The Official “The Bad Place” (13.09 – pre-Christmas finale) Live Recap Thread


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My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through  Amazon. The print version is also up, though the cover’s needing a little tweaking right now. I’ve ordered a copy for a final galley proof to make any changes that don’t show up online (KDP doesn’t let you do that before the book goes live because KDP works for Satan).

Anyhoo, we start off with a standard recap of the season so far with some very lame generic guitar music. It’s pretty boring. This is the Nepotism Duo on again tonight, so I’m expecting to be bored and hoping not to be (too) offended. But I’m trying to keep my expectations low.

Cut to Now and a blonde white girl necking with a stereotypically long-haired Native American guy (oops, so much for avoiding offense; I can see this going ugly in a hurry), as they discuss his latest painting, her needing to go to work, and his latest client.

It turns out said client is Jack.

After the woman leaves, Jack starts asking the guy about his ability to dreamwalk to other worlds (basically, spirit travel). Jack makes it sound unique, never mind that Dean spirit travels rather frequently and as late as a few episodes ago.

But nope, the Nep Duo are in full-on white condescension mode and have Jack go on and on about the guy’s abilities in that Mystical Native American New Age stuff that many Native Americans actually quite hate.

Jack adds insult to injury by offering the guy money. Anyhoo, the guy is two months behind in his rent, so he agrees to go looking, but it goes poorly. The place he goes to is nasty and when he tries to back out, Jack uses his power to make the guy (Derek) stay and hurts him a whole lot.

Derek’s girlfriend comes home to find him dead with his eyes burned out.

Cue title cards.

Cut to Dean leaving a message with Patience, who has a conversation with her father about how she’s ignoring Dean. Sam, meanwhile, has been talking to “Castiel” (because the Nep Duo really do believe the Brothers are stupid enough to fall for low-rent Asmodeus’ trickery) and getting nothing. Then Jodie calls them and tells them about Doomed Teaser Stereotypical Native American Guy. She says Derek’s girlfriend saw Jack beforehand.

Dean recognizes Grody Alt-SPN World in one of Derek’s paintings.

In the car, Dean points out that it appears Jack has gone rogue for real and maybe they need to talk to a tribal leader to get more info. Sam deflects by saying they should talk to a young girl, another dreamwalker named Kaia, whom Derek had been corresponding with, instead. Because hey, why be culturally sensitive or leave innocents out of the fray, am I right?

Kaia, meanwhile, is in a drug support group and she has a creep for a counselor who keeps pushing her. She says that she only takes speed to keep from sleeping. The counselor continues not to get it. Yay for undercutting that whole pro-getting help message your cast is trying to send in their off-set hours, Nep Duo. Nice job. [/sarcasm]

Anyhoo, 30 seconds later, she meets Jack. Gee, I wonder if he will help her get out of the treatment center?

So, Jack cuts right to the chase and says he’s a “friend of Derek,” that she’s the most powerful dreamwalker ever, and he can get her out of stir (why do these characters always have to be the BESTEST, MOSTEST of their kind ever?). This reinforces my apprehension that the show is choosing to add on two new Wayward Sisters who are not only WoCs (fine with that) but also ridiculously overpowered with magical talents (not so fine with that). So far, it seems they will be getting the Walking Plot Device treatment that Bonnie on The Vampire Diaries got, which is not good. I’m all for the CW beginning to write young women better like … right now.

So, just as Kaia is following Jack out (I did like the way the actress played that one, so points to her for that), we see the Impala drive up. Sam infodumps to Dean – as they get out of the car – that Kaia is an orphan. She never knew Daddy and Mom died when she was 12 (what is this show’s creepy obsession with having girl characters hit the streets in their preteens?). An aunt took her in, but died of cancer. So, Kaia’s been on her own ever since because, like, this country doesn’t have any kind of foster care system, or anything. [rolls eyes]

Also, I don’t quite know why Sam is As You Know, Dean-ing as they get out of the car when they had an entire trip to get up to speed on Kaia.

So, Kaia’s jailbreak is not entirely without incident. As they’re walking out, they encounter her jerk of a counselor. Jack rather forcefully puts him to sleep and then literally busts through a locked emergency door that, oddly enough, doesn’t sound an alarm. As he puts it to Kaia, “You’re not the only one with powers.”

