The Official Supernatural: “Peace of Mind” (14.15) Live Recap Thread


We need your help!

Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee. You can still find my reviews here of North Carolina ghost story books, and notes about my folklore research on Patreon.

My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through Amazon. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.

A friend and fellow saltgunner, Mandi Gordon, is still trying to do a GoFundMe to get out of a tough situation following her grandmother’s death. Even if you can’t contribute, please consider sharing the link where appropriate. Thanks.

Scroll down to find links to all of my recaps and reviews of all seasons up to this point.

Getting used to this new “look” on WordPress since I upgraded everything. Apologies for the delay. We had some technical difficulties with the site over the weekend. [cracks knuckles] Let’s get to it.

Recap of Dean and Michael, and Jack allegedly killing and eating Michael last week (look, that’s what he did). Also, oddly enough, there’s a bit about Dean’s fear of snakes in season four’s “Yellow Fever.”

Cut to Now. A young man is running past a movie theater showing Scooby-Do, Stan’s Lanes, and Sam&Eve’s Records, and over to a soda shop called Harrington’s. He bangs on the door, calling for someone named “Sunny.” As stirring music arises, he tries to get her to go with him, but she says she can’t. So, he runs out of town, past a sign that says “Charming Acres” and into a convenience store. There, he has a problem, because even as he grabs the clerk’s phone to try to call someone, his head explodes. The poor clerk, trying to help him, throws up.

Cue title cards.

Cut to Jack cuddling the snake from last week as Castiel comes in to check on him. Castiel mentions that they gave the Hunters who were killed last week a funeral. Jack says the snake is okay, but won’t eat (if it won’t eat, it’s not okay). Castiel infodumps about Jack having killed Michael and eaten his grace. Does Jack have his powers back?

Jack TKes a pencil and makes an infinity sign (like the ouroboros of last week) with it in front of Castiel. He says he’s not sure, since he feels different than he used to. When Castiel asks Jack how much of his soul he “had to burn off to kill Michael,” Jack claims he doesn’t know.

Castiel wanders out to the kitchen, where Dean is eating enough for ten Whos, plus two. Castiel says he’s surprised, since Dean had apparently stated a desire to “sleep until the cows dragged you home.”

“That’s not – ” Dean starts, then decides not to pursue down that rabbit hole of malapropism. Dean says he was “putting away gear” when he got a call from Rowena. Castiel asks how she is and Dean says “not good, but she’s coping. At least she’s alive.”

Dean asks how Jack is doing and Castiel relays that Jack claims he is fine. Castiel asks Dean how Sam is doing and Dean relays that Sam says the same. “Personally, I think they’re both full of crap.”

[screech!] Okay, hang on here. How is Dean so calm and relaxed and … well … compos mentis? If Rowena is having a hard time “coping” with having been possessed by Michael for a hot minute, how is Dean in better shape than she is? Michael was ripping at the inside of Dean’s mind for weeks, even months, before now. Plus, the show just spent half a season demonstrating how being possessed by an archangel totally screws you up. Or was Nick’s storyline even more pointless than it looked at first glance?

And let’s not forget Michael’s threat just a few episodes ago that if forced out of Dean, he would leave “nothing but blood and bone” behind. Dean should have even less head left than Doomed Teaser Boy. Sure, Michael wasn’t technically forced out, but Dean had imprisoned him and if Zachariah was petty, Michael is downright vindictive. He could have turned Dean’s brains to mush on his way out with no one the wiser (especially with Dean’s head injury) and still taken Rowena over, perpetrated that massacre, and so on. In fact, it would have been much safer for him to leave nothing but scorched earth behind of his former vessel.

And yet, here we are, with Castiel and Dean talking about whether or not Jack and Sam are okay. What the hell, Show? Even if this is foreshadowing that Michael’s not really gone, it’s mighty weird.

Meanwhile, Sam is out in the main conference room/library, having flashbacks to the horrific deaths of a bunch of redshirts we never really cared about. This causes him to rush into the kitchen, where he says he’s found another case to do. This causes Dean to complain that they just did “three cases back-to-back” and that he wants some sleep. When Sam says he’s leaving in ten minutes, anyway, and stomps out, Dean comments to Castiel that yeah, Sam’s not in great shape.

Again, what the hell, Show? This clearly isn’t very long after the end of last episode. Why is everyone ignoring Dean’s inevitable archangel possession trauma? I get Dean trying to bury it, but not everyone else helping him do so.

Anyhoo, Castiel offers to go with Sam and suggests Dean talk to Jack. Dean complains that he didn’t handle Sam’s soullessness very well. I beg to differ, since Sam is not dead. So does Castiel and he leaves.

Off to Charming Acres Sam and Castiel go, Castiel driving for reasons unknown. They speculate whether the MOTW might be a witch or a demon. Sam is in his FBI suit. Sam is sleepy, but shrugs off Castiel’s concern that he is working too hard and that Dean is also concerned (again, Show, What. The. Hell?). Sam just says that monsters don’t sleep and that they have fewer Hunters than they did just a little while ago.

Sam enters the quickie mart and interviews the clerk who saw DTB die. The kid’s name is Griffin. Griffin points at a spot where the ceiling tiles have been taken out. Underneath it are a whole lot of wet floor signs. Griffin is freaked out that DTB (Conrad Martin) “went all Scanners,” but he also mentions that Conrad “had that look” like the people of Charming Acres. What does he mean by that? Well, when Castiel and Sam start driving through town, to jaunty 60s sitcom music, past people in 1950s clothing, the vibe is definitely the film Pleasantville by way of Riverdale. Castiel references The Saturday Evening Post, which he apparently reads and finds “soothing.”

Good thing Castiel and Sam are dressed the way they are.

Castiel suggests Sam cal Dean, but Sam says he can’t get any reception. As Sam gets out, he bumps into a couple, Justin and Cindy Smith, and starts to interview them. They’re on their way to a bake sale. Justin directs them toward Harrington’s, which is right across the street, and has no idea what a cell phone is. When Sam wonders what is going on, Castiel suggests they’re Mormon (yeah … um … not so much, Show. Think you were thinking the Amish. Or at least the Mennonites).

When they go into Harrington’s, they’re met by Sunny (from the teaser), who gives them complimentary milkshakes. Sunny’s father runs Harrington’s and is also the town mayor. He seems very friendly.

Yep. Shady as hell.

Sam and Castiel do some probing about DTB’s death that makes Sunny visibly uneasy. It is therefore very interesting that her father just blows it off. Well … aside from the part where Castiel corrects him on his softening the way Conrad Martin died (calling it an aneurysm), saying “Oh, no, his head exploded. Like a ripe melon on the sun.” This brings all chat around Castiel to a screeching halt for a hot minute. The irony here is that Castiel probably would know exactly how a ripe melon would look if deposited on the Sun’s surface (or, at least, the upper layers, since the Sun doesn’t have a solid surface). But no one knows that because he’s pretending to be human.

