext of curdled romantic obsession isn’t exactly subtle.

Castiel returns the favor by stabbing Ishim from behind to save Dean the way he did Billie the Reaper last week to save Mary (which was also, in a weird way, to “save” Dean – from watching his mother get killed again). Castiel’s reaction is the opposite to Ishim’s in that Ishim murders Lily’s family, whereas Castiel kills other angels in his own family (literally backstabs them) to save Dean’s family. And Dean chooses to give up a spell that could save his own life, even though he’s quite angry with Castiel, because it could kill Castiel. If that’s not true love on this show, I don’t know what is.

An historical aside: There was unlikely to be such a thing as a professorship in Apocalyptic Literature in the late 19th century. It would be a professorship in Divinity or in History of Religions, and women were not getting those back then. No American woman even got a Bachelor’s degree in Divinity until 1878 and it seems pretty unlikely such a woman would be residing in Maine in 1901. In addition, no respectable Victorian Era woman, widowed or single, would be living alone with her daughter in a swanky mansion without any servants or companions, angel guardian dude or no.

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Fun lines:

Sam: So, what’s the plan?
Dean: Well, we knock on [Lily’s] door, ask her nicely not to kill any more angels.
Sam: And if she says no?
Dean: Well, we’ll burn that bridge when we come to it.

Ishim: I loved you.
Lily: You didn’t love me. You were obsessed with me. That isn’t love.

Ishim: [Lily]’s a liar.
Dean: Well, if she’s a liar, she’s pretty good at it. You, on the other hand, kinda suck.

Ishim: I used to envy you, Castiel. Can you believe that? You survived Hell. You were chosen by God. But now, look at you. You’re just sad and pathetically weak. So, now, I’m gonna help you. I’m gonna cure you of your human weakness, same way I cured my own. [pulls out his sword and goes after Dean]

Dean: [Ishim]’s dead. Are you done?
Lily: Revenge is all I’ve had for over a hundred years. It’s what I am.
Dean: Wrong answer. You’re done.


Next: Who We Are/All Along the Watchtower (season finale): British Men of Letters and Lucifer clash with Sam and Dean and Mary and Castiel. Hopefully, we end the season with a few less annoying antagonists.


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