Kaia chooses to respond to this, once they’re outside, by casually saying sayonara and then punching him in the face and running away when he objects (and grabs her arm). This strikes me as a really stupid thing to do with someone you’ve just seen act extremely powerful and lowers my estimation of her after my previous lukewarm response. Especially since the only reason she gets away from him is because the Brothers bust out through the same door at that moment and grab Jack.

Talking ensues in which Jack explains that he left Derek alive and that he found Derek after doing research and experimenting with his powers – he can travel between worlds, but he can’t navigate very well. They both traveled to Grody Alt-SPN World, where Jack saw Mary being tortured in a sort of Iron Maiden device and yelling for help, but Derek wasn’t quite strong enough to let Jack go there and rescue her.

After Jack shows the Brothers what he saw, he and Sam have a clinical infodumpy conversation in the background while a shocked Dean has his entire season’s purpose realigned – now that he knows for sure she’s alive and in trouble, he’s gonna save Mom.

Meanwhile, Kaia, a girl who supposedly has been on her own for years, promptly gets kidnapped by angels in a dodgy old station wagon while hitchhiking. [sigh] The stupid is strong with this character.

I really hate these incessant Riverdale and Dynasty commercials.

Back to Patience, who is having Yet Another Vision of Jodie (in the middle of traffic, no less) dying, and of the Brothers someplace dark. Nothing really new there, then, but it’s enough to get her off her tail and trying to contact Dean.

Over to Kaia, tied up in a warehouse and being Evil Overlord Monologued by the angels about how they tortured and killed Derek (lest the Brothers get involved because surely, that wouldn’t alert Sam and Dean – oh, wait), that he’s the son of Lucifer, and that they’re using Kaia as bait.

Remember when angels weren’t stupid? I kinda miss those days. The wings bit, too.

Driving this home (literally, in fact), the Brothers are in the Impala with Jack in the backseat, trying to find Kaia. Dean is now obsessed with rescuing Mary and says that Sam was right. Sam at least has enough motherwit to admit that he was willing to bust open worlds on “hope” rather than certainty, but they’re both on the same page about going to get her.

Jack … is moping that they thought he killed Derek. Even though his incidental and accidental body count is actually rather high. Am quite tired of this. Suck it up, Jack. You’re a killer. Move on.

Sam starts to waffle, but Dean cuts straight to the point – they thought Jack went to find Lucifer. Jack protests that Lucifer means nothing to him and that TFW are his family (Dean agrees, including Mary in the circle). Watch out for those foreshadowing anvils, folks. They’re awfully dense this season.

Welp, the plot still needs to move along. Jack gets a message through Angel Radio that they have Kaia.

Chez Patience, she’s packing and leaving. Her dad, rather than leave the door open, gives her the John speech and tells her not to come back if she leaves because reasons. Ugh. What is it with the writing this week? So formulaic and nonsensical.

Meanwhile, Kaia is giving a rather boring speech to the woman angel about how she’s not good bait. She’s not a blonde white girl and no one will come for her because “I don’t matter.” The angel agrees with her, but says that the Winchesters think she matters, so they’ll come, the angels will kill them, and the angels will kill Jack. Because that’s worked out so well for them so far.

The Brothers and Jack show up, having grabbed the male angel. To get the ball rolling, the male angel improbably gets loose from Dean and there’s a fight. Jack, in excruciatingly slow motion (that’s a really dull effect, Show. Just saying), tosses the woman angel through a glass window, then forces the male angel, who is trying to stab Dean (Sam got knocked out, or something), to stab himself. Meanwhile, the woman angel somehow gets away.

So, Maia, inexplicably, doesn’t respond especially well to any of this. She actually wants to run off again (because that worked out so well for *her*) and calls them all “insane.”

“Yeah, well, the whole world’s insane. Get used to it,” Dean tells her. Go Dean.

Sam then goes the Savior route, saying that Kaia can help them save Mary. Kaia doesn’t want to help them, even though (as Dean points out to her) they just saved her life. Kaia is really bad at this whole reciprocity thing.

