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It’s been a tough summer, so I’m way behind on my recaps and reviews. As of this review, I now have 52 episodes left to finish for previous seasons, plus the 19 after this one for the final (15th) season that starts on October 10. That’s 71 total by next April. I currently have 149 coffees at $3 each on Ko-Fi (many thanks to those who have contributed so far!). If I get 300 coffees total, I will commit to doing one recap/review per week (retro or Season 15). If I get 400 coffees, I will commit to two. If I get 500 coffees, three reviews. If I get 600 coffees, four reviews. If I get 700 coffees, five reviews per week.
Other that that, any and all contributions are welcome! You can still find my reviews here of North Carolina ghost story books, and notes about my folklore research on Patreon.
My collected recaps and reviews of season one, which first appeared on Innsmouth Free Press, are up (with a few extras) on Kindle. The Kindle version is available through Amazon. The print version is also up. If you buy the print version, you get a Kindle copy thrown in for free. I also get paid if you get it on Kindle Unlimited (for free), read the Kindle version, or lend it to a friend via the Kindle Owners Lending Library. Reviews also help with sales. Just FYI.
Scroll down to find links to all of my recaps and reviews of all seasons up to this point.
Really long recap (nearly two minutes) of random (maybe) stuff from previous seasons and one for last season that includes Dean-Michael and Mary’s death for a hot minute. We also get a quick bit of EVOL!Kaia fighting, but not Jody or Donna, or any other Wayward Sister we might care about. But it mostly lingers on the Jacknatural plot. For a painfully prolonged time. It’s all set to Bob Seger’s “The Famous Final Scene.”
Cut to Now as the song continues in the middle of the night Chuck either suddenly created out of a bright, sunny afternoon or time traveled TFW into. The camera pulls back from Jack’s face with its burned-out eye sockets to the fight going on around him. Sam, Dean and Castiel are defending themselves from a horde of zombies. Whenever they stab or smite them, the spirits inside the bodies flame red and flare out in a new special effect that … well … doesn’t make a whole lot of sense. Are they being destroyed? Shouldn’t they all be demons by now? Ah, Dabb, you and your LOL!Canon.
Eventually, TFW are able to grab Jack’s body (because, as Game of Thrones demonstrated in season eight, the smartest thing to do in a fight with zombies is to grab a recently dead body and go hide out with some other dead bodies) and retreat to a nearby mausoleum.
Cue title cards of some sort of hurricane bullet wound. Or something.
So, they’re in the crypt, trying to figure out how to get out. Well … the Brothers are trying to figure out how to get out. Castiel is moping over Jack’s dead, eyeless body, ’cause that’s useful.
After circling round and not finding a way out (aside from a window that’s way too close to the zombie-laden Forest Lawn they just escaped, the Brothers return to Jack’s body and mope briefly over it, too.
“He didn’t deserve this,” Dean says, before moving on to figuring out how not to join him. Mmm, yeah, he really did, Dean, but okay. Sam asks Castiel if he can heal Jack (from a Chuck smiting? Don’t think so, Sam).
Dean tries to figure out this new version of zombies while facing the prospect of starving to death (they’d actually die of thirst, first). Sam and Castiel both speculate that the zombies are Hell souls who leaped into any body they could find.
This … quite irritates me. For one thing, a graveyard like that isn’t going to have a whole lot of bodies left because bodies decompose relatively quickly in relation to how quickly your average cemetery in a small town fills up. For another, all souls that go to Hell turn into demons (per Ruby, who was a lying demon, yes, but was never proven wrong on that one) and they do it pretty quickly.
So, the evil ghosts the Brothers have vanquished actually ought to be demons by now, not ordinary ghosts. Or superghosts. Or whatever the hell Dabb is trying to make them out to be now.
But hey. Why should the showrunner pay any attention to his show’s own canon, amirite?
Anyhoo, Dean grumbles that he never trusted Chuck. This is true. Maybe everyone else should have listened to him about that.
Meanwhile, Sam has found an area of the wall near the floor that has the sound of running water in some kind of French drain pipe (in a crypt?). So, they start breaking up the wall and the brick behind it to see if they can crawl out (while Castiel just stands there).
Alas, the zombies have somehow figured out this route first and crawled in because … well, who the hell even knows? What did you have in mind, here, Dabb?