Outside, Sam calls Castiel out on his blunt metaphor, which strikes me as rather missing the point. But there you go. In fact, a they go up to a house to interview someone, Sam seems a lot more into the town’s ambiance than Castiel. I’m reminded of Dean’s “I’d blow my brains out” comment about living in suburbia in “Bugs.”

On their way up the steps, they pass a couple with a large dog. The woman is Asian. The woman who answers the door is African American. These are the first two people of color I recall seeing in this town which, so far, has been a blatantly white reconstruction of a fantasy 1950s small-town life.

Like Harrington, the woman knows who they are, saying that word gets around in a “small town.” The inside of the house is huge and looks an awful lot like the set for the Stynes’ mansion in season ten’s “The Prisoner.” In fact, I think that set might be for all of their Gothic haunted house scenes. It’s just that those scenes are usually a lot darker.

Finally getting back to the Bunker, we have Dean walking in on Jack trying to feed the snake. Jack believes the snake is “sad.” Dean suggests bacon because he likes it and gets a little wigged out when he opens up a Chinese takeout carton and finds two live mice (if you recall from “Yellow Fever” and “Hell House,” Dean is creeped out by both snakes and rodents). I can’t decide whom the snake represents, but I have a sneaking suspicion it’s actually Dean and that that’s not good.

Dean suggests they go on a roadtrip, but it’s not a hunt. It’s a “field trip.” Dean says he’s going to “make some bacon now” and Jack asks the snake if it wants some bacon. That snake is really cute.

Back to Weirdo Town, where Sam and Castiel are talking to the woman from the previous scene. She runs a boarding house where DTB rented a room. Seems he had only been living there a few weeks. Hmmmmm. This precipitates a rant from her that she only rents to “young men” because “young women” shouldn’t be living alone. “Morals.” She then singles out Castiel as someone who should know why. He doesn’t.

Castiel looks under the mattress and finds love letters between DTB and Sunny, very “passionate” (read: explicit) letters. Sam is uncomfortable about hearing this, but then starts to act strange (while sipping on tea made for him by the concierge), saying that they can wait until tomorrow to investigate the letters further and he could use a good night’s sleep. At the boarding house. Castiel is, to put it kindly, confused.

Meanwhile, Justin and Cindy are getting ready for dinner, but Justin is hung up on Sam’s reference to his cell phone. Then he suddenly remembers that he has a daughter, which confuses Cindy. Too bad he’s interrupted by the worst headache of his life. As he runs out the door, his face swells like DTB’s. Cindy comes out after him as he pelts down the lane, but then the top of his head blows off and he collapses.

Cindy’s response is very strange. She just looks even more confused and calls his name.

Meanwhile, Dean and Jack are on the roadtrip. Dean is driving the Impala. They’ve got the snake in the back, just in a little plastic case, no heater, because that’s every bit as healthy as feeding the poor thing bacon. Dean is denying that he’s afraid of the snake and Jack, despite going on and on about how the snake is “sad,” doesn’t pick up on Dean’s obvious fear at all.

Dean cleverly gives Jack two snacks to possibly give to the snake. One is an angel food cake and the other is a devil’s food cake. Dean notices that Jack hesitates over the devil’s food cake for a long moment before tossing it aside for the angel food cake.

I gotta ask again – why the hell are these two out and about on their own with no supervision after the whole Michael thing? Seriously.

Back in Weirdo Town, Castiel finds Sam’s bedroom empty with the bed made up (um, Castiel doesn’t sleep, Show, so how did he lose track of Sam like that?). Coming downstairs, he finds the concierge “vacuuming” enthusiastically to The Chordettes’ “Pink Shoe Laces” from 1959 (they’re the same group who gave us the most famous version of “Mr. Sandman” in 1954). In a conversation with some strangely hostile undertones on both sides, she offers him breakfast then tells him Sam “went for a walk and a milkshake.” When Castiel returns to Harrington’s, Sunny is there and the same song is playing. She tells him that Sam left Harrington’s when he heard about Justin’s death.

Upon arriving at the Smiths’ pink mansion, Castiel is let in by Cyndy, who offers him a martini. Cindy is downright Stepford, strangely and strainedly cheerful except for an Invasion of the Body Snatchers “NOOOOO!” when Castiel goes to sit down on a chair. She claims it’s her husband’s chair and insists that no, he did not die last night.

At that moment, Sam walks in, dressed just like Justin and acting as her husband, with Birth Control Glasses and a man bun (and a secret kinky sex life with his wife). Whoops.

Y’know, there are a lot of horror refs in this one (and Jared Padalecki has a blast playing this version of Sam), but I’m having a hard time getting into it. I mean, we’re halfway through and it took forever to get to this moment. Anyhoo.

Castiel tries to get Sam to snap out of it, but Sam is completely submerged in the Justin persona, right up to refusing to swear as he kicks Castiel out of the house (“H-E-Double-Hockey-Sticks!).

Having driven all night, Dean and Jack arrive at their destination – Donatello’s house. Donatello is happy to see them. Dean admits that he brought Jack there because TFW is worried about him. Dean sends Jack in to talk with Donatello alone, while he stays outside and babysits the snake. From a great distance.

Inside, Donatello gives Jack the CliffsNotes version of Amara eating his soul. Jack asks Donatello how it feels not to have a soul. While being distracted by the spinning creamer in his coffee, Donatello tells him it’s an emptiness, a lack of “empathy … humanity.” Jack’s not sure that he feels quite that big a hole, but he does feel “different” than before. He says he’s guided by Mr. Rogers. Jack says he’s guided by Sam and Dean, so Donatello suggests Jack ask himself, “What Would the Winchesters Do?”

Outside, Dean asks Donatello (after Jack gets in the car) what the “verdict” is. Donatello figures Jack is probably okay right now, but then randomly adds that Jack is also “probably the most powerful being in the universe.” I’m rolling my eyes really hard, and it’s awfully painful, since the show has already made it abundantly obvious that the Empty is far more powerful than Jack and – oh, yeah – pretty sure Billie is somewhere looking mighty sarcastic.

Back at Harrington’s, at night, Castiel confronts Sunny with her love letters to DTB, in which she “begged” him to leave town. He’s convinced she’s a witch who has ensorcelled the entire town. When she balks, Castiel threatens her with a soul scan, his eyes glowing white. Sunny blurts out that it’s not her, “it’s him.” And then there’s a voice behind them.

It’s Sunny’s father. And he’s not alone. He has other townspeople with him. One of them is Sam.

So, Harrington is just a small-time older psychic type who could hear other people’s thoughts. After his wife died, as the town shut down, he slowly discovered that he could manipulate people with his thoughts. First he made them come into his shop and then he “remade” the town. The few he couldn’t “change,” he murdered, but his daughter Sunny (who apparently really is his daughter) was always immune.