Kaia then tries the Pity route, saying that she only ever goes to one place in her dreams – The Bad Place (this is an obvious, but very spoilery reference to a certain current show). She says she comes back with scars and she doesn’t want to help them.

Dean (a guy who has seen and done far, far worse things than Kaia could even imagine) does what the audience wanted him to do all along – pulls out his gun, and tells her to get in the car. I cheer a little because as much as the show wants me to sympathize with Kaia, she’s irritating the hell out of me with her “Me, first” whining.

Anyhoo, in the car, Sam tries to talk to Dean about this new obsession of his and Dean shuts him down with Hey, you said you wanted Mom back, too. In the back, Jack asks Kaia to let him show her what he and Derek say. She reluctantly agrees and then has her world rocked.

But before we can find out if she’s on board with all this, yet, or not, the Impala nearly gets sideswiped by the old station wagon. It’s the surviving angel. A car chase ensues.

The Impala arrives at a rotting old barge on a dock for some random reason. Dean gets out and opens the trunk for a bag. He tosses it at the others and tells them to get on the boat while he plays rearguard.

The angel arrives in her, uh, station wagon.

She gets out and reiterates her intent to get Jack so he can make new babies for angels (mind you, the angels still have no plan how to deal with Jack and his powers – like, at all). Then reinforcements show up. In other crappy cars.

Dean bails and runs into the boat. The Brothers make angel sigils and the angels start blasting them from the outside. Kaia finally steps up and says she can help Jack send the four of them to another world.

BTW, we’ve got new incidental music, y’all. Don’t think we had any classic rock at all this week. Guess Jack’s FX cost too much.

So, Jack and Kaia go to the Bad Place and Jack starts showing her how to go somewhere else. He sees other worlds, then Grody Alt-SPN World and Mary. Dean yells at Jack to hurry up, but Kaia is losing the direction. She screams as her face glows. The angels are all blasted to dust and all four of TFW 2.0 vanish, leaving behind a glowing rift (I’m sure this won’t create any future problems).

Muting the Riverdale ad because ugh.

At her house, Jody is calling Sam and leaving him a message to call her. She’s worried. The doorbell rings and it’s Patience. Patience says she “had a vision,” but rather than tell Jody what it is (that Jody died. Again), she just says that “something bad is coming.”

Pan over the rotting barge (apparently, the angels are really dead) to a roadside in daytime, with Kaia lying unconscious. Then we see Mary in her cage in Grody Alt-SPN World looking down at Jack waking up on the floor. Then Dean and Sam wake up in The Bad Place and walk (unknowingly) through a Godzilla footprint while something large screeches and stomps in the near distance.

Credits. Obviously.


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Whispers, Spoilers & Speculation Corner: 12/07/17: The Pre-Hellatus Edition


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Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee.

My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle. The Kindle version is available through  Amazon. The print version is also up, though the cover’s needing a little tweaking right now. I’ve ordered a copy for a final galley proof to make any changes that don’t show up online (KDP doesn’t let you do that before the book goes live because KDP works for Satan).

You can also check out my latest anthology story, “Light a Candle, Curse the Darkness,” in Arkham Detective Agency: A Lovecraftian-Noir Tribute to C.J. Henderson.

Heather will be on hiatus for a bit. We’ll let you know when she comes back.

You can access previous spoilers columns at Innsmouth Free Press here.


Supernatural (Thursday nights, 8pm, CW)
By Paula R. Stiles

Check out my Patreon page. Help me keep this column going, pay Heather, and start doing Supernatural reviews again.

The show will return from Christmas hiatus on January 18.

My live recap for episode 13.07 is up. I will be doing the next one at 8pm Friday (tomorrow) night, EST. During the Christmas Hellatus (which starts after tonight), I’ll be catching up on my reviews for this season.