Castiel finally steps in and brains the zombie (which causes the skeletal spirit inside to ghost out), but it appears whatever barrier kept the souls out has been broken. Jack suddenly stands up behind them. Only, it’s not Jack. It’s a demon using his meatsuit.
The demon introduces itself as Belphegor, then checks out their gear to find some sunglasses to cover Jack’s burned-out eyes. At this point, Castiel grabs Belphegor, shoves him against the wall, and demands – at angel-sword-point – that he vacate Jack’s body.
Belphegor’s counter is that he can help them escape the crypt. That’s a pretty good counter. Dean pulls Castiel off, saying they need all the help they can get (and if the demon doesn’t help, they’ll just kill him). Sam, for once, backs Dean up.
Sam starts to introduce himself and Dean, but Belphegor cuts them off. He knows they’re the Winchesters and he knows what that means. He immediately assumes Dean was the one who opened all of Hell and is surprised when Castiel sets him straight that it was actually Chuck (while Dean looks nonplussed and Sam confirms Castiel’s claim with grim look).
Belphegor explains that he’s not a CRD or a BED (in mythology, he’s a Prince of Hell, but the show already killed them off so … not in this story?). He’s just an ordinary demon Joe who likes being in Hell, tormenting souls. He wants to get back to business as usual, which means he’s on the Winchesters’ side, at least for now.
Sam asks if Belphegor can “fix this” (meaning: Put all the zombies back). The demon says he can’t, but that he can get them out of the crypt. Dean asks how. Belphegor gets together some grave dirt and angel blood (from a reluctant Castiel) and then claps his bloodied/dirty hands together. The incessant growling of the zombies outside stops, as if cut off. When TFW go outside, they find bodies everywhere.
Castiel says the ghosts must have all died – I mean, again. Belphegor corrects him on that. He just blasted them out of the bodies. Dean asks, Where are they now?
Cut to two girls (one black and one white – this is very relevant) playing dress-up in the white girl’s bedroom (except that later, we will see pictures on the wall of the black girl, so I guess it’s her house?), while Extreme Music’s “Gimme What I Want” plays.
It’s not actually a bad song, but I get the impression the show is using it here to emphasize the girls immaturity and innocence. Dabb writes them as stereotypical pre-teens (giggling, big smiles and talking in popular catchphrases), but the actresses look quite a bit older. Which just underscores how poorly he writes women.
Anyhoo, we get a few lines about how the white girl’s mom is buying her lots of stuff out of guilt over divorcing her dad/step-dad. As the black girl turns back to the mirror, Bloody Mary (who had previous stuck her hand out of a mirror the white girl turned away from) starts to mimic her. First, she makes the girl’s reflection’s eyes bleed, then the girl’s eyes. But then, as the girl turns around, she pulls the skin off her own face as she screams and that’s not part of the whole Bloody Mary thing, so LOL!Canon strikes again.
Also, yep, the Person of Color dies first and worst. Thanks so much for grinding that old horror-movie cliche in a little more, Dabb.
Upon seeing her friend drop dead, White Girl turns to flee, but sees Bloody Mary blocking her path. She lets out a hearty horror-movie scream.
Cut to the Impala, still in Chuck’s imposed night. Castiel and Belphegor are in the backseat, which is mighty uncomfortable for the angel. Belphegor is saying he looks good with the glasses, but demons whose vessels have burned-out eyes can’t see (per the waitress demon in season four’s premiere, “Lazarus Rising”).
Sam is looking online for any sign of the “ghosts” and can’t find any (wouldn’t people also be confused by day suddenly turning to night?). Belphegor says the “souls” will resurface eventually, as they have to go somewhere. He can contain them, though, in a mile-wide radius near the cemetery (but doesn’t this conversation imply they blasted all over the world – oh, never mind). He just needs to use a spell. When asked how many souls there are in Hell, he says 2-3 billion. Um, really? If there were that many in Hell, then why did Crowley believe in season six that the tens of millions of monster souls in Purgatory would ever help him against Raphael?
Castiel points out that this circle would encompass the nearby town of Harlan, KS, so now TFW has to go back in and get everyone out (assuming they’re not already dead or possessed by ghosts).