Harrington sics Sam & Co. on Castiel as Sunny runs out the door. He follows her. She accuses him of having killed her boyfriend and he, being a pretty classic narcissist on top of being psychic, flips it back on her, saying that her telling her boyfriend got him killed.

Inside, Castiel is beating the crap out of Harrington’s goons, but having trouble keeping Sam at bay (because he doesn’t want to hurt Sam). After Castiel roughly downs the others, Sam tackles him. But when Sam has enough latent memory to grab Castiel’s angel blade, Castiel takes the opportunity to talk him down.

Castiel tells Sam that he knows how Sam feels. He knows all about losing your army, failing as a leader. But as Sam hysterically insists that he’s happy, Castiel tells him that he has to fight the mind control. Otherwise, he will let down his friends, let down Jack, let down Dean. When Sam hears Dean’s name, he smacks down the angel blade, but it goes into the floor next to Castiel’s head. The mention of Dean’s name snapped Sam out of it. He’s himself again.

Outside, Sunny is calling her father “a monster” and saying she only stayed because she promised her mother. Harrington insists that, no, he’s really “God.” At that moment, Sam and Castiel come out and tell him they know for a fact he’s not God.

Sam: We’ve met God!

Castiel: He has a beard!

Harrington tosses Castiel across the parking lot because sure, why not invent new powers for our MOTW on the fly? It’s that kind of episode. Then he starts killing Sam.

At that moment, Sunny starts to find his voice and yells at him to stop. It doesn’t stop him, but she tries it again and this time, the echo reverberates. As Sam and Castiel crawl to their feet, Harrington unwisely crows over this, that she is like him. Sunny angrily tells him that she is “nothing like you. You hurt innocent people. You wanna be happy? Then BE HAPPY!”

She gestures and her father slumps down as if he’s had a stroke. Castiel confirms that Harrington is locked inside his own mind, happy but unable to “hurt anyone ever again.”

“Good,” Sunny says.

Back at the Bunker, Dean asks Jack how the snake is. Jack says he’s not sure, because the snake is “guarded.” (Again with the Dean parallels.) As Sam and Castiel come back in, Dean asks them how Arkansas was. It quickly becomes clear that Castiel already filled him in, much to Sam’s embarrassment. Not even Dean noting, rather clinically, that Sam seemed genuinely happy for a short time, helps with that.

But after Castiel leaves the room to go see Jack, Sam does open up about why he’s been hunting so much. He hates being in the Bunker right now because he keeps seeing the dead Hunters everywhere inside it. Sam admits that he has to “stop running” and that he just “needs some time.” Dean agrees.

Okay, hang on. Which brother just had a raging archangel inside his head? For months?

In his room, Jack talks to the snake. He mentions to it that Castiel said it missed its demi-god friend. He says he will help it be with its friend again, in Heaven (umm … gods don’t go to Heaven, Jack) and then turns the snake to dust. Castiel, watching from the doorway, looks pretty freaked out.

Credits

Ratings for the episode were 0.4/2 and 1.51 million, which is pretty good for the CW this spring.

The promo, sneak peek, etc. for the next episode (which is tonight) are here.

Review

Well … okay. I’ve commented before that there’s a way new writers come across in their first scripts, where they don’t seem to quite have the characters down yet, or they write the characters in a way that reflects their characterization from a specific season or storyline that decidedly isn’t the present one. Basically Spec-Scriptitis. This episode has that issue in spades.

It doesn’t help that the writer admitted on Twitter back in February that while she did binge the show for research, she put the first few seasons on in the background and didn’t pay much attention to them. This strikes me as ill-advised. Sure, the show is now in its 14th season, but it’s still got the same fundamental conflicts it had in its first three seasons.

The episode acts as though the concept of psychically talented people who can manipulate others with their minds is a brand-new concept to the Supernatural, while pillaging plot points from episodes like “Hunteri Heroici” and “American Nightmare” to an embarrassing extent. It’s as if we never had two entire seasons of Psykids (including Rosie in “Salvation,” who never was even tainted by demon blood, yet could apparently read minds), let alone nine seasons of Sam Done Come Back Wrong With Shiny Speshul Powers.

Sure, Jared Padalecki in a man bun, acting prissy, is hysterical. I’m all for Padalecki getting to break out of Sam’s stiff straight-man act and do some comedy – and yes, he’s very funny as “Justin” in this episode – but it’s only for two freakin’ scenes. That’s barely a taster. And it doesn’t explain why Sam is suddenly no longer immune to mind control when previously (with Andy in “Simon Said” and “All Hell Breaks Loose, Part 2”), he was.

Now, I’ve never made any bones about the fact that I actively loathed Sam’s Shiny Angsty Powers storyline and don’t miss it at all, but the fact remains that it happened and that background is a fundamental part of his character. If you’re gonna do psychic powers, Show, you gotta deal with the fact that Sam used to have some. I mean, the Jack’s Soul storyline brings up Sam’s soullessness, Dean’s dealing with it, and Donatello being soulless all in one episode, even though Sam’s soulless storyline lasted half a season eight seasons ago. Same thing with the Psykids storyline.

Was Sam only immune when he had demon blood? Was he only immune to Psykid powers? The episode’s only acknowledgement/explanation of these questions is to say that Castiel is immune to the mind whammy stuff (including the exploding head thing), simply because he’s “not human,”  implying that Sam isn’t immune because he is now fully human.

Yet, in the very same scene, Castiel is not immune to being TKed across a parking lot. The MOTW (just a “psychic” human bully with zero empathy for others) has powers that are wildly inconsistent and change to serve the plot. And the less said about what Harrington’s daughter ends up doing to him (aren’t they supposed to be immune to each other’s powers?), the better. I kept getting ugly flashbacks to the enthusiastic scenery chewing near the end of Star Trek‘s second pilot, “Where No Man Has Gone Before.”

It’s too bad, because there are elements in here (creepy Stepford town, exploding heads) from horror films of the 70s and 80s that could have been good, with better writing. But the writing just isn’t there. The A plot/B plot structure, while necessary, dragged the pacing down to a crawl and rendered everything paper-thin (and the  Dean&Jack storyline with Donatello was completely linear, including the “surprise twist” at the end). As soon as some suspense began to build, that part of the story ended, yet it seemed to take forever to get anywhere in the first place. I kept stopping and starting again with the recap because frankly, I was bored. Nice premise, terrible execution.

Also, the timing of this episode was dire. I was saying on Twitter that this is the part of the season where the dodgier and less-polished scripts come home to roost (“Family Remains,” “Criss Angel Is a Douchebag,” “Unforgiven,” “#Thinman,” like that). How that will affect the season finale when the season is now three episodes shorter should be … uh … interesting.