Season 13 titles so far: “Lost and Found” (13.01), synopsis and photos, promo, preview, sneak peeks, and Shaving People, Punting Things, as well as live recap and review; “The Rising Son” (13.02) synopsis and photos and promo; “Patience” (the first spinoff set-up episode) (13.03) synopsis; “The Big Empty” (13.04) synopsis, promo and official photos; “Advanced Thanatology” (13.05) synopsis, photos and promo; “Tombstone” (13.06) synopsis, promo and photos; “War of the Worlds” (13.07) synopsis photos, sneak peek and promo; “The Scorpion and the Frog” (13.08) synopsis, photos, promo and sneak peek; “The Bad Place” (13.09) (airing December 7) synopsis, photos, sneak peeks and promo; Christmas Break; “Wayward Sisters” (13.10, backdoor pilot for the spinoff, airs January 18), photos; “Various & Sundry Villains” (13.11) (previously called “The Midnight Train” and originally, the title was “Stakes on a Train,” though there also appears to have been a switch of episodes between 13.11 and 13.12); “Breakdown” (13.12) Rowena returns; “Devil’s Bargain” (13.13) written by Brad Buckner and Eugenie Ross-Leming, introducing Danneel Ackles as a faith healer blackmailed by Lucifer; “Only the Best Intentions” (13.14); “A Most Holy Man” (13.15); “ScoobyNatural” (13.16, cartoon episode, appears in March), “The Thing” (13.17); “Bring ’em Back Alive” (13.18).

Photos, two sneak peeks and a promo are up for this week’s “The Bad Place” (13.09). It’s the last episode of the year, as the show is out for Christmas until January 18.

Alexander Calvert gave a brief interview about how the question of whether or not Jack is evil or good will be (temporarily) answered tonight. [Sigh] I am so over this stupid storyline. The final Wayward Sister, Kaia, will be introduced this week (she looks pretty dire). There’s also a cliffhanger. I know. I was shocked, too.

There are some photos up from the backdoor pilot for the spin-off, “Wayward Sisters” (13.10).

For some odd reason, there was a flurry of casting and character return news last Friday. The biggest is that Danneel Ackles, Jensen Ackles’ wife, has been cast in a recurring role starting with episode 13.13. Fandom predictably imploded over this, since the poor woman has been the target of much resentment from the more overly invested saltgunners for years. Personally, I liked her in Ten-Inch Hero and think she had good on-screen chemistry with her then-future-husband. Also, making it a family affair means her husband still seems invested in the show and settling in for more of the long haul. This makes it good news for the show getting a few more seasons. So, I’m looking forward to it. My only big concern about it is that the character is being created by the Nepotism Duo, but I guess we’ll see.

In other news, Ruth Connell was spotted on-set recently in costume, confirming rumors that Rowena will be back in 13.12.

A Shaving People Punting Things video has been promised for noon tomorrow PST.

Warner Bros has announced details about the upcoming Wayward Sisters spin-off. As we already know, it will star Kim Rhodes (Jody Mills) and the rumor that Briana Buckmaster (Donna Hanscum) is in it was confirmed. Also starring will be Kathryn Newton (Claire Novak) and Alex Jones (Katherine Ramdeen), as well as new character Patience Turner (played by Clark Backo). Another new character, Kaia (Yadira Guevar-Prip), has been added to the main cast list. Kaia’s “gift” will be the ability to spirit travel.

The spin-off premise and new characters will be introduced via several episodes in season 13. Patience will be introduced in “Patience” (13.03), which also brings back season one character Missouri Moseley (who is Patience’s estranged grandmother and from whom Patience has inherited her psychic gift). The actual backdoor pilot will be “Wayward Sisters” (13.10).

Star Kim Rhodes told EW that there’s a good in-SPNverse reason why the show will be set in a single location (Sioux Falls) instead of moving around. Rhymes with “Hellmouth,” I’ll bet.

Season 12 is out on Amazon.

The count for Supernatural calendars for 2018 is now five: a charity calendar called If I Could Tell You: The Women of Supernatural that still has a few left from its campaign (I got it today; it’s quite nice and sturdy, despite the post office’s attempts to crumple it into a rolled-up ball in my mailbox), two large calendars out on July 1, two mini calendars on September 1, and a Creation Entertainment calendar that comes out on December 1.

The show’s ratings last week rose again from the zombie turkey apocalypse of Thanksgiving to a 0.6/2 and 1.73 million in audience. The show (got a 0.537 in the overnights and half-hours of 0.573 and 0.502, respectively.