They see a car up ahead. It’s deserted, with blood on the windshield and the radio playing “Too Good to Be True” by Lon Rodgers and the Soul Blenders. Dean immediately recognizes this as the MO of a Woman in White. Sam confirms that there is more than one Woman in White type of ghost in the SPNverse when he guesses this might be their Woman in White. At that point, Dean realizes that all the souls they ever vanquished are back out of Hell and roaming the earth.
Cut to a viciously disrupted birthday party (it’s heavily implied that there were child casualties). There are only two survivors – a woman and her daughter. The woman, who is happily quite resourceful, carries her child out to the garage. But a ghost clown chasing them has put the whole house on supernatural lockdown and they can’t get out. The woman calls out to a man outside, walking his dog, but he doesn’t hear her. She and her daughter hide as the ghost (of John Wayne Gacy from “Lebanon” last season) stalks through the garage, looking for them and cackling.
Cut to daytime, with the Brothers arriving in the Impala in town. Sam gets out to convince the sheriff that he has to evacuate the town (some barmy lie about a benzene pipeline outside town that “sprung a leak”). Sam and Dean are wearing FBI jackets.
Meanwhile, Dean tries to detail Castiel out to the job of getting Belphegor his ingredients, but Castiel can’t even angel-up enough to look at Belphegor and gets out of the car. Hey, remember when Dean was reaaaallly upset about Jack murdering his mom and Castiel wanted him to get over it in a hot minute? Yeah.
So, in the car, Belphegor is saying he’s been downstairs since he died and that the last time he was topside, people were very ugly and they “worshiped a giant penis” (the expressions from Jensen Ackles to stay in character – and likely to keep from laughing – are priceless). This is a reference to Belphegor’s real-world mythology as the god Baal-Peor in Ancient Canaanite religion. He was worshiped by the Moabites in the form of a stone penis. Really. It’s all in Belphegor’s pretty-short Wikipedia page, which is probably the only research Dabb did on the subject.
In the show, this version has a wee crush on Dean. Dean mostly shrugs this off and gets out of the demon that there are only two key ingredients to his spell – rock salt and a human heart. So, basically Ruby’s spell from season three’s “Jus in Bello,” but missing the “kills all demons” part.
Meanwhile, Sam and Castiel have convinced the sheriff to evacuate the town and they are going into houses to get people out. Castiel happens to enter the one with the two girls (Bloody Mary is still there in the mirrors and looking smug). Sam goes into the one where the woman is still hiding with her daughter in the garage from Gacy Clown.
Rather than let her mom get her down from the high shelf they were hiding behind, Sam stupidly puts down his saltgun and gets her down himself. Then he starts reassuring her while still not picking up the gun. This, unsurprisingly, results in GC appearing behind him and slashing him.
Fortunately, Castiel shows up and blasts the ghost with rock salt. Then he heals Sam of the ghost’s slash wound. They then have a conversation about Sam’s ricochet wound from shooting Chuck, right in front of the mom and daughter, while the clown ghost is still in the vicinity. As you do.
Castiel tries to heal the bullet wound, but instead gets a vision of Sam apparently possessed by Lucifer in the Bunker while it’s on lockdown and possibly a shot of Dean collapsing as if dead, while we hear him say, “Sammy, please.”
Castiel then says there’s an “energy” in the wound that he has never, ever, pinky-swear felt before. I roll my eyes, because did we really need a final round of Sam Done Come Back Wrong? Really, Show? That’s the best you can do with this character in his final season?
Meanwhile, Dean is getting off the phone with Rowena (“Get your exquisite ass over here” he tells her after being told off for saying only “Get your ass over here”) and handing Belphegor his salt. Belphegor then admits that he’s a major fan (and he does use that word) of the torturer Dean was in Hell, that what Dean did there was “art.” He just didn’t want to say that in front of the rest of TFW.
Whoo, does that make Dean uncomfortable. But when Dean asks Belphegor what it was like when Hell burst open, he is shocked to hear that every door opened up and confirms that this included the Cage. Michael hadn’t left the Cage when Belphegor was cast out (up?), but if he were to do that, well ….