But anyhoo, that’s not what I mean by the episode’s timing. I mean that an MOTW focusing on Sam is all very good, and an episode where Sam and Castiel go off on a hunt together as the A story is fine, too – but not right after an episode that resolved a major mytharc plot for Dean. Or, should I say, didn’t resolve it and left it dangling like a hangman’s rope in a hurricane.

The episode focused about two-thirds of the time on Sam’s mainpain and PTSD over losing his Hunter crew, with the other third focusing on Jack and the tedious angst over whether or not he still has a soul.

Dean’s having just been possessed by a wily and terrifying archangel who already “left” him and outsmarted TWF 2.0 once, or even Billie’s death books for Dean, doesn’t so much as get a look-in. Nary a mention of the new canon, constructed with excruciating care this season, about Nick’s post-archangel-possession PTSD and how it turned him into a psychopath. Hell, we get more mention of and concern over Rowena’s brief possession by Michael than of Dean’s. Writing-wise, that’s embarrassingly bad.

Look, I get that this is an MOTW and that it’s meant to be lighter in tone than the previous mytharc. Fair enough. But this show has a very ugly history of dropping Dean storylines like a hot rock to focus on Sam mangst and this is precisely what this week’s episode appears to do. It’s irritating and unsatisfying, and no amount of Dean acting terrified of snakes and mice (however entertaining that is) makes up for that. And it’s not as though we get much of that, anyway.

Yes, Sam has had less story time of late than Dean (with all the focus on Dean!Michael), but that’s no excuse for ignoring basic storytelling logic. Wrap things up for a bit with Dean and Michael, and then do an episode about Sam and his PTSD.

As for Jack, as I said last week, SuperPowered Sorta-Immortal Jack is easily my least favorite version of him. I don’t care about this plot. I don’t care about the concern over his depleted soul. I just don’t care. It’s boring and ridiculous. Move the hell on, Show.

I rolled my eyes when Donatello was talking about how Jack was “probably” the most powerful being in the universe. Really? Donatello had his soul sucked out by Amara. He knows for a cold, hard fact that she literally contains multitudes. It is way out of character for him to perceive anyone but her as the most powerful being in the universe.

As for the meta perception of the audience, we already know for a fact that Jack is no match for the Empty entity, period, and I’m sure Death would like a word, as well. Plus, the SPNverse can’t exist without Chuck and Amara alive and in balance, so yeah, they’re more important and powerful than Jack.

As for his immortality, pretty sure any being the SPNverse has been trundling along perfectly well without for 14 billion years can be killed off simply and easily. Add in the fact that Jack, bless his heart, could probably be outwitted by a kitten and you have a character who decidedly is not the most powerful being in the SPNverse, and likely isn’t even close.

Finally, let’s talk about the snake. I’m not real happy about the snake. I figured that little cutie would either be killed off or relegated to some unseen plot corner of the Bunker at some point, but as I have said in the past, killing animals is one of my least-favorite (if not my least-favorite) horror tropes. It’s a cheap and unearned way to get some bathos and early Ominous Foreshadowing without taking the time and trouble to create a human character, instead. That’s precisely how it comes off here.

It doesn’t help that Jack’s premise that killing the snake will send it to Heaven (entirely probable in light of “Dog Dean Afternoon”) to reunite it with its owner is flawed. Pagan gods don’t go to Heaven. We don’t know if they go to the Empty, simply evaporate, or even end up in Hell or Purgatory, but they don’t go to Heaven. So, killing the snake and sending it to Heaven won’t reunite it with its owner, even if it were sad about his death, which seems pretty unlikely. Seems more likely it’s sad about the horrendous care for it in this episode (bacon, Dean? Really?).

A big problem is what the snake’s death is foreshadowing. Yes, obviously, it’s about Jack’s inability to tell right from wrong and to mistake mercy for cruelty, and so on. But it also seems to be foreshadowing Jack threatening or “mercy”-killing someone specific. Sam’s mangst seems to make him a candidate, at least on the surface, but Sam is nowhere near the snake plot this week and neither is Castiel.

Of the two who are nearby, there’s Dean, who’s left to mind the snake at times (and seems to be the only person who cares about it besides Jack, despite being terrified of it and having been severely injured by its previous owner). And then there’s Donatello.

Dean should be quite traumatized, considering he was in a coma with a major head injury last week and was keeping Michael locked inside his mind for at least a month. Unfortunately, aside from his phobias, Dean seems about the same as before, perhaps too calm and concerned about everyone else, really.

Then there’s Donatello. Is Donatello sad? Hard to say. He doesn’t have a soul, and it makes him creepy and dark under the bright surface. But sad? He himself claims he isn’t, that he isn’t any more capable of sadness than of empathy. Worse, if, say, Jack killed him now, that version of Donatello would be gone forever. The part of Donatello that was capable of having memories after death is now inside Amara, wherever she is. The body and brain we have now will most likely just pop out of existence like a soap bubble once they die.

So, does it seem likely, at least at first glance, that Jack will kill, or try to kill, Donatello? Yeah. Jensen Ackles said at a recent con that the Brothers would experience a loss toward the end of the season and that it would “hurt.” Of course, with this show, that’s like saying water is wet. They experience at least one major loss every season. And it could easily be another character, like Mary or alt-Bobby. Or it could be the Brothers have already experienced that loss with the death of the Hunters last week.

But the problem with this in terms of foreshadowing is that Donatello doesn’t have any contact with the snake in the episode. He never even “meets” it. Dean is the only other character besides Jack who has contact with the snake and the recap at the beginning of the episode tells us explicitly why he might be the human analogue for it (even to the point of “missing” his “master”). One could argue that Nick is more likely to miss Lucifer riding him than Dean ever would miss Michael, but Nick doesn’t get so much as a mention in this episode. Then again, we don’t know what kind of damage Michael left behind in Dean, since the episode makes no effort whatsoever to Show or Tell us.

So, either the foreshadowing for Jack trying to mercy-kill Dean is extremely anemic, or it’s missing critical pieces for Jack trying to mercy-kill someone else. The snake’s killing is obvious foreshadowing for something, but this episode did a terrible job of hinting what that might be.


The Kripke Years

Season 1

Season 2

Season 3

Season 4

Season 5

The Gamble Years

Season 6 (with Kripke)

Season 7

The Carver Years

Season 8

Season 9

Season 10

Season 11

The Dabb Years

Season 12

Season 13

Season 14


Like this column? You can help keep it going by contributing monthly via Patreon (which includes perks), making a one-time donation through Paypal, or buying us a coffee.


The Official Supernatural: “Ouroboros” (14.14) Live Recap Thread


We need your help!

Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee. You can still find my reviews here of North Carolina ghost story books, and notes about my folklore research on Patreon.