No ratings news for the previous week, but Thanksgiving Week had a huge leap for Live+7, with “War of the Worlds” (13.07) rising a whopping 167% in demo to a 0.8 and 98% from 1.241 to 2.452 million in audience (Arrow had a similar rise, though its audience remained below Supernatural. Still a bit anemic for the show’s usual delayed numbers but quite respectable for the CW, especially over a holiday weekend.


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The Official “The Scorpion and the Frog” (13.08) Live Recap Thread


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Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee.


I’ll also be simul-recapping on Wayward Children.

Sorry about the big delay, but I had a book event last night and lots of errands today. FYI, The Supernatural Codex: Season 1, my collection of recaps and reviews from Innsmouth Free Press (plus some extras) is out on Kindle and will very soon be out in print, too. Check it out.

Anyhoo, we start off with a standard, no-rock recap of the season so far.

Cut to Now in Cambridge, England, at “7:45 pm on a Friday.” A young woman with a red suit jacket and a smug smile enters the Cambridge Museum (there are several, but the show doesn’t say which one this is) and goes down to one of the archival labs, where she enters by busting in the door (after the key card number doesn’t work). She extracts two leafs of manuscript (looks like Greek) after examining them and puts them in her alligator skin (faux?) satchel.

It’s at that point she’s rousted by a puzzled guard. She then opens her mouth and out smokes a demon. As she calmly collapses, it immediately goes into the hapless guard, who goes outside into the alley and meets up with a man in a nice suit and coat. The demon gives the man the satchel, wondering aloud how Asmodeus will reward them. The man responds by killing the demon and the poor guard he’s wearing with an angel blade.

Then the man gets on the phone and calls one Dean Winchester. He tells Dean he has something Dean might like.

Cue title cards.

Cut to Dean cleaning a gun, which never fails to be hot. Sam comes in and suggests the gun is plenty clean, indicating that something is on Dean’s mind. Sam hasn’t been able to find either Ketch or Kevin – sorry, Jack. This missing persons are what’s on Dean’s mind.

The phone rings. It’s Teaser Killer Guy making his Teaser Call. He wants to talk about Jack having gone off on his own. Sam quickly susses out and sotta voce’s to Dean that it’s a demon. Dean rolls his eyes at Sam. Since when are these things not about demons, Sam?

The demon gives them a time and address of a cafe (a public place) and the Brothers discuss the wisdom of coming as they head there. Sam thinks it’s worth a shot. Dean figures it’s risky. They’re probably both right.

Dean says that since Crowley died, he’s “sworn off demons.” It’s just not worth it and dealing with them never ends well. Sam suggests that they at least “hear him out,” to which Dean replies, “all right, and then we kill him.”

Inside, they find a guy who looks like Crowley-lite and head over to his table. Cue the sneak peek. The demon introduces himself as “Barthamus – Bart’s fine.”

Bart: The Famous Winchesters.
Dean: Some Random Demon.

Bart and Dean exchange banter, then Bart gives them one of the manuscript leaves. He says it’s half of a finding spell for a Naphil and also tries to bribe Dean with pie. Sam asks him what he’s about. Bart says he became the new head CRD after Crowley became King of Hell (a hint that the CRD we saw in season two really was Crowley). He says he wants to do a deal with the Brothers (not their souls) for the other manuscript leaf. Dean points out that the Brothers generally just kill demons like Bart, so Bart calls Sam “the smart one” and suggests he have a look at the manuscript to see if it’s real. Then he leaves. I’m a bit weary of demons calling Dean stupid, especially when Dean is calling them out on their game. Calling Sam the smarter brother doesn’t make Sam look good, either, considering the number of times a demon did that to butter up Sam’s ego (at least Sam doesn’t seem to fall for it this time). It feels more like a lazy writer insert than organic.

Anyhoo, Sam is a little shocked when Dean just goes ahead and eats the pie.

Cut to Sam finishing up his analysis and Dean asking him how it went. Sam is surprised to say that it went pretty well. He says it’s Ancient Hittite and that it appears that King Solomon created it so that he could “stalk his girlfriend” (as Dean put it), the Queen of Sheba, who turns out to have been a naphil. Dean points out that dealings with demons never go well with them.