Meanwhile, the sheriff is finishing up clearing the town out and gets killed in a parking lot right after talking to Sam, by the Woman in White (not played by Sarah Shahi this time). Conveniently (and uncharacteristically), she leaves the heart, which means Belphegor can now use it for his spell without too much guilt for TFW. The Woman in White shows up and hits Dean after saying “I remember you. You took me home.” Nooooo, Dabb, honey. That was Sam. She also slashes Belphegor because that’s now a thing ghosts can do to demons, I guess.
Sam and Castiel are leaving the house as GC watches them from the garage. The little girl decides to wander over to a pond and stare into it until Bloody Mary shows up because … plot reasons. Mom gets grabbed as she tries to get her daughter away. Meanwhile, Sam is up against GC and Castiel against Lizzie Borden for some random reason. There’s also some other random tall dude. Actually, Castiel does most of the vanquishing and Sam accidentally shoots him with rock salt at one point (to Castiel’s annoyance). But Sam does get to shoot Bloody Mary, and save Mom and her stupid daughter. So, there’s that.
This is interspersed with Belphegor doing the spell in Latin (a bit mangled in pronunciation): “Animae infernorum, spiritus abyssi surrecti defigo, vos intra confinia, vinciamini,” which basically means, “Spirits of Hell, resurrected spirits of the abyss, I enchant/strike [you] dumb; within this boundary, I confine you.”
A large, glowing red line spreads out around the town. Sam and Castiel see it and Sam realizes it’s the spell. He and Castiel, along with the mom and daughter, start running. Funnily enough, instead of doing their usual thing of teleporting, the spirits … run after them. In broad daylight. Really.
So, the humans make it through the boundary (after Sam first tries to hold off the ghosts with an empty saltgun). GC howls in rage and Sam tells to clown to “shut up.”
Afterward, as they get dropped off in a nearby town, Mom and Daughter thank TFW, who tell them it might be best if they don’t tell anybody about all this. I concur.
Dean asks Castiel if he’s okay. Castiel says yes, but before he can go into any detail (warming up more than he has recently toward Dean), Dean says that’s good and coldly turns his back on him. Just in case we weren’t sure what this was supposed to mean, Belphegor casually rimshots it as an intentional snub. Castiel rebuffs Belphegor’s offer to cry on his shoulder.
At the very end, Sam says they’re on a deadline. What happens when the real FBI shows up? Dean gets Sam to show him his wound and cleans it (distracting him with a knock-knock joke, just as when they were kids). Because surely, after an angel couldn’t do anything, a little alcohol will do the trick. He notes there’s no exit wound. Well, yeah, but it wasn’t a gun that, strictly speaking, fired bullets, anyway.
Sam brings up Chuck saying it was “the end” in last season’s finale. Dean says they were just “rats in a maze” all along, with no meaningful choice. Sam says they saved people, but Dean asks what is the point, when Chuck will just throw another apocalypse at them? Sam, though, thinks that Chuck is gone (um … because why, now?), that Chuck has given up on this story and moved on to another one. So, if they can beat this apocalypse, maybe it will be the last one.
As they turn back to the trunk (in a mirror of the end of the Pilot), Dean says, “Well, you know what that means.”
Sam: We got work to do.
As Sam reaches up to close the trunk, we get an actual flashback to his doing it in the Pilot.
The show came back slightly higher in demo (0.4/2) than the season 14 finale (0.3/2) and slightly lower (1.23 million vs. 1.30 million) in audience. What that probably means is that it skewed a bit younger this week than in last season’s finale. This put it in fourth place for the week on the network (including against brand-new show Batwoman). I haven’t seen DVR numbers yet for the show.
For comparison, Supernatural‘s lead-out Legacies came back with an unimpressive 0.3/3 and 0.80 million, which put Legacies third-from-last for the week, only ahead of Friday shows Charmed and Dynasty. Sure, CW. Tell us again how Legacies and Charmed were such better ideas than that Wayward Sisters spin-off.
The preview for next week is up.
Review: Well. That happened.
For those of you hoping the showrunners would clean up their act this final season, it was a nice thought. Let’s put it that way.
This episode had some nice ideas and clip-clopped along at enough of a rate that it might even have been scary in an old-school, fairly simplistic-but-eerie way, if both the writer and director hadn’t been phoning it all in. Not a good sign of things to come when both showrunners are so mentally checked out in the very first episode of their last season.