My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through Amazon. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.

A friend and fellow saltgunner, Mandi Gordon, is still trying to do a GoFundMe to get out of a tough situation following her grandmother’s death. Even if you can’t contribute, please consider sharing the link where appropriate. Thanks.

Scroll down to find links to all of my recaps and reviews of all seasons up to this point.

Recap of Dean and Michael, and Jack’s boring lost-powers storyline.

Cut to Now. As a French pop song plays on the soundtrack, a man in Raton, NM is cutting up vegetables. He has a dead man, chest staked open, on his kitchen counter. He takes out the man’s liver, breads it, and fries it. There’s a snake (poisonous?) next to the dead man’s head. The cook picks up the snake, commenting that perhaps they can have a nice meal “undisturbed,” this night.

The dead man’s eyes are wide open. This makes things convenient for the man who killed him, as the cook plucks out of dead man’s eyes and pops it into his mouth. As his eyes turn to snake-like slits, he has a vision, in green, of Sam and Dean coming into the house, guns drawn.

He comments, “They’re coming again.” I presume he means Hunters, since there’s no evidence yet that he has crossed paths with the Brothers (let alone any explanation why he survived the encounter). Plucking out the dead man’s other eyeball (“a snack for later”), he slings the snake, called “Felix,” around his neck, puts on his coat, and goes out. We get a final shot of the dead man’s face, now with empty eye sockets.

Cue title cards.

Back to the nice house in New Mexico, where dinner is starting to burn. We see Sam and Dean enter the house in exactly the same way as the cook saw them. What he didn’t see was Castiel and Jack come in behind them. So, he’s not quite as smart as he thought he was. If they catch up to him.

Dean goes upstairs. Castiel and Jack go into the kitchen. Castiel groans at seeing the body and puts his fingers to its forehead for some reason. Jack looks at the dishes on the stove. He says, “He’s cooking body parts … again.”

Subsequent conversation as everyone gathers in the kitchen indicates that, indeed, the cook was referring to them previously. Seems they’ve been hunting him for a while and can’t figure out why he’s always one step ahead of them. Or why his victims never fight back, even though the latest one seems to have been still alive when the cook started slicing and dicing. The dead man’s name is Dennis Barron and it’s his house.

Dean guesses they’re dealing with witchcraft. In comes none other than Rowena, grumping that Dean is “always blaming witches.”

Dean: ‘Cause a lot of times, it’s witches!

He’s got a point, Rowena.

It turns out that Rowena was in the general locality when the rest of TFW 2.0 (oh, come on, people, she’s totally a card-carrying member now) called her up and asked her for help with a tracking spell. They’ve been hunting the cook “for weeks” and Rowena points out that her spell has gotten them closer than before, even if they just missed the guy.

Even so, they have no new clues until Jack picks up a snake cast the cook had previously stepped over and apparently forgotten. Dean comments that the cook may have a snake as a pet.

When Jack starts coughing, everyone stops and looks at him in concern. Jack insists he’s not dying. No one looks particularly convinced. Frankly, I’m more concerned about Dean being out on a hunt, looking for a killer who’s already claimed at least six victims in northern New Mexico. Dean’s on a psychological knife’s edge keeping Michael locked inside his head. Why, oh, why, is he out hunting?

Rowena, notes the blackened lips of the dead man (she hadn’t yet been at one of the crime scenes). Sam says there are also gray patches on the face. Dean snarks that they were concentrating on cannibalism and missing eyes.

Rowena does seem to love fight-flirting with Dean. I wonder if he realizes it? Oh, who am I kidding? It’s Dean. Of course he does.

Back at the motel, Rowena probes Sam on how Jack is not dying (since that was how he was last time she saw him) and how Dean is managing to keep Michael locked up. Sam hedges (saying, for example, that “Dean is Dean” and everything is hunky-dory until they find another way to trap or kill Michael) and tells her they need to get back down to the business of researching their hunt.

At a nearby diner, Dean is admitting to Castiel (which whom she’d been flirting at the crime scene) he’s glad Rowena’s also on the case. Cue the sneak peek in which Castiel asks Dean how he’s really doing. Let’s just say Dean is having a lot of migraines and it’s very distracting. Dean admits that he’s hanging on by his fingernails and barely sleeping. Castiel calls that not “sustainable.” Dean agrees and forces a promise out of Castiel to put Dean in the Malak Box and drop it in the ocean, if it comes to it.

Oh, and Jack is in the bathroom, coughing up blood again. He uses his soul energy to heal himself, which I’m sure will not end well. Oh, I so did not miss this dumb storyline.

When Jack comes back, Dean puts his mask back on and they get back to the case. Castiel calls the murders they’re tracking “ritualistic” and “liturgical.” When Dean and Jack exchange a glance, and Jack gets his usual deer-in-headlights look, an exasperated Castiel says, “It means ‘religious.'”

“Ah,” Dean says. “Yeah. See, that one I knew.”

Castiel speculates that it may not be a monster. It may be a human serial killer. Jack points out that anyone who would do the crimes they’re tracking is a monster, regardless of their species. Dean agrees.

They get a call that Sam and Rowena are on to something and head back to the motel. There, Dean gets a turn at confusing Jack, calling Sam’s infodump “an AV Club presentation.”

I gotta say that Ackles is nailing Dean’s world-weary, insomniac, I’ve-got-a-headache-the-size-of-an-archangel attitude very well this week. He’s a hoot and you just know something’s very wrong underneath.

So, Sam and Rowena have identified the monster as a Gorgon. Dean recognizes the name and cites Medusa. Rowena looks a bit shocked at this flash of erudition and Dean says he got it from the film, Clash of the Titans, which deflates her a bit. Whether that’s Dean practicing his usual self-deprecating sleight-of-hand about his education, who knows? Anyhoo, he easily infodumps the myth about the Gorgon’s look turning humans to stone. Rowena says this is an exaggeration. What Gorgons actually do is use snake venom to paralyze their victims and then eat them. And they like to go on killing-and-eating sprees every few months. This one has been cutting a swath of 17 people across the southern U.S., roughly along the old Route 66.

This brings up the issue of how the Gorgon keeps eluding them. Rowena mentions an obscure bit of lore that the Gorgon, by eating pieces of its victim, “can glimpse the future.” How are they going to catch a creature that can literally see them coming? No one has an idea.

Meanwhile, the Gorgon is stalking his next victim, a trucker, by pretending to be a desperate and hungry hitchhiker (well, he’s hungry, anyway) who’s willing to do anything to get a ride. Yes, that includes giving the trucker a BJ. But once they get in the truck, he instead starts with a kiss on the lips. When the trucker starts to get impatient about how that wasn’t what he had in mind, he becomes paralyzed in mid-word. There was venom on the Gorgon’s lips.