Sam then says that this is true, but that Jack is out there and he needs them. And they ought to take the risk on his behalf (damn, Sam, I actually bought that and I’m not even missing Jack very much), so Dean agrees.

Bart is waiting in what looks like Oliver Queen’s office-dungeon (but with windows), with two nervous associates. He assures them the Brothers will be there. When Sam and Dean arrive, Bart introduces the two as Smash (a safe cracker) and Grab (a demon who is an expert on “supernatural security”).

Dean perks up when he realizes this is a heist. Didn’t know the Brothers quite as well as you thought, eh, Bart? Should’ve led with that.

The target is a man named Luther Shrike. He collects “rare supernatural objects,” as well as something that Bart owns. Bart admits that he can’t get in himself because he needs the blood of a person who has been to Hell and back – literally. Then he pointedly looks at Dean. I could have sworn Sam had been there, too (not just in the Cage, which isn’t the Pit – what Bart may really have meant – but in the execrable “Taxi Driver”), but this is straight-up ignored in favor of targeting Dean and our seeing some flashbacks to Dean’s time there.

Dean says fine, take some blood, but Bart says that he actually needs it still inside Dean. But he also needs the Brothers’ expertise at handling “curve balls.”

Sam’s the one who says no when Bart won’t say what the object is he’s looking for. Bart saying Luther is human, but a very bad man, doesn’t budge the Winchesters on the subject. But Bart says he’ll give Asmodeus the spell if they won’t cooperate, which brings Sam up short.

The Brothers go off to consult. Dean says a double-cross from Bart is a sure thing. Sam agrees, but says they need to play along to keep the spell out of Asmodeus’ hands. And then, once they get it, they’ll double-cross Bart first and kill him. Dean likes that plan, so they come back and agree to Bart’s terms.

Bart’s positively gleeful about the plan, saying Luther will never see them coming.

Cut to Luther hearing that Bart is coming from a demon minion of Asmodeus. The demon asks that Luther give Asmodeus a heads-up once Bart & Co. show up. Luther responds by leading the demon into a devil’s trap and exorcising it, saying he doesn’t need a demon’s help to defend his own house.

Cut to outside Luther’s house as the Brothers arrive. Sam is driving and tells the gate security camera he’s there about an artifact he’d emailed Luther about (and giving a false name).

Dean is hiding in the back of the Impala with Smash under a blanket. Dean’s head is down by her feet. This precipitates a crack based on the famous line near the end of Ocean’s 11 (“Ted Nugent called. He wants his shirt back”): “Hey, Winona, the 90s called. They want their shoes back.”

Anyhoo, Sam is allowed in and drives up the crappy dirt road a bit before stopping and saying “Clear.” Out gets a nervous Smash and a calm Dean. The Brothers exchange a quick “Don’t get dead” then Dean and Smash disappear into the woods to the sound of thunder and rain while Sam drives up to the house. He rings the bell and the door opens on a foyer with a devil’s trap. Luther calls from another room and Sam enters it.

Dean and Smash go into a shed where Dean makes a spell in the dirt. While she waits, Smash drinks from a can. Dean recognizes it as an energy drink (“Nerve Damage”) he used to practically live on as a kid and gets nostalgic. They bond a little when she offers him a can, but she gets grumpy again when he probes her reasons for working for Bart.

Dean finishes the spell, which is to summon in Grab. Grab admits that he doesn’t know where the vault they’re looking for is, but Dean’s blood will lead them to it. Grab then says a spell in Latin (basically, it says, “Infernal blood, show the way”). Nothing happens at first, but then Dean’s flashlight hand gets a mind of its own and drags him after it. Smash and Grab follow.

Inside, Luther offers Sam some homemade gin, which Sam downs with a grimace. Luther shows Sam a basilisk’s fang (a test, maybe?), but Sam says it’s actually a gorgon’s tooth (that basilisk fangs are hollow). Sam says he’d love to see more of Luther’s collection, but Luther just wants to stick to business.