It was a typical Dabb script – shallow, insipid and chaotic, yet painfully linear, loaded with walking cliches in place of characters, random plot holes, poor or nonexistent foreshadowing, and many unnecessary errors in canon.
Singer’s direction was obvious and plodding, taking the cheapest, easiest and least imaginative approach to the script. I got some amusement out of the traditional Belphegor being an example of laziness and sloth in Reformation era demonology. What a perfect metaphor for the current showrunners and their bad attitude. It’s possible this was Dabb’s sly dig at critical fans, but with everything else in the episode being banged home with verbal rimshots, I doubt he had anything so subtle in mind.
A major example in the episode itself is the central MOTW – the ghosts. There’s a moment at the climax that highlights the errors in a glaring way. That’s when Sam and Castiel, and their two civilian charges are running from the ghosts who are … running after them. Say, what?
Now, sure, in the beginning of the episode, the ghosts are lumbering after TFW, but that’s because they are inside dead meatsuits. Why they are inside dead meatsuits isn’t entirely clear. Is that something Chuck just randomly made up?
Okay, fine, but how is that satisfying storytelling? Just because a monster mash-up sounds cool on paper, that doesn’t mean it’s gonna work out onscreen (it sure didn’t here). And if it’s not satisfying storytelling, why would Chuck do it in the first place? Just because he’s God, that doesn’t mean his behavior has no limits or pattern. He likes good stories. Even if he is (as I continue to suspect) actually the Empty Entity, he’s still gotta act in character and doing so means “writing” a good puppet show.
The thing that Dabb forgets, over and over, in this episode is that a big part of what made classic ghosts like Bloody Mary and the Woman in White so frightening was how the limits of their urban legend backstories actually made them more dangerous, not less. It made their behavior unsettling and unpredictable, even once you figured out their pattern.
When they would hit such a limit in their parameters, they’d bounce off in some random direction and come at you sideways, or from behind. Sure, the pattern would be obvious after their attack, but by then, someone would usually be dead. Their backstories gave them a mystery, a mystique, that made them truly frightening. Take away their traditional limits and they become generic monsters, and much, much less scary.
The thing that Singer forgets is that ghosts are scary because they operate in the dark, in shadows (where you can’t really see them or what they’re doing), and because they no longer move or act like human beings. They flicker and teleport. They appear and disappear at random. They twist and distort. They flow like liquid, blow like gas. They appear in multiple forms. They are lethally ethereal.
What they are not is a group of live human actors in dress-up, running after Our Heroes across an open street, in broad daylight, on a bright and sunny day. If you’re gonna go with that setting, do some friggin’ shadow people flickering along the house walls and doors, instead. That would be scary.
At the climactic point in the episode, the ghosts have been kicked out of their bodies and are, again, just ghosts. There is simply no reason for ghosts to run. In point of fact, we never see them run in other episodes (except for the justly forgotten “Of Grave Importance,” where they even forget they can pass through walls and floors and ceilings). There is nothing scary about ghosts running like living people.
Speaking of which, why are they still just ghosts? They should long since have been demonized by now. Yet, we only meet one demon – Belphegor. And the way Belphegor talks about being in Hell, it appears the show has, once again, forgotten all about the canon established in season-freakin’-four that Hell time moves much faster than earth time – in the same scene where Belphegor is referencing Dean’s 40 years in Hell, no less.
Or, that there shouldn’t be that many souls left in Hell, demonized or not, after Amara’s eating rampage. Or, if there were lots more than that before she chowed down on them, why was Crowley so hot to get a mere 20-30 million monster souls from Purgatory in season six?
One could argue that some of this retconning is just reinterpreting canon, rather than changing it up. And I’d be fine with that if the replacement canon were better, or at least took the story in intriguing new directions, but it’s not and it doesn’t. It’s just lazy.
There is no reason, for example, for the Woman in White to claim that Dean took her home. That’s as dumb as the Nepotism Duo claiming that Lucifer was the oldest archangel. The Pilot’s climax makes it obvious this was Sam’s plan (to the point that Dean complains afterward about Sam driving the car into the house). Sam even says what he’s about to do to Constance (the Pilot’s Woman in White) right before he does it. And Dean is treated by both of them as little more than an afterthought, even though he “shot Casper in the face, you freak,” as Sam so memorably puts it.