Pleasantly telling him it’s going to hurt, since it takes a while for the venom to make people numb, the Gorgon plucks one of the trucker’s eyes out and eats it.

This is one of those watch-through-your-fingers scenes at which Supernatural has long excelled. You know the trucker’s doomed, but he doesn’t – until it’s too late. And now we know the Gorgon’s modus operandi.

The next day, Dean and Castiel are at the truck, pretending to be FBI, talking to a young police officer, about the case. The trucker is inside, missing both eyes and, of course, dead.

After a nervous case of the giggles dies down, the policeman shares with them an important bit of information. There was a note on the body. It’s addressed to Dean. Dean manages to get it from the officer, who leaves, and read it out loud to Castiel.

The Gorgon says he sees Dean reading the note, alone, beside the truck, and talks about other fragments involving Dean, Sam and Rowena. But he never mentions Castiel or Jack. Sam realizes that they have an in. The Gorgon can’t see angels. They can use Rowena’s spell to track him and then Castiel and Jack can trap him.

Okay … but … Dean has an archangel inside him. How can the Gorgon see him? It’s a plothole, but there you go.

Meanwhile, Rowena says she should whip up an antidote to the Gorgon’s poison, just in case. And she has an idea about how to get the antivenin. She says, with an evil smile. Hmm.

Cut to a vet’s office. Rowena and Sam rush in, Sam holding a fluffy little dog. They claim that the dog is sick and ask for immediate help. They get the vet to take the dog right away by playing a bickering couple. They call him “Jack.”

The vet (well, vet tech) takes the pup into the back, takes his temperature by sticking a thermometer up his butt, and then leaves him on the table to go talk to the “loving” couple. Vets don’t just leave animals like that, but hey, this is a show that sits people up who are bleeding to death so they can do dying monologues. And has male Gorgons. Moving along.

When she goes back out to the waiting room, Sam and Rowena are gone (what, they wouldn’t even stick around to provide a distraction?). In the exam room, the dog turns into Jack, who fishes through the nearby medical shelf until he finds antivenin. When the vet tech comes back to the exam room, the dog is also gone.

Outside, Jack comments that he wishes he’d got the stuff before she’d taken his temperature and gets in the car. After a mutual double-take, Rowena quizzes Sam about Jack’s current condition. Mentioning in passing the transformation spell she did to turn Jack into a dog, she says she noticed some kind of energy “pushing back” against her, something parasitic. Now adjudging herself beyond curious and into “worried,” she demands Sam tell her what’s up.

When Sam hedges some more, she points out that using “mysterious” magic with unknown consequences is “a very on-brand me thing to do” and then further points out that “until very recently, I was the villain.” Ah, Rowena, how I love your willingness to call Sam a hypocrite.

Meanwhile, the Gorgon is monologuing to his snake and his latest victim, who’s tied up and crying in his condo. The Gorgon says he picks on men because women have become much more “cautious” of late. He also suggests that the man is hallucinating, which makes me kinda wonder if this is all in Dean’s head, or something. The man starts screaming for help, so the Gorgon paralyzes him and goes looking for the oven.

Meanwhile, Sam is checking in with Maggie (ugh). She infodumps about how the Gorgon can only be killed by beheading with a silver sword. Also, Mary is on her way back from a case in Oregon.

I just realized why the Gorgon guy looks “familiar.” They’re doing the Andrew Cunanan murder spree, hence all the gay predator vibes and the reference earlier in the episode to human monsters. I’m kinda eh about this idea. I’m not sure TV needs any more gay killer stereotypes.

Anyhoo, Sam thanks Maggie for all her help (oops, Redshirt Clean-up on Aisle 3 alert) and hangs up. He relays the info about the silver sword to the rest of TFW as Rowena wraps up her location spell and tells them the Gorgon is nearby, not moving. Dean wonders if they need to worry about “things” coming out of the Gorgon’s neck once they cut off his head. Sam scoffs that this is movie exaggeration, but legend actually has Pegasus and Chrysaor, among other things, springing out (you remember Chrysaor, right? The golden sword from last episode?). Also, as Dean wisely points out, “We can’t be sure.”

Anyhoo, when the Gorgon hears the doorbell, he tells the man he was previously torturing (who is either unconscious or dead), “I’m expecting anyone – are you?” Castiel kicks down one door and when the Gorgon tries to run, Jack appears in the other one.

The Gorgon chuckles and claims it’s not fair: “You’re not human.”

“And you’re a monster,” Jack says.

“Demigod, actually,” the Gorgon corrects him, while putting his snake in his satchel, which, strictly speaking, is true. I was wondering if the show would even remember that. The Gorgon further states that while he didn’t see him coming, he can “see” Jack now.

Anyhoo, while Castiel checks the Gorgon’s victim and gives him the antidote, the Gorgon tells Jack a story. Castiel helps the man out of harm’s way (so, yeah, he was unconscious, not dead). Meanwhile, the Gorgon says there was once a chicken whose eggs were constantly being eaten by a snake. Finally, there was only one egg left, but the snake got that, too. Unfortunately, for the snake, though the chicken had guarded the egg well, it was really a trap. The chicken had hard-boiled it and the snake choked to death.

When Castiel growls at him to get to the point, the Gorgon says, “I can’t tell if he’s the chicken or the snake.”

Castiel attacks the Gorgon and, after a brief fight, gets “kissed” and collapses. Furious, Jack blindly attacks the Gorgon and gets slammed into a cabinet. When the Brothers come in, the Gorgon only acknowledges Dean: “Hello, Dean. Wish I could say it’s a pleasure to meet you.”

Because TV fights are usually stupid, Sam attacks first (everybody really should just pile on the monster) and gets knocked down. Dean attacks and does best of all, nearly beating the Gorgon. But the Gorgon gets the drop on him and slams him into a cabinet – twice. Really hard. Dean goes down, unconscious.

Sam cries out in horror and attacks the Gorgon, but gets knocked flying. The Gorgon then grabs his bag and heads out into the hallway … where Jack slices off his head out of nowhere. Bye-bye Gorgon.

Jack rushes to Castiel, while Sam rushes to Dean. Jack tries the antidote out on Castiel (Castiel had it in his coat pocket), but it doesn’t appear to work. So, Jack uses his soul power to heal Castiel. This is quite stupid. If the poison actually worked on Castiel (why would it work on an angel?), the antidote should, too.

Meanwhile, Sam is discovering that Dean is in a deep coma and not coming out of it. TFW 2.0 rushes back to the Bunker, where Maggie asks if Dean is okay. Sam says no, that Dean has a head injury. For once, I can kinda understand Maggie’s confusion – the Brothers get knocked out all the time, often for hours.

Castiel can’t heal Dean because he supposedly can’t even get inside Dean’s head (yes, well, having an archangel inside does that). Jack offers to heal Dean the way he healed Castiel, but Castiel forbids it. Castiel says Jack has already burned off too much of his soul, already. I’m wondering why this didn’t come up on the hours-long car ride back. Crestfallen, Jack leaves the room.