So, Sam shows him the artifact he brought. It’s Ruby’s spork.

Outside, Dean is leading Grab and Smash through a sort of park. They arrive at a cellar door with no lock. As Dean puts it, no lock is “never a good sign.” With a grumpy sigh, Smash opens up the door, but Grab won’t go in. Dean and Smash have to go in without him. Inside, there’s a door with a lion’s head on it. Smash tells him he has to put his hand in the lion’s mouth.

Upstairs, Luther is on to Sam and says he’s with Bart. For a practiced liar, Sam sure does stutter. But Bart has it wrong that Sam is a demon and goes after him with the Spork. Luther gets a shotgun and Sam goes for the Spork, but when he stabs Luther, Luther doesn’t die. Oops. Luther knocks him out.

Downstairs, Dean is dithering over sticking his hand in. Once he finally does it, a mechanism grabs his hand and gets a drop of blood. The door opens, but when an exasperated Smash enters, Dean saves her from a poison dart. As they try to figure out what to do next, Luther stabs Grab and comes down after them.

A freaked-out Smash knees Luther and flees up the stairs. Dean puts a lot of bullets into Luther, but Luther just keeps coming, after admitting that Sam is still alive last he saw him. Sam shows up and warns Dean that Luther is immortal (well…on the property, anyway). Dean punches Luther and knocks him out.

Dean interrogates Luther, but Luther won’t talk, so Dean puts a strip of duct tape over his mouth and the Brothers put their heads together over how to get to the vault. After some babbling that he only ever watched Entrapment, and that was because he had a crush on Catherine Zeta Jones, Sam gets an idea he calls “crazy.”

“I’m good with crazy,” Dean says.

It turns out that Sam wants to put Luther’s situational immortality to their own use. They tie Luther to a chair and shove him through all the traps. He gets darted and the Brothers are able to walk in behind him. Dean is quite impressed.

Smash shows back up, after having fled out to the gate and encountered Bart, who calls her “Alice” and reminds her of her deal. The Brothers note she sold her soul. She says that as long as she does jobs for Bart, he doesn’t collect. The Brothers offer to help, but she doesn’t think they can (honey, did you forget how Dean found the vault?).

So, she cracks the safe and they get the trunk, but Luther has escaped. He comes after them in a pickup. Dean backs up and Sam shoots out Bart’s tires. Once they get him out, he tells them his story. His son was dying and he traded his soul to save him. But his son drowned a few years later, anyway. Once he got down to Hell, Luther negotiated a new deal. Oh, and he found some new leverage – he found Bart’s bones. That’s what’s in the trunk when they open it up.

His infodumping task done, Luther gets beheaded from behind by Bart. He’s off the grounds, you see.

Bart says that Luther was two centuries old and then tells the Brothers to hand over the goods. Dean’s not thrilled, but lets Sam make the decision and Sam says no, the deal’s off. Bart asks if they’re stupid and Dean says no, “We just don’t like you.”

Bart then grabs Smash and threatens to kill her. The Brothers are forced to stand by as Bart takes possession of the trunk and, for added cruelty, insists Smash get in with it. But as she approaches the trunk, she sees that Dean has dropped his lighter in there. She picks it up and lights up Bart’s bones before he can react. Unfortunately, though Sam is able to go after the other half of the spell when Bart drops it, it burns before he can put it out (you just stomp the fire out – oh, never mind).

So, the Brothers see Smash – sorry, Alice – off on a bus, after she thanks Dean for saving her life and soul. Dean tells her to “stay weird” (he called her that earlier) and she sticks her tongue out at him.

Back at the Bunker, Sam is depressed that they lost the second half of the spell. Dean says that at least they saved someone and that they will find another way. Well … also, they kept the entire spell out of Asmodeus’ hands and didn’t Bart say he made copies? But that doesn’t get mentioned.

Anyhoo, they clink glasses over it.

Credits.


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Whispers, Spoilers & Speculation Corner: 11/30/17


We need your help!

Contribute monthly via Patreon (which includes perks), make a one-time donation through Paypal, or buy us a coffee.

Paula’s collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are now up (with a few extras) on Kindle as The Supernatural Codex: Season 1, with the print version to be available in the next few days. The Kindle version is currently free through December 1 on Amazon.