Further, while I can see a fandemon like Belphegor believing that Dean was behind opening the gates of Hell, it makes no sense from a story point of view. Aside from Dean, only a few angels and demons even know that Dean was the First Seal. That leaves Sam and Castiel duking it out for the top spot of Number One Public Champ in Starting Apocalypses.
I find it curious that these two “accomplishments” (one minor, one highly negative) are incorrectly attributed to Dean, while Sam gets the limpest, lamest version of Speshul Sauce Sammy subplot yet. He’s got VISIONS FROM GOD, Y’ALL. Though it would be more accurate to say that Castiel’s attempt to heal his wound meant the wound sparked visions in Castiel because Sam acts completely unaware of them when interacting with Dean later on. But the upshot is that once again, we have something SPECIAL about Sam that really has nothing to do with Sam and doesn’t grow his personality in any significant way.
Not helping is the constant handholding and training wheels that the episode gives Sam. Sam is a grown-ass adult and experienced Hunter of no small renown, yet he’s presented here as barely able to carry a saltgun by the correct end. Castiel has to rescue him almost incessantly from his own stupidity and the big, mean ghosts Sam has been fighting his entire life. I mean, I get that clowns scare him, but come on. He acts dumb even before he tangles with Gacy Clown.
Granted, everyone in that climactic ghost chase scene (especially that little girl) is hit by so many plot stupid anvils that it’s a wonder they won’t have concussions for the rest of the season. The little girl was so dumb, I kept expecting her to be possessed by a ghost. Hell, somebody should have been possessed by a ghost in all the shenanigans.
Castiel, I wanted to smack with a rotten mackerel for much of the episode. He’s been acting pissy toward Dean for a while, for various plot reasons (for a start, he was mad at Dean last season for saying yes to Michael, even though Castiel had said yes to Lucifer under not-dissimilar conditions). His latest thing was being upset that Dean wasn’t properly “mourning” Jack, but as Dean put it in the episode, Jack was dead and they had an apocalypse to survive.
Castiel seems to have had a change of heart after seeing the vision of Sam apparently murdering Dean. I think. Unlike everything else in the episode, including Dean’s stinging rejection of Castiel’s proffered olive branch (complete with verbal rimshot from Belphegor, standing nearby), it wasn’t made REALLY OBVIOUS. Yet, Castiel did act distinctly warmer toward Dean in the episode’s coda and it did follow directly on his vision of Dean’s death at Sam’s hands in some probably-near future.
Alas, Dean wasn’t feeling the reconciliation. Well, that might have something to do with Castiel’s little meltdown in the middle of the episode. Castiel wasn’t happy at all with Dean’s being willing to work with a demon inside Jack’s meatsuit and was pretty nasty about it. Yet, he was all about Dean insta-forgiving Jack for murdering Mary and just moving on from his own mother’s (second) death. Keep in mind that only occurred days ago in the story’s timeline.
From Dean’s POV, that’s going to look an awful lot like Castiel feeling “bad” about Mary, but not really. In wallowing in his own grief and anger over Jack’s death, Castiel made it abundantly clear that his love and grief over Mary was all pretty academic, and that he wasn’t willing to respect Dean’s grief in the way he expected Dean to respect his own (in the middle of an all-hands-on-deck emergency, no less). And that’s gonna make Dean pretty salty.
Well, I left Belphegor for last. I’m not really sure what to think of him. I liked him okay initially, though I found Alex Calvert’s performance a little rough. He did improve a bit on rewatch, though, and it’s common for fan favorites to have rocky starts in their first episode.
I currently have two problems with him. One is that his powers and skills were a little bit too convenient for the needs of TFW and the story. That Sued him up a bit, even allowing for the probability that he is playing TFW (Dean even acknowledged this likelihood while accepting his help). The other is that I don’t see much reason to get used to him as a character, since I doubt he’ll last long. The show seems obsessed with bring Jack Sue back, with all that entails, so that makes Belphegor just a placeholder character who keeps Alex Calvert onscreen and Calvert fans happy for now. Ah, well.
The Kripke Years
The Gamble Years
Season 6 (with Kripke)
The Carver Years
The Dabb Years
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