Rowena sees Jack leave, but has nothing to offer save advice about washing Dean’s wounds (and a warning to Sam about how Jack is currently sustaining himself, now she realizes what it is). Really? Most powerful witch in the world and no healing spells? How about at least taking Dean to the hospital? They could treat him there.

Of course, Dean is unlikely to die any time soon with an archangel inside him, but more importantly, with Dean unconscious, what is that archangel doing? Maybe TFW should slap some angel cuffs on Dean just in case? But nope. Doesn’t occur to anyone. Not even when Dean convulses – and we get a flash of Michael beating on the inside of his cage – does Sam buy a clue.

While Rowena does research (they kept the Gorgon’s snake, by the way, and yes, it’s cute), Jack sits in his room and mopes. Castiel comes in to cheer him up. Jack is really shocked that Dean is so badly hurt: “It’s Dean. It was just a fight.” Castiel points out there’s always a “risk” when they go on hunts. Which brings us back to why the hell was Dean out hunting with Michael in his head, when there was a houseful of Hunters who could have been out there in his place? But nobody asks this pertinent question.

Castiel says that Sam and Dean are human, mortal, and that even the “brightest beings,” while they “burn bright,” they are gone before their time. Castiel says that Dean will wake up (ignoring Jack’s concern about Michael if Dean doesn’t) and then it’s best to appreciate the time everyone has together.

Jack wonders what the point is of being a “cosmic being” if everyone you love dies. Don’t worry, Jack – you’re not likely to outlive Sam and Dean. They’re the heroes of the show.

Jack mopes that he has powers, but can’t use them to help those he loves. He feels selfish. He also worries about the story the Gorgon told him (turns out he kept the snake). Castiel explains that the story is mostly about greed, but it’s also about “killing the thing you love to kill the thing you hate.”

This mopefest is interrupted by Dean screaming in the distance. Castiel and Jack rush to the infirmary to find Sam trying to calm Dean, who is pretty literally ripping the place apart, screaming “WHERE IS HE?!!” He doesn’t have his balance back, but he sure is pissed.

Sam tries to reassure Dean that he’s back in the Bunker (i.e., safe). Unsettlingly, Dean roars back, “I KNOW WHERE I AM!” He does not mean the Gorgon. Then he turns to them, looking devastated, and says five scary words: “He’s gone! Michael … he’s gone!”

We get a flash of the cage inside Dean’s head, with the door busted wide open.

Dean is horrified and at first, blames himself. But when Castiel tries to reassure him, Dean turns on a dime to pure rage at Sam: “I told you! I told you to let me take that coffin ride to the bottom of the ocean!” And yeah, he’s not wrong.

Alas, there’s no time for anyone to absorb that, as a scream of terror from another part of the Bunker alerts them just how wrong Dean is not. It’s Maggie. They rush to the library, where everyone is dead except for Maggie. She comes running to them, but is remote-smote (Michael’s signature power) right in front of Sam.

Out strolls Rowena, with blood on her neck. She says, “Hello, boys” and her eyes glow white. Michael.

Dean calls out Michael in his new vessel and Castiel tries to order Michael to let Rowena go. Michael snarks that Rowena is just fine, “sturdier than she looks,” and speculates that all the centuries of magic have made her a pretty strong vessel. Michael then monologues about why Rowena said yes (after an odd bit to Dean about how he must “appreciate” Michael’s choice of a new vessel in Rowena). It turned out Michael (played by Ackles inside Rowena’s head) threatened to kill everyone she loved in the Bunker if she didn’t say yes – well, after threatening to kill her, to which she laughed and said Sam was fated to do that. Yeah, we already kinda knew Rowena had a soft spot for the rest of TFW 2.0, but in the rest of this hot mess of an episode, the writers choose to drive this particular point home. I will admit, though, that I enjoyed Ruth Connell’s take on Michael.

Michael then says, “I had no intention of keeping my word, but I think she knew that.”

When Michael snarks that Dean should have done the Malak Box “while he had the chance,” Dean tells Sam to get the angel cuffs. Obviously, Michael doesn’t let them do that. He/she immobilizes and tortures Dean, Sam and Castiel (but ignores Jack for some reason). Jack then grabs an angel sword and calls out Michael.

Michael zaps Jack. Jack’s eyes glow and he zaps her back, releasing the rest of TFW 2.0. Michael shrugs that Jack is burning off his soul and it will be gone soon enough. There’s some lame zapping back and forth, bragging from Michael, and speechifying from Jack (in comparison, that dodgy wirework from last season’s finale is Emmy-award-winning), before Jack grabs Rowena and expels Michael from her. Then he apparently reduces the glowing light of Michael and his grace to a tiny stream that he inhales.

Then he turns around and declares he’s “me again” as his eyes glow.

Credits

Ratings for this week went down a bit to a 0.4/2 and 1.28 million (which may be a series low for audience). Even so, it came in second in audience and tied for second (with Supergirl) for demo this week. Go figure.

The promo for next week is up.

Review

So, that happened.

This show, bless its heart, has had a talent over the years for reinventing itself. Part of that, of course, stems from the show, at its core, being a meta commentary on the horror genre. As horror has changed, so has Supernatural. The other part has been its being a hybrid procedural, in which it had MOTW episodes and serialized episodes and ones in between.

Unfortunately, the thing with experiments is that they don’t all work. I don’t even know if this episode was intended to be an experiment, but damn, did it not work.

Were there enjoyable parts of the episode? Absolutely. Dean and Castiel’s cheerfully dysfunctional parenting of Jack while on the hunt was hysterical and it looks as though the show’s finally decided to make its MOTWs scary again. It wasn’t a total cringefest along the lines of “Bitten” or “Bloodlines.” The episode was still recognizably Supernatural. It was just an episode with some really serious plotting and canon issues.

Let’s start with the ending. I’d have called it a cliffhanger ending if next week didn’t look like a “normal” MOTW. Then again, this week was advertised as one, too, so there you go.

Jack … oh, dear. I actually quite like Jack, but I like very specific things about Jack. I like him when he is a member of the family (similarly, I like Rowena best when she’s a part of TFW and not so much when she’s a villain). That’s where Alexander Calvert’s bro chemistry with the rest of the main/recurring cast shines through. Jack as a budding Hunter, as someone who is learning how to love and how to strategize and how to navigate the world – in other words, Jack with character growth and a learning curve? I like that Jack.

Jack with superpowers I don’t like at all. And I really hate the incessant banging away at his cosmic beingness at the exact same time we get the “Jack is dying” plot. He’s not Schrodinger’s Naphil, show. Make up your damned minds. Either he’s dying or he’s immortal. He can’t be both.