You can also check out her latest anthology story, “Light a Candle, Curse the Darkness,” in Arkham Detective Agency: A Lovecraftian-Noir Tribute to C.J. Henderson.

Heather will be on hiatus for a bit. We’ll let you know when she comes back.

You can access previous spoilers columns at Innsmouth Free Press here.


Supernatural (Thursday nights, 8pm, CW)
By Paula R. Stiles

Check out my Patreon page. Help me keep this column going, pay Heather, and start doing Supernatural reviews again.

The show goes on Christmas Hellatus after the December 7 episode will return on January 18 with the Wayward Sisters backdoor pilot.

My live recap for episode 13.07 is up. I will be doing the next one at 8pm Friday (tomorrow) night, EST.

Apologies for getting behind on my reviews. I have been busy preparing two books for publication before Christmas, a cookbook my mom created years ago of recipes from various members of our family and the long-promised collection of Supernatural: Season One reviews. Both will come out in Kindle and print.

Season 13 titles so far: “Lost and Found” (13.01), synopsis and photos, promo, preview, sneak peeks, and Shaving People, Punting Things, as well as live recap and review; “The Rising Son” (13.02) synopsis and photos and promo; “Patience” (the first spinoff set-up episode) (13.03) synopsis; “The Big Empty” (13.04) synopsis, promo and official photos; “Advanced Thanatology” (13.05) synopsis, photos and promo; “Tombstone” (13.06) synopsis, promo and photos; “War of the Worlds” (13.07) synopsis photos, sneak peek and promo; “The Scorpion and the Frog” (13.08) synopsis, photos, promo and sneak peek; “The Bad Place” (13.09) (airing December 7) synopsis; Christmas Break; “Wayward Sisters” (13.10, backdoor pilot for the spinoff, airs January 18); “Various & Sundry Villains” (13.11) (previously called “The Midnight Train” and originally, the title was “Stakes on a Train,” though there also appears to have been a switch of episodes between 13.11 and 13.12) ; “Breakdown” (13.12); “Devil’s Bargain” (13.13); “Only the Best Intentions” (13.14); “A Most Holy Man” (13.15); “ScoobyNatural” (13.16, cartoon episode, appears in March), “The Thing” (13.17); “Bring ’em Back Alive” (13.18).

Photos, sneak peek and a promo are up for this week’s “The Scorpion and the Frog” (13.08).

Warner Bros has announced details about the upcoming Wayward Sisters spin-off. As we already know, it will star Kim Rhodes (Jody Mills) and the rumor that Briana Buckmaster (Donna Hanscum) is in it was confirmed. Also starring will be Kathryn Newton (Claire Novak) and Alex Jones (Katherine Ramdeen), as well as new character Patience Turner (played by Clark Backo). Another new character, Kaia (Yadira Guevar-Prip), has been added to the main cast list. Kaia’s “gift” will be the ability to spirit travel.

The spin-off premise and new characters will be introduced via several episodes in season 13. Patience will be introduced in “Patience” (13.03), which also brings back season one character Missouri Moseley (who is Patience’s estranged grandmother and from whom Patience has inherited her psychic gift). The actual backdoor pilot will be “Wayward Sisters” (13.10).

Star Kim Rhodes told EW that there’s a good in-SPNverse reason why the show will be set in a single location (Sioux Falls) instead of moving around. Rhymes with “Hellmouth,” I’ll bet.

Season 12 is out on Amazon.

The count for Supernatural calendars for 2018 is now five: a charity calendar called If I Could Tell You: The Women of Supernatural that just ended its campaign, two large calendars out on July 1, two mini calendars on September 1, and a Creation Entertainment calendar that comes out on December 1.

The show’s ratings last week were predictably awful. It got a 0.3/1 and 1.24 million in audience, easily an all-time low for an original episode. If it makes anybody feel any better, Arrow did even worse. The show (got a 0.334 in the overnight and half-hours of 0.347 and 0.321.

Ratings news was rosier for Live+7, where “Advanced Thanatology” (13.05) rose from 1.706 to 2.707 million in audience.


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