The other problem is that Jack is sweet, but he’s dumb. I mean, I get why. He’s a baby. But the kid is less than two years old. Kumquats can still outwit him at this point. Look how easily Lucifer took him down and yet, here he is again, thinking he can just use powers to solve every problem. Because that’s worked out so well so far.

It is therefore quite insulting (on top of having Jack steal Dean’s storyline and all the canon carnage it entails, but one disaster at a time) and unsatisfying to have Jack kill Michael just like that. In fact, I don’t actually buy that Jack has killed Michael.

Yes, Jack with his powers is impressive, but on top of having cosmic powers, Michael is also old and wise and cunning. I’ve seen fans speculate that Michael got cocky and arrogant and eh, I don’t see it. Not with Jack, anyway. Michael’s been plenty arrogant with Dean, and it’s gotten him into plenty of trouble with his Chosen Sword, but he was still nigh-impossible to beat. He was one step ahead of everyone, nearly at all times.

If this character had been named “Lucifer” or “Crowley,” would we have believed he was truly dead? Oh, hell, no. So, it’s ridiculous to think that Michael is. And yet, the way the show has been with this character, I wouldn’t be very surprised if this really were the end for Michael. They’ve wasted this character so, so much.

The other thing that has me rolling my eyes (while simultaneously making me very suspicious) is that the last time Jack tried to restart his powers with archangel grace, it nearly killed him. Now, it just worked? Hmm. Hence that cliffhanger feel.

Speaking of dumb, damn, Sam, that Idiot Ball looked heavy this week (poor Castiel, despite getting pwned by the MOTW, still looked like a genius in comparison). The episode toyed a bit with the fact that none of this would have happened if Sam had backed Dean with the Malak Box. Or at least brought angel cuffs with them on hunts in case Dean lost consciousness or otherwise lost control (or even used them in the infirmary, jeez, Sam). The box option was tragic, but it was a sure thing, a sure way to save the world. But Sam had to have his world-saving cake and his brother, too, and just as Dean warned him, Michael got out.

Well, unless Jack resurrects them next week, I guess we don’t have to deal with the Sam-as-Hunter-Central storyline, anymore. Seeing as how they’re all dead (including Maggie – yay) and it’s Sam’s fault.

Or are they? There were various references inside the story itself to hallucinations and things not being as they seemed. For a start, this is the same writer who gave us this scene a mere four episodes ago:

Let’s all keep in mind that not once does Billie actually say Michael will kill Dean (and by the way, Rowena’s able to call Michael’s first bluff because of similar info Billie gave her). She says that Michael will escape his mind and use him as a vessel to burn the world, unless he goes into the box. Dean, as I pointed out at the time, will be immortal. He just will experience what Michael threatened Rowena with. And by the way, Michael can’t kill Sam if Sam is invariably fated to kill Rowena, so … yeah.

Well, Michael did escape Dean’s mind, but what about the rest? Michael indicated to Rowena that he had lost interest in Dean as his vessel. This … doesn’t pass the sniff test. It’s basically Michael admitting defeat with a mere human and Michael never does that. If the door’s closed, he finds a window, but he doesn’t just give up.

Also, if Michael was able to escape the cage inside Dean’s mind, that should have meant he could retake control of Dean’s body at that point. Why didn’t he? Dean wasn’t restrained in any way that Michael couldn’t deal with (no angel cuffs). Hell, even if we go along with the idea that he possessed Rowena, no way would he kill Dean that quickly. He’d kill everyone else slowly and make Dean watch. And it makes no sense whatsoever that Michael wouldn’t include Jack in that pain. He did at the beginning of “Nihilism.” You know, the episode written by the same writer.

I therefore have to wonder if some kind of mind-fuck is going on and if so, where we (and Dean) parted ways with the show’s reality. It makes no sense that the show, that the very same writer, would ditch carefully laid-out canon just four episodes later. In context with what we were explicitly told and shown four episodes ago, Jack killing Michael (or even successfully exorcising him) makes no sense whatsoever. Admittedly, this is a show that has ditched canon like a prom dress at an after hours party, but generally, it occurs at least half a season later and under different writer management.

But all this being some elaborate Michael plan to get Dean back under his thumb? That makes sense to me. Granted, it doesn’t make the plotting (especially the inconsistent and sometimes nonexistent foreshadowing and subtext) in this episode any better. But at least it tracks for the general storyline. I don’t get using the term “Ouroboros” (a symbol of a serpent eating its own tail, which represents eternity) for Jack getting his powers back. I do get it for Michael trying once again to “tame” his chosen vessel.

Finally, let’s talk about the MOTW. The actor, Philippe Bowgen (as the Gorgon, Noah Ophis), did a good job getting the creep across.  And the general idea of the Brothers chasing a killer over several weeks and several states, never quite sure if they’re even chasing something supernatural, was intriguing. Even though I had issues with the writing for him (all that endless monologuing, ugh, and then he gets killed off just like that, after delivering a weird story), and was skeptical of the gay predator angle, Bowgen sold it well, I thought.

At first, I wasn’t impressed by the idea that this MOTW could be so dangerous a fighter once cornered. The Gorgon is clearly a lowlife. There’s really no reason to run if he’s not afraid of the Hunters chasing him. Also, his focus on Dean was really strange.

Then I remembered the Djinn we had this season (“Nightmare Logic”). You remember him – Michael’s creature? Michael’s enhanced creature? What if Michael wasn’t just experimenting on monsters, but on demigods, as well? I suppose it’s possible the pagan gods will make a reappearance, more powerful than before, thanks to Michael’s tinkering. But that may just be wishful thinking.

Anyhoo, this is one of those episodes where the foreshadowing/subtext/whatever needed to be a whole lot clearer. I mean, if you’re going to have a Gorgon this week and mention Medusa, you really should also mention that you had a sword connected  to Medusa last week, because absolutely will the audience remember that.

I felt as though there was a lot of handwaving about the snake-and-chicken storyline, while things like the Gorgon’s strangely formidable defense and obsession with Dean (not to mention his just throwing everyone else about while intentionally knocking Dean out). I feel as though this storyline is like the Ghost!Bobby one in season seven, where it will get muddied and dragged out so long that by the time we find out what the hell is going on (or even that something is going on), we’ll be so irritated that it won’t feel satisfying.

But hey, maybe this will all make sense by the end of the season. I just hope it makes sense because it doesn’t suck.


The Kripke Years

Season 1

Season 2

Season 3

Season 4

Season 5

The Gamble Years

Season 6 (with Kripke)

Season 7

The Carver Years

Season 8

Season 9

Season 10

Season 11

The Dabb Years

Season 12

Season 13

Season 14


Like this column? You can help keep it going by contributing monthly via Patreon (which includes perks), making a one-time donation through Paypal, or buying us a coffee.